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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C4D4C it is the complementary color #83B2B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C4D4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C4D4C shade: #814D47, #925F5A, #A3716D, #B48380 and #C59593

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C4D4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C4D4C shade: #7C4D4C, #6B3B39, #5A2926, #491713 and #380500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C4D4C shade: #7B4C4B and #7B4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C4D4C shade: #7B4C4B, #7B594B, #7B664B, #7B734B and #767B4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C4D4C shade matches the following richer shades: #7B4C4B, #8B3D3B, #9B2D2B, #AB1E1B and #BB0E0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C4D4C shade: #7B4C4B, #6B5B5B, #5B6B6B, #4B7A7B and #3A8A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C4D4C shade: #7B4B64, #7B4B57, #7B4C4B, #7B594B and #7B654B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C4D4C shade: #482C2C, #613C3B, #7B4C4B, #945C5B and #A87271

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C4D4C shade: #7C4D4C, #707B4B and #4B5D7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C4D4C shade: #7C4D4C, #4B7B4C and #4C4B7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C4D4C shade: #7C4D4C, #707B4B, #4B7A7B and #554B7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C4D4C shade: #7C4D4C, #627B4B, #4B7A7B and #644B7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 39 / 51

HEX #7C4D4C

RGB 124 77 76

HSL 1.25, 0.24%, 0.39%

LAB 38.05, 19.74, 8.92

 

Complementary color

CMYK 27 / 1 / 0 / 30

HEX #83B2B3

RGB 131 178 179

HSL 181.25, 0.24%, 0.61%

LAB 69.41, -15.26, -5.57

 

CMYK 0 / 40 / 45 / 49

HEX #814D47

RGB 129 77 71

HSL 6.21, 0.29%, 0.39%

LAB 38.6, 21.23, 12.9

 

CMYK 0 / 35 / 38 / 43

HEX #925F5A

RGB 146 95 90

HSL 5.36, 0.24%, 0.46%

LAB 45.68, 20.16, 11.43

 

CMYK 0 / 31 / 33 / 36

HEX #A3716D

RGB 163 113 109

HSL 4.44, 0.23%, 0.53%

LAB 52.62, 19.24, 10.17

 

CMYK 0 / 27 / 29 / 29

HEX #B48380

RGB 180 131 128

HSL 3.46, 0.26%, 0.6%

LAB 59.43, 18.44, 9.06

 

CMYK 0 / 24 / 25 / 23

HEX #C59593

RGB 197 149 147

HSL 2.4, 0.3%, 0.67%

LAB 66.11, 17.73, 8.06

 

CMYK 0 / 38 / 39 / 51

HEX #7C4D4C

RGB 124 77 76

HSL 1.25, 0.24%, 0.39%

LAB 38.05, 19.74, 8.92

 

CMYK 0 / 45 / 47 / 58

HEX #6B3B39

RGB 107 59 57

HSL 2.4, 0.3%, 0.32%

LAB 30.76, 20.87, 10.49

 

CMYK 0 / 54 / 58 / 65

HEX #5A2926

RGB 90 41 38

HSL 3.46, 0.41%, 0.25%

LAB 23.34, 22.18, 12.5

 

CMYK 0 / 68 / 74 / 71

HEX #491713

RGB 73 23 19

HSL 4.44, 0.59%, 0.18%

LAB 15.88, 23.55, 15.23

 

CMYK 0 / 91 / 100 / 78

HEX #380500

RGB 56 5 0

HSL 5.36, 1%, 0.11%

LAB 8.56, 24.51, 13.41

 

CMYK 0 / 38 / 39 / 52

HEX #7B4C4B

RGB 123 76 75

HSL 1.25, 0.24%, 0.39%

LAB 37.64, 19.78, 8.96

 

CMYK 0 / 39 / 39 / 52

HEX #7B4B4B

RGB 123 75 75

HSL 0, 0.24%, 0.39%

LAB 37.39, 20.38, 8.61

 

