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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CACFC it is the complementary color #835303. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CACFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CACFC shade: #81ACF7, #92BEFF, #A3D0FF, #B4E2FF and #C5F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CACFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CACFC shade: #7CACFC, #6B9AE9, #5A88D6, #4976C3 and #3864B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CACFC shade: #7DADFC, #7D8AFC, #927DFC, #B47DFC and #D77DFC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CACFC shade: #7DADFC, #7D8AFC and #7D7DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CACFC shade matches the following richer shades: #7DADFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CACFC shade: #7DADFC, #88AFF2, #93B2E7, #9DB5DC and #A8B8D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CACFC shade: #7DF2FC, #7DD0FC, #7DAEFC, #7D8CFC and #907DFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CACFC shade: #2C7AFB, #5593FC, #7DADFC, #A5C6FD and #CEE0FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CACFC shade: #7CACFC, #E57DFC and #E1FC7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CACFC shade: #7CACFC, #FC7DAE and #AEFC7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CACFC shade: #7CACFC, #E57DFC, #FCCC7D and #94FC7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CACFC shade: #7CACFC, #FC7DED, #FCCC7D and #7DFC8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 32 / 0 / 1

HEX #7CACFC

RGB 124 172 252

HSL 217.5, 0.96%, 0.74%

LAB 70.05, 5.77, -44.63

 

Complementary color

CMYK 0 / 37 / 98 / 49

HEX #835303

RGB 131 83 3

HSL 37.5, 0.96%, 0.26%

LAB 39.61, 14.36, 47.35

 

CMYK 48 / 30 / 0 / 3

HEX #81ACF7

RGB 129 172 247

HSL 218.14, 0.88%, 0.74%

LAB 70.1, 5.43, -41.82

 

CMYK 43 / 25 / 0 / 0

HEX #92BEFF

RGB 146 190 255

HSL 215.78, 1%, 0.79%

LAB 76.17, 1.78, -36.62

 

CMYK 36 / 18 / 0 / 0

HEX #A3D0FF

RGB 163 208 255

HSL 210.65, 1%, 0.82%

LAB 81.9, -3.55, -27.71

 

CMYK 29 / 11 / 0 / 0

HEX #B4E2FF

RGB 180 226 255

HSL 203.2, 1%, 0.85%

LAB 87.64, -8.31, -18.9

 

CMYK 23 / 4 / 0 / 0

HEX #C5F4FF

RGB 197 244 255

HSL 191.38, 1%, 0.89%

LAB 93.36, -12.59, -10.23

 

CMYK 51 / 32 / 0 / 1

HEX #7CACFC

RGB 124 172 252

HSL 217.5, 0.96%, 0.74%

LAB 70.05, 5.77, -44.63

 

CMYK 54 / 34 / 0 / 9

HEX #6B9AE9

RGB 107 154 233

HSL 217.62, 0.74%, 0.67%

LAB 63.44, 6.59, -44.69

 

CMYK 58 / 36 / 0 / 16

HEX #5A88D6

RGB 90 136 214

HSL 217.74, 0.6%, 0.6%

LAB 56.72, 7.59, -44.77

 

CMYK 63 / 39 / 0 / 24

HEX #4976C3

RGB 73 118 195

HSL 217.87, 0.5%, 0.53%

LAB 49.87, 8.8, -44.89

 

CMYK 68 / 43 / 0 / 31

HEX #3864B0

RGB 56 100 176

HSL 218, 0.52%, 0.45%

LAB 42.9, 10.34, -45.03

 

CMYK 50 / 31 / 0 / 1

HEX #7DADFC

RGB 125 173 252

HSL 217.32, 0.95%, 0.74%

LAB 70.37, 5.43, -44.13

 

CMYK 50 / 45 / 0 / 1

HEX #7D8AFC

RGB 125 138 252

HSL 233.86, 0.95%, 0.74%

LAB 61.28, 25.69, -58.51

 

CMYK 42 / 50 / 0 / 1

HEX #927DFC

RGB 146 125 252

HSL 249.92, 0.95%, 0.74%

LAB 59.71, 37.93, -60.92

 

CMYK 29 / 50 / 0 / 1

HEX #B47DFC

RGB 180 125 252

HSL 265.98, 0.95%, 0.74%

LAB 62.84, 46.15, -55.74

 

CMYK 15 / 50 / 0 / 1

HEX #D77DFC

RGB 215 125 252

HSL 282.52, 0.95%, 0.74%

LAB 66.63, 55.2, -49.5

 

CMYK 50 / 31 / 0 / 1

HEX #7DADFC

RGB 125 173 252

HSL 217.32, 0.95%, 0.74%

LAB 70.37, 5.43, -44.13

 

CMYK 50 / 45 / 0 / 1

HEX #7D8AFC

RGB 125 138 252

HSL 233.86, 0.95%, 0.74%

LAB 61.28, 25.69, -58.51

 

CMYK 50 / 50 / 0 / 1

HEX #7D7DFC

RGB 125 125 252

HSL 240, 0.95%, 0.74%

LAB 58.09, 33.35, -63.61

 

CMYK 50 / 31 / 0 / 1

HEX #7DADFC

RGB 125 173 252

HSL 217.32, 0.95%, 0.74%

LAB 70.37, 5.43, -44.13

 

CMYK 50 / 31 / 0 / 1

HEX #7DADFC

RGB 125 173 252

HSL 217.32, 0.95%, 0.74%

LAB 70.37, 5.43, -44.13

 

CMYK 44 / 28 / 0 / 5

HEX #88AFF2

RGB 136 175 242

HSL 217.92, 0.8%, 0.74%

LAB 71.08, 4, -37.55

 

