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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5662 it is the complementary color #83A99D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5662. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5662 shade: #81565D, #926870, #A37A83, #B48C96 and #C59EA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5662. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5662 shade: #7C5662, #6B444F, #5A323C, #492029 and #380E16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5662 shade: #7B5662, #7B5657 and #7B5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5662 shade: #7B5662, #7B566C, #7B5676, #77567B and #6D567B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5662 shade matches the following richer shades: #7B5662, #8C455B, #9D3455, #AE234F and #BF1249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5662 shade: #7B5662, #6A6768, #5A786E, #498874 and #38997B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5662 shade: #7B5676, #7B566C, #7B5662, #7B5658 and #7B5E56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5662 shade: #4B343B, #63454E, #7B5662, #946775 and #A57E8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5662 shade: #7C5662, #7B7756 and #56717B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5662 shade: #7C5662, #627B56 and #56627B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5662 shade: #7C5662, #7B7756, #567B6F and #565A7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5662 shade: #7C5662, #747B56, #567B6F and #5D567B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 21 / 51

HEX #7C5662

RGB 124 86 98

HSL 341.05, 0.18%, 0.41%

LAB 40.93, 17.68, -0.59

 

Complementary color

CMYK 22 / 0 / 7 / 34

HEX #83A99D

RGB 131 169 157

HSL 161.05, 0.18%, 0.59%

LAB 66.24, -15.44, 1.96

 

CMYK 0 / 33 / 28 / 49

HEX #81565D

RGB 129 86 93

HSL 350.23, 0.2%, 0.42%

LAB 41.4, 18.89, 3.24

 

CMYK 0 / 29 / 23 / 43

HEX #926870

RGB 146 104 112

HSL 348.57, 0.17%, 0.49%

LAB 48.49, 18.08, 2.23

 

CMYK 0 / 25 / 20 / 36

HEX #A37A83

RGB 163 122 131

HSL 346.83, 0.18%, 0.56%

LAB 55.43, 17.37, 1.34

 

CMYK 0 / 22 / 17 / 29

HEX #B48C96

RGB 180 140 150

HSL 345, 0.21%, 0.63%

LAB 62.22, 16.75, 0.53

 

CMYK 0 / 20 / 14 / 23

HEX #C59EA9

RGB 197 158 169

HSL 343.08, 0.25%, 0.7%

LAB 68.89, 16.19, -0.22

 

CMYK 0 / 31 / 21 / 51

HEX #7C5662

RGB 124 86 98

HSL 341.05, 0.18%, 0.41%

LAB 40.93, 17.68, -0.59

 

CMYK 0 / 36 / 26 / 58

HEX #6B444F

RGB 107 68 79

HSL 343.08, 0.22%, 0.34%

LAB 33.61, 18.52, 0.39

 

CMYK 0 / 44 / 33 / 65

HEX #5A323C

RGB 90 50 60

HSL 345, 0.29%, 0.27%

LAB 26.1, 19.5, 1.58

 

CMYK 0 / 56 / 44 / 71

HEX #492029

RGB 73 32 41

HSL 346.83, 0.39%, 0.21%

LAB 18.41, 20.6, 3.18

 

CMYK 0 / 75 / 61 / 78

HEX #380E16

RGB 56 14 22

HSL 348.57, 0.6%, 0.14%

LAB 10.65, 21.6, 5.62

 

CMYK 0 / 30 / 20 / 52

HEX #7B5662

RGB 123 86 98

HSL 340.54, 0.18%, 0.41%

LAB 40.81, 17.28, -0.78

 

CMYK 0 / 30 / 29 / 52

HEX #7B5657

RGB 123 86 87

HSL 358.38, 0.18%, 0.41%

LAB 40.5, 15.51, 5.55

 

CMYK 0 / 30 / 30 / 52

HEX #7B5656

RGB 123 86 86

HSL 0, 0.18%, 0.41%

LAB 40.47, 15.35, 6.13

 

