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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5DF5CE it is the complementary color #83A20ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5DF5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5DF5CE shade: #815DF0CE, #926FFFCE, #A381FFCE, #B493FFCE and #C5A5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5DF5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5DF5CE shade: #7C5DF5CE, #6B4BE2CE, #5A39CFCE, #4927BCCE and #3815A9CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5DF5CE shade: #7B5CF5, #A45CF5, #CD5CF5, #F55CF3 and #F55CC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5DF5CE shade: #7B5CF5 and #5C5CF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5DF5CE shade matches the following richer shades: #7B5CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5DF5CE shade: #7B5CF5, #836AE7, #8C78D9, #9486CB and #9C94BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5DF5CE shade: #5C8FF5, #5C66F5, #7B5CF5, #A35CF5 and #CC5CF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5DF5CE shade: #3D0FEF, #5C35F2, #7B5CF5, #9B83F7 and #BAAAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5DF5CE shade: #7C5DF5, #F55CB8 and #7BF55C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5DF5CE shade: #7C5DF5, #F57B5C and #5CF57B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5DF5CE shade: #7C5DF5, #F55CB8, #D6F55C and #5CF599

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5DF5CE shade: #7C5DF5, #F55C8A, #D6F55C and #5CF5C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 50 / 0 / 3

HEX #7C5DF5CE

RGBA 124 93 245 0.81

HSLA 252.24, 0.88%, 0.66%, 0.81

LABA 50.34, 49.52, -72.25, 0.81

 

Complementary color

CMYK 16 / 0 / 76 / 30

HEX #83A20ACE

RGBA 131 162 10 0.81

HSLA 72.24, 0.88%, 0.34%, 0.81

LABA 62.24, -28.71, 63.12, 0.81

 

CMYK 37 / 50 / 0 / 5

HEX #815DF0CE

RGBA 129 93 240 0.81

HSLA 254.69, 0.83%, 0.65%, 0.81

LABA 50.44, 49.06, -69.28, 0.81

 

CMYK 35 / 46 / 0 / 0

HEX #926FFFCE

RGBA 146 111 255 0.81

HSLA 254.58, 1%, 0.72%, 0.81

LABA 56.78, 46.67, -67.29, 0.81

 

CMYK 29 / 40 / 0 / 0

HEX #A381FFCE

RGBA 163 129 255 0.81

HSLA 256.19, 1%, 0.75%, 0.81

LABA 62.26, 40.48, -58.42, 0.81

 

CMYK 24 / 34 / 0 / 0

HEX #B493FFCE

RGBA 180 147 255 0.81

HSLA 258.33, 1%, 0.79%, 0.81

LABA 67.87, 34.75, -49.43, 0.81

 

CMYK 18 / 29 / 0 / 0

HEX #C5A5FFCE

RGBA 197 165 255 0.81

HSLA 261.33, 1%, 0.82%, 0.81

LABA 73.55, 29.5, -40.41, 0.81

 

CMYK 40 / 50 / 0 / 3

HEX #7C5DF5CE

RGBA 124 93 245 0.81

HSLA 252.24, 0.88%, 0.66%, 0.81

LABA 50.34, 49.52, -72.25, 0.81

 

CMYK 43 / 54 / 0 / 9

HEX #6B4BE2CE

RGBA 107 75 226 0.81

HSLA 252.72, 0.72%, 0.59%, 0.81

LABA 43.73, 50.98, -72.4, 0.81

 

CMYK 46 / 59 / 0 / 15

HEX #5A39CFCE

RGBA 90 57 207 0.81

HSLA 253.2, 0.61%, 0.52%, 0.81

LABA 37.12, 52.41, -72.37, 0.81

 

CMYK 50 / 64 / 0 / 21

HEX #4927BCCE

RGBA 73 39 188 0.81

HSLA 253.69, 0.66%, 0.45%, 0.81

LABA 30.64, 53.59, -71.99, 0.81

 

