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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CC8F4 it is the complementary color #83370B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CC8F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CC8F4 shade: #81C8EF, #92DAFF, #A3ECFF, #B4FEFF and #C5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CC8F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CC8F4 shade: #7CC8F4, #6BB6E1, #5AA4CE, #4992BB and #3880A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CC8F4 shade: #7BC8F4, #7BA7F4, #7B86F4, #907BF4 and #B17BF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CC8F4 shade: #7BC8F4, #7BA7F4, #7B86F4 and #7B7BF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CC8F4 shade matches the following richer shades: #7BC8F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CC8F4 shade: #7BC8F4, #86C5E9, #92C2DD, #9EBFD2 and #A9BBC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CC8F4 shade: #7BF4E0, #7BE8F4, #7BC8F4, #7BA7F4 and #7B87F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CC8F4 shade: #2FA8EE, #55B8F1, #7BC8F4, #A1D8F7 and #C7E8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CC8F4 shade: #7CC8F4, #C07BF4 and #F4F07B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CC8F4 shade: #7CC8F4, #F47BC8 and #C8F47B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CC8F4 shade: #7CC8F4, #C07BF4, #F4A77B and #B0F47B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CC8F4 shade: #7CC8F4, #E47BF4, #F4A77B and #8BF47B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 18 / 0 / 4

HEX #7CC8F4

RGB 124 200 244

HSL 202, 0.85%, 0.72%

LAB 77.36, -11.85, -28.98

 

Complementary color

CMYK 0 / 58 / 92 / 49

HEX #83370B

RGB 131 55 11

HSL 22, 0.85%, 0.28%

LAB 33.1, 30.45, 40

 

CMYK 46 / 16 / 0 / 6

HEX #81C8EF

RGB 129 200 239

HSL 201.27, 0.77%, 0.72%

LAB 77.4, -12.08, -26.2

 

CMYK 43 / 15 / 0 / 0

HEX #92DAFF

RGB 146 218 255

HSL 200.37, 1%, 0.79%

LAB 83.69, -13.11, -25.06

 

CMYK 36 / 7 / 0 / 0

HEX #A3ECFF

RGB 163 236 255

HSL 192.39, 1%, 0.82%

LAB 89.39, -17.98, -16.36

 

CMYK 29 / 0 / 0 / 0

HEX #B4FEFF

RGB 180 254 255

HSL 180.8, 1%, 0.85%

LAB 95.08, -22.34, -7.78

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 49 / 18 / 0 / 4

HEX #7CC8F4

RGB 124 200 244

HSL 202, 0.85%, 0.72%

LAB 77.36, -11.85, -28.98

 

CMYK 52 / 19 / 0 / 12

HEX #6BB6E1

RGB 107 182 225

HSL 201.86, 0.66%, 0.65%

LAB 70.88, -11.46, -28.72

 

CMYK 56 / 20 / 0 / 19

HEX #5AA4CE

RGB 90 164 206

HSL 201.72, 0.54%, 0.58%

LAB 64.31, -10.97, -28.45

 

CMYK 61 / 22 / 0 / 27

HEX #4992BB

RGB 73 146 187

HSL 201.58, 0.46%, 0.51%

LAB 57.62, -10.35, -28.18

 

CMYK 67 / 24 / 0 / 34

HEX #3880A8

RGB 56 128 168

HSL 201.43, 0.5%, 0.44%

LAB 50.81, -9.52, -27.89

 

CMYK 50 / 18 / 0 / 4

HEX #7BC8F4

RGB 123 200 244

HSL 201.82, 0.85%, 0.72%

LAB 77.31, -12.07, -29.05

 

CMYK 50 / 32 / 0 / 4

HEX #7BA7F4

RGB 123 167 244

HSL 218.18, 0.85%, 0.72%

LAB 68.3, 6, -43.03

 

CMYK 50 / 45 / 0 / 4

HEX #7B86F4

RGB 123 134 244

HSL 234.55, 0.85%, 0.72%

LAB 59.7, 25.2, -56.63

 

CMYK 41 / 50 / 0 / 4

HEX #907BF4

RGB 144 123 244

HSL 250.41, 0.85%, 0.72%

LAB 58.63, 36.42, -58.25

 

CMYK 27 / 50 / 0 / 4

HEX #B17BF4

RGB 177 123 244

HSL 266.78, 0.85%, 0.72%

LAB 61.69, 44.57, -53.18

 

CMYK 50 / 18 / 0 / 4

HEX #7BC8F4

RGB 123 200 244

HSL 201.82, 0.85%, 0.72%

LAB 77.31, -12.07, -29.05

 

CMYK 50 / 32 / 0 / 4

HEX #7BA7F4

RGB 123 167 244

HSL 218.18, 0.85%, 0.72%

LAB 68.3, 6, -43.03

 

CMYK 50 / 45 / 0 / 4

HEX #7B86F4

RGB 123 134 244

HSL 234.55, 0.85%, 0.72%

LAB 59.7, 25.2, -56.63

 

CMYK 50 / 50 / 0 / 4

HEX #7B7BF4

RGB 123 123 244

HSL 240, 0.85%, 0.72%

LAB 56.99, 31.71, -60.97

 

CMYK 50 / 18 / 0 / 4

HEX #7BC8F4

RGB 123 200 244

HSL 201.82, 0.85%, 0.72%

LAB 77.31, -12.07, -29.05

 

CMYK 50 / 18 / 0 / 4

HEX #7BC8F4

RGB 123 200 244

HSL 201.82, 0.85%, 0.72%

LAB 77.31, -12.07, -29.05

 

