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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C4599 it is the complementary color #83BA66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C4599. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C4599 shade: #814594, #9257A7, #A369BA, #B47BCD and #C58DE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C4599. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C4599 shade: #7C4599, #6B3386, #5A2173, #490F60 and #38004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C4599 shade: #7D469B, #94469B, #9B468A, #9B4673 and #9B465C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C4599 shade: #7D469B, #66469B, #4F469B and #46469B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C4599 shade matches the following richer shades: #7D469B, #8333AD, #8921BF and #8E0FD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C4599 shade: #7D469B, #785889, #726A77, #6D7C64 and #678E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C4599 shade: #50469B, #66469B, #7D469B, #94469B and #9B468B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C4599 shade: #4F2C62, #66397E, #7D469B, #9356B3 and #A573C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C4599 shade: #7C4599, #9B4652 and #469B5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C4599 shade: #7C4599, #9B7D46 and #469B7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C4599 shade: #7C4599, #9B4652, #639B46 and #469B8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C4599 shade: #7C4599, #9B5246, #639B46 and #468E9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 55 / 0 / 40

HEX #7C4599

RGB 124 69 153

HSL 279.29, 0.38%, 0.44%

LAB 39.31, 38.75, -36.74

 

Complementary color

CMYK 30 / 0 / 45 / 27

HEX #83BA66

RGB 131 186 102

HSL 99.29, 0.38%, 0.56%

LAB 70.11, -33.32, 36.86

 

CMYK 13 / 53 / 0 / 42

HEX #814594

RGB 129 69 148

HSL 285.57, 0.36%, 0.43%

LAB 39.68, 39.06, -33.09

 

CMYK 13 / 48 / 0 / 35

HEX #9257A7

RGB 146 87 167

HSL 284.25, 0.31%, 0.5%

LAB 46.6, 38.26, -33.4

 

CMYK 12 / 44 / 0 / 27

HEX #A369BA

RGB 163 105 186

HSL 282.96, 0.37%, 0.57%

LAB 53.42, 37.45, -33.64

 

CMYK 12 / 40 / 0 / 20

HEX #B47BCD

RGB 180 123 205

HSL 281.71, 0.45%, 0.64%

LAB 60.14, 36.65, -33.84

 

CMYK 12 / 37 / 0 / 12

HEX #C58DE0

RGB 197 141 224

HSL 280.48, 0.57%, 0.72%

LAB 66.75, 35.9, -34.04

 

CMYK 19 / 55 / 0 / 40

HEX #7C4599

RGB 124 69 153

HSL 279.29, 0.38%, 0.44%

LAB 39.31, 38.75, -36.74

 

CMYK 20 / 62 / 0 / 47

HEX #6B3386

RGB 107 51 134

HSL 280.48, 0.45%, 0.36%

LAB 32.29, 39.51, -36.43

 

CMYK 22 / 71 / 0 / 55

HEX #5A2173

RGB 90 33 115

HSL 281.71, 0.55%, 0.29%

LAB 25.26, 39.96, -35.87

 

CMYK 24 / 84 / 0 / 62

HEX #490F60

RGB 73 15 96

HSL 282.96, 0.73%, 0.22%

LAB 18.38, 39.54, -34.73

 

CMYK 27 / 100 / 0 / 70

HEX #38004D

RGB 56 0 77

HSL 283.64, 1%, 0.15%

LAB 11.8, 37.66, -32.68

 

CMYK 19 / 55 / 0 / 39

HEX #7D469B

RGB 125 70 155

HSL 278.82, 0.38%, 0.44%

LAB 39.76, 38.94, -37.22

 

CMYK 5 / 55 / 0 / 39

HEX #94469B

RGB 148 70 155

HSL 295.06, 0.38%, 0.44%

LAB 42.83, 45.4, -32.17

 

CMYK 0 / 55 / 11 / 39

HEX #9B468A

RGB 155 70 138

HSL 312, 0.38%, 0.44%

LAB 43.04, 44.37, -21.52

 

