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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C71EB it is the complementary color #838E14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C71EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C71EB shade: #8171E6, #9283F9, #A395FF, #B4A7FF and #C5B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C71EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C71EB shade: #7C71EB, #6B5FD8, #5A4DC5, #493BB2 and #38299F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C71EB shade: #7B70EB, #9C70EB, #BD70EB, #DE70EB and #EB70D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C71EB shade: #7B70EB and #7070EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C71EB shade matches the following richer shades: #7B70EB and #7063F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C71EB shade: #7B70EB, #867DDD, #918BD0, #9C98C3 and #A7A5B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C71EB shade: #70A7EB, #7087EB, #7A70EB, #9B70EB and #BC70EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C71EB shade: #3928E0, #5A4CE5, #7B70EB, #9D94F0 and #BEB8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C71EB shade: #7C71EB, #EB70C8 and #97EB70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C71EB shade: #7C71EB, #EB7A70 and #70EB7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C71EB shade: #7C71EB, #EB70C8, #E0EB70 and #70EB93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C71EB shade: #7C71EB, #EB70A3, #E0EB70 and #70EBB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 52 / 0 / 8

HEX #7C71EB

RGB 124 113 235

HSL 245.41, 0.75%, 0.68%

LAB 54.13, 35.16, -60.55

 

Complementary color

CMYK 8 / 0 / 86 / 44

HEX #838E14

RGB 131 142 20

HSL 65.41, 0.75%, 0.32%

LAB 56.31, -18.51, 56.42

 

CMYK 44 / 51 / 0 / 10

HEX #8171E6

RGB 129 113 230

HSL 248.21, 0.7%, 0.67%

LAB 54.23, 34.83, -57.57

 

CMYK 41 / 47 / 0 / 2

HEX #9283F9

RGB 146 131 249

HSL 247.63, 0.91%, 0.75%

LAB 60.94, 33.66, -57.3

 

CMYK 36 / 42 / 0 / 0

HEX #A395FF

RGB 163 149 255

HSL 247.92, 1%, 0.79%

LAB 66.9, 29.17, -51.04

 

CMYK 29 / 35 / 0 / 0

HEX #B4A7FF

RGB 180 167 255

HSL 248.86, 1%, 0.83%

LAB 72.6, 23.57, -41.99

 

CMYK 23 / 27 / 0 / 0

HEX #C5B9FF

RGB 197 185 255

HSL 250.29, 1%, 0.86%

LAB 78.34, 18.5, -32.98

 

CMYK 47 / 52 / 0 / 8

HEX #7C71EB

RGB 124 113 235

HSL 245.41, 0.75%, 0.68%

LAB 54.13, 35.16, -60.55

 

CMYK 50 / 56 / 0 / 15

HEX #6B5FD8

RGB 107 95 216

HSL 245.95, 0.61%, 0.61%

LAB 47.32, 36.58, -60.86

 

CMYK 54 / 61 / 0 / 23

HEX #5A4DC5

RGB 90 77 197

HSL 246.5, 0.51%, 0.54%

LAB 40.43, 38.19, -61.16

 

CMYK 59 / 67 / 0 / 30

HEX #493BB2

RGB 73 59 178

HSL 247.06, 0.5%, 0.46%

LAB 33.48, 39.98, -61.39

 

CMYK 65 / 74 / 0 / 38

HEX #38299F

RGB 56 41 159

HSL 247.63, 0.59%, 0.39%

LAB 26.53, 41.84, -61.41

 

CMYK 48 / 52 / 0 / 8

HEX #7B70EB

RGB 123 112 235

HSL 245.37, 0.75%, 0.68%

LAB 53.81, 35.53, -61.06

 

CMYK 34 / 52 / 0 / 8

HEX #9C70EB

RGB 156 112 235

HSL 261.46, 0.75%, 0.68%

LAB 56.74, 43.14, -56.21

 

CMYK 20 / 52 / 0 / 8

HEX #BD70EB

RGB 189 112 235

HSL 277.56, 0.75%, 0.68%

LAB 60.25, 51.48, -50.4

 

CMYK 6 / 52 / 0 / 8

HEX #DE70EB

RGB 222 112 235

HSL 293.66, 0.75%, 0.68%

LAB 64.25, 60.15, -43.82

 

CMYK 0 / 52 / 9 / 8

HEX #EB70D6

RGB 235 112 214

HSL 310.24, 0.75%, 0.68%

LAB 65.05, 60.11, -30.76

 

CMYK 48 / 52 / 0 / 8

HEX #7B70EB

RGB 123 112 235

HSL 245.37, 0.75%, 0.68%

LAB 53.81, 35.53, -61.06

 

CMYK 52 / 52 / 0 / 8

HEX #7070EB

RGB 112 112 235

HSL 240, 0.75%, 0.68%

LAB 52.98, 33.24, -62.44

 

CMYK 48 / 52 / 0 / 8

HEX #7B70EB

RGB 123 112 235

HSL 245.37, 0.75%, 0.68%

LAB 53.81, 35.53, -61.06

 

CMYK 55 / 60 / 0 / 3

HEX #7063F8

RGB 112 99 248

HSL 245.23, 0.91%, 0.68%

LAB 50.86, 44.86, -73.13

 

CMYK 48 / 52 / 0 / 8

HEX #7B70EB

RGB 123 112 235

HSL 245.37, 0.75%, 0.68%

LAB 53.81, 35.53, -61.06

 

CMYK 39 / 43 / 0 / 13

HEX #867DDD

RGB 134 125 221

HSL 245.63, 0.59%, 0.68%

LAB 57.03, 26.45, -48.03

 

