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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C3DA5 it is the complementary color #83C25A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C3DA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C3DA5 shade: #813DA0, #924FB3, #A361C6, #B473D9 and #C585EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C3DA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C3DA5 shade: #7C3DA5, #6B2B92, #5A197F, #49076C and #380059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C3DA5 shade: #7B3DA4, #973DA4, #A43D95, #A43D79 and #A43D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C3DA5 shade: #7B3DA4, #5F3DA4, #433DA4 and #3D3DA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C3DA5 shade matches the following richer shades: #7B3DA4, #7F2AB6, #8318C8 and #8706DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C3DA5 shade: #7B3DA4, #774F92, #736180, #70736D and #6C855B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C3DA5 shade: #433DA4, #5F3DA4, #7B3DA4, #963DA4 and #A43D96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C3DA5 shade: #4E2668, #643186, #7B3DA4, #914DBD and #A36BC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C3DA5 shade: #7C3DA5, #A43D51 and #3DA451

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C3DA5 shade: #7C3DA5, #A47B3D and #3DA47B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C3DA5 shade: #7C3DA5, #A43D51, #66A43D and #3DA48F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C3DA5 shade: #7C3DA5, #A4473D, #66A43D and #3D99A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 63 / 0 / 35

HEX #7C3DA5

RGB 124 61 165

HSL 276.35, 0.46%, 0.44%

LAB 38.44, 45.78, -45.33

 

Complementary color

CMYK 32 / 0 / 54 / 24

HEX #83C25A

RGB 131 194 90

HSL 96.35, 0.46%, 0.56%

LAB 72.33, -38.42, 45.47

 

CMYK 19 / 62 / 0 / 37

HEX #813DA0

RGB 129 61 160

HSL 281.21, 0.45%, 0.43%

LAB 38.8, 45.88, -41.73

 

CMYK 18 / 56 / 0 / 30

HEX #924FB3

RGB 146 79 179

HSL 280.2, 0.4%, 0.51%

LAB 45.58, 45.2, -42.07

 

CMYK 18 / 51 / 0 / 22

HEX #A361C6

RGB 163 97 198

HSL 279.21, 0.47%, 0.58%

LAB 52.3, 44.4, -42.3

 

CMYK 17 / 47 / 0 / 15

HEX #B473D9

RGB 180 115 217

HSL 278.24, 0.57%, 0.65%

LAB 58.95, 43.58, -42.46

 

CMYK 17 / 44 / 0 / 7

HEX #C585EC

RGB 197 133 236

HSL 277.28, 0.73%, 0.72%

LAB 65.52, 42.77, -42.59

 

CMYK 25 / 63 / 0 / 35

HEX #7C3DA5

RGB 124 61 165

HSL 276.35, 0.46%, 0.44%

LAB 38.44, 45.78, -45.33

 

CMYK 27 / 71 / 0 / 43

HEX #6B2B92

RGB 107 43 146

HSL 277.28, 0.54%, 0.37%

LAB 31.64, 46.27, -44.88

 

CMYK 29 / 80 / 0 / 50

HEX #5A197F

RGB 90 25 127

HSL 278.24, 0.67%, 0.3%

LAB 24.96, 46.14, -43.99

 

CMYK 32 / 94 / 0 / 58

HEX #49076C

RGB 73 7 108

HSL 279.21, 0.88%, 0.23%

LAB 18.59, 44.66, -42.28

 

CMYK 37 / 100 / 0 / 65

HEX #380059

RGB 56 0 89

HSL 277.75, 1%, 0.17%

LAB 13, 40.31, -38.93

 

CMYK 25 / 63 / 0 / 36

HEX #7B3DA4

RGB 123 61 164

HSL 276.12, 0.46%, 0.44%

LAB 38.25, 45.3, -45.05

 

CMYK 8 / 63 / 0 / 36

HEX #973DA4

RGB 151 61 164

HSL 292.43, 0.46%, 0.44%

LAB 42.15, 52.26, -38.6

 