CMYK 54 / 71 / 0 / 27

HEX #3815A9CE

RGBA 56 21 169 0.81

HSLA 254.19, 0.78%, 0.37%, 0.81

LABA 24.45, 54.03, -70.91, 0.81

 

CMYK 50 / 62 / 0 / 4

HEX #7B5CF5

RGB 123 92 245

HSL 252.16, 0.88%, 0.66%

LAB 50.05, 49.89, -72.74

 

CMYK 33 / 62 / 0 / 4

HEX #A45CF5

RGB 164 92 245

HSL 268.24, 0.88%, 0.66%

LAB 54.17, 58, -65.86

 

CMYK 16 / 62 / 0 / 4

HEX #CD5CF5

RGB 205 92 245

HSL 284.31, 0.88%, 0.66%

LAB 59.18, 67.03, -57.54

 

CMYK 0 / 62 / 1 / 4

HEX #F55CF3

RGB 245 92 243

HSL 300.78, 0.88%, 0.66%

LAB 64.59, 75.88, -47.5

 

CMYK 0 / 62 / 18 / 4

HEX #F55CC9

RGB 245 92 201

HSL 317.25, 0.88%, 0.66%

LAB 62.75, 69.58, -26.87

 

CMYK 50 / 62 / 0 / 4

HEX #7B5CF5

RGB 123 92 245

HSL 252.16, 0.88%, 0.66%

LAB 50.05, 49.89, -72.74

 

CMYK 62 / 62 / 0 / 4

HEX #5C5CF5

RGB 92 92 245

HSL 240, 0.88%, 0.66%

LAB 47.65, 44.81, -76.74

 

CMYK 50 / 62 / 0 / 4

HEX #7B5CF5

RGB 123 92 245

HSL 252.16, 0.88%, 0.66%

LAB 50.05, 49.89, -72.74

 

CMYK 50 / 62 / 0 / 4

HEX #7B5CF5

RGB 123 92 245

HSL 252.16, 0.88%, 0.66%

LAB 50.05, 49.89, -72.74

 

CMYK 43 / 54 / 0 / 9

HEX #836AE7

RGB 131 106 231

HSL 252, 0.72%, 0.66%

LAB 52.84, 39.63, -60.34

 

CMYK 35 / 45 / 0 / 15

HEX #8C78D9

RGB 140 120 217

HSL 252.37, 0.56%, 0.66%

LAB 56.11, 29.84, -47.22

 

CMYK 27 / 34 / 0 / 20

HEX #9486CB

RGB 148 134 203

HSL 252.17, 0.4%, 0.66%

LAB 59.58, 20.31, -33.82

 

CMYK 17 / 21 / 0 / 26

HEX #9C94BC

RGB 156 148 188

HSL 252, 0.23%, 0.66%

LAB 63.24, 11.19, -19.68

 

CMYK 62 / 42 / 0 / 4

HEX #5C8FF5

RGB 92 143 245

HSL 220, 0.88%, 0.66%

LAB 60.35, 14.03, -56.25

 

CMYK 62 / 58 / 0 / 4

HEX #5C66F5

RGB 92 102 245

HSL 236.08, 0.88%, 0.66%

LAB 49.94, 38.86, -73.01

 

CMYK 50 / 62 / 0 / 4

HEX #7B5CF5

RGB 123 92 245

HSL 252.16, 0.88%, 0.66%

LAB 50.05, 49.89, -72.74

 

CMYK 33 / 62 / 0 / 4

HEX #A35CF5

RGB 163 92 245

HSL 267.84, 0.88%, 0.66%

LAB 54.06, 57.79, -66.04

 

CMYK 17 / 62 / 0 / 4

HEX #CC5CF5

RGB 204 92 245

HSL 283.92, 0.88%, 0.66%

LAB 59.05, 66.8, -57.76

 

