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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C9722 it is the complementary color #8368DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C9722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C9722 shade: #81971D, #92A930, #A3BB43, #B4CD56 and #C5DF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C9722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C9722 shade: #7C9722, #6B850F, #5A7300, #496100 and #384F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C9722 shade: #7B9622, #969122, #967222, #965322 and #963422

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C9722 shade: #7B9622, #5C9622, #3D9622, #229627 and #229646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C9722 shade matches the following richer shades: #7B9622, #83A413 and #8BB304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C9722 shade: #7B9622, #738731, #6B7840, #63694F and #5B5A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C9722 shade: #967122, #969022, #7D9622, #5E9622 and #3F9622

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C9722 shade: #445213, #5F741A, #7B9622, #97B72A and #AED238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C9722 shade: #7C9722, #229652 and #802296

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C9722 shade: #7C9722, #227D96 and #96227D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C9722 shade: #7C9722, #229652, #3B2296 and #962265

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C9722 shade: #7C9722, #229675, #3B2296 and #962243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 77 / 41

HEX #7C9722

RGB 124 151 34

HSL 73.85, 0.63%, 0.36%

LAB 58.54, -25.56, 54.15

 

Complementary color

CMYK 41 / 53 / 0 / 13

HEX #8368DD

RGB 131 104 221

HSL 253.85, 0.63%, 0.64%

LAB 51.78, 38, -56.42

 

CMYK 15 / 0 / 81 / 41

HEX #81971D

RGB 129 151 29

HSL 70.82, 0.68%, 0.35%

LAB 58.87, -23.64, 56.15

 

CMYK 14 / 0 / 72 / 34

HEX #92A930

RGB 146 169 48

HSL 71.4, 0.56%, 0.43%

LAB 65.51, -24.4, 56.45

 

CMYK 13 / 0 / 64 / 27

HEX #A3BB43

RGB 163 187 67

HSL 72, 0.47%, 0.5%

LAB 72.05, -24.98, 56.01

 

CMYK 12 / 0 / 58 / 20

HEX #B4CD56

RGB 180 205 86

HSL 72.61, 0.54%, 0.57%

LAB 78.48, -25.41, 55.2

 

CMYK 12 / 0 / 53 / 13

HEX #C5DF69

RGB 197 223 105

HSL 73.22, 0.65%, 0.64%

LAB 84.83, -25.75, 54.21

 

CMYK 18 / 0 / 77 / 41

HEX #7C9722

RGB 124 151 34

HSL 73.85, 0.63%, 0.36%

LAB 58.54, -25.56, 54.15

 

CMYK 20 / 0 / 89 / 48

HEX #6B850F

RGB 107 133 15

HSL 73.22, 0.8%, 0.29%

LAB 51.76, -24.69, 53.04

 

CMYK 22 / 0 / 100 / 55

HEX #5A7300

RGB 90 115 0

HSL 73.04, 1%, 0.23%

LAB 44.85, -23.54, 50.11

 

CMYK 25 / 0 / 100 / 62

HEX #496100

RGB 73 97 0

HSL 74.85, 1%, 0.19%

LAB 37.78, -22.01, 44.22

 

CMYK 29 / 0 / 100 / 69

HEX #384F00

RGB 56 79 0

HSL 77.47, 1%, 0.15%

LAB 30.48, -20.44, 38.14

 

CMYK 18 / 0 / 77 / 41

HEX #7B9622

RGB 123 150 34

HSL 73.97, 0.63%, 0.36%

LAB 58.17, -25.49, 53.78

 

CMYK 0 / 3 / 77 / 41

HEX #969122

RGB 150 145 34

HSL 57.41, 0.63%, 0.36%

LAB 58.84, -11.03, 55.17

 

CMYK 0 / 24 / 77 / 41

HEX #967222

RGB 150 114 34

HSL 41.38, 0.63%, 0.36%

LAB 50.26, 6.17, 47.12

 

CMYK 0 / 45 / 77 / 41

HEX #965322

RGB 150 83 34

HSL 25.34, 0.63%, 0.36%

LAB 42.44, 23.95, 39.42

 

CMYK 0 / 65 / 77 / 41

HEX #963422

RGB 150 52 34

HSL 9.31, 0.63%, 0.36%

LAB 36.09, 40.12, 32.83

 

CMYK 18 / 0 / 77 / 41

HEX #7B9622

RGB 123 150 34

HSL 73.97, 0.63%, 0.36%

LAB 58.17, -25.49, 53.78

 

CMYK 39 / 0 / 77 / 41

HEX #5C9622

RGB 92 150 34

HSL 90, 0.63%, 0.36%

LAB 56.29, -37.79, 51.33

 

CMYK 59 / 0 / 77 / 41

HEX #3D9622

RGB 61 150 34

HSL 106.03, 0.63%, 0.36%

LAB 54.99, -47.59, 49.62

 

CMYK 77 / 0 / 74 / 41

HEX #229627

RGB 34 150 39

HSL 122.59, 0.63%, 0.36%

LAB 54.34, -52.84, 46.93

 

CMYK 77 / 0 / 53 / 41

HEX #229646

RGB 34 150 70

HSL 138.62, 0.63%, 0.36%

LAB 54.65, -49.11, 33.15

 

CMYK 18 / 0 / 77 / 41

HEX #7B9622

RGB 123 150 34

HSL 73.97, 0.63%, 0.36%

LAB 58.17, -25.49, 53.78

 

CMYK 20 / 0 / 88 / 36

HEX #83A413

RGB 131 164 19

HSL 73.66, 0.79%, 0.36%

LAB 62.86, -29.47, 62.12

 

CMYK 22 / 0 / 98 / 30

HEX #8BB304

RGB 139 179 4

HSL 73.71, 0.96%, 0.36%

LAB 67.83, -33.5, 68.48

 

