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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C3991 it is the complementary color #83C66E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C3991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C3991 shade: #81398C, #924B9F, #A35DB2, #B46FC5 and #C581D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C3991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C3991 shade: #7C3991, #6B277E, #5A156B, #490358 and #380045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C3991 shade: #7D3993, #933990, #933978, #933960 and #933947

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C3991 shade: #7D3993, #653993, #4D3993 and #393993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C3991 shade matches the following richer shades: #7D3993, #8629A3, #8F18B4 and #9708C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C3991 shade: #7D3993, #754A82, #6C5A72, #646B61 and #5B7B51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C3991 shade: #4D3993, #653993, #7C3993, #933991 and #933979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C3991 shade: #4B2257, #642E75, #7D3993, #9745B1 and #A95EC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C3991 shade: #7C3991, #93393E and #399359

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C3991 shade: #7C3991, #937C39 and #39937C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C3991 shade: #7C3991, #93393E, #509339 and #39938E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C3991 shade: #7C3991, #935039, #509339 and #397C93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 61 / 0 / 43

HEX #7C3991

RGB 124 57 145

HSL 285.68, 0.44%, 0.4%

LAB 36.47, 43.34, -36.4

 

Complementary color

CMYK 34 / 0 / 44 / 22

HEX #83C66E

RGB 131 198 110

HSL 105.68, 0.44%, 0.6%

LAB 73.77, -37.75, 37.43

 

CMYK 8 / 59 / 0 / 45

HEX #81398C

RGB 129 57 140

HSL 292.05, 0.42%, 0.39%

LAB 36.91, 43.65, -32.61

 

CMYK 8 / 53 / 0 / 38

HEX #924B9F

RGB 146 75 159

HSL 290.71, 0.36%, 0.46%

LAB 43.72, 43.06, -33.18

 

CMYK 8 / 48 / 0 / 30

HEX #A35DB2

RGB 163 93 178

HSL 289.41, 0.36%, 0.53%

LAB 50.49, 42.32, -33.6

 

CMYK 9 / 44 / 0 / 23

HEX #B46FC5

RGB 180 111 197

HSL 288.14, 0.43%, 0.6%

LAB 57.18, 41.55, -33.93

 

CMYK 9 / 40 / 0 / 15

HEX #C581D8

RGB 197 129 216

HSL 286.9, 0.53%, 0.68%

LAB 63.78, 40.77, -34.21

 

CMYK 14 / 61 / 0 / 43

HEX #7C3991

RGB 124 57 145

HSL 285.68, 0.44%, 0.4%

LAB 36.47, 43.34, -36.4

 

CMYK 15 / 69 / 0 / 51

HEX #6B277E

RGB 107 39 126

HSL 286.9, 0.53%, 0.32%

LAB 29.62, 43.69, -35.7

 

CMYK 16 / 80 / 0 / 58

HEX #5A156B

RGB 90 21 107

HSL 288.14, 0.67%, 0.25%

LAB 22.9, 43.28, -34.5

 

CMYK 17 / 97 / 0 / 65

HEX #490358

RGB 73 3 88

HSL 289.41, 0.93%, 0.18%

LAB 16.44, 41.63, -32.52

 

CMYK 19 / 100 / 0 / 73

HEX #380045

RGB 56 0 69

HSL 288.7, 1%, 0.14%

LAB 11.07, 35.99, -28.29

 

CMYK 15 / 61 / 0 / 42

HEX #7D3993

RGB 125 57 147

HSL 285.33, 0.44%, 0.4%

LAB 36.73, 44.04, -37.2

 

CMYK 0 / 61 / 2 / 42

HEX #933990

RGB 147 57 144

HSL 302, 0.44%, 0.4%

LAB 39.82, 49.32, -30.27

 

CMYK 0 / 61 / 18 / 42

HEX #933978

RGB 147 57 120

HSL 318, 0.44%, 0.4%

LAB 38.7, 45.31, -17.26

 

