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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C84AC it is the complementary color #837B53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C84AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C84AC shade: #8184A7, #9296BA, #A3A8CD, #B4BAE0 and #C5CCF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C84AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C84AC shade: #7C84AC, #6B7299, #5A6086, #494E73 and #383C60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C84AC shade: #7C84AB, #817CAB, #8E7CAB, #9B7CAB and #A77CAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C84AC shade: #7C84AB and #7C7CAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C84AC shade matches the following richer shades: #7C84AB, #6B79BD, #5A6DCE, #4862DF and #3756F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C84AC shade: #7C84AB, #8E909A, #9F9B89, #B0A777 and #C2B266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C84AC shade: #7C9DAB, #7C91AB, #7C84AB, #817CAB and #8E7CAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C84AC shade: #535B82, #636D9B, #7C84AB, #969CBC and #AFB4CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C84AC shade: #7C84AC, #AB7CAA and #97AB7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C84AC shade: #7C84AC, #AB7C84 and #84AB7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C84AC shade: #7C84AC, #AB7CAA, #ABA47C and #7CAB7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C84AC shade: #7C84AC, #AB7C9C, #ABA47C and #7CAB8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 23 / 0 / 33

HEX #7C84AC

RGB 124 132 172

HSL 230, 0.22%, 0.58%

LAB 55.85, 6.36, -22.11

 

Complementary color

CMYK 0 / 6 / 37 / 49

HEX #837B53

RGB 131 123 83

HSL 50, 0.22%, 0.42%

LAB 51.4, -3.36, 23

 

CMYK 23 / 21 / 0 / 35

HEX #8184A7

RGB 129 132 167

HSL 235.26, 0.18%, 0.58%

LAB 56.05, 6.7, -18.91

 

CMYK 22 / 19 / 0 / 27

HEX #9296BA

RGB 146 150 186

HSL 234, 0.22%, 0.65%

LAB 62.9, 6.37, -19.14

 

CMYK 20 / 18 / 0 / 20

HEX #A3A8CD

RGB 163 168 205

HSL 232.86, 0.3%, 0.72%

LAB 69.61, 6.07, -19.4

 

CMYK 20 / 17 / 0 / 12

HEX #B4BAE0

RGB 180 186 224

HSL 231.82, 0.42%, 0.79%

LAB 76.19, 5.8, -19.68

 

CMYK 19 / 16 / 0 / 5

HEX #C5CCF3

RGB 197 204 243

HSL 230.87, 0.66%, 0.86%

LAB 82.66, 5.54, -19.97

 

CMYK 28 / 23 / 0 / 33

HEX #7C84AC

RGB 124 132 172

HSL 230, 0.22%, 0.58%

LAB 55.85, 6.36, -22.11

 

CMYK 30 / 25 / 0 / 40

HEX #6B7299

RGB 107 114 153

HSL 230.87, 0.18%, 0.51%

LAB 48.83, 6.77, -21.97

 

CMYK 33 / 28 / 0 / 47

HEX #5A6086

RGB 90 96 134

HSL 231.82, 0.2%, 0.44%

LAB 41.63, 7.24, -21.88

 

CMYK 37 / 32 / 0 / 55

HEX #494E73

RGB 73 78 115

HSL 232.86, 0.22%, 0.37%

LAB 34.2, 7.81, -21.85

 

CMYK 42 / 38 / 0 / 62

HEX #383C60

RGB 56 60 96

HSL 234, 0.26%, 0.3%

LAB 26.5, 8.54, -21.9

 

CMYK 27 / 23 / 0 / 33

HEX #7C84AB

RGB 124 132 171

HSL 229.79, 0.22%, 0.58%

LAB 55.81, 6.11, -21.59

 

CMYK 25 / 27 / 0 / 33

HEX #817CAB

RGB 129 124 171

HSL 246.38, 0.22%, 0.58%

LAB 54.05, 12.37, -24.27

 

