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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C50DE it is the complementary color #83AF21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C50DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C50DE shade: #8150D9, #9262EC, #A374FF, #B486FF and #C598FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C50DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C50DE shade: #7C50DE, #6B3ECB, #5A2CB8, #491AA5 and #380892

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C50DE shade: #7B4FDE, #A24FDE, #C84FDE, #DE4FCD and #DE4FA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C50DE shade: #7B4FDE, #554FDE and #4F4FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C50DE shade matches the following richer shades: #7B4FDE and #753EEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C50DE shade: #7B4FDE, #8260CD, #8871BC, #8F82AB and #95939A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C50DE shade: #4F71DE, #544FDE, #7A4FDE, #A04FDE and #C64FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C50DE shade: #5123B7, #612DD7, #7B4FDE, #9572E4 and #AF95EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C50DE shade: #7C50DE, #DE4F96 and #5EDE4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C50DE shade: #7C50DE, #DE7A4F and #4FDE7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C50DE shade: #7C50DE, #DE4F96, #B3DE4F and #4FDE96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C50DE shade: #7C50DE, #DE4F6C, #B3DE4F and #4FDEC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 64 / 0 / 13

HEX #7C50DE

RGB 124 80 222

HSL 258.59, 0.68%, 0.59%

LAB 46.04, 50.22, -66.29

 

Complementary color

CMYK 25 / 0 / 81 / 31

HEX #83AF21

RGB 131 175 33

HSL 78.59, 0.68%, 0.41%

LAB 66.21, -34.14, 61.64

 

CMYK 41 / 63 / 0 / 15

HEX #8150D9

RGB 129 80 217

HSL 261.46, 0.64%, 0.58%

LAB 46.2, 49.89, -63.16

 

CMYK 38 / 58 / 0 / 7

HEX #9262EC

RGB 146 98 236

HSL 260.87, 0.78%, 0.65%

LAB 52.84, 48.77, -63.07

 

CMYK 36 / 55 / 0 / 0

HEX #A374FF

RGB 163 116 255

HSL 260.29, 1%, 0.73%

LAB 59.43, 47.67, -62.94

 

CMYK 29 / 47 / 0 / 0

HEX #B486FF

RGB 180 134 255

HSL 262.81, 1%, 0.76%

LAB 64.94, 41.96, -54.05

 

CMYK 23 / 40 / 0 / 0

HEX #C598FF

RGB 197 152 255

HSL 266.21, 1%, 0.8%

LAB 70.56, 36.64, -45.09

 

CMYK 44 / 64 / 0 / 13

HEX #7C50DE

RGB 124 80 222

HSL 258.59, 0.68%, 0.59%

LAB 46.04, 50.22, -66.29

 

CMYK 47 / 69 / 0 / 20

HEX #6B3ECB

RGB 107 62 203

HSL 259.15, 0.58%, 0.52%

LAB 39.38, 51.39, -66.29

 

CMYK 51 / 76 / 0 / 28

HEX #5A2CB8

RGB 90 44 184

HSL 259.71, 0.61%, 0.45%

LAB 32.78, 52.34, -66.03

 

CMYK 56 / 84 / 0 / 35

HEX #491AA5

RGB 73 26 165

HSL 260.29, 0.73%, 0.37%

LAB 26.37, 52.71, -65.27

 

CMYK 62 / 95 / 0 / 43

HEX #380892

RGB 56 8 146

HSL 260.87, 0.9%, 0.3%

LAB 20.4, 51.75, -63.55

 

CMYK 45 / 64 / 0 / 13

HEX #7B4FDE

RGB 123 79 222

HSL 258.46, 0.68%, 0.59%

LAB 45.74, 50.57, -66.78

 

CMYK 27 / 64 / 0 / 13

HEX #A24FDE

RGB 162 79 222

HSL 274.83, 0.68%, 0.59%

LAB 50.15, 58.59, -59.42

 

CMYK 10 / 64 / 0 / 13

HEX #C84FDE

RGB 200 79 222

HSL 290.77, 0.68%, 0.59%

LAB 55.22, 67.08, -51.02

 

CMYK 0 / 64 / 8 / 13

HEX #DE4FCD

RGB 222 79 205

HSL 307.13, 0.68%, 0.59%

LAB 57.59, 69.42, -37.43

 

CMYK 0 / 64 / 25 / 13

HEX #DE4FA6

RGB 222 79 166

HSL 323.5, 0.68%, 0.59%

LAB 55.96, 63.9, -17.46

 

CMYK 45 / 64 / 0 / 13

HEX #7B4FDE

RGB 123 79 222

HSL 258.46, 0.68%, 0.59%

LAB 45.74, 50.57, -66.78

 

CMYK 62 / 64 / 0 / 13

HEX #554FDE

RGB 85 79 222

HSL 242.52, 0.68%, 0.59%

LAB 42.46, 44.07, -72.27

 

CMYK 64 / 64 / 0 / 13

HEX #4F4FDE

RGB 79 79 222

HSL 240, 0.68%, 0.59%

LAB 42.04, 43.21, -72.96

 

CMYK 45 / 64 / 0 / 13

HEX #7B4FDE

RGB 123 79 222

HSL 258.46, 0.68%, 0.59%

LAB 45.74, 50.57, -66.78

 

CMYK 51 / 74 / 0 / 7

HEX #753EEE

RGB 117 62 238

HSL 258.75, 0.84%, 0.59%

LAB 43.36, 62.31, -79.75

 

CMYK 45 / 64 / 0 / 13

HEX #7B4FDE

RGB 123 79 222

HSL 258.46, 0.68%, 0.59%

LAB 45.74, 50.57, -66.78

 

