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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C744F it is the complementary color #838BB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C744F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C744F shade: #81744A, #92865D, #A39870, #B4AA83 and #C5BC96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C744F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C744F shade: #7C744F, #6B623C, #5A5029, #493E16 and #382C03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C744F shade: #7C7450, #7C6850, #7C5C50 and #7C5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C744F shade: #7C7450, #787C50, #6C7C50, #607C50 and #547C50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C744F shade matches the following richer shades: #7C7450, #8D7F3F, #9D8A2F, #AE941E and #BE9F0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C744F shade: #7C7450, #6C6A60, #5B5F71, #4B5581 and #3A4A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C744F shade: #7C5C50, #7C6850, #7C7450, #797C50 and #6D7C50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C744F shade: #4A452F, #635D3F, #7C7450, #968C60 and #A89F77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C744F shade: #7C744F, #507C50 and #62507C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C744F shade: #7C744F, #507C74 and #74507C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C744F shade: #7C744F, #507C50, #50587C and #7C507C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C744F shade: #7C744F, #507C5E, #50587C and #7C506E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 36 / 51

HEX #7C744F

RGB 124 116 79

HSL 49.33, 0.22%, 0.4%

LAB 48.69, -2.92, 21.59

 

Complementary color

CMYK 26 / 21 / 0 / 31

HEX #838BB0

RGB 131 139 176

HSL 229.33, 0.22%, 0.6%

LAB 58.44, 5.5, -20.39

 

CMYK 0 / 10 / 43 / 49

HEX #81744A

RGB 129 116 74

HSL 45.82, 0.27%, 0.4%

LAB 49.07, -1.36, 25.03

 

CMYK 0 / 8 / 36 / 43

HEX #92865D

RGB 146 134 93

HSL 46.42, 0.22%, 0.47%

LAB 56.04, -1.88, 23.74

 

CMYK 0 / 7 / 31 / 36

HEX #A39870

RGB 163 152 112

HSL 47.06, 0.22%, 0.54%

LAB 62.85, -2.29, 22.55

 

CMYK 0 / 6 / 27 / 29

HEX #B4AA83

RGB 180 170 131

HSL 47.76, 0.25%, 0.61%

LAB 69.53, -2.64, 21.44

 

CMYK 0 / 5 / 24 / 23

HEX #C5BC96

RGB 197 188 150

HSL 48.51, 0.29%, 0.68%

LAB 76.09, -2.93, 20.41

 

CMYK 0 / 6 / 36 / 51

HEX #7C744F

RGB 124 116 79

HSL 49.33, 0.22%, 0.4%

LAB 48.69, -2.92, 21.59

 

CMYK 0 / 8 / 44 / 58

HEX #6B623C

RGB 107 98 60

HSL 48.51, 0.28%, 0.33%

LAB 41.51, -2.43, 22.91

 

CMYK 0 / 11 / 54 / 65

HEX #5A5029

RGB 90 80 41

HSL 47.76, 0.37%, 0.26%

LAB 34.13, -1.76, 24.32

 

CMYK 0 / 15 / 70 / 71

HEX #493E16

RGB 73 62 22

HSL 47.06, 0.54%, 0.19%

LAB 26.5, -0.8, 25.71

 

CMYK 0 / 21 / 95 / 78

HEX #382C03

RGB 56 44 3

HSL 46.42, 0.9%, 0.12%

LAB 18.58, 0.6, 25.41

 

CMYK 0 / 6 / 35 / 51

HEX #7C7450

RGB 124 116 80

HSL 49.09, 0.22%, 0.4%

LAB 48.7, -2.79, 21.04

 

CMYK 0 / 16 / 35 / 51

HEX #7C6850

RGB 124 104 80

HSL 32.73, 0.22%, 0.4%

LAB 45.31, 4.18, 16.49

 

CMYK 0 / 26 / 35 / 51

HEX #7C5C50

RGB 124 92 80

HSL 16.36, 0.22%, 0.4%

LAB 42.03, 11.31, 12

 

