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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C378E it is the complementary color #83C871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C378E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C378E shade: #813789, #92499C, #A35BAF, #B46DC2 and #C57FD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C378E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C378E shade: #7C378E, #6B257B, #5A1368, #490155 and #380042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C378E shade: #7D388F, #8F388A, #8F3872, #8F385B and #8F3843

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C378E shade: #7D388F, #66388F, #4E388F and #38388F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C378E shade matches the following richer shades: #7D388F, #87289F, #9018AF and #9907BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C378E shade: #7D388F, #74487F, #6A586F, #61685F and #57784F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C378E shade: #4E388F, #65388F, #7C388F, #8F388B and #8F3873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C378E shade: #492154, #632C72, #7D388F, #9743AD and #AA5ABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C378E shade: #7C378E, #8F3839 and #388F59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C378E shade: #7C378E, #8F7C38 and #388F7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C378E shade: #7C378E, #8F3839, #4B8F38 and #388F8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C378E shade: #7C378E, #8F5038, #4B8F38 and #38768F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 61 / 0 / 44

HEX #7C378E

RGB 124 55 142

HSL 287.59, 0.44%, 0.39%

LAB 35.93, 43.71, -35.43

 

Complementary color

CMYK 35 / 0 / 44 / 22

HEX #83C871

RGB 131 200 113

HSL 107.59, 0.44%, 0.61%

LAB 74.4, -38.24, 36.72

 

CMYK 6 / 60 / 0 / 46

HEX #813789

RGB 129 55 137

HSL 294.15, 0.43%, 0.38%

LAB 36.38, 44.05, -31.6

 

CMYK 6 / 53 / 0 / 39

HEX #92499C

RGB 146 73 156

HSL 292.77, 0.36%, 0.45%

LAB 43.18, 43.49, -32.24

 

CMYK 7 / 48 / 0 / 31

HEX #A35BAF

RGB 163 91 175

HSL 291.43, 0.34%, 0.52%

LAB 49.93, 42.78, -32.71

 

CMYK 7 / 44 / 0 / 24

HEX #B46DC2

RGB 180 109 194

HSL 290.12, 0.41%, 0.59%

LAB 56.62, 42.02, -33.08

 

CMYK 8 / 40 / 0 / 16

HEX #C57FD5

RGB 197 127 213

HSL 288.84, 0.51%, 0.67%

LAB 63.22, 41.25, -33.4

 

CMYK 13 / 61 / 0 / 44

HEX #7C378E

RGB 124 55 142

HSL 287.59, 0.44%, 0.39%

LAB 35.93, 43.71, -35.43

 

CMYK 13 / 70 / 0 / 52

HEX #6B257B

RGB 107 37 123

HSL 288.84, 0.54%, 0.31%

LAB 29.11, 43.96, -34.64

 

CMYK 13 / 82 / 0 / 59

HEX #5A1368

RGB 90 19 104

HSL 290.12, 0.69%, 0.24%

LAB 22.44, 43.37, -33.29

 

CMYK 14 / 99 / 0 / 67

HEX #490155

RGB 73 1 85

HSL 291.43, 0.98%, 0.17%

LAB 15.97, 41.69, -31.24

 

CMYK 15 / 100 / 0 / 74

HEX #380042

RGB 56 0 66

HSL 290.91, 1%, 0.13%

LAB 10.81, 35.38, -26.6

 

CMYK 13 / 61 / 0 / 44

HEX #7D388F

RGB 125 56 143

HSL 287.59, 0.44%, 0.39%

LAB 36.31, 43.69, -35.42

 

CMYK 0 / 61 / 3 / 44

HEX #8F388A

RGB 143 56 138

HSL 303.45, 0.44%, 0.39%

LAB 38.73, 47.61, -28.36

 

CMYK 0 / 61 / 20 / 44

HEX #8F3872

RGB 143 56 114

HSL 320, 0.44%, 0.39%

LAB 37.63, 43.63, -15.22

 

