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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C38AC it is the complementary color #83C753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C38AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C38AC shade: #8138A7, #924ABA, #A35CCD, #B46EE0 and #C580F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C38AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C38AC shade: #7C38AC, #6B2699, #5A1486, #490273 and #380060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C38AC shade: #7D38AD, #9C38AD, #AD389F, #AD387F and #AD385F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C38AC shade: #7D38AD, #5D38AD, #3E38AD and #3838AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C38AC shade matches the following richer shades: #7D38AD, #8026C0, #8313D2 and #8601E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C38AC shade: #7D38AD, #7A4B9B, #765D88, #737076 and #708263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C38AC shade: #3E38AD, #5D38AD, #7D38AD, #9C38AD and #AD38A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C38AC shade: #50246F, #662E8E, #7D38AD, #924AC4 and #A56ACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C38AC shade: #7C38AC, #AD3852 and #38AD4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C38AC shade: #7C38AC, #AD7D38 and #38AD7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C38AC shade: #7C38AC, #AD3852, #69AD38 and #38AD94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C38AC shade: #7C38AC, #AD4238, #69AD38 and #38A4AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 67 / 0 / 33

HEX #7C38AC

RGB 124 56 172

HSL 275.17, 0.51%, 0.45%

LAB 38.01, 49.88, -50.21

 

Complementary color

CMYK 34 / 0 / 58 / 22

HEX #83C753

RGB 131 199 83

HSL 95.17, 0.51%, 0.55%

LAB 73.74, -41.35, 50.36

 

CMYK 23 / 66 / 0 / 35

HEX #8138A7

RGB 129 56 167

HSL 279.46, 0.5%, 0.44%

LAB 38.35, 49.87, -46.64

 

CMYK 22 / 60 / 0 / 27

HEX #924ABA

RGB 146 74 186

HSL 278.57, 0.45%, 0.51%

LAB 45.02, 49.32, -47.06

 

CMYK 20 / 55 / 0 / 20

HEX #A35CCD

RGB 163 92 205

HSL 277.7, 0.53%, 0.58%

LAB 51.67, 48.58, -47.31

 

CMYK 20 / 51 / 0 / 12

HEX #B46EE0

RGB 180 110 224

HSL 276.84, 0.65%, 0.65%

LAB 58.26, 47.77, -47.48

 

CMYK 19 / 47 / 0 / 5

HEX #C580F3

RGB 197 128 243

HSL 276, 0.83%, 0.73%

LAB 64.79, 46.95, -47.6

 

CMYK 28 / 67 / 0 / 33

HEX #7C38AC

RGB 124 56 172

HSL 275.17, 0.51%, 0.45%

LAB 38.01, 49.88, -50.21

 

CMYK 30 / 75 / 0 / 40

HEX #6B2699

RGB 107 38 153

HSL 276, 0.6%, 0.37%

LAB 31.37, 50.11, -49.6

 

CMYK 33 / 85 / 0 / 47

HEX #5A1486

RGB 90 20 134

HSL 276.84, 0.74%, 0.3%

LAB 24.94, 49.48, -48.43

 

CMYK 37 / 98 / 0 / 55

HEX #490273

RGB 73 2 115

HSL 277.7, 0.97%, 0.23%

LAB 18.79, 47.61, -46.5

 

CMYK 42 / 100 / 0 / 62

HEX #380060

RGB 56 0 96

HSL 275, 1%, 0.19%

LAB 13.74, 41.91, -42.42

 

CMYK 28 / 68 / 0 / 32

HEX #7D38AD

RGB 125 56 173

HSL 275.38, 0.51%, 0.45%

LAB 38.21, 50.33, -50.47

 

CMYK 10 / 68 / 0 / 32

HEX #9C38AD

RGB 156 56 173

HSL 291.28, 0.51%, 0.45%

LAB 42.63, 57.34, -43.14

 

