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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C92AC it is the complementary color #836D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C92AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C92AC shade: #8192A7, #92A4BA, #A3B6CD, #B4C8E0 and #C5DAF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C92AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C92AC shade: #7C92AC, #6B8099, #5A6E86, #495C73 and #384A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C92AC shade: #7C92AB, #7C85AB, #807CAB, #8D7CAB and #9A7CAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C92AC shade: #7C92AB, #7C85AB and #7C7CAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C92AC shade matches the following richer shades: #7C92AB, #6B90BD, #5A8FCE, #488EDF and #378CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C92AC shade: #7C92AB, #8E939A, #9F9589, #B09677 and #C29866

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C92AC shade: #7CABAB, #7C9FAB, #7C92AB, #7C86AB and #7F7CAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C92AC shade: #536982, #637D9B, #7C92AB, #96A7BC and #AFBCCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C92AC shade: #7C92AC, #9F7CAB and #A5AB7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C92AC shade: #7C92AC, #AB7C92 and #92AB7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C92AC shade: #7C92AC, #9F7CAB, #AB957C and #89AB7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C92AC shade: #7C92AC, #AB7CAA, #AB957C and #7CAB7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 15 / 0 / 33

HEX #7C92AC

RGB 124 146 172

HSL 212.5, 0.22%, 0.58%

LAB 59.73, -1.68, -16.2

 

Complementary color

CMYK 0 / 17 / 37 / 49

HEX #836D53

RGB 131 109 83

HSL 32.5, 0.22%, 0.42%

LAB 47.48, 4.69, 17.78

 

CMYK 23 / 13 / 0 / 35

HEX #8192A7

RGB 129 146 167

HSL 213.16, 0.18%, 0.58%

LAB 59.9, -1.32, -13.06

 

CMYK 22 / 12 / 0 / 27

HEX #92A4BA

RGB 146 164 186

HSL 213, 0.22%, 0.65%

LAB 66.68, -1.46, -13.43

 

CMYK 20 / 11 / 0 / 20

HEX #A3B6CD

RGB 163 182 205

HSL 212.86, 0.3%, 0.72%

LAB 73.32, -1.6, -13.81

 

CMYK 20 / 11 / 0 / 12

HEX #B4C8E0

RGB 180 200 224

HSL 212.73, 0.42%, 0.79%

LAB 79.84, -1.73, -14.19

 

CMYK 19 / 10 / 0 / 5

HEX #C5DAF3

RGB 197 218 243

HSL 212.61, 0.66%, 0.86%

LAB 86.25, -1.85, -14.57

 

CMYK 28 / 15 / 0 / 33

HEX #7C92AC

RGB 124 146 172

HSL 212.5, 0.22%, 0.58%

LAB 59.73, -1.68, -16.2

 

CMYK 30 / 16 / 0 / 40

HEX #6B8099

RGB 107 128 153

HSL 212.61, 0.18%, 0.51%

LAB 52.8, -1.49, -15.9

 

CMYK 33 / 18 / 0 / 47

HEX #5A6E86

RGB 90 110 134

HSL 212.73, 0.2%, 0.44%

LAB 45.7, -1.28, -15.63

 

CMYK 37 / 20 / 0 / 55

HEX #495C73

RGB 73 92 115

HSL 212.86, 0.22%, 0.37%

LAB 38.39, -1.03, -15.38

 

CMYK 42 / 23 / 0 / 62

HEX #384A60

RGB 56 74 96

HSL 213, 0.26%, 0.3%

LAB 30.84, -0.71, -15.16

 

CMYK 27 / 15 / 0 / 33

HEX #7C92AB

RGB 124 146 171

HSL 211.91, 0.22%, 0.58%

LAB 59.69, -1.93, -15.69

 

CMYK 27 / 22 / 0 / 33

HEX #7C85AB

RGB 124 133 171

HSL 228.51, 0.22%, 0.58%

LAB 56.09, 5.53, -21.17

 

CMYK 25 / 27 / 0 / 33

HEX #807CAB

RGB 128 124 171

HSL 245.11, 0.22%, 0.58%

LAB 53.97, 12.06, -24.4

 