CMYK 36 / 23 / 0 / 9

HEX #93B2E7

RGB 147 178 231

HSL 217.86, 0.64%, 0.74%

LAB 72.1, 2.22, -29.93

 

CMYK 29 / 18 / 0 / 14

HEX #9DB5DC

RGB 157 181 220

HSL 217.14, 0.47%, 0.74%

LAB 73.14, 0.63, -22.29

 

CMYK 20 / 12 / 0 / 18

HEX #A8B8D1

RGB 168 184 209

HSL 216.59, 0.31%, 0.74%

LAB 74.32, -0.21, -14.44

 

CMYK 50 / 4 / 0 / 1

HEX #7DF2FC

RGB 125 242 252

HSL 184.72, 0.95%, 0.74%

LAB 89.34, -30.5, -15.03

 

CMYK 50 / 17 / 0 / 1

HEX #7DD0FC

RGB 125 208 252

HSL 200.79, 0.95%, 0.74%

LAB 79.9, -13.57, -29.35

 

CMYK 50 / 31 / 0 / 1

HEX #7DAEFC

RGB 125 174 252

HSL 216.85, 0.95%, 0.74%

LAB 70.64, 4.86, -43.71

 

CMYK 50 / 44 / 0 / 1

HEX #7D8CFC

RGB 125 140 252

HSL 232.91, 0.95%, 0.74%

LAB 61.78, 24.51, -57.71

 

CMYK 43 / 50 / 0 / 1

HEX #907DFC

RGB 144 125 252

HSL 248.98, 0.95%, 0.74%

LAB 59.55, 37.48, -61.2

 

CMYK 82 / 51 / 0 / 2

HEX #2C7AFB

RGB 44 122 251

HSL 217.39, 0.96%, 0.58%

LAB 53.41, 22.94, -70.81

 

CMYK 66 / 42 / 0 / 1

HEX #5593FC

RGB 85 147 252

HSL 217.72, 0.97%, 0.66%

LAB 61.5, 12.86, -58.27

 

CMYK 50 / 31 / 0 / 1

HEX #7DADFC

RGB 125 173 252

HSL 217.32, 0.95%, 0.74%

LAB 70.37, 5.43, -44.13

 

CMYK 35 / 22 / 0 / 1

HEX #A5C6FD

RGB 165 198 253

HSL 217.5, 0.96%, 0.82%

LAB 79.32, 1.83, -30.6

 

CMYK 19 / 12 / 0 / 0

HEX #CEE0FE

RGB 206 224 254

HSL 217.5, 0.96%, 0.9%

LAB 88.73, 0.12, -16.58

 

CMYK 51 / 32 / 0 / 1

HEX #7CACFC

RGB 124 172 252

HSL 217.5, 0.96%, 0.74%

LAB 70.05, 5.77, -44.63

 

CMYK 9 / 50 / 0 / 1

HEX #E57DFC

RGB 229 125 252

HSL 289.13, 0.95%, 0.74%

LAB 68.28, 58.9, -46.79

 

CMYK 11 / 0 / 50 / 1

HEX #E1FC7D

RGB 225 252 125

HSL 72.76, 0.95%, 0.74%

LAB 94.78, -26.93, 57.28

 

CMYK 51 / 32 / 0 / 1

HEX #7CACFC

RGB 124 172 252

HSL 217.5, 0.96%, 0.74%

LAB 70.05, 5.77, -44.63

 

CMYK 0 / 50 / 31 / 1

HEX #FC7DAE

RGB 252 125 174

HSL 336.85, 0.95%, 0.74%

LAB 68.33, 53.47, -3.09

 

CMYK 31 / 0 / 50 / 1

HEX #AEFC7D

RGB 174 252 125

HSL 96.85, 0.95%, 0.74%

LAB 91.73, -45.27, 52.89

 

CMYK 51 / 32 / 0 / 1

HEX #7CACFC

RGB 124 172 252

HSL 217.5, 0.96%, 0.74%

LAB 70.05, 5.77, -44.63

 

CMYK 9 / 50 / 0 / 1

HEX #E57DFC

RGB 229 125 252

HSL 289.13, 0.95%, 0.74%

LAB 68.28, 58.9, -46.79

 

CMYK 0 / 19 / 50 / 1

HEX #FCCC7D

RGB 252 204 125

HSL 37.32, 0.95%, 0.74%

LAB 84.67, 7.58, 45.53

 

CMYK 41 / 0 / 50 / 1

HEX #94FC7D

RGB 148 252 125

HSL 109.13, 0.95%, 0.74%

LAB 90.5, -53.5, 51.12

 

CMYK 51 / 32 / 0 / 1

HEX #7CACFC

RGB 124 172 252

HSL 217.5, 0.96%, 0.74%

LAB 70.05, 5.77, -44.63

 

CMYK 0 / 50 / 6 / 1

HEX #FC7DED

RGB 252 125 237

HSL 307.09, 0.95%, 0.74%

LAB 70.51, 62.52, -34.87

 

CMYK 0 / 19 / 50 / 1

HEX #FCCC7D

RGB 252 204 125

HSL 37.32, 0.95%, 0.74%

LAB 84.67, 7.58, 45.53

 

CMYK 50 / 0 / 44 / 1

HEX #7DFC8C

RGB 125 252 140

HSL 127.09, 0.95%, 0.74%

LAB 89.8, -57.86, 42.94

 

Description

Color code: HEX #7CACFC | qconv.com Color code: HEX #7CACFC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 172 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 172 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 32 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 32% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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