CMYK 0 / 61 / 35 / 42

HEX #933960

RGB 147 57 96

HSL 334, 0.44%, 0.4%

LAB 37.8, 41.92, -3.59

 

CMYK 0 / 61 / 52 / 42

HEX #933947

RGB 147 57 71

HSL 350.67, 0.44%, 0.4%

LAB 37.09, 39.16, 11.25

 

CMYK 15 / 61 / 0 / 42

HEX #7D3993

RGB 125 57 147

HSL 285.33, 0.44%, 0.4%

LAB 36.73, 44.04, -37.2

 

CMYK 31 / 61 / 0 / 42

HEX #653993

RGB 101 57 147

HSL 269.33, 0.44%, 0.4%

LAB 33.56, 37.87, -42.44

 

CMYK 48 / 61 / 0 / 42

HEX #4D3993

RGB 77 57 147

HSL 253.33, 0.44%, 0.4%

LAB 30.9, 32.21, -46.86

 

CMYK 61 / 61 / 0 / 42

HEX #393993

RGB 57 57 147

HSL 240, 0.44%, 0.4%

LAB 29.17, 28.19, -49.76

 

CMYK 15 / 61 / 0 / 42

HEX #7D3993

RGB 125 57 147

HSL 285.33, 0.44%, 0.4%

LAB 36.73, 44.04, -37.2

 

CMYK 18 / 75 / 0 / 36

HEX #8629A3

RGB 134 41 163

HSL 285.74, 0.6%, 0.4%

LAB 36.55, 56.49, -47.09

 

CMYK 21 / 87 / 0 / 29

HEX #8F18B4

RGB 143 24 180

HSL 285.77, 0.76%, 0.4%

LAB 37.46, 66.43, -55.72

 

CMYK 23 / 96 / 0 / 23

HEX #9708C4

RGB 151 8 196

HSL 285.64, 0.92%, 0.4%

LAB 39.14, 73.07, -62.36

 

CMYK 15 / 61 / 0 / 42

HEX #7D3993

RGB 125 57 147

HSL 285.33, 0.44%, 0.4%

LAB 36.73, 44.04, -37.2

 

CMYK 10 / 43 / 0 / 49

HEX #754A82

RGB 117 74 130

HSL 286.07, 0.27%, 0.4%

LAB 38.36, 28.57, -24.3

 

CMYK 5 / 21 / 0 / 55

HEX #6C5A72

RGB 108 90 114

HSL 285, 0.12%, 0.4%

LAB 40.76, 12.15, -10.88

 

CMYK 7 / 0 / 9 / 58

HEX #646B61

RGB 100 107 97

HSL 102, 0.05%, 0.4%

LAB 44.36, -4.74, 4.68

 

CMYK 26 / 0 / 34 / 52

HEX #5B7B51

RGB 91 123 81

HSL 105.71, 0.21%, 0.4%

LAB 48.24, -20.06, 19.38

 

CMYK 48 / 61 / 0 / 42

HEX #4D3993

RGB 77 57 147

HSL 253.33, 0.44%, 0.4%

LAB 30.9, 32.21, -46.86

 

CMYK 31 / 61 / 0 / 42

HEX #653993

RGB 101 57 147

HSL 269.33, 0.44%, 0.4%

LAB 33.56, 37.87, -42.44

 

CMYK 16 / 61 / 0 / 42

HEX #7C3993

RGB 124 57 147

HSL 284.67, 0.44%, 0.4%

LAB 36.59, 43.77, -37.43

 

CMYK 0 / 61 / 1 / 42

HEX #933991

RGB 147 57 145

HSL 301.33, 0.44%, 0.4%

LAB 39.87, 49.5, -30.8

 

CMYK 0 / 61 / 18 / 42

HEX #933979

RGB 147 57 121

HSL 317.33, 0.44%, 0.4%

LAB 38.74, 45.46, -17.82

 

