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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C842A it is the complementary color #837BD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C842A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C842A shade: #818425, #929638, #A3A84B, #B4BA5E and #C5CC71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C842A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C842A shade: #7C842A, #6B7217, #5A6004, #494E00 and #383C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C842A shade: #7C842A, #84732A, #845B2A, #84432A and #842B2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C842A shade: #7C842A, #63842A, #4B842A, #33842A and #2A8439

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C842A shade matches the following richer shades: #7C842A, #87921C and #93A00E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C842A shade: #7C842A, #707638, #656846, #595A54 and #4E4C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C842A shade: #845B2A, #84732A, #7C842A, #64842A and #4C842A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C842A shade: #414516, #5E6420, #7C842A, #99A334 and #B6C23E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C842A shade: #7C842A, #2A8443 and #672A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C842A shade: #7C842A, #2A7C84 and #842A7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C842A shade: #7C842A, #2A8443, #312A84 and #842A6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C842A shade: #7C842A, #2A845E, #312A84 and #842A4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

Complementary color

CMYK 38 / 42 / 0 / 16

HEX #837BD5

RGB 131 123 213

HSL 245.33, 0.52%, 0.66%

LAB 55.88, 24.64, -45.36

 

CMYK 2 / 0 / 72 / 48

HEX #818425

RGB 129 132 37

HSL 61.89, 0.56%, 0.33%

LAB 53.28, -13.42, 48.15

 

CMYK 3 / 0 / 63 / 41

HEX #929638

RGB 146 150 56

HSL 62.55, 0.46%, 0.4%

LAB 60.08, -14.21, 47.58

 

CMYK 3 / 0 / 55 / 34

HEX #A3A84B

RGB 163 168 75

HSL 63.23, 0.38%, 0.48%

LAB 66.75, -14.82, 46.62

 

CMYK 3 / 0 / 49 / 27

HEX #B4BA5E

RGB 180 186 94

HSL 63.91, 0.4%, 0.55%

LAB 73.3, -15.3, 45.5

 

CMYK 3 / 0 / 45 / 20

HEX #C5CC71

RGB 197 204 113

HSL 64.62, 0.47%, 0.62%

LAB 79.75, -15.68, 44.33

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 6 / 0 / 80 / 55

HEX #6B7217

RGB 107 114 23

HSL 64.62, 0.66%, 0.27%

LAB 45.94, -14.51, 45.69

 

CMYK 6 / 0 / 96 / 62

HEX #5A6004

RGB 90 96 4

HSL 63.91, 0.92%, 0.2%

LAB 38.81, -13.34, 44.44

 

CMYK 6 / 0 / 100 / 69

HEX #494E00

RGB 73 78 0

HSL 63.85, 1%, 0.15%

LAB 31.5, -11.67, 39.5

 

CMYK 7 / 0 / 100 / 76

HEX #383C00

RGB 56 60 0

HSL 64, 1%, 0.12%

LAB 23.91, -9.79, 32.43

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 0 / 13 / 68 / 48

HEX #84732A

RGB 132 115 42

HSL 48.67, 0.52%, 0.34%

LAB 48.68, -2.34, 41.41

 

CMYK 0 / 31 / 68 / 48

HEX #845B2A

RGB 132 91 42

HSL 32.67, 0.52%, 0.34%

LAB 42.08, 11.63, 34.26

 

CMYK 0 / 49 / 68 / 48

HEX #84432A

RGB 132 67 42

HSL 16.67, 0.52%, 0.34%

LAB 36.15, 25.63, 27.46

 

CMYK 0 / 67 / 68 / 48

HEX #842B2A

RGB 132 43 42

HSL 0.67, 0.52%, 0.34%

LAB 31.35, 38.07, 21.67

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 25 / 0 / 68 / 48

HEX #63842A

RGB 99 132 42

HSL 82, 0.52%, 0.34%

LAB 51.06, -26.17, 43.1

 

CMYK 43 / 0 / 68 / 48

HEX #4B842A

RGB 75 132 42

HSL 98, 0.52%, 0.34%

LAB 49.7, -35.37, 41.24

 

CMYK 61 / 0 / 68 / 48

HEX #33842A

RGB 51 132 42

HSL 114, 0.52%, 0.34%

LAB 48.73, -42.68, 39.91

 

CMYK 68 / 0 / 57 / 48

HEX #2A8439

RGB 42 132 57

HSL 130, 0.52%, 0.34%

LAB 48.62, -42.94, 32.52

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 8 / 0 / 81 / 43

HEX #87921C

RGB 135 146 28

HSL 65.59, 0.68%, 0.34%

LAB 57.84, -18.52, 55.7

 