CMYK 0 / 35 / 35 / 51

HEX #7C5050

RGB 124 80 80

HSL 0, 0.22%, 0.4%

LAB 38.9, 18.5, 7.63

 

CMYK 0 / 6 / 35 / 51

HEX #7C7450

RGB 124 116 80

HSL 49.09, 0.22%, 0.4%

LAB 48.7, -2.79, 21.04

 

CMYK 3 / 0 / 35 / 51

HEX #787C50

RGB 120 124 80

HSL 65.45, 0.22%, 0.4%

LAB 50.67, -9.02, 23.56

 

CMYK 13 / 0 / 35 / 51

HEX #6C7C50

RGB 108 124 80

HSL 81.82, 0.22%, 0.4%

LAB 49.72, -14.03, 22.13

 

CMYK 23 / 0 / 35 / 51

HEX #607C50

RGB 96 124 80

HSL 98.18, 0.22%, 0.4%

LAB 48.86, -18.83, 20.84

 

CMYK 32 / 0 / 35 / 51

HEX #547C50

RGB 84 124 80

HSL 114.55, 0.22%, 0.4%

LAB 48.11, -23.34, 19.7

 

CMYK 0 / 6 / 35 / 51

HEX #7C7450

RGB 124 116 80

HSL 49.09, 0.22%, 0.4%

LAB 48.7, -2.79, 21.04

 

CMYK 0 / 10 / 55 / 45

HEX #8D7F3F

RGB 141 127 63

HSL 49.23, 0.38%, 0.4%

LAB 53.17, -3.39, 36.3

 

CMYK 0 / 12 / 70 / 38

HEX #9D8A2F

RGB 157 138 47

HSL 49.64, 0.54%, 0.4%

LAB 57.61, -3.43, 49.22

 

CMYK 0 / 15 / 83 / 32

HEX #AE941E

RGB 174 148 30

HSL 49.17, 0.71%, 0.4%

LAB 61.89, -1.93, 60

 

CMYK 0 / 16 / 93 / 25

HEX #BE9F0E

RGB 190 159 14

HSL 49.43, 0.86%, 0.4%

LAB 66.35, -1.01, 67.85

 

CMYK 0 / 6 / 35 / 51

HEX #7C7450

RGB 124 116 80

HSL 49.09, 0.22%, 0.4%

LAB 48.7, -2.79, 21.04

 

CMYK 0 / 2 / 11 / 58

HEX #6C6A60

RGB 108 106 96

HSL 50, 0.06%, 0.4%

LAB 44.72, -1.16, 5.89

 

CMYK 19 / 16 / 0 / 56

HEX #5B5F71

RGB 91 95 113

HSL 229.09, 0.11%, 0.4%

LAB 40.57, 2.63, -10.7

 

CMYK 42 / 34 / 0 / 49

HEX #4B5581

RGB 75 85 129

HSL 228.89, 0.26%, 0.4%

LAB 37.07, 8.16, -26

 

CMYK 60 / 49 / 0 / 43

HEX #3A4A92

RGB 58 74 146

HSL 229.09, 0.43%, 0.4%

LAB 33.72, 16.78, -41.8

 

CMYK 0 / 26 / 35 / 51

HEX #7C5C50

RGB 124 92 80

HSL 16.36, 0.22%, 0.4%

LAB 42.03, 11.31, 12

 

CMYK 0 / 16 / 35 / 51

HEX #7C6850

RGB 124 104 80

HSL 32.73, 0.22%, 0.4%

LAB 45.31, 4.18, 16.49

 

CMYK 0 / 6 / 35 / 51

HEX #7C7450

RGB 124 116 80

HSL 49.09, 0.22%, 0.4%

LAB 48.7, -2.79, 21.04

 

CMYK 2 / 0 / 35 / 51

HEX #797C50

RGB 121 124 80

HSL 64.09, 0.22%, 0.4%

LAB 50.76, -8.59, 23.69

 