CMYK 14 / 61 / 0 / 66

HEX #4B2257

RGB 75 34 87

HSL 286.42, 0.44%, 0.24%

LAB 21.31, 28.91, -24.02

 

CMYK 15 / 61 / 0 / 54

HEX #642E75

RGB 100 46 117

HSL 285.63, 0.44%, 0.32%

LAB 29.28, 36.41, -30.63

 

CMYK 15 / 61 / 0 / 42

HEX #7D3993

RGB 125 57 147

HSL 285.33, 0.44%, 0.4%

LAB 36.73, 44.04, -37.2

 

CMYK 15 / 61 / 0 / 31

HEX #9745B1

RGB 151 69 177

HSL 285.56, 0.44%, 0.48%

LAB 44.25, 51.11, -42.97

 

CMYK 12 / 51 / 0 / 25

HEX #A95EC0

RGB 169 94 192

HSL 285.92, 0.44%, 0.56%

LAB 52.11, 46.38, -39.09

 

CMYK 14 / 61 / 0 / 43

HEX #7C3991

RGB 124 57 145

HSL 285.68, 0.44%, 0.4%

LAB 36.47, 43.34, -36.4

 

CMYK 0 / 61 / 58 / 42

HEX #93393E

RGB 147 57 62

HSL 356.67, 0.44%, 0.4%

LAB 36.89, 38.37, 16.68

 

CMYK 61 / 0 / 39 / 42

HEX #399359

RGB 57 147 89

HSL 141.33, 0.44%, 0.4%

LAB 54.51, -40.34, 22.96

 

CMYK 14 / 61 / 0 / 43

HEX #7C3991

RGB 124 57 145

HSL 285.68, 0.44%, 0.4%

LAB 36.47, 43.34, -36.4

 

CMYK 0 / 16 / 61 / 42

HEX #937C39

RGB 147 124 57

HSL 44.67, 0.44%, 0.4%

LAB 52.85, 0.5, 39.15

 

CMYK 61 / 0 / 16 / 42

HEX #39937C

RGB 57 147 124

HSL 164.67, 0.44%, 0.4%

LAB 55.27, -32.51, 4.26

 

CMYK 14 / 61 / 0 / 43

HEX #7C3991

RGB 124 57 145

HSL 285.68, 0.44%, 0.4%

LAB 36.47, 43.34, -36.4

 

CMYK 0 / 61 / 58 / 42

HEX #93393E

RGB 147 57 62

HSL 356.67, 0.44%, 0.4%

LAB 36.89, 38.37, 16.68

 

CMYK 46 / 0 / 61 / 42

HEX #509339

RGB 80 147 57

HSL 104.67, 0.44%, 0.4%

LAB 54.94, -38.72, 40.24

 

CMYK 61 / 0 / 3 / 42

HEX #39938E

RGB 57 147 142

HSL 176.67, 0.44%, 0.4%

LAB 55.78, -27.65, -5.32

 

CMYK 14 / 61 / 0 / 43

HEX #7C3991

RGB 124 57 145

HSL 285.68, 0.44%, 0.4%

LAB 36.47, 43.34, -36.4

 

CMYK 0 / 46 / 61 / 42

HEX #935039

RGB 147 80 57

HSL 15.33, 0.44%, 0.4%

LAB 41.59, 25.76, 25.77

 

CMYK 46 / 0 / 61 / 42

HEX #509339

RGB 80 147 57

HSL 104.67, 0.44%, 0.4%

LAB 54.94, -38.72, 40.24

 

CMYK 61 / 16 / 0 / 42

HEX #397C93

RGB 57 124 147

HSL 195.33, 0.44%, 0.4%

LAB 48.75, -14.02, -18.81

 

Description

Color code: HEX #7C3991 | qconv.com Color code: HEX #7C3991 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 57 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 57 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 61 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 61% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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