CMYK 74 / 94 / 0 / 6

HEX #3D0FEF

RGB 61 15 239

HSL 252.32, 0.88%, 0.5%

LAB 33.06, 73.92, -97.51

 

CMYK 62 / 78 / 0 / 5

HEX #5C35F2

RGB 92 53 242

HSL 252.38, 0.88%, 0.58%

LAB 39.97, 64.41, -87.68

 

CMYK 50 / 62 / 0 / 4

HEX #7B5CF5

RGB 123 92 245

HSL 252.16, 0.88%, 0.66%

LAB 50.05, 49.89, -72.74

 

CMYK 37 / 47 / 0 / 3

HEX #9B83F7

RGB 155 131 247

HSL 252.41, 0.88%, 0.74%

LAB 61.58, 35.3, -55.14

 

CMYK 26 / 32 / 0 / 2

HEX #BAAAFA

RGB 186 170 250

HSL 252, 0.89%, 0.82%

LAB 73.6, 22.4, -37.69

 

CMYK 49 / 62 / 0 / 4

HEX #7C5DF5

RGB 124 93 245

HSL 252.24, 0.88%, 0.66%

LAB 50.34, 49.52, -72.25

 

CMYK 0 / 62 / 25 / 4

HEX #F55CB8

RGB 245 92 184

HSL 323.92, 0.88%, 0.66%

LAB 62.11, 67.32, -18.18

 

CMYK 50 / 0 / 62 / 4

HEX #7BF55C

RGB 123 245 92

HSL 107.84, 0.88%, 0.66%

LAB 87.14, -61.46, 61.47

 

CMYK 49 / 62 / 0 / 4

HEX #7C5DF5

RGB 124 93 245

HSL 252.24, 0.88%, 0.66%

LAB 50.34, 49.52, -72.25

 

CMYK 0 / 50 / 62 / 4

HEX #F57B5C

RGB 245 123 92

HSL 12.16, 0.88%, 0.66%

LAB 65.24, 44.29, 38.42

 

CMYK 62 / 0 / 50 / 4

HEX #5CF57B

RGB 92 245 123

HSL 132.16, 0.88%, 0.66%

LAB 86.51, -65.16, 46.72

 

CMYK 49 / 62 / 0 / 4

HEX #7C5DF5

RGB 124 93 245

HSL 252.24, 0.88%, 0.66%

LAB 50.34, 49.52, -72.25

 

CMYK 0 / 62 / 25 / 4

HEX #F55CB8

RGB 245 92 184

HSL 323.92, 0.88%, 0.66%

LAB 62.11, 67.32, -18.18

 

CMYK 13 / 0 / 62 / 4

HEX #D6F55C

RGB 214 245 92

HSL 72.16, 0.88%, 0.66%

LAB 91.85, -30.51, 67.97

 

CMYK 62 / 0 / 38 / 4

HEX #5CF599

RGB 92 245 153

HSL 143.92, 0.88%, 0.66%

LAB 86.94, -60.41, 32.62

 

CMYK 49 / 62 / 0 / 4

HEX #7C5DF5

RGB 124 93 245

HSL 252.24, 0.88%, 0.66%

LAB 50.34, 49.52, -72.25

 

CMYK 0 / 62 / 44 / 4

HEX #F55C8A

RGB 245 92 138

HSL 341.96, 0.88%, 0.66%

LAB 60.69, 62.18, 6.28

 

CMYK 13 / 0 / 62 / 4

HEX #D6F55C

RGB 214 245 92

HSL 72.16, 0.88%, 0.66%

LAB 91.85, -30.51, 67.97

 

CMYK 62 / 0 / 19 / 4

HEX #5CF5C7

RGB 92 245 199

HSL 161.96, 0.88%, 0.66%

LAB 87.83, -51.09, 10.28

 

Description

Color code: HEX #7C5DF5CE | qconv.com Color code: HEX #7C5DF5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 93 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 93 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 50 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 50% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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