CMYK 12 / 0 / 35 / 51

HEX #6D7C50

RGB 109 124 80

HSL 80.45, 0.22%, 0.4%

LAB 49.79, -13.61, 22.24

 

CMYK 0 / 7 / 36 / 71

HEX #4A452F

RGB 74 69 47

HSL 48.89, 0.22%, 0.24%

LAB 29.2, -1.85, 14.08

 

CMYK 0 / 6 / 36 / 61

HEX #635D3F

RGB 99 93 63

HSL 50, 0.22%, 0.32%

LAB 39.31, -2.7, 18.13

 

CMYK 0 / 6 / 35 / 51

HEX #7C7450

RGB 124 116 80

HSL 49.09, 0.22%, 0.4%

LAB 48.7, -2.79, 21.04

 

CMYK 0 / 7 / 36 / 41

HEX #968C60

RGB 150 140 96

HSL 48.89, 0.22%, 0.48%

LAB 58.12, -3.15, 24.88

 

CMYK 0 / 5 / 29 / 34

HEX #A89F77

RGB 168 159 119

HSL 48.98, 0.22%, 0.56%

LAB 65.32, -3.13, 22.1

 

CMYK 0 / 6 / 36 / 51

HEX #7C744F

RGB 124 116 79

HSL 49.33, 0.22%, 0.4%

LAB 48.69, -2.92, 21.59

 

CMYK 35 / 0 / 35 / 51

HEX #507C50

RGB 80 124 80

HSL 120, 0.22%, 0.4%

LAB 47.88, -24.76, 19.36

 

CMYK 21 / 35 / 0 / 51

HEX #62507C

RGB 98 80 124

HSL 264.55, 0.22%, 0.4%

LAB 37.46, 17.18, -22.17

 

CMYK 0 / 6 / 36 / 51

HEX #7C744F

RGB 124 116 79

HSL 49.33, 0.22%, 0.4%

LAB 48.69, -2.92, 21.59

 

CMYK 35 / 0 / 6 / 51

HEX #507C74

RGB 80 124 116

HSL 169.09, 0.22%, 0.4%

LAB 48.74, -17.08, -0.45

 

CMYK 6 / 35 / 0 / 51

HEX #74507C

RGB 116 80 124

HSL 289.09, 0.22%, 0.4%

LAB 39.42, 23.33, -18.98

 

CMYK 0 / 6 / 36 / 51

HEX #7C744F

RGB 124 116 79

HSL 49.33, 0.22%, 0.4%

LAB 48.69, -2.92, 21.59

 

CMYK 35 / 0 / 35 / 51

HEX #507C50

RGB 80 124 80

HSL 120, 0.22%, 0.4%

LAB 47.88, -24.76, 19.36

 

CMYK 35 / 29 / 0 / 51

HEX #50587C

RGB 80 88 124

HSL 229.09, 0.22%, 0.4%

LAB 38.09, 6.27, -21.32

 

CMYK 0 / 35 / 0 / 51

HEX #7C507C

RGB 124 80 124

HSL 300, 0.22%, 0.4%

LAB 40.37, 26.12, -17.44

 

CMYK 0 / 6 / 36 / 51

HEX #7C744F

RGB 124 116 79

HSL 49.33, 0.22%, 0.4%

LAB 48.69, -2.92, 21.59

 

CMYK 35 / 0 / 24 / 51

HEX #507C5E

RGB 80 124 94

HSL 139.09, 0.22%, 0.4%

LAB 48.17, -22.08, 11.66

 

CMYK 35 / 29 / 0 / 51

HEX #50587C

RGB 80 88 124

HSL 229.09, 0.22%, 0.4%

LAB 38.09, 6.27, -21.32

 

CMYK 0 / 35 / 11 / 51

HEX #7C506E

RGB 124 80 110

HSL 319.09, 0.22%, 0.4%

LAB 39.83, 23.39, -9.65

 

Description

Color code: HEX #7C744F | qconv.com Color code: HEX #7C744F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 116 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 116 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 36 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 36% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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