CMYK 0 / 61 / 36 / 44

HEX #8F385B

RGB 143 56 91

HSL 335.86, 0.44%, 0.39%

LAB 36.79, 40.43, -1.98

 

CMYK 0 / 61 / 53 / 44

HEX #8F3843

RGB 143 56 67

HSL 352.41, 0.44%, 0.39%

LAB 36.12, 37.83, 12.37

 

CMYK 13 / 61 / 0 / 44

HEX #7D388F

RGB 125 56 143

HSL 287.59, 0.44%, 0.39%

LAB 36.31, 43.69, -35.42

 

CMYK 29 / 61 / 0 / 44

HEX #66388F

RGB 102 56 143

HSL 271.72, 0.44%, 0.39%

LAB 33.21, 37.67, -40.54

 

CMYK 45 / 61 / 0 / 44

HEX #4E388F

RGB 78 56 143

HSL 255.17, 0.44%, 0.39%

LAB 30.48, 31.83, -45.1

 

CMYK 61 / 61 / 0 / 44

HEX #38388F

RGB 56 56 143

HSL 240, 0.44%, 0.39%

LAB 28.52, 27.26, -48.36

 

CMYK 13 / 61 / 0 / 44

HEX #7D388F

RGB 125 56 143

HSL 287.59, 0.44%, 0.39%

LAB 36.31, 43.69, -35.42

 

CMYK 15 / 75 / 0 / 38

HEX #87289F

RGB 135 40 159

HSL 287.9, 0.6%, 0.39%

LAB 36.31, 56.27, -45.06

 

CMYK 18 / 86 / 0 / 31

HEX #9018AF

RGB 144 24 175

HSL 287.68, 0.76%, 0.39%

LAB 37.26, 65.67, -53.06

 

CMYK 20 / 96 / 0 / 25

HEX #9907BF

RGB 153 7 191

HSL 287.61, 0.93%, 0.39%

LAB 39.05, 72.57, -59.56

 

CMYK 13 / 61 / 0 / 44

HEX #7D388F

RGB 125 56 143

HSL 287.59, 0.44%, 0.39%

LAB 36.31, 43.69, -35.42

 

CMYK 9 / 43 / 0 / 50

HEX #74487F

RGB 116 72 127

HSL 288, 0.28%, 0.39%

LAB 37.63, 28.76, -23.61

 

CMYK 5 / 21 / 0 / 56

HEX #6A586F

RGB 106 88 111

HSL 286.96, 0.12%, 0.39%

LAB 39.9, 11.97, -10.36

 

CMYK 7 / 0 / 9 / 59

HEX #61685F

RGB 97 104 95

HSL 106.67, 0.05%, 0.39%

LAB 43.16, -4.57, 4.14

 

CMYK 28 / 0 / 34 / 53

HEX #57784F

RGB 87 120 79

HSL 108.29, 0.21%, 0.39%

LAB 47.01, -20.34, 18.83

 

CMYK 45 / 61 / 0 / 44

HEX #4E388F

RGB 78 56 143

HSL 255.17, 0.44%, 0.39%

LAB 30.48, 31.83, -45.1

 

CMYK 29 / 61 / 0 / 44

HEX #65388F

RGB 101 56 143

HSL 271.03, 0.44%, 0.39%

LAB 33.09, 37.41, -40.75

 

CMYK 13 / 61 / 0 / 44

HEX #7C388F

RGB 124 56 143

HSL 286.9, 0.44%, 0.39%

LAB 36.17, 43.42, -35.65

 

CMYK 0 / 61 / 3 / 44

HEX #8F388B

RGB 143 56 139

HSL 302.76, 0.44%, 0.39%

LAB 38.78, 47.79, -28.9

 

CMYK 0 / 61 / 20 / 44

HEX #8F3873

RGB 143 56 115

HSL 319.31, 0.44%, 0.39%

LAB 37.67, 43.78, -15.78

 