CMYK 17 / 27 / 0 / 33

HEX #8E7CAB

RGB 142 124 171

HSL 262.98, 0.22%, 0.58%

LAB 55.18, 16.56, -22.44

 

CMYK 9 / 27 / 0 / 33

HEX #9B7CAB

RGB 155 124 171

HSL 279.57, 0.22%, 0.58%

LAB 56.41, 20.88, -20.44

 

CMYK 2 / 27 / 0 / 33

HEX #A77CAB

RGB 167 124 171

HSL 294.89, 0.22%, 0.58%

LAB 57.63, 24.93, -18.48

 

CMYK 27 / 23 / 0 / 33

HEX #7C84AB

RGB 124 132 171

HSL 229.79, 0.22%, 0.58%

LAB 55.81, 6.11, -21.59

 

CMYK 27 / 27 / 0 / 33

HEX #7C7CAB

RGB 124 124 171

HSL 240, 0.22%, 0.58%

LAB 53.64, 10.8, -24.93

 

CMYK 27 / 23 / 0 / 33

HEX #7C84AB

RGB 124 132 171

HSL 229.79, 0.22%, 0.58%

LAB 55.81, 6.11, -21.59

 

CMYK 43 / 36 / 0 / 26

HEX #6B79BD

RGB 107 121 189

HSL 229.76, 0.38%, 0.58%

LAB 52.37, 12.7, -37.37

 

CMYK 56 / 47 / 0 / 19

HEX #5A6DCE

RGB 90 109 206

HSL 230.17, 0.54%, 0.58%

LAB 48.97, 21.4, -52.58

 

CMYK 68 / 56 / 0 / 13

HEX #4862DF

RGB 72 98 223

HSL 229.67, 0.7%, 0.58%

LAB 46.23, 30.92, -66.72

 

CMYK 77 / 64 / 0 / 5

HEX #3756F1

RGB 55 86 241

HSL 230, 0.87%, 0.58%

LAB 43.97, 42.72, -80.6

 

CMYK 27 / 23 / 0 / 33

HEX #7C84AB

RGB 124 132 171

HSL 229.79, 0.22%, 0.58%

LAB 55.81, 6.11, -21.59

 

CMYK 8 / 6 / 0 / 40

HEX #8E909A

RGB 142 144 154

HSL 230, 0.06%, 0.58%

LAB 59.92, 1.3, -5.54

 

CMYK 0 / 3 / 14 / 38

HEX #9F9B89

RGB 159 155 137

HSL 49.09, 0.1%, 0.58%

LAB 63.85, -1.75, 9.96

 

CMYK 0 / 5 / 32 / 31

HEX #B0A777

RGB 176 167 119

HSL 50.53, 0.27%, 0.58%

LAB 68.17, -4.23, 26.04

 

CMYK 0 / 8 / 47 / 24

HEX #C2B266

RGB 194 178 102

HSL 49.57, 0.43%, 0.58%

LAB 72.41, -4.61, 40.71

 

CMYK 27 / 8 / 0 / 33

HEX #7C9DAB

RGB 124 157 171

HSL 197.87, 0.22%, 0.58%

LAB 62.79, -8.05, -11.02

 

CMYK 27 / 15 / 0 / 33

HEX #7C91AB

RGB 124 145 171

HSL 213.19, 0.22%, 0.58%

LAB 59.41, -1.36, -16.11

 

CMYK 27 / 23 / 0 / 33

HEX #7C84AB

RGB 124 132 171

HSL 229.79, 0.22%, 0.58%

LAB 55.81, 6.11, -21.59

 

CMYK 25 / 27 / 0 / 33

HEX #817CAB

RGB 129 124 171

HSL 246.38, 0.22%, 0.58%

LAB 54.05, 12.37, -24.27

 

CMYK 17 / 27 / 0 / 33

HEX #8E7CAB

RGB 142 124 171

HSL 262.98, 0.22%, 0.58%

LAB 55.18, 16.56, -22.44

 