CMYK 8 / 0 / 91 / 37

HEX #93A00E

RGB 147 160 14

HSL 65.34, 0.84%, 0.34%

LAB 62.82, -20.76, 63.48

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 5 / 0 / 53 / 54

HEX #707638

RGB 112 118 56

HSL 65.81, 0.36%, 0.34%

LAB 47.86, -12.01, 33.04

 

CMYK 3 / 0 / 33 / 59

HEX #656846

RGB 101 104 70

HSL 65.29, 0.2%, 0.34%

LAB 42.93, -7.26, 18.81

 

CMYK 1 / 0 / 7 / 65

HEX #595A54

RGB 89 90 84

HSL 70, 0.03%, 0.34%

LAB 37.98, -1.64, 3.32

 

CMYK 20 / 22 / 0 / 62

HEX #4E4C62

RGB 78 76 98

HSL 245.45, 0.13%, 0.34%

LAB 33.29, 6.05, -12.53

 

CMYK 0 / 31 / 68 / 48

HEX #845B2A

RGB 132 91 42

HSL 32.67, 0.52%, 0.34%

LAB 42.08, 11.63, 34.26

 

CMYK 0 / 13 / 68 / 48

HEX #84732A

RGB 132 115 42

HSL 48.67, 0.52%, 0.34%

LAB 48.68, -2.34, 41.41

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 24 / 0 / 68 / 48

HEX #64842A

RGB 100 132 42

HSL 81.33, 0.52%, 0.34%

LAB 51.13, -25.76, 43.19

 

CMYK 42 / 0 / 68 / 48

HEX #4C842A

RGB 76 132 42

HSL 97.33, 0.52%, 0.34%

LAB 49.75, -35.02, 41.3

 

CMYK 6 / 0 / 68 / 73

HEX #414516

RGB 65 69 22

HSL 65.11, 0.52%, 0.18%

LAB 27.95, -9.18, 27.05

 

CMYK 6 / 0 / 68 / 61

HEX #5E6420

RGB 94 100 32

HSL 65.29, 0.52%, 0.26%

LAB 40.57, -12.34, 36.41

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 6 / 0 / 68 / 36

HEX #99A334

RGB 153 163 52

HSL 65.41, 0.52%, 0.42%

LAB 64.33, -18.18, 53.9

 

CMYK 6 / 0 / 68 / 24

HEX #B6C23E

RGB 182 194 62

HSL 65.45, 0.52%, 0.5%

LAB 75.37, -20.88, 61.89

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 68 / 0 / 49 / 48

HEX #2A8443

RGB 42 132 67

HSL 136.67, 0.52%, 0.34%

LAB 48.76, -41.38, 27.44

 

CMYK 22 / 68 / 0 / 48

HEX #672A84

RGB 103 42 132

HSL 280.67, 0.52%, 0.34%

LAB 29.92, 42.62, -39.01

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 68 / 6 / 0 / 48

HEX #2A7C84

RGB 42 124 132

HSL 185.33, 0.52%, 0.34%

LAB 47.72, -21.55, -11.59

 

CMYK 0 / 68 / 6 / 48

HEX #842A7C

RGB 132 42 124

HSL 305.33, 0.52%, 0.34%

LAB 34.02, 48.35, -27.22

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 68 / 0 / 49 / 48

HEX #2A8443

RGB 42 132 67

HSL 136.67, 0.52%, 0.34%

LAB 48.76, -41.38, 27.44

 

CMYK 63 / 68 / 0 / 48

HEX #312A84

RGB 49 42 132

HSL 244.67, 0.52%, 0.34%

LAB 23.59, 31.28, -49.58

 

CMYK 0 / 68 / 20 / 48

HEX #842A6A

RGB 132 42 106

HSL 317.33, 0.52%, 0.34%

LAB 33.14, 45.44, -17.22

 

CMYK 6 / 0 / 68 / 48

HEX #7C842A

RGB 124 132 42

HSL 65.33, 0.52%, 0.34%

LAB 52.9, -15.37, 45.58

 

CMYK 68 / 0 / 29 / 48

HEX #2A845E

RGB 42 132 94

HSL 154.67, 0.52%, 0.34%

LAB 49.26, -35.95, 12.94

 

CMYK 63 / 68 / 0 / 48

HEX #312A84

RGB 49 42 132

HSL 244.67, 0.52%, 0.34%

LAB 23.59, 31.28, -49.58

 

CMYK 0 / 68 / 40 / 48

HEX #842A4F

RGB 132 42 79

HSL 335.33, 0.52%, 0.34%

LAB 32.09, 41.82, -1.38

 

Description

Color code: HEX #7C842A | qconv.com Color code: HEX #7C842A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 132 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 132 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 68 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 68% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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