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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5AF8CE it is the complementary color #83A507CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5AF8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5AF8CE shade: #815AF3CE, #926CFFCE, #A37EFFCE, #B490FFCE and #C5A2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5AF8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5AF8CE shade: #7C5AF8CE, #6B48E5CE, #5A36D2CE, #4924BFCE and #3812ACCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5AF8CE shade: #7B59F8, #A659F8, #D159F8, #F859F4 and #F859C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5AF8CE shade: #7B59F8 and #5959F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5AF8CE shade matches the following richer shades: #7B59F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5AF8CE shade: #7B59F8, #8367EA, #8B75DC, #9383CE and #9B91C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5AF8CE shade: #598EF8, #5963F8, #7859F8, #A359F8 and #CE59F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5AF8CE shade: #3C0AF4, #5B31F6, #7B59F8, #9A80FA and #BAA8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5AF8CE shade: #7C5AF8, #F859B8 and #78F859

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5AF8CE shade: #7C5AF8, #F87859 and #59F878

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5AF8CE shade: #7C5AF8, #F859B8, #D8F859 and #59F898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5AF8CE shade: #7C5AF8, #F85988, #D8F859 and #59F8C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 52 / 0 / 2

HEX #7C5AF8CE

RGBA 124 90 248 0.81

HSLA 252.91, 0.92%, 0.66%, 0.81

LABA 49.95, 52.01, -74.57, 0.81

 

Complementary color

CMYK 17 / 0 / 78 / 29

HEX #83A507CE

RGBA 131 165 7 0.81

HSLA 72.91, 0.92%, 0.34%, 0.81

LABA 63.14, -30.19, 64.23, 0.81

 

CMYK 38 / 51 / 0 / 4

HEX #815AF3CE

RGBA 129 90 243 0.81

HSLA 255.29, 0.86%, 0.65%, 0.81

LABA 50.04, 51.52, -71.61, 0.81

 

CMYK 35 / 47 / 0 / 0

HEX #926CFFCE

RGBA 146 108 255 0.81

HSLA 255.51, 1%, 0.71%, 0.81

LABA 56.14, 48.32, -68.32, 0.81

 

CMYK 29 / 41 / 0 / 0

HEX #A37EFFCE

RGBA 163 126 255 0.81

HSLA 257.21, 1%, 0.75%, 0.81

LABA 61.59, 42.16, -59.48, 0.81

 

CMYK 24 / 35 / 0 / 0

HEX #B490FFCE

RGBA 180 144 255 0.81

HSLA 259.46, 1%, 0.78%, 0.81

LABA 67.18, 36.42, -50.51, 0.81

 

CMYK 18 / 30 / 0 / 0

HEX #C5A2FFCE

RGBA 197 162 255 0.81

HSLA 262.58, 1%, 0.82%, 0.81

LABA 72.85, 31.15, -41.5, 0.81

 

CMYK 41 / 52 / 0 / 2

HEX #7C5AF8CE

RGBA 124 90 248 0.81

HSLA 252.91, 0.92%, 0.66%, 0.81

LABA 49.95, 52.01, -74.57, 0.81

 

CMYK 43 / 56 / 0 / 8

HEX #6B48E5CE

RGBA 107 72 229 0.81

HSLA 253.38, 0.75%, 0.59%, 0.81

LABA 43.39, 53.44, -74.66, 0.81

 

CMYK 46 / 60 / 0 / 14

HEX #5A36D2CE

RGBA 90 54 210 0.81

HSLA 253.85, 0.63%, 0.52%, 0.81

LABA 36.86, 54.77, -74.53, 0.81

 

CMYK 50 / 66 / 0 / 20

HEX #4924BFCE

RGBA 73 36 191 0.81

HSLA 254.32, 0.68%, 0.45%, 0.81

LABA 30.5, 55.76, -73.99, 0.81

 

CMYK 55 / 73 / 0 / 26

HEX #3812ACCE

RGBA 56 18 172 0.81

HSLA 254.81, 0.81%, 0.37%, 0.81

LABA 24.49, 55.83, -72.67, 0.81

 

CMYK 50 / 64 / 0 / 3

HEX #7B59F8

RGB 123 89 248

HSL 252.83, 0.92%, 0.66%

LAB 49.66, 52.38, -75.05

 

CMYK 33 / 64 / 0 / 3

HEX #A659F8

RGB 166 89 248

HSL 269.06, 0.92%, 0.66%

LAB 54.06, 60.6, -67.7

 

CMYK 16 / 64 / 0 / 3

HEX #D159F8

RGB 209 89 248

HSL 285.28, 0.92%, 0.66%

LAB 59.41, 69.8, -58.81

 

CMYK 0 / 64 / 2 / 3

HEX #F859F4

RGB 248 89 244

HSL 301.51, 0.92%, 0.66%

LAB 64.67, 77.87, -47.91

 

CMYK 0 / 64 / 19 / 3

HEX #F859C9

RGB 248 89 201

HSL 317.74, 0.92%, 0.66%

LAB 62.78, 71.54, -26.79

 

CMYK 50 / 64 / 0 / 3

HEX #7B59F8

RGB 123 89 248

HSL 252.83, 0.92%, 0.66%

LAB 49.66, 52.38, -75.05

 

CMYK 64 / 64 / 0 / 3

HEX #5959F8

RGB 89 89 248

HSL 240, 0.92%, 0.66%

LAB 47.03, 47.09, -79.44

 

CMYK 50 / 64 / 0 / 3

HEX #7B59F8

RGB 123 89 248

HSL 252.83, 0.92%, 0.66%

LAB 49.66, 52.38, -75.05

 

CMYK 50 / 64 / 0 / 3

HEX #7B59F8

RGB 123 89 248

HSL 252.83, 0.92%, 0.66%

LAB 49.66, 52.38, -75.05

 

