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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C7125 it is the complementary color #838EDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C7125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C7125 shade: #817120, #928333, #A39546, #B4A759 and #C5B96C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C7125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C7125 shade: #7C7125, #6B5F12, #5A4D00, #493B00 and #382900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C7125 shade: #7E7326, #7E5B26, #7E4326, #7E2B26 and #7E2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C7125 shade: #7E7326, #717E26, #597E26, #427E26 and #2A7E26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C7125 shade matches the following richer shades: #7E7326, #8B7C18 and #98860B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C7125 shade: #7E7326, #706933, #635F40, #56554D and #494B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C7125 shade: #7E4326, #7E5A26, #7E7226, #727E26 and #5A7E26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C7125 shade: #3E3913, #5E561C, #7E7326, #9D8F2F and #BDAC39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C7125 shade: #7C7125, #267E2B and #4F267E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C7125 shade: #7C7125, #267E72 and #72267E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C7125 shade: #7C7125, #267E2B, #26317E and #7E2678

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C7125 shade: #7C7125, #267E46, #26317E and #7E265D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 70 / 51

HEX #7C7125

RGB 124 113 37

HSL 52.41, 0.54%, 0.32%

LAB 47.27, -5.25, 41.97

 

Complementary color

CMYK 40 / 35 / 0 / 15

HEX #838EDA

RGB 131 142 218

HSL 232.41, 0.54%, 0.68%

LAB 60.99, 14.86, -40.13

 

CMYK 0 / 12 / 75 / 49

HEX #817120

RGB 129 113 32

HSL 50.1, 0.6%, 0.32%

LAB 47.73, -3.18, 44.72

 

CMYK 0 / 10 / 65 / 43

HEX #928333

RGB 146 131 51

HSL 50.53, 0.48%, 0.39%

LAB 54.64, -4.3, 44

 

CMYK 0 / 9 / 57 / 36

HEX #A39546

RGB 163 149 70

HSL 50.97, 0.4%, 0.46%

LAB 61.42, -5.18, 42.91

 

CMYK 0 / 7 / 51 / 29

HEX #B4A759

RGB 180 167 89

HSL 51.43, 0.38%, 0.53%

LAB 68.07, -5.88, 41.69

 

CMYK 0 / 6 / 45 / 23

HEX #C5B96C

RGB 197 185 108

HSL 51.91, 0.43%, 0.6%

LAB 74.6, -6.46, 40.45

 

CMYK 0 / 9 / 70 / 51

HEX #7C7125

RGB 124 113 37

HSL 52.41, 0.54%, 0.32%

LAB 47.27, -5.25, 41.97

 

CMYK 0 / 11 / 83 / 58

HEX #6B5F12

RGB 107 95 18

HSL 51.91, 0.71%, 0.25%

LAB 40.17, -4.01, 42.18

 

CMYK 0 / 14 / 100 / 65

HEX #5A4D00

RGB 90 77 0

HSL 51.33, 1%, 0.18%

LAB 32.88, -2.4, 41.28

 

CMYK 0 / 19 / 100 / 71

HEX #493B00

RGB 73 59 0

HSL 48.49, 1%, 0.14%

LAB 25.4, -0.11, 34.49

 

CMYK 0 / 27 / 100 / 78

HEX #382900

RGB 56 41 0

HSL 43.93, 1%, 0.11%

LAB 17.58, 2.42, 25.44

 

CMYK 0 / 9 / 70 / 51

HEX #7E7326

RGB 126 115 38

HSL 52.5, 0.54%, 0.32%

LAB 48.05, -5.39, 42.39

 

CMYK 0 / 28 / 70 / 51

HEX #7E5B26

RGB 126 91 38

HSL 36.14, 0.54%, 0.32%

LAB 41.31, 8.57, 35.26

 

CMYK 0 / 47 / 70 / 51

HEX #7E4326

RGB 126 67 38

HSL 19.77, 0.54%, 0.32%

LAB 35.18, 22.76, 28.42

 