CMYK 0 / 63 / 9 / 36

HEX #A43D95

RGB 164 61 149

HSL 308.74, 0.46%, 0.44%

LAB 43.36, 53, -27.56

 

CMYK 0 / 63 / 26 / 36

HEX #A43D79

RGB 164 61 121

HSL 325.05, 0.46%, 0.44%

LAB 42.17, 48.78, -12.34

 

CMYK 0 / 63 / 43 / 36

HEX #A43D5D

RGB 164 61 93

HSL 341.36, 0.46%, 0.44%

LAB 41.25, 45.36, 3.68

 

CMYK 25 / 63 / 0 / 36

HEX #7B3DA4

RGB 123 61 164

HSL 276.12, 0.46%, 0.44%

LAB 38.25, 45.3, -45.05

 

CMYK 42 / 63 / 0 / 36

HEX #5F3DA4

RGB 95 61 164

HSL 259.81, 0.46%, 0.44%

LAB 34.9, 38.79, -50.61

 

CMYK 59 / 63 / 0 / 36

HEX #433DA4

RGB 67 61 164

HSL 243.5, 0.46%, 0.44%

LAB 32.28, 33.19, -54.99

 

CMYK 63 / 63 / 0 / 36

HEX #3D3DA4

RGB 61 61 164

HSL 240, 0.46%, 0.44%

LAB 31.83, 32.17, -55.75

 

CMYK 25 / 63 / 0 / 36

HEX #7B3DA4

RGB 123 61 164

HSL 276.12, 0.46%, 0.44%

LAB 38.25, 45.3, -45.05

 

CMYK 30 / 77 / 0 / 29

HEX #7F2AB6

RGB 127 42 182

HSL 276.43, 0.63%, 0.44%

LAB 37.01, 58.75, -57.74

 

CMYK 35 / 88 / 0 / 22

HEX #8318C8

RGB 131 24 200

HSL 276.48, 0.79%, 0.44%

LAB 37.2, 68.62, -67.98

 

CMYK 38 / 97 / 0 / 15

HEX #8706DA

RGB 135 6 218

HSL 276.51, 0.95%, 0.44%

LAB 38.45, 75.57, -76.34

 

CMYK 25 / 63 / 0 / 36

HEX #7B3DA4

RGB 123 61 164

HSL 276.12, 0.46%, 0.44%

LAB 38.25, 45.3, -45.05

 

CMYK 18 / 46 / 0 / 43

HEX #774F92

RGB 119 79 146

HSL 275.82, 0.3%, 0.44%

LAB 40.56, 29.94, -30.59

 

CMYK 10 / 24 / 0 / 50

HEX #736180

RGB 115 97 128

HSL 274.84, 0.14%, 0.44%

LAB 43.88, 13.55, -14.61

 

CMYK 3 / 0 / 5 / 55

HEX #70736D

RGB 112 115 109

HSL 90, 0.03%, 0.44%

LAB 48.02, -2.35, 2.91

 

CMYK 19 / 0 / 32 / 48

HEX #6C855B

RGB 108 133 91

HSL 95.71, 0.19%, 0.44%

LAB 52.64, -17.16, 19.79

 

CMYK 59 / 63 / 0 / 36

HEX #433DA4

RGB 67 61 164

HSL 243.5, 0.46%, 0.44%

LAB 32.28, 33.19, -54.99

 

CMYK 42 / 63 / 0 / 36

HEX #5F3DA4

RGB 95 61 164

HSL 259.81, 0.46%, 0.44%

LAB 34.9, 38.79, -50.61

 

CMYK 25 / 63 / 0 / 36

HEX #7B3DA4

RGB 123 61 164

HSL 276.12, 0.46%, 0.44%

LAB 38.25, 45.3, -45.05

 

CMYK 9 / 63 / 0 / 36

HEX #963DA4

RGB 150 61 164

HSL 291.84, 0.46%, 0.44%

LAB 42, 52.01, -38.84

 