CMYK 0 / 38 / 39 / 52

HEX #7B4C4B

RGB 123 76 75

HSL 1.25, 0.24%, 0.39%

LAB 37.64, 19.78, 8.96

 

CMYK 0 / 28 / 39 / 52

HEX #7B594B

RGB 123 89 75

HSL 17.5, 0.24%, 0.39%

LAB 41, 12, 13.61

 

CMYK 0 / 17 / 39 / 52

HEX #7B664B

RGB 123 102 75

HSL 33.75, 0.24%, 0.39%

LAB 44.55, 4.26, 18.41

 

CMYK 0 / 7 / 39 / 52

HEX #7B734B

RGB 123 115 75

HSL 50, 0.24%, 0.39%

LAB 48.24, -3.3, 23.26

 

CMYK 4 / 0 / 39 / 52

HEX #767B4B

RGB 118 123 75

HSL 66.25, 0.24%, 0.39%

LAB 50.13, -9.97, 25.62

 

CMYK 0 / 38 / 39 / 52

HEX #7B4C4B

RGB 123 76 75

HSL 1.25, 0.24%, 0.39%

LAB 37.64, 19.78, 8.96

 

CMYK 0 / 56 / 58 / 45

HEX #8B3D3B

RGB 139 61 59

HSL 1.5, 0.4%, 0.39%

LAB 36.26, 33.07, 17.48

 

CMYK 0 / 71 / 72 / 39

HEX #9B2D2B

RGB 155 45 43

HSL 1.07, 0.57%, 0.39%

LAB 36.02, 45.32, 27.71

 

CMYK 0 / 82 / 84 / 33

HEX #AB1E1B

RGB 171 30 27

HSL 1.25, 0.73%, 0.39%

LAB 37.24, 54.75, 39.17

 

CMYK 0 / 93 / 94 / 27

HEX #BB0E0B

RGB 187 14 11

HSL 1.02, 0.89%, 0.39%

LAB 39.42, 62.01, 49.49

 

CMYK 0 / 38 / 39 / 52

HEX #7B4C4B

RGB 123 76 75

HSL 1.25, 0.24%, 0.39%

LAB 37.64, 19.78, 8.96

 

CMYK 0 / 15 / 15 / 58

HEX #6B5B5B

RGB 107 91 91

HSL 0, 0.08%, 0.39%

LAB 40.19, 6.49, 2.4

 

CMYK 15 / 0 / 0 / 58

HEX #5B6B6B

RGB 91 107 107

HSL 180, 0.08%, 0.39%

LAB 43.95, -5.99, -2.03

 

CMYK 39 / 1 / 0 / 52

HEX #4B7A7B

RGB 75 122 123

HSL 181.25, 0.24%, 0.39%

LAB 48.06, -15.67, -5.61

HEX #4B7A7B

CMYK 58 / 1 / 0 / 45

HEX #3A8A8B

RGB 58 138 139

HSL 180.74, 0.41%, 0.39%

LAB 52.88, -23.78, -7.89

HEX #3A8A8B

CMYK 0 / 39 / 19 / 52

HEX #7B4B64

RGB 123 75 100

HSL 328.75, 0.24%, 0.39%

LAB 38.13, 24.18, -5.98

 

CMYK 0 / 39 / 29 / 52

HEX #7B4B57

RGB 123 75 87

HSL 345, 0.24%, 0.39%

LAB 37.72, 22.08, 1.55

 

CMYK 0 / 38 / 39 / 52

HEX #7B4C4B

RGB 123 76 75

HSL 1.25, 0.24%, 0.39%

LAB 37.64, 19.78, 8.96

 

CMYK 0 / 28 / 39 / 52

HEX #7B594B

RGB 123 89 75

HSL 17.5, 0.24%, 0.39%

LAB 41, 12, 13.61

 

CMYK 0 / 18 / 39 / 52

HEX #7B654B

RGB 123 101 75

HSL 32.5, 0.24%, 0.39%

LAB 44.27, 4.85, 18.03

 