CMYK 18 / 27 / 0 / 33

HEX #8D7CAB

RGB 141 124 171

HSL 261.7, 0.22%, 0.58%

LAB 55.09, 16.23, -22.58

 

CMYK 10 / 27 / 0 / 33

HEX #9A7CAB

RGB 154 124 171

HSL 278.3, 0.22%, 0.58%

LAB 56.31, 20.54, -20.6

 

CMYK 27 / 15 / 0 / 33

HEX #7C92AB

RGB 124 146 171

HSL 211.91, 0.22%, 0.58%

LAB 59.69, -1.93, -15.69

 

CMYK 27 / 22 / 0 / 33

HEX #7C85AB

RGB 124 133 171

HSL 228.51, 0.22%, 0.58%

LAB 56.09, 5.53, -21.17

 

CMYK 27 / 27 / 0 / 33

HEX #7C7CAB

RGB 124 124 171

HSL 240, 0.22%, 0.58%

LAB 53.64, 10.8, -24.93

 

CMYK 27 / 15 / 0 / 33

HEX #7C92AB

RGB 124 146 171

HSL 211.91, 0.22%, 0.58%

LAB 59.69, -1.93, -15.69

 

CMYK 43 / 24 / 0 / 26

HEX #6B90BD

RGB 107 144 189

HSL 212.93, 0.38%, 0.58%

LAB 58.74, -0.85, -27.45

 

CMYK 56 / 31 / 0 / 19

HEX #5A8FCE

RGB 90 143 206

HSL 212.59, 0.54%, 0.58%

LAB 58.3, 0.88, -37.79

 

CMYK 68 / 36 / 0 / 13

HEX #488EDF

RGB 72 142 223

HSL 212.19, 0.7%, 0.58%

LAB 58.09, 3.84, -47.7

 

CMYK 77 / 42 / 0 / 5

HEX #378CF1

RGB 55 140 241

HSL 212.58, 0.87%, 0.58%

LAB 57.96, 9.2, -57.93

 

CMYK 27 / 15 / 0 / 33

HEX #7C92AB

RGB 124 146 171

HSL 211.91, 0.22%, 0.58%

LAB 59.69, -1.93, -15.69

 

CMYK 8 / 5 / 0 / 40

HEX #8E939A

RGB 142 147 154

HSL 215, 0.06%, 0.58%

LAB 60.74, -0.38, -4.32

 

CMYK 0 / 6 / 14 / 38

HEX #9F9589

RGB 159 149 137

HSL 32.73, 0.1%, 0.58%

LAB 62.23, 1.57, 7.65

 

CMYK 0 / 15 / 32 / 31

HEX #B09677

RGB 176 150 119

HSL 32.63, 0.27%, 0.58%

LAB 63.65, 5.02, 19.96

 

CMYK 0 / 22 / 47 / 24

HEX #C29866

RGB 194 152 102

HSL 32.61, 0.43%, 0.58%

LAB 65.66, 9.36, 32.23

 

CMYK 27 / 0 / 0 / 33

HEX #7CABAB

RGB 124 171 171

HSL 180, 0.22%, 0.58%

LAB 66.79, -15.56, -5.07

 

CMYK 27 / 7 / 0 / 33

HEX #7C9FAB

RGB 124 159 171

HSL 195.32, 0.22%, 0.58%

LAB 63.36, -9.14, -10.17

 

CMYK 27 / 15 / 0 / 33

HEX #7C92AB

RGB 124 146 171

HSL 211.91, 0.22%, 0.58%

LAB 59.69, -1.93, -15.69

 

CMYK 27 / 22 / 0 / 33

HEX #7C86AB

RGB 124 134 171

HSL 227.23, 0.22%, 0.58%

LAB 56.36, 4.94, -20.75

 

CMYK 26 / 27 / 0 / 33

HEX #7F7CAB

RGB 127 124 171

HSL 243.83, 0.22%, 0.58%

LAB 53.89, 11.74, -24.54

 