CMYK 30 / 33 / 0 / 18

HEX #918BD0

RGB 145 139 208

HSL 245.22, 0.42%, 0.68%

LAB 60.82, 17.8, -34.72

 

CMYK 20 / 22 / 0 / 24

HEX #9C98C3

RGB 156 152 195

HSL 245.58, 0.26%, 0.68%

LAB 64.54, 10.53, -21.63

 

CMYK 8 / 9 / 0 / 29

HEX #A7A5B6

RGB 167 165 182

HSL 247.06, 0.1%, 0.68%

LAB 68.39, 4.06, -8.48

 

CMYK 52 / 29 / 0 / 8

HEX #70A7EB

RGB 112 167 235

HSL 213.17, 0.75%, 0.68%

LAB 67.34, 0.86, -39.66

 

CMYK 52 / 43 / 0 / 8

HEX #7087EB

RGB 112 135 235

HSL 228.78, 0.75%, 0.68%

LAB 58.76, 19.47, -53.19

 

CMYK 48 / 52 / 0 / 8

HEX #7A70EB

RGB 122 112 235

HSL 244.88, 0.75%, 0.68%

LAB 53.73, 35.32, -61.19

 

CMYK 34 / 52 / 0 / 8

HEX #9B70EB

RGB 155 112 235

HSL 260.98, 0.75%, 0.68%

LAB 56.64, 42.9, -56.37

 

CMYK 20 / 52 / 0 / 8

HEX #BC70EB

RGB 188 112 235

HSL 277.07, 0.75%, 0.68%

LAB 60.14, 51.22, -50.59

 

CMYK 75 / 82 / 0 / 12

HEX #3928E0

RGB 57 40 224

HSL 245.54, 0.75%, 0.52%

LAB 33.5, 62.15, -88.24

 

CMYK 61 / 67 / 0 / 10

HEX #5A4CE5

RGB 90 76 229

HSL 245.49, 0.75%, 0.6%

LAB 42.76, 48.71, -75.73

 

CMYK 48 / 52 / 0 / 8

HEX #7B70EB

RGB 123 112 235

HSL 245.37, 0.75%, 0.68%

LAB 53.81, 35.53, -61.06

 

CMYK 35 / 38 / 0 / 6

HEX #9D94F0

RGB 157 148 240

HSL 245.87, 0.75%, 0.76%

LAB 65.47, 24.24, -45.13

 

CMYK 22 / 25 / 0 / 4

HEX #BEB8F5

RGB 190 184 245

HSL 245.9, 0.75%, 0.84%

LAB 77.17, 14.69, -29.45

 

CMYK 47 / 52 / 0 / 8

HEX #7C71EB

RGB 124 113 235

HSL 245.41, 0.75%, 0.68%

LAB 54.13, 35.16, -60.55

 

CMYK 0 / 52 / 15 / 8

HEX #EB70C8

RGB 235 112 200

HSL 317.07, 0.75%, 0.68%

LAB 64.5, 57.93, -23.74

 

CMYK 36 / 0 / 52 / 8

HEX #97EB70

RGB 151 235 112

HSL 100.98, 0.75%, 0.68%

LAB 85.59, -47.04, 51.23

 

CMYK 47 / 52 / 0 / 8

HEX #7C71EB

RGB 124 113 235

HSL 245.41, 0.75%, 0.68%

LAB 54.13, 35.16, -60.55

 

CMYK 0 / 48 / 52 / 8

HEX #EB7A70

RGB 235 122 112

HSL 4.88, 0.75%, 0.68%

LAB 63.96, 42.56, 25.47

 

CMYK 52 / 0 / 48 / 8

HEX #70EB7A

RGB 112 235 122

HSL 124.88, 0.75%, 0.68%

LAB 84.1, -57.09, 44.34

 

CMYK 47 / 52 / 0 / 8

HEX #7C71EB

RGB 124 113 235

HSL 245.41, 0.75%, 0.68%

LAB 54.13, 35.16, -60.55

 

CMYK 0 / 52 / 15 / 8

HEX #EB70C8

RGB 235 112 200

HSL 317.07, 0.75%, 0.68%

LAB 64.5, 57.93, -23.74

 

CMYK 5 / 0 / 52 / 8

HEX #E0EB70

RGB 224 235 112

HSL 65.37, 0.75%, 0.68%

LAB 90.06, -20.35, 57.61

 

CMYK 52 / 0 / 37 / 8

HEX #70EB93

RGB 112 235 147

HSL 137.07, 0.75%, 0.68%

LAB 84.47, -53.25, 32.47

 

CMYK 47 / 52 / 0 / 8

HEX #7C71EB

RGB 124 113 235

HSL 245.41, 0.75%, 0.68%

LAB 54.13, 35.16, -60.55

 

CMYK 0 / 52 / 31 / 8

HEX #EB70A3

RGB 235 112 163

HSL 335.12, 0.75%, 0.68%

LAB 63.26, 52.83, -4.59

 

CMYK 5 / 0 / 52 / 8

HEX #E0EB70

RGB 224 235 112

HSL 65.37, 0.75%, 0.68%

LAB 90.06, -20.35, 57.61

 

CMYK 52 / 0 / 22 / 8

HEX #70EBB8

RGB 112 235 184

HSL 155.12, 0.75%, 0.68%

LAB 85.16, -46.22, 14.39

 

Description

Color code: HEX #7C71EB | qconv.com Color code: HEX #7C71EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 113 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 113 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 52 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 52% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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