CMYK 0 / 30 / 20 / 52

HEX #7B5662

RGB 123 86 98

HSL 340.54, 0.18%, 0.41%

LAB 40.81, 17.28, -0.78

 

CMYK 0 / 30 / 12 / 52

HEX #7B566C

RGB 123 86 108

HSL 324.32, 0.18%, 0.41%

LAB 41.14, 19.06, -6.47

 

CMYK 0 / 30 / 4 / 52

HEX #7B5676

RGB 123 86 118

HSL 308.11, 0.18%, 0.41%

LAB 41.49, 20.98, -12.07

 

CMYK 3 / 30 / 0 / 52

HEX #77567B

RGB 119 86 123

HSL 293.51, 0.18%, 0.41%

LAB 41.23, 20.56, -15.57

 

CMYK 11 / 30 / 0 / 52

HEX #6D567B

RGB 109 86 123

HSL 277.3, 0.18%, 0.41%

LAB 40.14, 17, -17.33

 

CMYK 0 / 30 / 20 / 52

HEX #7B5662

RGB 123 86 98

HSL 340.54, 0.18%, 0.41%

LAB 40.81, 17.28, -0.78

 

CMYK 0 / 51 / 35 / 45

HEX #8C455B

RGB 140 69 91

HSL 341.41, 0.34%, 0.41%

LAB 38.88, 32.65, 1.02

 

CMYK 0 / 67 / 46 / 38

HEX #9D3455

RGB 157 52 85

HSL 341.14, 0.5%, 0.41%

LAB 38.34, 46.22, 4.38

 

CMYK 0 / 80 / 55 / 32

HEX #AE234F

RGB 174 35 79

HSL 341.01, 0.67%, 0.41%

LAB 39.18, 56.88, 9.84

 

CMYK 0 / 91 / 62 / 25

HEX #BF1249

RGB 191 18 73

HSL 340.92, 0.83%, 0.41%

LAB 41.2, 64.59, 16.96

 

CMYK 0 / 30 / 20 / 52

HEX #7B5662

RGB 123 86 98

HSL 340.54, 0.18%, 0.41%

LAB 40.81, 17.28, -0.78

 

CMYK 0 / 3 / 2 / 58

HEX #6A6768

RGB 106 103 104

HSL 340, 0.01%, 0.41%

LAB 43.89, 1.38, -0.15

 

CMYK 25 / 0 / 8 / 53

HEX #5A786E

RGB 90 120 110

HSL 160, 0.14%, 0.41%

LAB 47.92, -13.06, 1.97

 

CMYK 46 / 0 / 15 / 47

HEX #498874

RGB 73 136 116

HSL 160.95, 0.3%, 0.41%

LAB 52.16, -25.37, 4.47

 

CMYK 63 / 0 / 20 / 40

HEX #38997B

RGB 56 153 123

HSL 161.44, 0.46%, 0.41%

LAB 57.13, -35.73, 7.49

 

CMYK 0 / 30 / 4 / 52

HEX #7B5676

RGB 123 86 118

HSL 308.11, 0.18%, 0.41%

LAB 41.49, 20.98, -12.07

 

CMYK 0 / 30 / 12 / 52

HEX #7B566C

RGB 123 86 108

HSL 324.32, 0.18%, 0.41%

LAB 41.14, 19.06, -6.47

 

CMYK 0 / 30 / 20 / 52

HEX #7B5662

RGB 123 86 98

HSL 340.54, 0.18%, 0.41%

LAB 40.81, 17.28, -0.78

 

CMYK 0 / 30 / 28 / 52

HEX #7B5658

RGB 123 86 88

HSL 356.76, 0.18%, 0.41%

LAB 40.53, 15.66, 4.97

 

CMYK 0 / 24 / 30 / 52

HEX #7B5E56

RGB 123 94 86

HSL 12.97, 0.18%, 0.41%

LAB 42.59, 10.55, 9.13

 