CMYK 42 / 15 / 0 / 9

HEX #86C5E9

RGB 134 197 233

HSL 201.82, 0.69%, 0.72%

LAB 76.61, -10.91, -24.17

 

CMYK 34 / 12 / 0 / 13

HEX #92C2DD

RGB 146 194 221

HSL 201.6, 0.52%, 0.72%

LAB 76.02, -9.26, -18.54

 

CMYK 25 / 9 / 0 / 18

HEX #9EBFD2

RGB 158 191 210

HSL 201.92, 0.37%, 0.72%

LAB 75.57, -6.83, -13.19

 

CMYK 15 / 6 / 0 / 22

HEX #A9BBC6

RGB 169 187 198

HSL 202.76, 0.2%, 0.72%

LAB 74.86, -3.89, -7.65

 

CMYK 50 / 0 / 8 / 4

HEX #7BF4E0

RGB 123 244 224

HSL 170.08, 0.85%, 0.72%

LAB 89.06, -38.8, -0.83

 

CMYK 50 / 5 / 0 / 4

HEX #7BE8F4

RGB 123 232 244

HSL 185.95, 0.85%, 0.72%

LAB 86.23, -28.21, -15.51

 

CMYK 50 / 18 / 0 / 4

HEX #7BC8F4

RGB 123 200 244

HSL 201.82, 0.85%, 0.72%

LAB 77.31, -12.07, -29.05

 

CMYK 50 / 32 / 0 / 4

HEX #7BA7F4

RGB 123 167 244

HSL 218.18, 0.85%, 0.72%

LAB 68.3, 6, -43.03

 

CMYK 50 / 45 / 0 / 4

HEX #7B87F4

RGB 123 135 244

HSL 234.05, 0.85%, 0.72%

LAB 59.95, 24.61, -56.23

 

CMYK 80 / 29 / 0 / 7

HEX #2FA8EE

RGB 47 168 238

HSL 201.99, 0.85%, 0.56%

LAB 65.58, -8.92, -44.21

 

CMYK 65 / 24 / 0 / 5

HEX #55B8F1

RGB 85 184 241

HSL 201.92, 0.85%, 0.64%

LAB 71.26, -11.81, -36.9

 

CMYK 50 / 18 / 0 / 4

HEX #7BC8F4

RGB 123 200 244

HSL 201.82, 0.85%, 0.72%

LAB 77.31, -12.07, -29.05

 

CMYK 35 / 13 / 0 / 3

HEX #A1D8F7

RGB 161 216 247

HSL 201.63, 0.84%, 0.8%

LAB 83.65, -10.27, -20.81

 

CMYK 20 / 7 / 0 / 2

HEX #C7E8FA

RGB 199 232 250

HSL 201.18, 0.84%, 0.88%

LAB 90.21, -6.99, -12.31

 

CMYK 49 / 18 / 0 / 4

HEX #7CC8F4

RGB 124 200 244

HSL 202, 0.85%, 0.72%

LAB 77.36, -11.85, -28.98

 

CMYK 21 / 50 / 0 / 4

HEX #C07BF4

RGB 192 123 244

HSL 274.21, 0.85%, 0.72%

LAB 63.26, 48.48, -50.59

 

CMYK 0 / 2 / 50 / 4

HEX #F4F07B

RGB 244 240 123

HSL 58.02, 0.85%, 0.72%

LAB 93.01, -13.97, 56.43

 

CMYK 49 / 18 / 0 / 4

HEX #7CC8F4

RGB 124 200 244

HSL 202, 0.85%, 0.72%

LAB 77.36, -11.85, -28.98

 

CMYK 0 / 50 / 18 / 4

HEX #F47BC8

RGB 244 123 200

HSL 321.82, 0.85%, 0.72%

LAB 67.7, 55.41, -18.74

 

CMYK 18 / 0 / 50 / 4

HEX #C8F47B

RGB 200 244 123

HSL 81.82, 0.85%, 0.72%

LAB 90.97, -32.75, 53.24

 

CMYK 49 / 18 / 0 / 4

HEX #7CC8F4

RGB 124 200 244

HSL 202, 0.85%, 0.72%

LAB 77.36, -11.85, -28.98

 

CMYK 21 / 50 / 0 / 4

HEX #C07BF4

RGB 192 123 244

HSL 274.21, 0.85%, 0.72%

LAB 63.26, 48.48, -50.59

 

CMYK 0 / 32 / 50 / 4

HEX #F4A77B

RGB 244 167 123

HSL 21.82, 0.85%, 0.72%

LAB 75.01, 23.6, 34.16

 

CMYK 28 / 0 / 50 / 4

HEX #B0F47B

RGB 176 244 123

HSL 93.72, 0.85%, 0.72%

LAB 89.56, -41.33, 51.22

 

CMYK 49 / 18 / 0 / 4

HEX #7CC8F4

RGB 124 200 244

HSL 202, 0.85%, 0.72%

LAB 77.36, -11.85, -28.98

 

CMYK 7 / 50 / 0 / 4

HEX #E47BF4

RGB 228 123 244

HSL 292.07, 0.85%, 0.72%

LAB 67.42, 58.11, -43.76

 

CMYK 0 / 32 / 50 / 4

HEX #F4A77B

RGB 244 167 123

HSL 21.82, 0.85%, 0.72%

LAB 75.01, 23.6, 34.16

 

CMYK 43 / 0 / 50 / 4

HEX #8BF47B

RGB 139 244 123

HSL 112.07, 0.85%, 0.72%

LAB 87.79, -53.16, 48.64

 

Description

Color code: HEX #7CC8F4 | qconv.com Color code: HEX #7CC8F4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 200 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 200 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 18 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 18% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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