CMYK 37 / 53 / 0 / 20

HEX #8260CD

RGB 130 96 205

HSL 258.72, 0.52%, 0.59%

LAB 48.91, 38.04, -51.92

 

CMYK 28 / 40 / 0 / 26

HEX #8871BC

RGB 136 113 188

HSL 258.4, 0.36%, 0.59%

LAB 52.59, 25.28, -36.29

 

CMYK 16 / 24 / 0 / 33

HEX #8F82AB

RGB 143 130 171

HSL 259.02, 0.2%, 0.59%

LAB 56.83, 13.4, -19.91

 

CMYK 3 / 5 / 0 / 40

HEX #95939A

RGB 149 147 154

HSL 257.14, 0.03%, 0.59%

LAB 61.3, 2.1, -3.43

 

CMYK 64 / 49 / 0 / 13

HEX #4F71DE

RGB 79 113 222

HSL 225.73, 0.68%, 0.59%

LAB 50.39, 22.29, -59.41

 

CMYK 62 / 64 / 0 / 13

HEX #544FDE

RGB 84 79 222

HSL 242.1, 0.68%, 0.59%

LAB 42.39, 43.92, -72.39

 

CMYK 45 / 64 / 0 / 13

HEX #7A4FDE

RGB 122 79 222

HSL 258.04, 0.68%, 0.59%

LAB 45.64, 50.37, -66.94

 

CMYK 28 / 64 / 0 / 13

HEX #A04FDE

RGB 160 79 222

HSL 273.99, 0.68%, 0.59%

LAB 49.91, 58.16, -59.84

 

CMYK 11 / 64 / 0 / 13

HEX #C64FDE

RGB 198 79 222

HSL 289.93, 0.68%, 0.59%

LAB 54.94, 66.62, -51.49

 

CMYK 56 / 81 / 0 / 28

HEX #5123B7

RGB 81 35 183

HSL 258.65, 0.68%, 0.43%

LAB 30.33, 54.86, -69.5

 

CMYK 55 / 79 / 0 / 16

HEX #612DD7

RGB 97 45 215

HSL 258.35, 0.68%, 0.51%

LAB 36.6, 61.11, -77.83

 

CMYK 45 / 64 / 0 / 13

HEX #7B4FDE

RGB 123 79 222

HSL 258.46, 0.68%, 0.59%

LAB 45.74, 50.57, -66.78

 

CMYK 35 / 50 / 0 / 11

HEX #9572E4

RGB 149 114 228

HSL 258.42, 0.68%, 0.67%

LAB 56.11, 38.5, -53.33

 

CMYK 26 / 37 / 0 / 8

HEX #AF95EB

RGB 175 149 235

HSL 258.14, 0.68%, 0.75%

LAB 66.98, 27.41, -39.9

 

CMYK 44 / 64 / 0 / 13

HEX #7C50DE

RGB 124 80 222

HSL 258.59, 0.68%, 0.59%

LAB 46.04, 50.22, -66.29

 

CMYK 0 / 64 / 32 / 13

HEX #DE4F96

RGB 222 79 150

HSL 330.21, 0.68%, 0.59%

LAB 55.4, 61.94, -8.93

 

CMYK 58 / 0 / 64 / 13

HEX #5EDE4F

RGB 94 222 79

HSL 113.71, 0.68%, 0.59%

LAB 79.15, -61.75, 57.74

 

CMYK 44 / 64 / 0 / 13

HEX #7C50DE

RGB 124 80 222

HSL 258.59, 0.68%, 0.59%

LAB 46.04, 50.22, -66.29

 

CMYK 0 / 45 / 64 / 13

HEX #DE7A4F

RGB 222 122 79

HSL 18.04, 0.68%, 0.59%

LAB 61.67, 35.17, 40.3

 

CMYK 64 / 0 / 45 / 13

HEX #4FDE7A

RGB 79 222 122

HSL 138.04, 0.68%, 0.59%

LAB 79.22, -59.51, 37.97

 

CMYK 44 / 64 / 0 / 13

HEX #7C50DE

RGB 124 80 222

HSL 258.59, 0.68%, 0.59%

LAB 46.04, 50.22, -66.29

 

CMYK 0 / 64 / 32 / 13

HEX #DE4F96

RGB 222 79 150

HSL 330.21, 0.68%, 0.59%

LAB 55.4, 61.94, -8.93

 

CMYK 19 / 0 / 64 / 13

HEX #B3DE4F

RGB 179 222 79

HSL 78.04, 0.68%, 0.59%

LAB 83.12, -34.33, 63.18

 

CMYK 64 / 0 / 32 / 13

HEX #4FDE96

RGB 79 222 150

HSL 149.79, 0.68%, 0.59%

LAB 79.67, -54.52, 24.33

 

CMYK 44 / 64 / 0 / 13

HEX #7C50DE

RGB 124 80 222

HSL 258.59, 0.68%, 0.59%

LAB 46.04, 50.22, -66.29

 

CMYK 0 / 64 / 51 / 13

HEX #DE4F6C

RGB 222 79 108

HSL 347.83, 0.68%, 0.59%

LAB 54.24, 57.74, 14.28

 

CMYK 19 / 0 / 64 / 13

HEX #B3DE4F

RGB 179 222 79

HSL 78.04, 0.68%, 0.59%

LAB 83.12, -34.33, 63.18

 

CMYK 64 / 0 / 13 / 13

HEX #4FDEC1

RGB 79 222 193

HSL 167.83, 0.68%, 0.59%

LAB 80.6, -44.94, 3

 

Description

Color code: HEX #7C50DE | qconv.com Color code: HEX #7C50DE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 80 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 80 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 64 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 64% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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