CMYK 0 / 63 / 9 / 36

HEX #A43D96

RGB 164 61 150

HSL 308.16, 0.46%, 0.44%

LAB 43.41, 53.16, -28.09

 

CMYK 25 / 63 / 0 / 59

HEX #4E2668

RGB 78 38 104

HSL 276.36, 0.46%, 0.28%

LAB 23.69, 31.64, -31.39

 

CMYK 25 / 63 / 0 / 47

HEX #643186

RGB 100 49 134

HSL 276, 0.46%, 0.36%

LAB 30.94, 38.76, -38.64

 

CMYK 25 / 63 / 0 / 36

HEX #7B3DA4

RGB 123 61 164

HSL 276.12, 0.46%, 0.44%

LAB 38.25, 45.3, -45.05

 

CMYK 23 / 59 / 0 / 26

HEX #914DBD

RGB 145 77 189

HSL 276.43, 0.46%, 0.52%

LAB 45.64, 48.22, -47.82

 

CMYK 19 / 47 / 0 / 22

HEX #A36BC8

RGB 163 107 200

HSL 276.13, 0.46%, 0.6%

LAB 54.52, 39.4, -39.93

 

CMYK 25 / 63 / 0 / 35

HEX #7C3DA5

RGB 124 61 165

HSL 276.35, 0.46%, 0.44%

LAB 38.44, 45.78, -45.33

 

CMYK 0 / 63 / 51 / 36

HEX #A43D51

RGB 164 61 81

HSL 348.35, 0.46%, 0.44%

LAB 40.94, 44.17, 10.74

 

CMYK 63 / 0 / 51 / 36

HEX #3DA451

RGB 61 164 81

HSL 131.65, 0.46%, 0.44%

LAB 60.01, -47.68, 34.28

 

CMYK 25 / 63 / 0 / 35

HEX #7C3DA5

RGB 124 61 165

HSL 276.35, 0.46%, 0.44%

LAB 38.44, 45.78, -45.33

 

CMYK 0 / 25 / 63 / 36

HEX #A47B3D

RGB 164 123 61

HSL 36.12, 0.46%, 0.44%

LAB 54.44, 9, 39.42

 

CMYK 63 / 0 / 25 / 36

HEX #3DA47B

RGB 61 164 123

HSL 156.12, 0.46%, 0.44%

LAB 60.76, -39.66, 12.64

 

CMYK 25 / 63 / 0 / 35

HEX #7C3DA5

RGB 124 61 165

HSL 276.35, 0.46%, 0.44%

LAB 38.44, 45.78, -45.33

 

CMYK 0 / 63 / 51 / 36

HEX #A43D51

RGB 164 61 81

HSL 348.35, 0.46%, 0.44%

LAB 40.94, 44.17, 10.74

 

CMYK 38 / 0 / 63 / 36

HEX #66A43D

RGB 102 164 61

HSL 96.12, 0.46%, 0.44%

LAB 61.41, -38.26, 45.96

 

CMYK 63 / 0 / 13 / 36

HEX #3DA48F

RGB 61 164 143

HSL 167.77, 0.46%, 0.44%

LAB 61.24, -34.77, 2.14

 

CMYK 25 / 63 / 0 / 35

HEX #7C3DA5

RGB 124 61 165

HSL 276.35, 0.46%, 0.44%

LAB 38.44, 45.78, -45.33

 

CMYK 0 / 57 / 63 / 36

HEX #A4473D

RGB 164 71 61

HSL 5.83, 0.46%, 0.44%

LAB 42.36, 37.71, 24.93

 

CMYK 38 / 0 / 63 / 36

HEX #66A43D

RGB 102 164 61

HSL 96.12, 0.46%, 0.44%

LAB 61.41, -38.26, 45.96

 

CMYK 63 / 7 / 0 / 36

HEX #3D99A4

RGB 61 153 164

HSL 186.41, 0.46%, 0.44%

LAB 58.47, -23.5, -13.86

 

Description

Color code: HEX #7C3DA5 | qconv.com Color code: HEX #7C3DA5 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 61 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 61 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 63 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 63% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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