CMYK 36 / 30 / 0 / 49

HEX #535B82

RGB 83 91 130

HSL 229.79, 0.22%, 0.42%

LAB 39.47, 7.05, -22.84

 

CMYK 36 / 30 / 0 / 39

HEX #636D9B

RGB 99 109 155

HSL 229.29, 0.22%, 0.5%

LAB 46.92, 7.9, -26.16

 

CMYK 27 / 23 / 0 / 33

HEX #7C84AB

RGB 124 132 171

HSL 229.79, 0.22%, 0.58%

LAB 55.81, 6.11, -21.59

 

CMYK 20 / 17 / 0 / 26

HEX #969CBC

RGB 150 156 188

HSL 230.53, 0.22%, 0.66%

LAB 64.88, 4.73, -17.24

 

CMYK 14 / 12 / 0 / 20

HEX #AFB4CC

RGB 175 180 204

HSL 229.66, 0.22%, 0.74%

LAB 73.62, 3.11, -12.72

 

CMYK 28 / 23 / 0 / 33

HEX #7C84AC

RGB 124 132 172

HSL 230, 0.22%, 0.58%

LAB 55.85, 6.36, -22.11

 

CMYK 0 / 27 / 1 / 33

HEX #AB7CAA

RGB 171 124 170

HSL 301.28, 0.22%, 0.58%

LAB 58.01, 26.1, -17.28

 

CMYK 12 / 0 / 27 / 33

HEX #97AB7C

RGB 151 171 124

HSL 85.53, 0.22%, 0.58%

LAB 67.4, -15.43, 21.96

 

CMYK 28 / 23 / 0 / 33

HEX #7C84AC

RGB 124 132 172

HSL 230, 0.22%, 0.58%

LAB 55.85, 6.36, -22.11

 

CMYK 0 / 27 / 23 / 33

HEX #AB7C84

RGB 171 124 132

HSL 349.79, 0.22%, 0.58%

LAB 56.82, 19.47, 2.89

 

CMYK 23 / 0 / 27 / 33

HEX #84AB7C

RGB 132 171 124

HSL 109.79, 0.22%, 0.58%

LAB 66.13, -22.42, 20.02

 

CMYK 28 / 23 / 0 / 33

HEX #7C84AC

RGB 124 132 172

HSL 230, 0.22%, 0.58%

LAB 55.85, 6.36, -22.11

 

CMYK 0 / 27 / 1 / 33

HEX #AB7CAA

RGB 171 124 170

HSL 301.28, 0.22%, 0.58%

LAB 58.01, 26.1, -17.28

 

CMYK 0 / 4 / 27 / 33

HEX #ABA47C

RGB 171 164 124

HSL 51.06, 0.22%, 0.58%

LAB 67.02, -3.95, 21.72

 

CMYK 27 / 0 / 26 / 33

HEX #7CAB7E

RGB 124 171 126

HSL 122.55, 0.22%, 0.58%

LAB 65.68, -24.87, 18.25

 

CMYK 28 / 23 / 0 / 33

HEX #7C84AC

RGB 124 132 172

HSL 230, 0.22%, 0.58%

LAB 55.85, 6.36, -22.11

 

CMYK 0 / 27 / 9 / 33

HEX #AB7C9C

RGB 171 124 156

HSL 319.15, 0.22%, 0.58%

LAB 57.53, 23.49, -9.94

 

CMYK 0 / 4 / 27 / 33

HEX #ABA47C

RGB 171 164 124

HSL 51.06, 0.22%, 0.58%

LAB 67.02, -3.95, 21.72

 

CMYK 27 / 0 / 18 / 33

HEX #7CAB8C

RGB 124 171 140

HSL 140.43, 0.22%, 0.58%

LAB 65.98, -22.25, 10.97

 

Description

Color code: HEX #7C84AC | qconv.com Color code: HEX #7C84AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 132 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 132 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 23 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 23% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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