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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C3E60 it is the complementary color #83C19F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C3E60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C3E60 shade: #813E5B, #92506E, #A36281, #B47494 and #C586A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C3E60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C3E60 shade: #7C3E60, #6B2C4D, #5A1A3A, #490827 and #380014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C3E60 shade: #7A3E5F, #7A3E4E and #7A3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C3E60 shade: #7A3E5F, #7A3E6F, #753E7A, #643E7A and #543E7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C3E60 shade matches the following richer shades: #7A3E5F, #892F60, #982062, #A71163 and #B60264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C3E60 shade: #7A3E5F, #6B4C5D, #5C5B5C, #4E6A5A and #3F7959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C3E60 shade: #753E7A, #7A3E6F, #7A3E5F, #7A3E4F and #7A3E3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C3E60 shade: #432234, #5F3049, #7A3E5F, #964B74 and #AD5D89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C3E60 shade: #7C3E60, #7A653E and #3E777A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C3E60 shade: #7C3E60, #5F7A3E and #3E5F7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C3E60 shade: #7C3E60, #7A653E, #3E7A59 and #3E537A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C3E60 shade: #7C3E60, #7A773E, #3E7A59 and #3E417A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 23 / 51

HEX #7C3E60

RGB 124 62 96

HSL 327.1, 0.33%, 0.36%

LAB 35.15, 31.36, -7.91

 

Complementary color

CMYK 32 / 0 / 18 / 24

HEX #83C19F

RGB 131 193 159

HSL 147.1, 0.33%, 0.64%

LAB 73.2, -27.17, 10.85

 

CMYK 0 / 52 / 29 / 49

HEX #813E5B

RGB 129 62 91

HSL 334.03, 0.35%, 0.37%

LAB 35.73, 32.41, -3.8

 

CMYK 0 / 45 / 25 / 43

HEX #92506E

RGB 146 80 110

HSL 332.73, 0.29%, 0.44%

LAB 42.72, 31.53, -5.02

 

CMYK 0 / 40 / 21 / 36

HEX #A36281

RGB 163 98 129

HSL 331.38, 0.26%, 0.51%

LAB 49.63, 30.66, -6.01

 

CMYK 0 / 36 / 18 / 29

HEX #B47494

RGB 180 116 148

HSL 330, 0.3%, 0.58%

LAB 56.42, 29.84, -6.87

 

CMYK 0 / 32 / 15 / 23

HEX #C586A7

RGB 197 134 167

HSL 328.57, 0.35%, 0.65%

LAB 63.1, 29.07, -7.63

 

CMYK 0 / 50 / 23 / 51

HEX #7C3E60

RGB 124 62 96

HSL 327.1, 0.33%, 0.36%

LAB 35.15, 31.36, -7.91

 

CMYK 0 / 59 / 28 / 58

HEX #6B2C4D

RGB 107 44 77

HSL 328.57, 0.42%, 0.3%

LAB 28.02, 32.14, -6.6

 

CMYK 0 / 71 / 36 / 65

HEX #5A1A3A

RGB 90 26 58

HSL 330, 0.55%, 0.23%

LAB 20.9, 32.58, -4.72

 

CMYK 0 / 89 / 47 / 71

HEX #490827

RGB 73 8 39

HSL 331.38, 0.8%, 0.16%

LAB 14.04, 31.98, -1.72

 

CMYK 0 / 100 / 64 / 78

HEX #380014

RGB 56 0 20

HSL 338.57, 1%, 0.11%

LAB 8.05, 28.54, 3.28

 

CMYK 0 / 49 / 22 / 52

HEX #7A3E5F

RGB 122 62 95

HSL 327, 0.33%, 0.36%

LAB 34.82, 30.48, -7.8

 

CMYK 0 / 49 / 36 / 52

HEX #7A3E4E

RGB 122 62 78

HSL 344, 0.33%, 0.36%

LAB 34.26, 27.94, 2.22

 

