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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5E19 it is the complementary color #83A1E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5E19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5E19 shade: #815E14, #927027, #A3823A, #B4944D and #C5A660

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5E19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5E19 shade: #7C5E19, #6B4C06, #5A3A00, #492800 and #381600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5E19 shade: #7B5D19, #7B4319, #7B2919 and #7B1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5E19 shade: #7B5D19, #7B7819, #647B19, #497B19 and #2F7B19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5E19 shade matches the following richer shades: #7B5D19, #87620D and #936701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5E19 shade: #7B5D19, #6F5825, #635431, #574F3D and #4B4A49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5E19 shade: #7B2819, #7B4219, #7B5C19, #7B7619 and #667B19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5E19 shade: #36290B, #594312, #7B5D19, #9D7720 and #BF9127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5E19 shade: #7C5E19, #257B19 and #35197B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5E19 shade: #7C5E19, #197B5C and #5C197B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5E19 shade: #7C5E19, #257B19, #19387B and #6F197B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5E19 shade: #7C5E19, #197B2B, #19387B and #7B1969

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 80 / 51

HEX #7C5E19

RGB 124 94 25

HSL 41.82, 0.66%, 0.29%

LAB 41.78, 5.14, 41.69

 

Complementary color

CMYK 43 / 30 / 0 / 10

HEX #83A1E6

RGB 131 161 230

HSL 221.82, 0.66%, 0.71%

LAB 66.54, 7.28, -38.08

 

CMYK 0 / 27 / 84 / 49

HEX #815E14

RGB 129 94 20

HSL 40.73, 0.73%, 0.29%

LAB 42.34, 7.34, 44.34

 

CMYK 0 / 23 / 73 / 43

HEX #927027

RGB 146 112 39

HSL 40.93, 0.58%, 0.36%

LAB 49.31, 5.71, 43.89

 

CMYK 0 / 20 / 64 / 36

HEX #A3823A

RGB 163 130 58

HSL 41.14, 0.48%, 0.43%

LAB 56.15, 4.4, 42.81

 

CMYK 0 / 18 / 57 / 29

HEX #B4944D

RGB 180 148 77

HSL 41.36, 0.41%, 0.5%

LAB 62.86, 3.34, 41.52

 

CMYK 0 / 16 / 51 / 23

HEX #C5A660

RGB 197 166 96

HSL 41.58, 0.47%, 0.57%

LAB 69.46, 2.46, 40.2

 

CMYK 0 / 24 / 80 / 51

HEX #7C5E19

RGB 124 94 25

HSL 41.82, 0.66%, 0.29%

LAB 41.78, 5.14, 41.69

 

CMYK 0 / 29 / 94 / 58

HEX #6B4C06

RGB 107 76 6

HSL 41.58, 0.89%, 0.22%

LAB 34.62, 7, 41.34

 

CMYK 0 / 36 / 100 / 65

HEX #5A3A00

RGB 90 58 0

HSL 38.67, 1%, 0.18%

LAB 27.3, 9.43, 37.03

 

CMYK 0 / 45 / 100 / 71

HEX #492800

RGB 73 40 0

HSL 32.88, 1%, 0.14%

LAB 19.78, 12.23, 28.64

 

CMYK 0 / 61 / 100 / 78

HEX #381600

RGB 56 22 0

HSL 23.57, 1%, 0.11%

LAB 12.05, 15.2, 18.32

 

CMYK 0 / 24 / 80 / 52

HEX #7B5D19

RGB 123 93 25

HSL 41.63, 0.66%, 0.29%

LAB 41.39, 5.25, 41.27

 

CMYK 0 / 46 / 80 / 52

HEX #7B4319

RGB 123 67 25

HSL 25.71, 0.66%, 0.29%

LAB 34.59, 20.71, 34.67

 

CMYK 0 / 67 / 80 / 52

HEX #7B2919

RGB 123 41 25

HSL 9.8, 0.66%, 0.29%

LAB 29.07, 34.76, 29.03

 

CMYK 0 / 80 / 80 / 52

HEX #7B1919

RGB 123 25 25

HSL 0, 0.66%, 0.29%

LAB 26.67, 41.35, 26.46

 

CMYK 0 / 24 / 80 / 52

HEX #7B5D19

RGB 123 93 25

HSL 41.63, 0.66%, 0.29%

LAB 41.39, 5.25, 41.27

 

CMYK 0 / 2 / 80 / 52

HEX #7B7819

RGB 123 120 25

HSL 58.16, 0.66%, 0.29%

LAB 49.15, -10.24, 48.46

 

CMYK 19 / 0 / 80 / 52

HEX #647B19

RGB 100 123 25

HSL 74.08, 0.66%, 0.29%

LAB 48.19, -22.32, 46.9

 

CMYK 41 / 0 / 80 / 52

HEX #497B19

RGB 73 123 25

HSL 90.61, 0.66%, 0.29%

LAB 46.52, -33.37, 44.72

 

CMYK 62 / 0 / 80 / 52

HEX #2F7B19

RGB 47 123 25

HSL 106.53, 0.66%, 0.29%

LAB 45.41, -41.73, 43.28

 

CMYK 0 / 24 / 80 / 52

HEX #7B5D19

RGB 123 93 25

HSL 41.63, 0.66%, 0.29%

LAB 41.39, 5.25, 41.27

 

CMYK 0 / 27 / 90 / 47

HEX #87620D

RGB 135 98 13

HSL 41.8, 0.82%, 0.29%

LAB 44.11, 7.65, 48.31

 

CMYK 0 / 30 / 99 / 42

HEX #936701

RGB 147 103 1

HSL 41.92, 0.99%, 0.29%

LAB 46.85, 10.19, 53.82

 

