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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CAA18 it is the complementary color #8355E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CAA18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CAA18 shade: #81AA13, #92BC26, #A3CE39, #B4E04C and #C5F25F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CAA18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CAA18 shade: #7CAA18, #6B9805, #5A8600, #497400 and #386200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CAA18 shade: #7CAA18, #A3AA18, #AA8918, #AA6218 and #AA3B18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CAA18 shade: #7CAA18, #55AA18, #2DAA18, #18AA2A and #18AA51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CAA18 shade matches the following richer shades: #7CAA18 and #82B909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CAA18 shade: #7CAA18, #769A28, #708A38, #6A7B47 and #656B57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CAA18 shade: #AA8818, #A5AA18, #7EAA18, #57AA18 and #30AA18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CAA18 shade: #47610E, #618513, #7CAA18, #96CE1D and #ABE233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CAA18 shade: #7CAA18, #18AA61 and #9B18AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CAA18 shade: #7CAA18, #187EAA and #AA187E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CAA18 shade: #7CAA18, #18AA61, #4418AA and #AA1861

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CAA18 shade: #7CAA18, #18AA8D, #4418AA and #AA1835

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

Complementary color

CMYK 43 / 63 / 0 / 9

HEX #8355E7

RGB 131 85 231

HSL 258.9, 0.75%, 0.62%

LAB 48.38, 51.33, -67.56

 

CMYK 24 / 0 / 89 / 33

HEX #81AA13

RGB 129 170 19

HSL 76.29, 0.8%, 0.37%

LAB 64.53, -33.11, 63.45

 

CMYK 22 / 0 / 80 / 26

HEX #92BC26

RGB 146 188 38

HSL 76.8, 0.66%, 0.44%

LAB 71.02, -33.95, 64.92

 

CMYK 21 / 0 / 72 / 19

HEX #A3CE39

RGB 163 206 57

HSL 77.32, 0.6%, 0.52%

LAB 77.41, -34.59, 65.3

 

CMYK 20 / 0 / 66 / 12

HEX #B4E04C

RGB 180 224 76

HSL 77.84, 0.7%, 0.59%

LAB 83.72, -35.07, 65.02

 

CMYK 19 / 0 / 61 / 5

HEX #C5F25F

RGB 197 242 95

HSL 78.37, 0.85%, 0.66%

LAB 89.95, -35.43, 64.37

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 30 / 0 / 97 / 40

HEX #6B9805

RGB 107 152 5

HSL 78.37, 0.94%, 0.31%

LAB 57.65, -33.99, 59.56

 

CMYK 33 / 0 / 100 / 47

HEX #5A8600

RGB 90 134 0

HSL 79.7, 1%, 0.26%

LAB 50.95, -32.67, 54.76

 

CMYK 37 / 0 / 100 / 55

HEX #497400

RGB 73 116 0

HSL 82.24, 1%, 0.23%

LAB 44.1, -31.21, 49.06

 

CMYK 43 / 0 / 100 / 62

HEX #386200

RGB 56 98 0

HSL 85.71, 1%, 0.19%

LAB 37.07, -29.68, 43.22

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 4 / 0 / 86 / 33

HEX #A3AA18

RGB 163 170 24

HSL 62.88, 0.75%, 0.38%

LAB 66.98, -18.58, 65.44

 

CMYK 0 / 19 / 86 / 33

HEX #AA8918

RGB 170 137 24

HSL 46.44, 0.75%, 0.38%

LAB 58.51, 2.1, 58.68

 

CMYK 0 / 42 / 86 / 33

HEX #AA6218

RGB 170 98 24

HSL 30.41, 0.75%, 0.38%

LAB 48.69, 23.94, 50.47

 

CMYK 0 / 65 / 86 / 33

HEX #AA3B18

RGB 170 59 24

HSL 14.38, 0.75%, 0.38%

LAB 40.8, 43.93, 43.74

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 50 / 0 / 86 / 33

HEX #55AA18

RGB 85 170 24

HSL 94.93, 0.75%, 0.38%

LAB 62.29, -48.83, 59.58

 

CMYK 74 / 0 / 86 / 33

HEX #2DAA18

RGB 45 170 24

HSL 111.37, 0.75%, 0.38%

LAB 61.11, -58.48, 58.08

 

CMYK 86 / 0 / 75 / 33

HEX #18AA2A

RGB 24 170 42

HSL 127.4, 0.75%, 0.38%

LAB 60.88, -60.16, 52.39

 

CMYK 86 / 0 / 52 / 33

HEX #18AA51

RGB 24 170 81

HSL 143.42, 0.75%, 0.38%

LAB 61.25, -55.56, 35.66

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 30 / 0 / 95 / 27

HEX #82B909

RGB 130 185 9

HSL 78.75, 0.91%, 0.38%

LAB 69.09, -39.68, 68.64

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 23 / 0 / 74 / 40

HEX #769A28

RGB 118 154 40

HSL 78.95, 0.59%, 0.38%

LAB 59.08, -29.19, 52.43

 