CMYK 0 / 49 / 49 / 52

HEX #7A3E3E

RGB 122 62 62

HSL 0, 0.33%, 0.36%

LAB 33.84, 25.99, 11.87

 

CMYK 0 / 49 / 22 / 52

HEX #7A3E5F

RGB 122 62 95

HSL 327, 0.33%, 0.36%

LAB 34.82, 30.48, -7.8

 

CMYK 0 / 49 / 9 / 52

HEX #7A3E6F

RGB 122 62 111

HSL 311, 0.33%, 0.36%

LAB 35.46, 33.26, -16.95

 

CMYK 4 / 49 / 0 / 52

HEX #753E7A

RGB 117 62 122

HSL 295, 0.33%, 0.36%

LAB 35.27, 33.78, -24.18

 

CMYK 18 / 49 / 0 / 52

HEX #643E7A

RGB 100 62 122

HSL 278, 0.33%, 0.36%

LAB 33.05, 28.43, -27.82

 

CMYK 31 / 49 / 0 / 52

HEX #543E7A

RGB 84 62 122

HSL 262, 0.33%, 0.36%

LAB 31.2, 23.55, -30.86

 

CMYK 0 / 49 / 22 / 52

HEX #7A3E5F

RGB 122 62 95

HSL 327, 0.33%, 0.36%

LAB 34.82, 30.48, -7.8

 

CMYK 0 / 66 / 30 / 46

HEX #892F60

RGB 137 47 96

HSL 327.33, 0.49%, 0.36%

LAB 34.39, 43.33, -8.85

 

CMYK 0 / 79 / 36 / 40

HEX #982062

RGB 152 32 98

HSL 327, 0.65%, 0.36%

LAB 35.18, 53.55, -8.66

 

CMYK 0 / 90 / 41 / 35

HEX #A71163

RGB 167 17 99

HSL 327.2, 0.82%, 0.36%

LAB 36.96, 60.9, -6.33

 

CMYK 0 / 99 / 45 / 29

HEX #B60264

RGB 182 2 100

HSL 327.33, 0.98%, 0.36%

LAB 39.43, 66.28, -2.98

 

CMYK 0 / 49 / 22 / 52

HEX #7A3E5F

RGB 122 62 95

HSL 327, 0.33%, 0.36%

LAB 34.82, 30.48, -7.8

 

CMYK 0 / 29 / 13 / 58

HEX #6B4C5D

RGB 107 76 93

HSL 327.1, 0.17%, 0.36%

LAB 36.15, 16.08, -4.76

 

CMYK 0 / 1 / 0 / 64

HEX #5C5B5C

RGB 92 91 92

HSL 300, 0.01%, 0.36%

LAB 38.78, 0.61, -0.44

 

CMYK 26 / 0 / 15 / 58

HEX #4E6A5A

RGB 78 106 90

HSL 145.71, 0.15%, 0.36%

LAB 42.26, -13.95, 5.67

 

CMYK 48 / 0 / 26 / 53

HEX #3F7959

RGB 63 121 89

HSL 146.9, 0.32%, 0.36%

LAB 46.25, -26.96, 11.78

 

CMYK 4 / 49 / 0 / 52

HEX #753E7A

RGB 117 62 122

HSL 295, 0.33%, 0.36%

LAB 35.27, 33.78, -24.18

 

CMYK 0 / 49 / 9 / 52

HEX #7A3E6F

RGB 122 62 111

HSL 311, 0.33%, 0.36%

LAB 35.46, 33.26, -16.95

 

CMYK 0 / 49 / 22 / 52

HEX #7A3E5F

RGB 122 62 95

HSL 327, 0.33%, 0.36%

LAB 34.82, 30.48, -7.8

 

CMYK 0 / 49 / 35 / 52

HEX #7A3E4F

RGB 122 62 79

HSL 343, 0.33%, 0.36%

LAB 34.29, 28.08, 1.63

 