CMYK 0 / 39 / 39 / 72

HEX #482C2C

RGB 72 44 44

HSL 0, 0.24%, 0.23%

LAB 21.44, 12.96, 5.37

 

CMYK 0 / 38 / 39 / 62

HEX #613C3B

RGB 97 60 59

HSL 1.58, 0.24%, 0.31%

LAB 29.64, 16.17, 7.42

 

CMYK 0 / 38 / 39 / 52

HEX #7B4C4B

RGB 123 76 75

HSL 1.25, 0.24%, 0.39%

LAB 37.64, 19.78, 8.96

 

CMYK 0 / 38 / 39 / 42

HEX #945C5B

RGB 148 92 91

HSL 1.05, 0.24%, 0.47%

LAB 45.23, 22.83, 10.24

 

CMYK 0 / 32 / 33 / 34

HEX #A87271

RGB 168 114 113

HSL 1.09, 0.24%, 0.55%

LAB 53.55, 21.21, 9.22

 

CMYK 0 / 38 / 39 / 51

HEX #7C4D4C

RGB 124 77 76

HSL 1.25, 0.24%, 0.39%

LAB 38.05, 19.74, 8.92

 

CMYK 9 / 0 / 39 / 52

HEX #707B4B

RGB 112 123 75

HSL 73.75, 0.24%, 0.39%

LAB 49.64, -12.52, 24.9

 

CMYK 39 / 24 / 0 / 52

HEX #4B5D7B

RGB 75 93 123

HSL 217.5, 0.24%, 0.39%

LAB 39.16, 1.3, -19.08

 

CMYK 0 / 38 / 39 / 51

HEX #7C4D4C

RGB 124 77 76

HSL 1.25, 0.24%, 0.39%

LAB 38.05, 19.74, 8.92

 

CMYK 39 / 0 / 38 / 52

HEX #4B7B4C

RGB 75 123 76

HSL 121.25, 0.24%, 0.39%

LAB 47.21, -26.7, 20.7

 

CMYK 38 / 39 / 0 / 52

HEX #4C4B7B

RGB 76 75 123

HSL 241.25, 0.24%, 0.39%

LAB 33.98, 13.07, -27.15

 

CMYK 0 / 38 / 39 / 51

HEX #7C4D4C

RGB 124 77 76

HSL 1.25, 0.24%, 0.39%

LAB 38.05, 19.74, 8.92

 

CMYK 9 / 0 / 39 / 52

HEX #707B4B

RGB 112 123 75

HSL 73.75, 0.24%, 0.39%

LAB 49.64, -12.52, 24.9

 

CMYK 39 / 1 / 0 / 52

HEX #4B7A7B

RGB 75 122 123

HSL 181.25, 0.24%, 0.39%

LAB 48.06, -15.67, -5.61

HEX #4B7A7B

CMYK 31 / 39 / 0 / 52

HEX #554B7B

RGB 85 75 123

HSL 252.5, 0.24%, 0.39%

LAB 34.79, 15.84, -25.82

HEX #554B7B

CMYK 0 / 38 / 39 / 51

HEX #7C4D4C

RGB 124 77 76

HSL 1.25, 0.24%, 0.39%

LAB 38.05, 19.74, 8.92

 

CMYK 20 / 0 / 39 / 52

HEX #627B4B

RGB 98 123 75

HSL 91.25, 0.24%, 0.39%

LAB 48.6, -18.28, 23.35

 

CMYK 39 / 1 / 0 / 52

HEX #4B7A7B

RGB 75 122 123

HSL 181.25, 0.24%, 0.39%

LAB 48.06, -15.67, -5.61

HEX #4B7A7B

CMYK 19 / 39 / 0 / 52

HEX #644B7B

RGB 100 75 123

HSL 271.25, 0.24%, 0.39%

LAB 36.31, 20.71, -23.33

HEX #644B7B

Description

Color code: HEX #7C4D4C | qconv.com Color code: HEX #7C4D4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 77 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 77 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 39 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 39% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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