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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C87CD it is the complementary color #837832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C87CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C87CD shade: #8187C8, #9299DB, #A3ABEE, #B4BDFF and #C5CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C87CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C87CD shade: #7C87CD, #6B75BA, #5A63A7, #495194 and #383F81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C87CD shade: #7E88CE, #887ECE, #9E7ECE, #B47ECE and #C97ECE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C87CD shade: #7E88CE and #7E7ECE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C87CD shade matches the following richer shades: #7E88CE, #6F7EDC, #6173EB and #5269F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C87CD shade: #7E88CE, #8C93BF, #9A9EB1, #A9A8A3 and #B7B394

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C87CD shade: #7EB4CE, #7E9FCE, #7E8ACE, #877ECE and #9C7ECE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C87CD shade: #4454B5, #606DC3, #7E88CE, #9CA4D9 and #B9BFE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C87CD shade: #7C87CD, #CE7ECA and #AACE7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C87CD shade: #7C87CD, #CE7E8A and #8ACE7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C87CD shade: #7C87CD, #CE7ECA, #CEC27E and #7ECE82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C87CD shade: #7C87CD, #CE7EB2, #CEC27E and #7ECE9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 34 / 0 / 20

HEX #7C87CD

RGB 124 135 205

HSL 231.85, 0.45%, 0.65%

LAB 58.06, 13.46, -37.46

 

Complementary color

CMYK 0 / 8 / 62 / 49

HEX #837832

RGB 131 120 50

HSL 51.85, 0.45%, 0.35%

LAB 50.08, -5.06, 39.08

 

CMYK 36 / 33 / 0 / 22

HEX #8187C8

RGB 129 135 200

HSL 234.93, 0.39%, 0.65%

LAB 58.19, 13.46, -34.4

 

CMYK 33 / 30 / 0 / 14

HEX #9299DB

RGB 146 153 219

HSL 234.25, 0.5%, 0.72%

LAB 64.97, 12.87, -34.38

 

CMYK 32 / 28 / 0 / 7

HEX #A3ABEE

RGB 163 171 238

HSL 233.6, 0.69%, 0.79%

LAB 71.61, 12.34, -34.41

 

CMYK 29 / 26 / 0 / 0

HEX #B4BDFF

RGB 180 189 255

HSL 232.8, 1%, 0.85%

LAB 78.06, 11.39, -33.51

 

CMYK 23 / 19 / 0 / 0

HEX #C5CFFF

RGB 197 207 255

HSL 229.66, 1%, 0.89%

LAB 83.82, 6.6, -24.59

 

CMYK 40 / 34 / 0 / 20

HEX #7C87CD

RGB 124 135 205

HSL 231.85, 0.45%, 0.65%

LAB 58.06, 13.46, -37.46

 

CMYK 42 / 37 / 0 / 27

HEX #6B75BA

RGB 107 117 186

HSL 232.41, 0.36%, 0.57%

LAB 51.14, 14.23, -37.58

 

CMYK 46 / 41 / 0 / 35

HEX #5A63A7

RGB 90 99 167

HSL 232.99, 0.3%, 0.5%

LAB 44.07, 15.14, -37.75

 

CMYK 51 / 45 / 0 / 42

HEX #495194

RGB 73 81 148

HSL 233.6, 0.34%, 0.43%

LAB 36.82, 16.26, -38

 

CMYK 57 / 51 / 0 / 49

HEX #383F81

RGB 56 63 129

HSL 234.25, 0.39%, 0.36%

LAB 29.36, 17.69, -38.31

 

CMYK 39 / 34 / 0 / 19

HEX #7E88CE

RGB 126 136 206

HSL 232.5, 0.45%, 0.65%

LAB 58.51, 13.69, -37.31

 

CMYK 34 / 39 / 0 / 19

HEX #887ECE

RGB 136 126 206

HSL 247.5, 0.45%, 0.65%

LAB 56.7, 22.31, -40.1

 

CMYK 23 / 39 / 0 / 19

HEX #9E7ECE

RGB 158 126 206

HSL 264, 0.45%, 0.65%

LAB 58.65, 28.61, -36.9

 

CMYK 13 / 39 / 0 / 19

HEX #B47ECE

RGB 180 126 206

HSL 280.5, 0.45%, 0.65%

LAB 60.85, 35.21, -33.29

 

CMYK 2 / 39 / 0 / 19

HEX #C97ECE

RGB 201 126 206

HSL 296.25, 0.45%, 0.65%

LAB 63.17, 41.64, -29.51

 

CMYK 39 / 34 / 0 / 19

HEX #7E88CE

RGB 126 136 206

HSL 232.5, 0.45%, 0.65%

LAB 58.51, 13.69, -37.31

 

CMYK 39 / 39 / 0 / 19

HEX #7E7ECE

RGB 126 126 206

HSL 240, 0.45%, 0.65%

LAB 55.9, 19.6, -41.41

 

CMYK 39 / 34 / 0 / 19

HEX #7E88CE

RGB 126 136 206

HSL 232.5, 0.45%, 0.65%

LAB 58.51, 13.69, -37.31

 

CMYK 50 / 43 / 0 / 14

HEX #6F7EDC

RGB 111 126 220

HSL 231.74, 0.61%, 0.65%

LAB 55.55, 20.01, -49.92

 

CMYK 59 / 51 / 0 / 8

HEX #6173EB

RGB 97 115 235

HSL 232.17, 0.78%, 0.65%

LAB 52.73, 28.55, -62.9

 

CMYK 67 / 58 / 0 / 2

HEX #5269F9

RGB 82 105 249

HSL 231.74, 0.93%, 0.65%

LAB 50.38, 36.92, -74.56

 