CMYK 36 / 19 / 0 / 49

HEX #536982

RGB 83 105 130

HSL 211.91, 0.22%, 0.42%

LAB 43.59, -1.57, -16.49

 

CMYK 36 / 19 / 0 / 39

HEX #637D9B

RGB 99 125 155

HSL 212.14, 0.22%, 0.5%

LAB 51.48, -1.65, -19.13

 

CMYK 27 / 15 / 0 / 33

HEX #7C92AB

RGB 124 146 171

HSL 211.91, 0.22%, 0.58%

LAB 59.69, -1.93, -15.69

 

CMYK 20 / 11 / 0 / 26

HEX #96A7BC

RGB 150 167 188

HSL 213.16, 0.22%, 0.66%

LAB 67.84, -1.38, -12.77

 

CMYK 14 / 8 / 0 / 20

HEX #AFBCCC

RGB 175 188 204

HSL 213.1, 0.22%, 0.74%

LAB 75.72, -1.21, -9.58

 

CMYK 28 / 15 / 0 / 33

HEX #7C92AC

RGB 124 146 172

HSL 212.5, 0.22%, 0.58%

LAB 59.73, -1.68, -16.2

 

CMYK 7 / 27 / 0 / 33

HEX #9F7CAB

RGB 159 124 171

HSL 284.68, 0.22%, 0.58%

LAB 56.81, 22.22, -19.8

 

CMYK 4 / 0 / 27 / 33

HEX #A5AB7C

RGB 165 171 124

HSL 67.66, 0.22%, 0.58%

LAB 68.45, -10.04, 23.56

 

CMYK 28 / 15 / 0 / 33

HEX #7C92AC

RGB 124 146 172

HSL 212.5, 0.22%, 0.58%

LAB 59.73, -1.68, -16.2

 

CMYK 0 / 27 / 15 / 33

HEX #AB7C92

RGB 171 124 146

HSL 331.91, 0.22%, 0.58%

LAB 57.22, 21.74, -4.63

 

CMYK 15 / 0 / 27 / 33

HEX #92AB7C

RGB 146 171 124

HSL 91.91, 0.22%, 0.58%

LAB 67.05, -17.31, 21.42

 

CMYK 28 / 15 / 0 / 33

HEX #7C92AC

RGB 124 146 172

HSL 212.5, 0.22%, 0.58%

LAB 59.73, -1.68, -16.2

 

CMYK 7 / 27 / 0 / 33

HEX #9F7CAB

RGB 159 124 171

HSL 284.68, 0.22%, 0.58%

LAB 56.81, 22.22, -19.8

 

CMYK 0 / 13 / 27 / 33

HEX #AB957C

RGB 171 149 124

HSL 31.91, 0.22%, 0.58%

LAB 63.02, 4.25, 16.22

 

CMYK 20 / 0 / 27 / 33

HEX #89AB7C

RGB 137 171 124

HSL 103.4, 0.22%, 0.58%

LAB 66.44, -20.63, 20.51

 

CMYK 28 / 15 / 0 / 33

HEX #7C92AC

RGB 124 146 172

HSL 212.5, 0.22%, 0.58%

LAB 59.73, -1.68, -16.2

 

CMYK 0 / 27 / 1 / 33

HEX #AB7CAA

RGB 171 124 170

HSL 301.28, 0.22%, 0.58%

LAB 58.01, 26.1, -17.28

 

CMYK 0 / 13 / 27 / 33

HEX #AB957C

RGB 171 149 124

HSL 31.91, 0.22%, 0.58%

LAB 63.02, 4.25, 16.22

 

CMYK 27 / 0 / 26 / 33

HEX #7CAB7E

RGB 124 171 126

HSL 122.55, 0.22%, 0.58%

LAB 65.68, -24.87, 18.25

 

Description

Color code: HEX #7C92AC | qconv.com Color code: HEX #7C92AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 146 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 146 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 15 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 15% 0% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - Digital Marketing Ag...
Link: http://dstrategy.com.au

14% - LPH*Media - Clever W...
Link: http://www.lphmedia.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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