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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C7B01 it is the complementary color #8384FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C7B01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C7B01 shade: #817B00, #928D0F, #A39F22, #B4B135 and #C5C348

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C7B01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C7B01 shade: #7C7B01, #6B6900, #5A5700, #494500 and #383300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C7B01 shade: #7E7D01, #7E5C01, #7E3A01, #7E1801 and #7E0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C7B01 shade: #7E7D01, #5E7E01, #3C7E01, #1A7E01 and #017E0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C7B01 shade matches the following richer shades: #7E7D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C7B01 shade: #7E7D01, #74730C, #6A6916, #5F5F20 and #55552B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C7B01 shade: #7E3A01, #7E5B01, #7E7C01, #5F7E01 and #3E7E01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C7B01 shade: #2D2C00, #555501, #7E7D01, #A7A602 and #D0CE02

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C7B01 shade: #7C7B01, #017E18 and #4A017E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C7B01 shade: #7C7B01, #017E7C and #7C017E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C7B01 shade: #7C7B01, #017E18, #01037E and #7E0167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C7B01 shade: #7C7B01, #017E3E, #01037E and #7E0142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 99 / 51

HEX #7C7B01

RGB 124 123 1

HSL 59.51, 0.98%, 0.25%

LAB 50.04, -12.07, 54.98

 

Complementary color

CMYK 48 / 48 / 0 / 0

HEX #8384FE

RGB 131 132 254

HSL 239.51, 0.98%, 0.75%

LAB 60.32, 31.1, -61.11

 

CMYK 0 / 5 / 100 / 49

HEX #817B00

RGB 129 123 0

HSL 57.21, 1%, 0.25%

LAB 50.49, -9.74, 55.71

 

CMYK 0 / 3 / 90 / 43

HEX #928D0F

RGB 146 141 15

HSL 57.71, 0.81%, 0.32%

LAB 57.27, -11.31, 58.83

 

CMYK 0 / 2 / 79 / 36

HEX #A39F22

RGB 163 159 34

HSL 58.14, 0.65%, 0.39%

LAB 63.92, -12.6, 60.19

 

CMYK 0 / 2 / 71 / 29

HEX #B4B135

RGB 180 177 53

HSL 58.58, 0.55%, 0.46%

LAB 70.46, -13.65, 60.34

 

CMYK 0 / 1 / 63 / 23

HEX #C5C348

RGB 197 195 72

HSL 59.04, 0.52%, 0.53%

LAB 76.9, -14.5, 59.85

 

CMYK 0 / 1 / 99 / 51

HEX #7C7B01

RGB 124 123 1

HSL 59.51, 0.98%, 0.25%

LAB 50.04, -12.07, 54.98

 

CMYK 0 / 2 / 100 / 58

HEX #6B6900

RGB 107 105 0

HSL 58.88, 1%, 0.21%

LAB 43.11, -10.26, 49.42

 

CMYK 0 / 3 / 100 / 65

HEX #5A5700

RGB 90 87 0

HSL 58, 1%, 0.18%

LAB 35.97, -8.35, 43.5

 

CMYK 0 / 5 / 100 / 71

HEX #494500

RGB 73 69 0

HSL 56.71, 1%, 0.14%

LAB 28.57, -6.33, 37.28

 

CMYK 0 / 9 / 100 / 78

HEX #383300

RGB 56 51 0

HSL 54.64, 1%, 0.11%

LAB 20.86, -4.19, 29.23

 

CMYK 0 / 1 / 99 / 51

HEX #7E7D01

RGB 126 125 1

HSL 59.52, 0.98%, 0.25%

LAB 50.81, -12.22, 55.63

 

CMYK 0 / 27 / 99 / 51

HEX #7E5C01

RGB 126 92 1

HSL 43.68, 0.98%, 0.25%

LAB 41.36, 6.59, 48.84

 

CMYK 0 / 54 / 99 / 51

HEX #7E3A01

RGB 126 58 1

HSL 27.36, 0.98%, 0.25%

LAB 32.84, 26.48, 43.24

 

CMYK 0 / 81 / 99 / 51

HEX #7E1801

RGB 126 24 1

HSL 11.04, 0.98%, 0.25%

LAB 26.99, 42.04, 38.81

 

CMYK 0 / 99 / 99 / 51

HEX #7E0101

RGB 126 1 1

HSL 0, 0.98%, 0.25%

LAB 25.14, 47.34, 37.11

 

CMYK 0 / 1 / 99 / 51

HEX #7E7D01

RGB 126 125 1

HSL 59.52, 0.98%, 0.25%

LAB 50.81, -12.22, 55.63

 

CMYK 25 / 0 / 99 / 51

HEX #5E7E01

RGB 94 126 1

HSL 75.36, 0.98%, 0.25%

LAB 48.64, -27.22, 52.9

 

CMYK 52 / 0 / 99 / 51

HEX #3C7E01

RGB 60 126 1

HSL 91.68, 0.98%, 0.25%

LAB 46.82, -40.14, 50.7

 

CMYK 79 / 0 / 99 / 51

HEX #1A7E01

RGB 26 126 1

HSL 108, 0.98%, 0.25%

LAB 45.83, -48.37, 49.49

 

CMYK 99 / 0 / 92 / 51

HEX #017E0A

RGB 1 126 10

HSL 124.32, 0.98%, 0.25%

LAB 45.57, -50.64, 47.28

 

CMYK 0 / 1 / 99 / 51

HEX #7E7D01

RGB 126 125 1

HSL 59.52, 0.98%, 0.25%

LAB 50.81, -12.22, 55.63

 

CMYK 0 / 1 / 99 / 51

HEX #7E7D01

RGB 126 125 1

HSL 59.52, 0.98%, 0.25%

LAB 50.81, -12.22, 55.63

 