CMYK 0 / 55 / 26 / 39

HEX #9B4673

RGB 155 70 115

HSL 328.24, 0.38%, 0.44%

LAB 42.13, 40.76, -8.84

 

CMYK 0 / 55 / 41 / 39

HEX #9B465C

RGB 155 70 92

HSL 344.47, 0.38%, 0.44%

LAB 41.41, 37.75, 4.35

 

CMYK 19 / 55 / 0 / 39

HEX #7D469B

RGB 125 70 155

HSL 278.82, 0.38%, 0.44%

LAB 39.76, 38.94, -37.22

 

CMYK 34 / 55 / 0 / 39

HEX #66469B

RGB 102 70 155

HSL 262.59, 0.38%, 0.44%

LAB 37.06, 32.71, -41.68

 

CMYK 49 / 55 / 0 / 39

HEX #4F469B

RGB 79 70 155

HSL 246.35, 0.38%, 0.44%

LAB 34.82, 27.03, -45.4

 

CMYK 55 / 55 / 0 / 39

HEX #46469B

RGB 70 70 155

HSL 240, 0.38%, 0.44%

LAB 34.08, 25.03, -46.62

 

CMYK 19 / 55 / 0 / 39

HEX #7D469B

RGB 125 70 155

HSL 278.82, 0.38%, 0.44%

LAB 39.76, 38.94, -37.22

 

CMYK 24 / 71 / 0 / 32

HEX #8333AD

RGB 131 51 173

HSL 279.34, 0.54%, 0.44%

LAB 38.22, 53.9, -50.42

 

CMYK 28 / 83 / 0 / 25

HEX #8921BF

RGB 137 33 191

HSL 279.49, 0.71%, 0.44%

LAB 38.14, 65.33, -61.14

 

CMYK 32 / 93 / 0 / 18

HEX #8E0FD1

RGB 142 15 209

HSL 279.28, 0.87%, 0.44%

LAB 39.06, 73.49, -70.1

 

CMYK 19 / 55 / 0 / 39

HEX #7D469B

RGB 125 70 155

HSL 278.82, 0.38%, 0.44%

LAB 39.76, 38.94, -37.22

 

CMYK 12 / 36 / 0 / 46

HEX #785889

RGB 120 88 137

HSL 279.18, 0.22%, 0.44%

LAB 42.43, 22.79, -22.22

 

CMYK 4 / 11 / 0 / 53

HEX #726A77

RGB 114 106 119

HSL 276.92, 0.06%, 0.44%

LAB 45.93, 5.78, -6.11

 

CMYK 12 / 0 / 19 / 51

HEX #6D7C64

RGB 109 124 100

HSL 97.5, 0.11%, 0.44%

LAB 50.2, -10.34, 11.28

 

CMYK 27 / 0 / 42 / 44

HEX #678E52

RGB 103 142 82

HSL 99, 0.27%, 0.44%

LAB 54.91, -25.08, 27.7

 

CMYK 48 / 55 / 0 / 39

HEX #50469B

RGB 80 70 155

HSL 247.06, 0.38%, 0.44%

LAB 34.91, 27.26, -45.26

 

CMYK 34 / 55 / 0 / 39

HEX #66469B

RGB 102 70 155

HSL 262.59, 0.38%, 0.44%

LAB 37.06, 32.71, -41.68

 

CMYK 19 / 55 / 0 / 39

HEX #7D469B

RGB 125 70 155

HSL 278.82, 0.38%, 0.44%

LAB 39.76, 38.94, -37.22

 

CMYK 5 / 55 / 0 / 39

HEX #94469B

RGB 148 70 155

HSL 295.06, 0.38%, 0.44%

LAB 42.83, 45.4, -32.17

 

CMYK 0 / 55 / 10 / 39

HEX #9B468B

RGB 155 70 139

HSL 311.29, 0.38%, 0.44%

LAB 43.08, 44.54, -22.06

 