CMYK 0 / 24 / 80 / 52

HEX #7B5D19

RGB 123 93 25

HSL 41.63, 0.66%, 0.29%

LAB 41.39, 5.25, 41.27

 

CMYK 0 / 21 / 67 / 56

HEX #6F5825

RGB 111 88 37

HSL 41.35, 0.5%, 0.29%

LAB 38.71, 3.16, 32.43

 

CMYK 0 / 15 / 51 / 61

HEX #635431

RGB 99 84 49

HSL 42, 0.34%, 0.29%

LAB 36.4, 0.96, 22.67

 

CMYK 0 / 9 / 30 / 66

HEX #574F3D

RGB 87 79 61

HSL 41.54, 0.18%, 0.29%

LAB 33.89, 0.07, 11.85

 

CMYK 0 / 1 / 3 / 71

HEX #4B4A49

RGB 75 74 73

HSL 30, 0.01%, 0.29%

LAB 31.52, 0.2, 0.74

 

CMYK 0 / 67 / 80 / 52

HEX #7B2819

RGB 123 40 25

HSL 9.18, 0.66%, 0.29%

LAB 28.9, 35.23, 28.84

 

CMYK 0 / 46 / 80 / 52

HEX #7B4219

RGB 123 66 25

HSL 25.1, 0.66%, 0.29%

LAB 34.35, 21.29, 34.43

 

CMYK 0 / 25 / 80 / 52

HEX #7B5C19

RGB 123 92 25

HSL 41.02, 0.66%, 0.29%

LAB 41.11, 5.84, 41.01

 

CMYK 0 / 4 / 80 / 52

HEX #7B7619

RGB 123 118 25

HSL 56.94, 0.66%, 0.29%

LAB 48.56, -9.14, 47.92

 

CMYK 17 / 0 / 80 / 52

HEX #667B19

RGB 102 123 25

HSL 72.86, 0.66%, 0.29%

LAB 48.34, -21.44, 47.08

 

CMYK 0 / 24 / 80 / 79

HEX #36290B

RGB 54 41 11

HSL 41.86, 0.66%, 0.13%

LAB 17.43, 2.06, 20.71

 

CMYK 0 / 25 / 80 / 65

HEX #594312

RGB 89 67 18

HSL 41.41, 0.66%, 0.21%

LAB 29.87, 3.96, 31.82

 

CMYK 0 / 24 / 80 / 52

HEX #7B5D19

RGB 123 93 25

HSL 41.63, 0.66%, 0.29%

LAB 41.39, 5.25, 41.27

 

CMYK 0 / 24 / 80 / 38

HEX #9D7720

RGB 157 119 32

HSL 41.76, 0.66%, 0.37%

LAB 52.36, 6.47, 50.17

 

CMYK 0 / 24 / 80 / 25

HEX #BF9127

RGB 191 145 39

HSL 41.84, 0.66%, 0.45%

LAB 62.91, 7.64, 58.65

 

CMYK 0 / 24 / 80 / 51

HEX #7C5E19

RGB 124 94 25

HSL 41.82, 0.66%, 0.29%

LAB 41.78, 5.14, 41.69

 

CMYK 70 / 0 / 80 / 52

HEX #257B19

RGB 37 123 25

HSL 112.65, 0.66%, 0.29%

LAB 45.12, -44.14, 42.9

 

CMYK 57 / 80 / 0 / 52

HEX #35197B

RGB 53 25 123

HSL 257.14, 0.66%, 0.29%

LAB 19.57, 38.81, -50.46

 

CMYK 0 / 24 / 80 / 51

HEX #7C5E19

RGB 124 94 25

HSL 41.82, 0.66%, 0.29%

LAB 41.78, 5.14, 41.69

 

CMYK 80 / 0 / 25 / 52

HEX #197B5C

RGB 25 123 92

HSL 161.02, 0.66%, 0.29%

LAB 45.83, -35.17, 9.27

 

CMYK 25 / 80 / 0 / 52

HEX #5C197B

RGB 92 25 123

HSL 281.02, 0.66%, 0.29%

LAB 24.95, 45.63, -41.44

 

CMYK 0 / 24 / 80 / 51

HEX #7C5E19

RGB 124 94 25

HSL 41.82, 0.66%, 0.29%

LAB 41.78, 5.14, 41.69

 

CMYK 70 / 0 / 80 / 52

HEX #257B19

RGB 37 123 25

HSL 112.65, 0.66%, 0.29%

LAB 45.12, -44.14, 42.9

 

CMYK 80 / 54 / 0 / 52

HEX #19387B

RGB 25 56 123

HSL 221.02, 0.66%, 0.29%

LAB 25.15, 14.72, -41.43

 

CMYK 10 / 80 / 0 / 52

HEX #6F197B

RGB 111 25 123

HSL 292.65, 0.66%, 0.29%

LAB 28.13, 49.54, -36.17

 

CMYK 0 / 24 / 80 / 51

HEX #7C5E19

RGB 124 94 25

HSL 41.82, 0.66%, 0.29%

LAB 41.78, 5.14, 41.69

 

CMYK 80 / 0 / 65 / 52

HEX #197B2B

RGB 25 123 43

HSL 131.02, 0.66%, 0.29%

LAB 45.01, -44.57, 35.15

 

CMYK 80 / 54 / 0 / 52

HEX #19387B

RGB 25 56 123

HSL 221.02, 0.66%, 0.29%

LAB 25.15, 14.72, -41.43

 

CMYK 0 / 80 / 15 / 52

HEX #7B1969

RGB 123 25 105

HSL 311.02, 0.66%, 0.29%

LAB 29.23, 49.21, -22.79

 

Description

Color code: HEX #7C5E19 | qconv.com Color code: HEX #7C5E19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 94 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 94 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 80 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 80% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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