CMYK 0 / 1 / 90 / 55

HEX #74730C

RGB 116 115 12

HSL 59.42, 0.81%, 0.25%

LAB 46.98, -11.22, 50.04

 

CMYK 0 / 1 / 79 / 58

HEX #6A6916

RGB 106 105 22

HSL 59.29, 0.66%, 0.25%

LAB 43.1, -10.05, 43.4

 

CMYK 0 / 0 / 66 / 63

HEX #5F5F20

RGB 95 95 32

HSL 60, 0.5%, 0.25%

LAB 39.11, -9.03, 34.89

 

CMYK 0 / 0 / 49 / 67

HEX #55552B

RGB 85 85 43

HSL 60, 0.33%, 0.25%

LAB 35.21, -6.93, 24.37

 

CMYK 0 / 54 / 99 / 51

HEX #7E3A01

RGB 126 58 1

HSL 27.36, 0.98%, 0.25%

LAB 32.84, 26.48, 43.24

 

CMYK 0 / 28 / 99 / 51

HEX #7E5B01

RGB 126 91 1

HSL 43.2, 0.98%, 0.25%

LAB 41.09, 7.18, 48.65

 

CMYK 0 / 2 / 99 / 51

HEX #7E7C01

RGB 126 124 1

HSL 59.04, 0.98%, 0.25%

LAB 50.51, -11.68, 55.41

 

CMYK 25 / 0 / 99 / 51

HEX #5F7E01

RGB 95 126 1

HSL 74.88, 0.98%, 0.25%

LAB 48.71, -26.79, 52.98

 

CMYK 51 / 0 / 99 / 51

HEX #3E7E01

RGB 62 126 1

HSL 90.72, 0.98%, 0.25%

LAB 46.91, -39.49, 50.8

 

CMYK 0 / 2 / 100 / 82

HEX #2D2C00

RGB 45 44 0

HSL 58.67, 1%, 0.09%

LAB 17.27, -5.76, 24.76

 

CMYK 0 / 0 / 99 / 67

HEX #555501

RGB 85 85 1

HSL 60, 0.98%, 0.17%

LAB 34.86, -9.65, 42.14

 

CMYK 0 / 1 / 99 / 51

HEX #7E7D01

RGB 126 125 1

HSL 59.52, 0.98%, 0.25%

LAB 50.81, -12.22, 55.63

 

CMYK 0 / 1 / 99 / 35

HEX #A7A602

RGB 167 166 2

HSL 59.64, 0.98%, 0.33%

LAB 66.13, -15.16, 68.36

 

CMYK 0 / 1 / 99 / 18

HEX #D0CE02

RGB 208 206 2

HSL 59.42, 0.98%, 0.41%

LAB 80.49, -17.48, 80.45

 

CMYK 0 / 1 / 99 / 51

HEX #7C7B01

RGB 124 123 1

HSL 59.51, 0.98%, 0.25%

LAB 50.04, -12.07, 54.98

 

CMYK 99 / 0 / 81 / 51

HEX #017E18

RGB 1 126 24

HSL 131.04, 0.98%, 0.25%

LAB 45.63, -49.86, 43.55

 

CMYK 41 / 99 / 0 / 51

HEX #4A017E

RGB 74 1 126

HSL 275.04, 0.98%, 0.25%

LAB 19.98, 50.44, -51.59

 

CMYK 0 / 1 / 99 / 51

HEX #7C7B01

RGB 124 123 1

HSL 59.51, 0.98%, 0.25%

LAB 50.04, -12.07, 54.98

 

CMYK 99 / 0 / 2 / 51

HEX #017E7C

RGB 1 126 124

HSL 179.04, 0.98%, 0.25%

LAB 47.47, -29.11, -7.29

 

CMYK 2 / 99 / 0 / 51

HEX #7C017E

RGB 124 1 126

HSL 299.04, 0.98%, 0.25%

LAB 28.94, 57.76, -36.64

 

CMYK 0 / 1 / 99 / 51

HEX #7C7B01

RGB 124 123 1

HSL 59.51, 0.98%, 0.25%

LAB 50.04, -12.07, 54.98

 

CMYK 99 / 0 / 81 / 51

HEX #017E18

RGB 1 126 24

HSL 131.04, 0.98%, 0.25%

LAB 45.63, -49.86, 43.55

 

CMYK 99 / 98 / 0 / 51

HEX #01037E

RGB 1 3 126

HSL 239.04, 0.98%, 0.25%

LAB 13.1, 45.72, -63.23

 

CMYK 0 / 99 / 18 / 51

HEX #7E0167

RGB 126 1 103

HSL 311.04, 0.98%, 0.25%

LAB 27.94, 54.71, -23.46

 

CMYK 0 / 1 / 99 / 51

HEX #7C7B01

RGB 124 123 1

HSL 59.51, 0.98%, 0.25%

LAB 50.04, -12.07, 54.98

 

CMYK 99 / 0 / 51 / 51

HEX #017E3E

RGB 1 126 62

HSL 149.28, 0.98%, 0.25%

LAB 46.01, -45.07, 26.54

 

CMYK 99 / 98 / 0 / 51

HEX #01037E

RGB 1 3 126

HSL 239.04, 0.98%, 0.25%

LAB 13.1, 45.72, -63.23

 

CMYK 0 / 99 / 48 / 51

HEX #7E0142

RGB 126 1 66

HSL 328.8, 0.98%, 0.25%

LAB 26.31, 50.49, -1.37

 

Description

Color code: HEX #7C7B01 | qconv.com Color code: HEX #7C7B01 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 123 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 123 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 99 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 99% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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