CMYK 0 / 66 / 70 / 51

HEX #7E2B26

RGB 126 43 38

HSL 3.41, 0.54%, 0.32%

LAB 30.17, 35.61, 22.5

 

CMYK 0 / 70 / 70 / 51

HEX #7E2626

RGB 126 38 38

HSL 0, 0.54%, 0.32%

LAB 29.32, 37.91, 21.47

 

CMYK 0 / 9 / 70 / 51

HEX #7E7326

RGB 126 115 38

HSL 52.5, 0.54%, 0.32%

LAB 48.05, -5.39, 42.39

 

CMYK 10 / 0 / 70 / 51

HEX #717E26

RGB 113 126 38

HSL 68.86, 0.54%, 0.32%

LAB 50.18, -17.37, 44.21

 

CMYK 29 / 0 / 70 / 51

HEX #597E26

RGB 89 126 38

HSL 85.23, 0.54%, 0.32%

LAB 48.49, -27.64, 41.93

 

CMYK 48 / 0 / 70 / 51

HEX #427E26

RGB 66 126 38

HSL 100.91, 0.54%, 0.32%

LAB 47.26, -36.19, 40.26

 

CMYK 67 / 0 / 70 / 51

HEX #2A7E26

RGB 42 126 38

HSL 117.27, 0.54%, 0.32%

LAB 46.38, -42.99, 39.06

 

CMYK 0 / 9 / 70 / 51

HEX #7E7326

RGB 126 115 38

HSL 52.5, 0.54%, 0.32%

LAB 48.05, -5.39, 42.39

 

CMYK 0 / 11 / 83 / 45

HEX #8B7C18

RGB 139 124 24

HSL 52.17, 0.71%, 0.32%

LAB 51.8, -5.02, 51.72

 

CMYK 0 / 12 / 93 / 40

HEX #98860B

RGB 152 134 11

HSL 52.34, 0.87%, 0.32%

LAB 55.84, -4.83, 58.69

 

CMYK 0 / 9 / 70 / 51

HEX #7E7326

RGB 126 115 38

HSL 52.5, 0.54%, 0.32%

LAB 48.05, -5.39, 42.39

 

CMYK 0 / 6 / 54 / 56

HEX #706933

RGB 112 105 51

HSL 53.11, 0.37%, 0.32%

LAB 43.93, -5.18, 31.02

 

CMYK 0 / 4 / 35 / 61

HEX #635F40

RGB 99 95 64

HSL 53.14, 0.21%, 0.32%

LAB 39.93, -3.75, 18.35

 

CMYK 0 / 1 / 10 / 66

HEX #56554D

RGB 86 85 77

HSL 53.33, 0.06%, 0.32%

LAB 36.01, -1.22, 4.81

 

CMYK 19 / 17 / 0 / 65

HEX #494B5A

RGB 73 75 90

HSL 232.94, 0.1%, 0.32%

LAB 32.23, 2.79, -9.1

 

CMYK 0 / 47 / 70 / 51

HEX #7E4326

RGB 126 67 38

HSL 19.77, 0.54%, 0.32%

LAB 35.18, 22.76, 28.42

 

CMYK 0 / 29 / 70 / 51

HEX #7E5A26

RGB 126 90 38

HSL 35.45, 0.54%, 0.32%

LAB 41.04, 9.16, 34.97

 

CMYK 0 / 10 / 70 / 51

HEX #7E7226

RGB 126 114 38

HSL 51.82, 0.54%, 0.32%

LAB 47.77, -4.82, 42.09

 

CMYK 10 / 0 / 70 / 51

HEX #727E26

RGB 114 126 38

HSL 68.18, 0.54%, 0.32%

LAB 50.26, -16.92, 44.32

 

CMYK 29 / 0 / 70 / 51

HEX #5A7E26

RGB 90 126 38

HSL 84.55, 0.54%, 0.32%

LAB 48.56, -27.23, 42.02

 