CMYK 0 / 31 / 21 / 71

HEX #4B343B

RGB 75 52 59

HSL 341.74, 0.18%, 0.25%

LAB 24.54, 11.6, -0.28

 

CMYK 0 / 30 / 21 / 61

HEX #63454E

RGB 99 69 78

HSL 342, 0.18%, 0.33%

LAB 32.83, 14.42, -0.24

 

CMYK 0 / 30 / 20 / 52

HEX #7B5662

RGB 123 86 98

HSL 340.54, 0.18%, 0.41%

LAB 40.81, 17.28, -0.78

 

CMYK 0 / 30 / 21 / 42

HEX #946775

RGB 148 103 117

HSL 341.33, 0.18%, 0.49%

LAB 48.61, 20.25, -0.55

 

CMYK 0 / 24 / 16 / 35

HEX #A57E8B

RGB 165 126 139

HSL 340, 0.18%, 0.57%

LAB 56.87, 17.18, -1.18

 

CMYK 0 / 31 / 21 / 51

HEX #7C5662

RGB 124 86 98

HSL 341.05, 0.18%, 0.41%

LAB 40.93, 17.68, -0.59

 

CMYK 0 / 3 / 30 / 52

HEX #7B7756

RGB 123 119 86

HSL 53.51, 0.18%, 0.41%

LAB 49.59, -4.1, 18.75

 

CMYK 30 / 8 / 0 / 52

HEX #56717B

RGB 86 113 123

HSL 196.22, 0.18%, 0.41%

LAB 45.93, -7.25, -8.73

 

CMYK 0 / 31 / 21 / 51

HEX #7C5662

RGB 124 86 98

HSL 341.05, 0.18%, 0.41%

LAB 40.93, 17.68, -0.59

 

CMYK 20 / 0 / 30 / 52

HEX #627B56

RGB 98 123 86

HSL 100.54, 0.18%, 0.41%

LAB 48.8, -16.53, 17.35

 

CMYK 30 / 20 / 0 / 52

HEX #56627B

RGB 86 98 123

HSL 220.54, 0.18%, 0.41%

LAB 41.44, 1.69, -15.52

 

CMYK 0 / 31 / 21 / 51

HEX #7C5662

RGB 124 86 98

HSL 341.05, 0.18%, 0.41%

LAB 40.93, 17.68, -0.59

 

CMYK 0 / 3 / 30 / 52

HEX #7B7756

RGB 123 119 86

HSL 53.51, 0.18%, 0.41%

LAB 49.59, -4.1, 18.75

 

CMYK 30 / 0 / 10 / 52

HEX #567B6F

RGB 86 123 111

HSL 160.54, 0.18%, 0.41%

LAB 48.63, -15.83, 2.37

 

CMYK 30 / 27 / 0 / 52

HEX #565A7B

RGB 86 90 123

HSL 233.51, 0.18%, 0.41%

LAB 39.11, 6.64, -19.1

 

CMYK 0 / 31 / 21 / 51

HEX #7C5662

RGB 124 86 98

HSL 341.05, 0.18%, 0.41%

LAB 40.93, 17.68, -0.59

 

CMYK 6 / 0 / 30 / 52

HEX #747B56

RGB 116 123 86

HSL 71.35, 0.18%, 0.41%

LAB 50.16, -9.29, 19.41

 

CMYK 30 / 0 / 10 / 52

HEX #567B6F

RGB 86 123 111

HSL 160.54, 0.18%, 0.41%

LAB 48.63, -15.83, 2.37

 

CMYK 24 / 30 / 0 / 52

HEX #5D567B

RGB 93 86 123

HSL 251.35, 0.18%, 0.41%

LAB 38.57, 11.47, -19.88

 

Description

Color code: HEX #7C5662 | qconv.com Color code: HEX #7C5662 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 86 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 86 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 21 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 21% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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