CMYK 44 / 56 / 0 / 8

HEX #8367EA

RGB 131 103 234

HSL 252.82, 0.76%, 0.66%

LAB 52.36, 42.19, -62.8

 

CMYK 37 / 47 / 0 / 14

HEX #8B75DC

RGB 139 117 220

HSL 252.82, 0.6%, 0.66%

LAB 55.46, 32.14, -49.94

 

CMYK 29 / 36 / 0 / 19

HEX #9383CE

RGB 147 131 206

HSL 252.8, 0.43%, 0.66%

LAB 58.87, 22.51, -36.62

 

CMYK 19 / 24 / 0 / 25

HEX #9B91C0

RGB 155 145 192

HSL 252.77, 0.27%, 0.66%

LAB 62.53, 13.49, -23.02

 

CMYK 64 / 43 / 0 / 3

HEX #598EF8

RGB 89 142 248

HSL 220, 0.92%, 0.66%

LAB 60.11, 15.13, -58.29

 

CMYK 64 / 60 / 0 / 3

HEX #5963F8

RGB 89 99 248

HSL 236.23, 0.92%, 0.66%

LAB 49.28, 41.19, -75.77

 

CMYK 52 / 64 / 0 / 3

HEX #7859F8

RGB 120 89 248

HSL 251.7, 0.92%, 0.66%

LAB 49.39, 51.86, -75.49

 

CMYK 34 / 64 / 0 / 3

HEX #A359F8

RGB 163 89 248

HSL 267.92, 0.92%, 0.66%

LAB 53.72, 59.98, -68.27

 

CMYK 17 / 64 / 0 / 3

HEX #CE59F8

RGB 206 89 248

HSL 284.15, 0.92%, 0.66%

LAB 59.01, 69.14, -59.47

 

CMYK 75 / 96 / 0 / 4

HEX #3C0AF4

RGB 60 10 244

HSL 252.82, 0.92%, 0.5%

LAB 33.37, 75.92, -99.83

 

CMYK 63 / 80 / 0 / 4

HEX #5B31F6

RGB 91 49 246

HSL 252.79, 0.92%, 0.58%

LAB 39.71, 67.1, -90.37

 

CMYK 50 / 64 / 0 / 3

HEX #7B59F8

RGB 123 89 248

HSL 252.83, 0.92%, 0.66%

LAB 49.66, 52.38, -75.05

 

CMYK 38 / 49 / 0 / 2

HEX #9A80FA

RGB 154 128 250

HSL 252.79, 0.92%, 0.74%

LAB 60.97, 37.56, -57.78

 

CMYK 26 / 33 / 0 / 2

HEX #BAA8FB

RGB 186 168 251

HSL 253.01, 0.91%, 0.82%

LAB 73.16, 23.75, -38.92

 

CMYK 50 / 64 / 0 / 3

HEX #7C5AF8

RGB 124 90 248

HSL 252.91, 0.92%, 0.66%

LAB 49.95, 52.01, -74.57

 

CMYK 0 / 64 / 26 / 3

HEX #F859B8

RGB 248 89 184

HSL 324.15, 0.92%, 0.66%

LAB 62.14, 69.34, -18.09

 

CMYK 52 / 0 / 64 / 3

HEX #78F859

RGB 120 248 89

HSL 108.3, 0.92%, 0.66%

LAB 87.9, -63.64, 63.49

 

CMYK 50 / 64 / 0 / 3

HEX #7C5AF8

RGB 124 90 248

HSL 252.91, 0.92%, 0.66%

LAB 49.95, 52.01, -74.57

 

CMYK 0 / 52 / 64 / 3

HEX #F87859

RGB 248 120 89

HSL 11.7, 0.92%, 0.66%

LAB 65.05, 46.68, 39.9

 

CMYK 64 / 0 / 52 / 3

HEX #59F878

RGB 89 248 120

HSL 131.7, 0.92%, 0.66%

LAB 87.3, -67.22, 49.07

 

CMYK 50 / 64 / 0 / 3

HEX #7C5AF8

RGB 124 90 248

HSL 252.91, 0.92%, 0.66%

LAB 49.95, 52.01, -74.57

 

CMYK 0 / 64 / 26 / 3

HEX #F859B8

RGB 248 89 184

HSL 324.15, 0.92%, 0.66%

LAB 62.14, 69.34, -18.09

 

CMYK 13 / 0 / 64 / 3

HEX #D8F859

RGB 216 248 89

HSL 72.08, 0.92%, 0.66%

LAB 92.78, -31.32, 70.17

 

CMYK 64 / 0 / 39 / 3

HEX #59F898

RGB 89 248 152

HSL 143.77, 0.92%, 0.66%

LAB 87.74, -62.26, 34.17

 

CMYK 50 / 64 / 0 / 3

HEX #7C5AF8

RGB 124 90 248

HSL 252.91, 0.92%, 0.66%

LAB 49.95, 52.01, -74.57

 

CMYK 0 / 64 / 45 / 3

HEX #F85988

RGB 248 89 136

HSL 342.26, 0.92%, 0.66%

LAB 60.67, 64.13, 7.48

 

CMYK 13 / 0 / 64 / 3

HEX #D8F859

RGB 216 248 89

HSL 72.08, 0.92%, 0.66%

LAB 92.78, -31.32, 70.17

 

CMYK 64 / 0 / 19 / 3

HEX #59F8C8

RGB 89 248 200

HSL 161.89, 0.92%, 0.66%

LAB 88.65, -52.6, 10.93

 

Description

Color code: HEX #7C5AF8CE | qconv.com Color code: HEX #7C5AF8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 90 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 90 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 52 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 52% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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