CMYK 18 / 0 / 77 / 41

HEX #7B9622

RGB 123 150 34

HSL 73.97, 0.63%, 0.36%

LAB 58.17, -25.49, 53.78

 

CMYK 15 / 0 / 64 / 47

HEX #738731

RGB 115 135 49

HSL 73.95, 0.47%, 0.36%

LAB 53.16, -20.38, 42.56

 

CMYK 11 / 0 / 47 / 53

HEX #6B7840

RGB 107 120 64

HSL 73.93, 0.3%, 0.36%

LAB 48.17, -14.4, 29.04

 

CMYK 6 / 0 / 25 / 59

HEX #63694F

RGB 99 105 79

HSL 73.85, 0.14%, 0.36%

LAB 43.24, -7.28, 13.88

 

CMYK 2 / 3 / 0 / 64

HEX #5B5A5D

RGB 91 90 93

HSL 260, 0.02%, 0.36%

LAB 38.42, 1.04, -1.59

 

CMYK 0 / 25 / 77 / 41

HEX #967122

RGB 150 113 34

HSL 40.86, 0.63%, 0.36%

LAB 49.99, 6.74, 46.86

 

CMYK 0 / 4 / 77 / 41

HEX #969022

RGB 150 144 34

HSL 56.9, 0.63%, 0.36%

LAB 58.55, -10.49, 54.9

 

CMYK 17 / 0 / 77 / 41

HEX #7D9622

RGB 125 150 34

HSL 72.93, 0.63%, 0.36%

LAB 58.31, -24.64, 53.96

 

CMYK 37 / 0 / 77 / 41

HEX #5E9622

RGB 94 150 34

HSL 88.97, 0.63%, 0.36%

LAB 56.39, -37.06, 51.47

 

CMYK 58 / 0 / 77 / 41

HEX #3F9622

RGB 63 150 34

HSL 105, 0.63%, 0.36%

LAB 55.06, -47.06, 49.71

 

CMYK 17 / 0 / 77 / 68

HEX #445213

RGB 68 82 19

HSL 73.33, 0.62%, 0.2%

LAB 32.5, -15.45, 33.29

 

CMYK 18 / 0 / 78 / 55

HEX #5F741A

RGB 95 116 26

HSL 74, 0.63%, 0.28%

LAB 45.63, -20.88, 44

 

CMYK 18 / 0 / 77 / 41

HEX #7B9622

RGB 123 150 34

HSL 73.97, 0.63%, 0.36%

LAB 58.17, -25.49, 53.78

 

CMYK 17 / 0 / 77 / 28

HEX #97B72A

RGB 151 183 42

HSL 73.62, 0.63%, 0.44%

LAB 69.9, -29.41, 62.83

 

CMYK 17 / 0 / 73 / 18

HEX #AED238

RGB 174 210 56

HSL 74.03, 0.63%, 0.52%

LAB 79.26, -32.14, 67.67

 

CMYK 18 / 0 / 77 / 41

HEX #7C9722

RGB 124 151 34

HSL 73.85, 0.63%, 0.36%

LAB 58.54, -25.56, 54.15

 

CMYK 77 / 0 / 45 / 41

HEX #229652

RGB 34 150 82

HSL 144.83, 0.63%, 0.36%

LAB 54.83, -47.08, 27.07

 

CMYK 15 / 77 / 0 / 41

HEX #802296

RGB 128 34 150

HSL 288.62, 0.63%, 0.36%

LAB 33.85, 55.22, -43.61

 

CMYK 18 / 0 / 77 / 41

HEX #7C9722

RGB 124 151 34

HSL 73.85, 0.63%, 0.36%

LAB 58.54, -25.56, 54.15

 

CMYK 77 / 17 / 0 / 41

HEX #227D96

RGB 34 125 150

HSL 192.93, 0.63%, 0.36%

LAB 48.52, -17.25, -20.98

 

CMYK 0 / 77 / 17 / 41

HEX #96227D

RGB 150 34 125

HSL 312.93, 0.63%, 0.36%

LAB 36.19, 55.92, -24.21

 

CMYK 18 / 0 / 77 / 41

HEX #7C9722

RGB 124 151 34

HSL 73.85, 0.63%, 0.36%

LAB 58.54, -25.56, 54.15

 

CMYK 77 / 0 / 45 / 41

HEX #229652

RGB 34 150 82

HSL 144.83, 0.63%, 0.36%

LAB 54.83, -47.08, 27.07

 

CMYK 61 / 77 / 0 / 41

HEX #3B2296

RGB 59 34 150

HSL 252.93, 0.63%, 0.36%

LAB 24.56, 43.19, -59.13

 

CMYK 0 / 77 / 33 / 41

HEX #962265

RGB 150 34 101

HSL 325.34, 0.63%, 0.36%

LAB 35.14, 52.74, -10.69

 

CMYK 18 / 0 / 77 / 41

HEX #7C9722

RGB 124 151 34

HSL 73.85, 0.63%, 0.36%

LAB 58.54, -25.56, 54.15

 

CMYK 77 / 0 / 22 / 41

HEX #229675

RGB 34 150 117

HSL 162.93, 0.63%, 0.36%

LAB 55.52, -39.42, 8.54

 

CMYK 61 / 77 / 0 / 41

HEX #3B2296

RGB 59 34 150

HSL 252.93, 0.63%, 0.36%

LAB 24.56, 43.19, -59.13

 

CMYK 0 / 77 / 55 / 41

HEX #962243

RGB 150 34 67

HSL 342.93, 0.63%, 0.36%

LAB 34.05, 49.34, 9.71

 

Description

Color code: HEX #7C9722 | qconv.com Color code: HEX #7C9722 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 151 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 151 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 77 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 77% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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