CMYK 0 / 49 / 48 / 52

HEX #7A3E3F

RGB 122 62 63

HSL 359, 0.33%, 0.36%

LAB 33.86, 26.1, 11.26

 

CMYK 0 / 49 / 22 / 74

HEX #432234

RGB 67 34 52

HSL 327.27, 0.33%, 0.2%

LAB 18.3, 18.61, -4.83

 

CMYK 0 / 49 / 23 / 63

HEX #5F3049

RGB 95 48 73

HSL 328.09, 0.33%, 0.28%

LAB 26.81, 24.83, -5.94

 

CMYK 0 / 49 / 22 / 52

HEX #7A3E5F

RGB 122 62 95

HSL 327, 0.33%, 0.36%

LAB 34.82, 30.48, -7.8

 

CMYK 0 / 50 / 23 / 41

HEX #964B74

RGB 150 75 116

HSL 327.2, 0.33%, 0.44%

LAB 42.43, 36.6, -9.09

 

CMYK 0 / 46 / 21 / 32

HEX #AD5D89

RGB 173 93 137

HSL 327, 0.33%, 0.52%

LAB 50.12, 38.17, -9.9

 

CMYK 0 / 50 / 23 / 51

HEX #7C3E60

RGB 124 62 96

HSL 327.1, 0.33%, 0.36%

LAB 35.15, 31.36, -7.91

 

CMYK 0 / 17 / 49 / 52

HEX #7A653E

RGB 122 101 62

HSL 39, 0.33%, 0.36%

LAB 43.93, 2.86, 25.15

 

CMYK 49 / 2 / 0 / 52

HEX #3E777A

RGB 62 119 122

HSL 183, 0.33%, 0.36%

LAB 46.48, -17.79, -7.45

 

CMYK 0 / 50 / 23 / 51

HEX #7C3E60

RGB 124 62 96

HSL 327.1, 0.33%, 0.36%

LAB 35.15, 31.36, -7.91

 

CMYK 22 / 0 / 49 / 52

HEX #5F7A3E

RGB 95 122 62

HSL 87, 0.33%, 0.36%

LAB 47.88, -20.75, 29.56

 

CMYK 49 / 22 / 0 / 52

HEX #3E5F7A

RGB 62 95 122

HSL 207, 0.33%, 0.36%

LAB 38.92, -3.95, -18.91

 

CMYK 0 / 50 / 23 / 51

HEX #7C3E60

RGB 124 62 96

HSL 327.1, 0.33%, 0.36%

LAB 35.15, 31.36, -7.91

 

CMYK 0 / 17 / 49 / 52

HEX #7A653E

RGB 122 101 62

HSL 39, 0.33%, 0.36%

LAB 43.93, 2.86, 25.15

 

CMYK 49 / 0 / 27 / 52

HEX #3E7A59

RGB 62 122 89

HSL 147, 0.33%, 0.36%

LAB 46.53, -27.73, 12.17

 

CMYK 49 / 32 / 0 / 52

HEX #3E537A

RGB 62 83 122

HSL 219, 0.33%, 0.36%

LAB 35.23, 3.57, -24.64

 

CMYK 0 / 50 / 23 / 51

HEX #7C3E60

RGB 124 62 96

HSL 327.1, 0.33%, 0.36%

LAB 35.15, 31.36, -7.91

 

CMYK 0 / 2 / 49 / 52

HEX #7A773E

RGB 122 119 62

HSL 57, 0.33%, 0.36%

LAB 49.1, -7.5, 31.55

 

CMYK 49 / 0 / 27 / 52

HEX #3E7A59

RGB 62 122 89

HSL 147, 0.33%, 0.36%

LAB 46.53, -27.73, 12.17

 

CMYK 49 / 47 / 0 / 52

HEX #3E417A

RGB 62 65 122

HSL 237, 0.33%, 0.36%

LAB 29.94, 15.4, -32.99

 

Description

Color code: HEX #7C3E60 | qconv.com Color code: HEX #7C3E60 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 62 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 62 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 23 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 23% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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