CMYK 19 / 55 / 0 / 62

HEX #4F2C62

RGB 79 44 98

HSL 278.89, 0.38%, 0.28%

LAB 24.78, 26.88, -25.74

 

CMYK 19 / 55 / 0 / 51

HEX #66397E

RGB 102 57 126

HSL 279.13, 0.38%, 0.36%

LAB 32.39, 32.93, -31.34

 

CMYK 19 / 55 / 0 / 39

HEX #7D469B

RGB 125 70 155

HSL 278.82, 0.38%, 0.44%

LAB 39.76, 38.94, -37.22

 

CMYK 18 / 52 / 0 / 30

HEX #9356B3

RGB 147 86 179

HSL 279.35, 0.38%, 0.52%

LAB 47.12, 41.73, -39.61

 

CMYK 14 / 40 / 0 / 25

HEX #A573C0

RGB 165 115 192

HSL 278.96, 0.38%, 0.6%

LAB 56.15, 33.76, -32.8

 

CMYK 19 / 55 / 0 / 40

HEX #7C4599

RGB 124 69 153

HSL 279.29, 0.38%, 0.44%

LAB 39.31, 38.75, -36.74

 

CMYK 0 / 55 / 47 / 39

HEX #9B4652

RGB 155 70 82

HSL 351.53, 0.38%, 0.44%

LAB 41.15, 36.65, 10.19

 

CMYK 55 / 0 / 41 / 39

HEX #469B5B

RGB 70 155 91

HSL 134.82, 0.38%, 0.44%

LAB 57.56, -40.21, 25.96

 

CMYK 19 / 55 / 0 / 40

HEX #7C4599

RGB 124 69 153

HSL 279.29, 0.38%, 0.44%

LAB 39.31, 38.75, -36.74

 

CMYK 0 / 19 / 55 / 39

HEX #9B7D46

RGB 155 125 70

HSL 38.82, 0.38%, 0.44%

LAB 54.11, 4.6, 34.09

 

CMYK 55 / 0 / 19 / 39

HEX #469B7D

RGB 70 155 125

HSL 158.82, 0.38%, 0.44%

LAB 58.25, -33.19, 8.02

 

CMYK 19 / 55 / 0 / 40

HEX #7C4599

RGB 124 69 153

HSL 279.29, 0.38%, 0.44%

LAB 39.31, 38.75, -36.74

 

CMYK 0 / 55 / 47 / 39

HEX #9B4652

RGB 155 70 82

HSL 351.53, 0.38%, 0.44%

LAB 41.15, 36.65, 10.19

 

CMYK 36 / 0 / 55 / 39

HEX #639B46

RGB 99 155 70

HSL 99.53, 0.38%, 0.44%

LAB 58.54, -34.32, 38.38

 

CMYK 55 / 0 / 8 / 39

HEX #469B8E

RGB 70 155 142

HSL 170.82, 0.38%, 0.44%

LAB 58.69, -28.94, -0.98

 

CMYK 19 / 55 / 0 / 40

HEX #7C4599

RGB 124 69 153

HSL 279.29, 0.38%, 0.44%

LAB 39.31, 38.75, -36.74

 

CMYK 0 / 47 / 55 / 39

HEX #9B5246

RGB 155 82 70

HSL 8.47, 0.38%, 0.44%

LAB 43.43, 29.06, 20.62

 

CMYK 36 / 0 / 55 / 39

HEX #639B46

RGB 99 155 70

HSL 99.53, 0.38%, 0.44%

LAB 58.54, -34.32, 38.38

 

CMYK 55 / 8 / 0 / 39

HEX #468E9B

RGB 70 142 155

HSL 189.18, 0.38%, 0.44%

LAB 55.09, -18.67, -13.78

 

Description

Color code: HEX #7C4599 | qconv.com Color code: HEX #7C4599 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 69 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 69 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 55 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 55% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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