CMYK 0 / 68 / 8 / 32

HEX #AD389F

RGB 173 56 159

HSL 307.18, 0.51%, 0.45%

LAB 44.54, 59, -31.61

 

CMYK 0 / 68 / 27 / 32

HEX #AD387F

RGB 173 56 127

HSL 323.59, 0.51%, 0.45%

LAB 43.13, 54.33, -14.43

 

CMYK 0 / 68 / 45 / 32

HEX #AD385F

RGB 173 56 95

HSL 340, 0.51%, 0.45%

LAB 42.06, 50.63, 3.8

 

CMYK 28 / 68 / 0 / 32

HEX #7D38AD

RGB 125 56 173

HSL 275.38, 0.51%, 0.45%

LAB 38.21, 50.33, -50.47

 

CMYK 46 / 68 / 0 / 32

HEX #5D38AD

RGB 93 56 173

HSL 258.97, 0.51%, 0.45%

LAB 34.34, 43.71, -56.93

 

CMYK 64 / 68 / 0 / 32

HEX #3E38AD

RGB 62 56 173

HSL 243.08, 0.51%, 0.45%

LAB 31.51, 38.47, -61.67

 

CMYK 68 / 68 / 0 / 32

HEX #3838AD

RGB 56 56 173

HSL 240, 0.51%, 0.45%

LAB 31.08, 37.64, -62.38

 

CMYK 28 / 68 / 0 / 32

HEX #7D38AD

RGB 125 56 173

HSL 275.38, 0.51%, 0.45%

LAB 38.21, 50.33, -50.47

 

CMYK 33 / 80 / 0 / 25

HEX #8026C0

RGB 128 38 192

HSL 275.06, 0.67%, 0.45%

LAB 37.45, 62.54, -62.92

 

CMYK 38 / 91 / 0 / 18

HEX #8313D2

RGB 131 19 210

HSL 275.18, 0.83%, 0.45%

LAB 37.74, 71.7, -72.91

 

CMYK 41 / 100 / 0 / 10

HEX #8601E5

RGB 134 1 229

HSL 275, 0.99%, 0.45%

LAB 39.15, 78.24, -81.49

 

CMYK 28 / 68 / 0 / 32

HEX #7D38AD

RGB 125 56 173

HSL 275.38, 0.51%, 0.45%

LAB 38.21, 50.33, -50.47

 

CMYK 21 / 52 / 0 / 39

HEX #7A4B9B

RGB 122 75 155

HSL 275.25, 0.35%, 0.45%

LAB 40.47, 35.29, -36.12

 

CMYK 13 / 32 / 0 / 47

HEX #765D88

RGB 118 93 136

HSL 274.88, 0.19%, 0.45%

LAB 43.45, 18.86, -20.07

 

CMYK 3 / 5 / 0 / 54

HEX #737076

RGB 115 112 118

HSL 270, 0.03%, 0.45%

LAB 47.68, 2.38, -2.91

 

CMYK 14 / 0 / 24 / 49

HEX #708263

RGB 112 130 99

HSL 94.84, 0.14%, 0.45%

LAB 52.19, -12.66, 14.65

 

CMYK 64 / 68 / 0 / 32

HEX #3E38AD

RGB 62 56 173

HSL 243.08, 0.51%, 0.45%

LAB 31.51, 38.47, -61.67

 

CMYK 46 / 68 / 0 / 32

HEX #5D38AD

RGB 93 56 173

HSL 258.97, 0.51%, 0.45%

LAB 34.34, 43.71, -56.93

 

CMYK 28 / 68 / 0 / 32

HEX #7D38AD

RGB 125 56 173

HSL 275.38, 0.51%, 0.45%

LAB 38.21, 50.33, -50.47

 

CMYK 10 / 68 / 0 / 32

HEX #9C38AD

RGB 156 56 173

HSL 291.28, 0.51%, 0.45%

LAB 42.63, 57.34, -43.14

 

CMYK 0 / 68 / 8 / 32

HEX #AD38A0

RGB 173 56 160

HSL 306.67, 0.51%, 0.45%

LAB 44.59, 59.16, -32.13

 