CMYK 13 / 61 / 0 / 67

HEX #492154

RGB 73 33 84

HSL 287.06, 0.44%, 0.23%

LAB 20.61, 28.17, -23.14

 

CMYK 13 / 61 / 0 / 55

HEX #632C72

RGB 99 44 114

HSL 287.14, 0.44%, 0.31%

LAB 28.56, 36.52, -29.87

 

CMYK 13 / 61 / 0 / 44

HEX #7D388F

RGB 125 56 143

HSL 287.59, 0.44%, 0.39%

LAB 36.31, 43.69, -35.42

 

CMYK 13 / 61 / 0 / 32

HEX #9743AD

RGB 151 67 173

HSL 287.55, 0.44%, 0.47%

LAB 43.67, 51.25, -41.53

 

CMYK 11 / 53 / 0 / 25

HEX #AA5ABF

RGB 170 90 191

HSL 287.52, 0.44%, 0.55%

LAB 51.4, 48.52, -39.63

 

CMYK 13 / 61 / 0 / 44

HEX #7C378E

RGB 124 55 142

HSL 287.59, 0.44%, 0.39%

LAB 35.93, 43.71, -35.43

 

CMYK 0 / 61 / 60 / 44

HEX #8F3839

RGB 143 56 57

HSL 359.31, 0.44%, 0.39%

LAB 35.91, 36.98, 18.41

 

CMYK 61 / 0 / 38 / 44

HEX #388F59

RGB 56 143 89

HSL 142.76, 0.44%, 0.39%

LAB 53.18, -38.87, 21.18

 

CMYK 13 / 61 / 0 / 44

HEX #7C378E

RGB 124 55 142

HSL 287.59, 0.44%, 0.39%

LAB 35.93, 43.71, -35.43

 

CMYK 0 / 13 / 61 / 44

HEX #8F7C38

RGB 143 124 56

HSL 46.9, 0.44%, 0.39%

LAB 52.44, -1.39, 39.08

 

CMYK 61 / 0 / 13 / 44

HEX #388F7C

RGB 56 143 124

HSL 166.9, 0.44%, 0.39%

LAB 53.96, -30.82, 2.37

 

CMYK 13 / 61 / 0 / 44

HEX #7C378E

RGB 124 55 142

HSL 287.59, 0.44%, 0.39%

LAB 35.93, 43.71, -35.43

 

CMYK 0 / 61 / 60 / 44

HEX #8F3839

RGB 143 56 57

HSL 359.31, 0.44%, 0.39%

LAB 35.91, 36.98, 18.41

 

CMYK 48 / 0 / 61 / 44

HEX #4B8F38

RGB 75 143 56

HSL 106.9, 0.44%, 0.39%

LAB 53.41, -38.72, 38.92

 

CMYK 61 / 0 / 1 / 44

HEX #388F8E

RGB 56 143 142

HSL 179.31, 0.44%, 0.39%

LAB 54.49, -25.84, -7.24

 

CMYK 13 / 61 / 0 / 44

HEX #7C378E

RGB 124 55 142

HSL 287.59, 0.44%, 0.39%

LAB 35.93, 43.71, -35.43

 

CMYK 0 / 44 / 61 / 44

HEX #8F5038

RGB 143 80 56

HSL 16.55, 0.44%, 0.39%

LAB 41, 23.99, 25.5

 

CMYK 48 / 0 / 61 / 44

HEX #4B8F38

RGB 75 143 56

HSL 106.9, 0.44%, 0.39%

LAB 53.41, -38.72, 38.92

 

CMYK 61 / 17 / 0 / 44

HEX #38768F

RGB 56 118 143

HSL 197.24, 0.44%, 0.39%

LAB 46.69, -12.14, -19.62

 

Description

Color code: HEX #7C378E | qconv.com Color code: HEX #7C378E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 55 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 55 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 61 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 61% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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