CMYK 0 / 8 / 69 / 76

HEX #3E3913

RGB 62 57 19

HSL 53.02, 0.53%, 0.16%

LAB 23.66, -3.56, 23.88

 

CMYK 0 / 9 / 70 / 63

HEX #5E561C

RGB 94 86 28

HSL 52.73, 0.54%, 0.24%

LAB 36.21, -4.54, 33.72

 

CMYK 0 / 9 / 70 / 51

HEX #7E7326

RGB 126 115 38

HSL 52.5, 0.54%, 0.32%

LAB 48.05, -5.39, 42.39

 

CMYK 0 / 9 / 70 / 38

HEX #9D8F2F

RGB 157 143 47

HSL 52.36, 0.54%, 0.4%

LAB 58.99, -6.16, 50.62

 

CMYK 0 / 9 / 70 / 26

HEX #BDAC39

RGB 189 172 57

HSL 52.27, 0.54%, 0.48%

LAB 69.91, -6.94, 58.52

 

CMYK 0 / 9 / 70 / 51

HEX #7C7125

RGB 124 113 37

HSL 52.41, 0.54%, 0.32%

LAB 47.27, -5.25, 41.97

 

CMYK 70 / 0 / 66 / 51

HEX #267E2B

RGB 38 126 43

HSL 123.41, 0.54%, 0.32%

LAB 46.32, -43.33, 36.7

 

CMYK 37 / 70 / 0 / 51

HEX #4F267E

RGB 79 38 126

HSL 267.95, 0.54%, 0.32%

LAB 25.43, 37.63, -42.67

 

CMYK 0 / 9 / 70 / 51

HEX #7C7125

RGB 124 113 37

HSL 52.41, 0.54%, 0.32%

LAB 47.27, -5.25, 41.97

 

CMYK 70 / 0 / 10 / 51

HEX #267E72

RGB 38 126 114

HSL 171.82, 0.54%, 0.32%

LAB 47.69, -28.67, -1.01

 

CMYK 10 / 70 / 0 / 51

HEX #72267E

RGB 114 38 126

HSL 291.82, 0.54%, 0.32%

LAB 30.57, 45.84, -34.13

 

CMYK 0 / 9 / 70 / 51

HEX #7C7125

RGB 124 113 37

HSL 52.41, 0.54%, 0.32%

LAB 47.27, -5.25, 41.97

 

CMYK 70 / 0 / 66 / 51

HEX #267E2B

RGB 38 126 43

HSL 123.41, 0.54%, 0.32%

LAB 46.32, -43.33, 36.7

 

CMYK 70 / 61 / 0 / 51

HEX #26317E

RGB 38 49 126

HSL 232.5, 0.54%, 0.32%

LAB 24.05, 22.67, -45.08

 

CMYK 0 / 70 / 5 / 51

HEX #7E2678

RGB 126 38 120

HSL 304.09, 0.54%, 0.32%

LAB 32.21, 47.74, -27.63

 

CMYK 0 / 9 / 70 / 51

HEX #7C7125

RGB 124 113 37

HSL 52.41, 0.54%, 0.32%

LAB 47.27, -5.25, 41.97

 

CMYK 70 / 0 / 44 / 51

HEX #267E46

RGB 38 126 70

HSL 141.82, 0.54%, 0.32%

LAB 46.68, -39.23, 23.11

 

CMYK 70 / 61 / 0 / 51

HEX #26317E

RGB 38 49 126

HSL 232.5, 0.54%, 0.32%

LAB 24.05, 22.67, -45.08

 

CMYK 0 / 70 / 26 / 51

HEX #7E265D

RGB 126 38 93

HSL 322.5, 0.54%, 0.32%

LAB 30.91, 43.48, -12.38

 

Description

Color code: HEX #7C7125 | qconv.com Color code: HEX #7C7125 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 113 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 113 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 70 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 70% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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