CMYK 28 / 68 / 0 / 56

HEX #50246F

RGB 80 36 111

HSL 275.2, 0.51%, 0.29%

LAB 24.05, 35.03, -35.32

 

CMYK 28 / 68 / 0 / 44

HEX #662E8E

RGB 102 46 142

HSL 275, 0.51%, 0.37%

LAB 31.19, 42.74, -43.18

 

CMYK 28 / 68 / 0 / 32

HEX #7D38AD

RGB 125 56 173

HSL 275.38, 0.51%, 0.45%

LAB 38.21, 50.33, -50.47

 

CMYK 26 / 62 / 0 / 23

HEX #924AC4

RGB 146 74 196

HSL 275.41, 0.51%, 0.53%

LAB 45.63, 51.57, -51.9

 

CMYK 20 / 49 / 0 / 19

HEX #A56ACE

RGB 165 106 206

HSL 275.4, 0.51%, 0.61%

LAB 54.83, 41.86, -42.86

 

CMYK 28 / 67 / 0 / 33

HEX #7C38AC

RGB 124 56 172

HSL 275.17, 0.51%, 0.45%

LAB 38.01, 49.88, -50.21

 

CMYK 0 / 68 / 53 / 32

HEX #AD3852

RGB 173 56 82

HSL 346.67, 0.51%, 0.45%

LAB 41.72, 49.43, 11.45

 

CMYK 68 / 0 / 55 / 32

HEX #38AD4E

RGB 56 173 78

HSL 131.28, 0.51%, 0.45%

LAB 62.74, -52.54, 39.08

 

CMYK 28 / 67 / 0 / 33

HEX #7C38AC

RGB 124 56 172

HSL 275.17, 0.51%, 0.45%

LAB 38.01, 49.88, -50.21

 

CMYK 0 / 28 / 68 / 32

HEX #AD7D38

RGB 173 125 56

HSL 35.38, 0.51%, 0.45%

LAB 55.92, 11.54, 43.85

 

CMYK 68 / 0 / 28 / 32

HEX #38AD7D

RGB 56 173 125

HSL 155.38, 0.51%, 0.45%

LAB 63.51, -43.98, 15.37

 

CMYK 28 / 67 / 0 / 33

HEX #7C38AC

RGB 124 56 172

HSL 275.17, 0.51%, 0.45%

LAB 38.01, 49.88, -50.21

 

CMYK 0 / 68 / 53 / 32

HEX #AD3852

RGB 173 56 82

HSL 346.67, 0.51%, 0.45%

LAB 41.72, 49.43, 11.45

 

CMYK 39 / 0 / 68 / 32

HEX #69AD38

RGB 105 173 56

HSL 94.87, 0.51%, 0.45%

LAB 64.3, -41.56, 51.29

 

CMYK 68 / 0 / 14 / 32

HEX #38AD94

RGB 56 173 148

HSL 167.18, 0.51%, 0.45%

LAB 64.05, -38.43, 3.4

 

CMYK 28 / 67 / 0 / 33

HEX #7C38AC

RGB 124 56 172

HSL 275.17, 0.51%, 0.45%

LAB 38.01, 49.88, -50.21

 

CMYK 0 / 62 / 68 / 32

HEX #AD4238

RGB 173 66 56

HSL 5.13, 0.51%, 0.45%

LAB 42.86, 43.16, 28.86

 

CMYK 39 / 0 / 68 / 32

HEX #69AD38

RGB 105 173 56

HSL 94.87, 0.51%, 0.45%

LAB 64.3, -41.56, 51.29

 

CMYK 68 / 5 / 0 / 32

HEX #38A4AD

RGB 56 164 173

HSL 184.62, 0.51%, 0.45%

LAB 62.01, -27.16, -13.62

 

Description

Color code: HEX #7C38AC | qconv.com Color code: HEX #7C38AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 56 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 56 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 67 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 67% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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