CMYK 19 / 0 / 59 / 46

HEX #708A38

RGB 112 138 56

HSL 79.02, 0.42%, 0.38%

LAB 53.93, -22.58, 40.06

 

CMYK 14 / 0 / 42 / 52

HEX #6A7B47

RGB 106 123 71

HSL 79.62, 0.27%, 0.38%

LAB 49.11, -15.57, 26.36

 

CMYK 6 / 0 / 19 / 58

HEX #656B57

RGB 101 107 87

HSL 78, 0.1%, 0.38%

LAB 44.19, -6.23, 10.45

 

CMYK 0 / 20 / 86 / 33

HEX #AA8818

RGB 170 136 24

HSL 46.03, 0.75%, 0.38%

LAB 58.25, 2.65, 58.46

 

CMYK 3 / 0 / 86 / 33

HEX #A5AA18

RGB 165 170 24

HSL 62.05, 0.75%, 0.38%

LAB 67.14, -17.71, 65.64

 

CMYK 26 / 0 / 86 / 33

HEX #7EAA18

RGB 126 170 24

HSL 78.08, 0.75%, 0.38%

LAB 64.36, -34.17, 62.19

 

CMYK 49 / 0 / 86 / 33

HEX #57AA18

RGB 87 170 24

HSL 94.11, 0.75%, 0.38%

LAB 62.37, -48.21, 59.69

 

CMYK 72 / 0 / 86 / 33

HEX #30AA18

RGB 48 170 24

HSL 110.14, 0.75%, 0.38%

LAB 61.17, -57.95, 58.16

 

CMYK 27 / 0 / 86 / 62

HEX #47610E

RGB 71 97 14

HSL 78.8, 0.75%, 0.22%

LAB 37.7, -22.36, 40.14

 

CMYK 27 / 0 / 86 / 48

HEX #618513

RGB 97 133 19

HSL 78.95, 0.75%, 0.3%

LAB 51.11, -28.81, 51.25

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 27 / 0 / 86 / 19

HEX #96CE1D

RGB 150 206 29

HSL 78.98, 0.75%, 0.46%

LAB 76.51, -40.79, 72.01

 

CMYK 24 / 0 / 77 / 11

HEX #ABE233

RGB 171 226 51

HSL 78.86, 0.75%, 0.54%

LAB 83.59, -40.78, 73.24

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 86 / 0 / 43 / 33

HEX #18AA61

RGB 24 170 97

HSL 150, 0.75%, 0.38%

LAB 61.49, -52.79, 27.68

 

CMYK 9 / 86 / 0 / 33

HEX #9B18AA

RGB 155 24 170

HSL 293.84, 0.75%, 0.38%

LAB 38.77, 66.68, -47.55

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 86 / 26 / 0 / 33

HEX #187EAA

RGB 24 126 170

HSL 198.08, 0.75%, 0.38%

LAB 49.52, -11.65, -31.12

 

CMYK 0 / 86 / 26 / 33

HEX #AA187E

RGB 170 24 126

HSL 318.08, 0.75%, 0.38%

LAB 39.08, 63.27, -20.06

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 86 / 0 / 43 / 33

HEX #18AA61

RGB 24 170 97

HSL 150, 0.75%, 0.38%

LAB 61.49, -52.79, 27.68

 

CMYK 60 / 86 / 0 / 33

HEX #4418AA

RGB 68 24 170

HSL 258.08, 0.75%, 0.38%

LAB 26.11, 54.26, -68.73

 

CMYK 0 / 86 / 43 / 33

HEX #AA1861

RGB 170 24 97

HSL 330, 0.75%, 0.38%

LAB 37.95, 60.11, -3.52

 

CMYK 27 / 0 / 86 / 33

HEX #7CAA18

RGB 124 170 24

HSL 78.9, 0.75%, 0.38%

LAB 64.24, -34.96, 62.04

 

CMYK 86 / 0 / 17 / 33

HEX #18AA8D

RGB 24 170 141

HSL 168.08, 0.75%, 0.38%

LAB 62.39, -42.72, 4.84

 

CMYK 60 / 86 / 0 / 33

HEX #4418AA

RGB 68 24 170

HSL 258.08, 0.75%, 0.38%

LAB 26.11, 54.26, -68.73

 

CMYK 0 / 86 / 69 / 33

HEX #AA1835

RGB 170 24 53

HSL 348.08, 0.75%, 0.38%

LAB 36.85, 56.91, 23.18

 

Description

Color code: HEX #7CAA18 | qconv.com Color code: HEX #7CAA18 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 170 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 170 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 86 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 86% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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