CMYK 39 / 34 / 0 / 19

HEX #7E88CE

RGB 126 136 206

HSL 232.5, 0.45%, 0.65%

LAB 58.51, 13.69, -37.31

 

CMYK 27 / 23 / 0 / 25

HEX #8C93BF

RGB 140 147 191

HSL 231.76, 0.28%, 0.65%

LAB 61.83, 7.41, -23.63

 

CMYK 13 / 11 / 0 / 31

HEX #9A9EB1

RGB 154 158 177

HSL 229.57, 0.13%, 0.65%

LAB 65.36, 2.48, -10.33

 

CMYK 0 / 1 / 4 / 34

HEX #A9A8A3

RGB 169 168 163

HSL 50, 0.03%, 0.65%

LAB 68.81, -0.57, 2.7

 

CMYK 0 / 2 / 19 / 28

HEX #B7B394

RGB 183 179 148

HSL 53.14, 0.2%, 0.65%

LAB 72.53, -3.8, 16.37

 

CMYK 39 / 13 / 0 / 19

HEX #7EB4CE

RGB 126 180 206

HSL 199.5, 0.45%, 0.65%

LAB 70.55, -11.07, -18.75

 

CMYK 39 / 23 / 0 / 19

HEX #7E9FCE

RGB 126 159 206

HSL 215.25, 0.45%, 0.65%

LAB 64.71, 0.45, -27.67

 

CMYK 39 / 33 / 0 / 19

HEX #7E8ACE

RGB 126 138 206

HSL 231, 0.45%, 0.65%

LAB 59.04, 12.52, -36.48

 

CMYK 34 / 39 / 0 / 19

HEX #877ECE

RGB 135 126 206

HSL 246.75, 0.45%, 0.65%

LAB 56.61, 22.04, -40.24

 

CMYK 24 / 39 / 0 / 19

HEX #9C7ECE

RGB 156 126 206

HSL 262.5, 0.45%, 0.65%

LAB 58.46, 28.02, -37.21

 

CMYK 62 / 54 / 0 / 29

HEX #4454B5

RGB 68 84 181

HSL 231.5, 0.45%, 0.49%

LAB 39.42, 24.51, -53.52

 

CMYK 51 / 44 / 0 / 24

HEX #606DC3

RGB 96 109 195

HSL 232.12, 0.45%, 0.57%

LAB 48.72, 19.15, -46.65

 

CMYK 39 / 34 / 0 / 19

HEX #7E88CE

RGB 126 136 206

HSL 232.5, 0.45%, 0.65%

LAB 58.51, 13.69, -37.31

 

CMYK 28 / 24 / 0 / 15

HEX #9CA4D9

RGB 156 164 217

HSL 232.13, 0.45%, 0.73%

LAB 68.48, 9.01, -27.79

 

CMYK 19 / 17 / 0 / 10

HEX #B9BFE5

RGB 185 191 229

HSL 231.82, 0.46%, 0.81%

LAB 78.01, 5.75, -19.59

 

CMYK 40 / 34 / 0 / 20

HEX #7C87CD

RGB 124 135 205

HSL 231.85, 0.45%, 0.65%

LAB 58.06, 13.46, -37.46

 

CMYK 0 / 39 / 2 / 19

HEX #CE7ECA

RGB 206 126 202

HSL 303, 0.45%, 0.65%

LAB 63.6, 42.45, -26.57

 

CMYK 17 / 0 / 39 / 19

HEX #AACE7E

RGB 170 206 126

HSL 87, 0.45%, 0.65%

LAB 78.58, -25.56, 35.93

 

CMYK 40 / 34 / 0 / 20

HEX #7C87CD

RGB 124 135 205

HSL 231.85, 0.45%, 0.65%

LAB 58.06, 13.46, -37.46

 

CMYK 0 / 39 / 33 / 19

HEX #CE7E8A

RGB 206 126 138

HSL 351, 0.45%, 0.65%

LAB 61.55, 32.46, 6.77

 

CMYK 33 / 0 / 39 / 19

HEX #8ACE7E

RGB 138 206 126

HSL 111, 0.45%, 0.65%

LAB 76.71, -36.79, 33.15

 

CMYK 40 / 34 / 0 / 20

HEX #7C87CD

RGB 124 135 205

HSL 231.85, 0.45%, 0.65%

LAB 58.06, 13.46, -37.46

 

CMYK 0 / 39 / 2 / 19

HEX #CE7ECA

RGB 206 126 202

HSL 303, 0.45%, 0.65%

LAB 63.6, 42.45, -26.57

 

CMYK 0 / 6 / 39 / 19

HEX #CEC27E

RGB 206 194 126

HSL 51, 0.45%, 0.65%

LAB 78, -5.59, 35.72

 

CMYK 39 / 0 / 37 / 19

HEX #7ECE82

RGB 126 206 130

HSL 123, 0.45%, 0.65%

LAB 76.19, -39.98, 30.29

 

CMYK 40 / 34 / 0 / 20

HEX #7C87CD

RGB 124 135 205

HSL 231.85, 0.45%, 0.65%

LAB 58.06, 13.46, -37.46

 

CMYK 0 / 39 / 14 / 19

HEX #CE7EB2

RGB 206 126 178

HSL 321, 0.45%, 0.65%

LAB 62.72, 38.31, -14.33

 

CMYK 0 / 6 / 39 / 19

HEX #CEC27E

RGB 206 194 126

HSL 51, 0.45%, 0.65%

LAB 78, -5.59, 35.72

 

CMYK 39 / 0 / 25 / 19

HEX #7ECE9A

RGB 126 206 154

HSL 141, 0.45%, 0.65%

LAB 76.63, -35.79, 18.3

 

Description

Color code: HEX #7C87CD | qconv.com Color code: HEX #7C87CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 135 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 135 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 34 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 34% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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