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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C2EC8 it is the complementary color #83D137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C2EC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C2EC8 shade: #812EC3, #9240D6, #A352E9, #B464FC and #C576FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C2EC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C2EC8 shade: #7C2EC8, #6B1CB5, #5A0AA2, #49008F and #38007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C2EC8 shade: #7B2DC8, #A52DC8, #C82DC0, #C82D97 and #C82D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C2EC8 shade: #7B2DC8, #522DC8 and #2D2DC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C2EC8 shade matches the following richer shades: #7B2DC8, #7C19DB and #7C06EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C2EC8 shade: #7B2DC8, #7B41B4, #7B55A0, #7B698C and #7A7D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C2EC8 shade: #2D32C8, #512DC8, #7A2DC8, #A42DC8 and #C82DC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C2EC8 shade: #521E84, #6726A6, #7B2DC8, #9048D6 and #A46ADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C2EC8 shade: #7C2EC8, #C82D5C and #2DC83D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C2EC8 shade: #7C2EC8, #C87A2D and #2DC87A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C2EC8 shade: #7C2EC8, #C82D5C, #7AC82D and #2DC899

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C2EC8 shade: #7C2EC8, #C82D2D, #7AC82D and #2DC8C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 77 / 0 / 22

HEX #7C2EC8

RGB 124 46 200

HSL 270.39, 0.63%, 0.48%

LAB 38.57, 60.77, -65.79

 

Complementary color

CMYK 37 / 0 / 74 / 18

HEX #83D137

RGB 131 209 55

HSL 90.39, 0.63%, 0.52%

LAB 76.5, -47.81, 64.48

 

CMYK 34 / 76 / 0 / 24

HEX #812EC3

RGB 129 46 195

HSL 273.42, 0.62%, 0.47%

LAB 38.83, 60.46, -62.41

 

CMYK 32 / 70 / 0 / 16

HEX #9240D6

RGB 146 64 214

HSL 272.8, 0.65%, 0.55%

LAB 45.13, 60.37, -63.08

 

CMYK 30 / 65 / 0 / 9

HEX #A352E9

RGB 163 82 233

HSL 272.19, 0.77%, 0.62%

LAB 51.5, 59.86, -63.46

 

CMYK 29 / 60 / 0 / 1

HEX #B464FC

RGB 180 100 252

HSL 271.58, 0.96%, 0.69%

LAB 57.89, 59.14, -63.66

 

CMYK 23 / 54 / 0 / 0

HEX #C576FF

RGB 197 118 255

HSL 274.6, 1%, 0.73%

LAB 63.38, 54.77, -56.42

 

CMYK 38 / 77 / 0 / 22

HEX #7C2EC8

RGB 124 46 200

HSL 270.39, 0.63%, 0.48%

LAB 38.57, 60.77, -65.79

 

CMYK 41 / 85 / 0 / 29

HEX #6B1CB5

RGB 107 28 181

HSL 270.98, 0.73%, 0.41%

LAB 32.46, 60.22, -64.69

 

CMYK 44 / 94 / 0 / 36

HEX #5A0AA2

RGB 90 10 162

HSL 271.58, 0.88%, 0.34%

LAB 26.73, 58.33, -62.77

 

CMYK 49 / 100 / 0 / 44

HEX #49008F

RGB 73 0 143

HSL 270.63, 1%, 0.28%

LAB 21.58, 54.43, -59.67

 

CMYK 55 / 100 / 0 / 51

HEX #38007C

RGB 56 0 124

HSL 267.1, 1%, 0.24%

LAB 16.97, 48.54, -55.38

 

CMYK 39 / 78 / 0 / 22

HEX #7B2DC8

RGB 123 45 200

HSL 270.19, 0.63%, 0.48%

LAB 38.3, 61, -66.23

 

CMYK 18 / 78 / 0 / 22

HEX #A52DC8

RGB 165 45 200

HSL 286.45, 0.63%, 0.48%

LAB 44.3, 68.29, -56.22

 

CMYK 0 / 78 / 4 / 22

HEX #C82DC0

RGB 200 45 192

HSL 303.1, 0.63%, 0.48%

LAB 49.45, 73.77, -43.01

 

CMYK 0 / 78 / 25 / 22

HEX #C82D97

RGB 200 45 151

HSL 318.97, 0.63%, 0.48%

LAB 47.48, 68.1, -21.9

 

CMYK 0 / 78 / 46 / 22

HEX #C82D6D

RGB 200 45 109

HSL 335.23, 0.63%, 0.48%

LAB 45.99, 63.58, 1.42

 

CMYK 39 / 78 / 0 / 22

HEX #7B2DC8

RGB 123 45 200

HSL 270.19, 0.63%, 0.48%

LAB 38.3, 61, -66.23

 

CMYK 59 / 78 / 0 / 22

HEX #522DC8

RGB 82 45 200

HSL 254.32, 0.63%, 0.48%

LAB 33.65, 55.25, -74.04

 

CMYK 78 / 78 / 0 / 22

HEX #2D2DC8

RGB 45 45 200

HSL 240, 0.63%, 0.48%

LAB 30.89, 51.79, -78.69

 

CMYK 39 / 78 / 0 / 22

HEX #7B2DC8

RGB 123 45 200

HSL 270.19, 0.63%, 0.48%

LAB 38.3, 61, -66.23

 

CMYK 43 / 89 / 0 / 14

HEX #7C19DB

RGB 124 25 219

HSL 270.62, 0.8%, 0.48%

LAB 38.01, 71.59, -77.69

 

CMYK 48 / 97 / 0 / 6

HEX #7C06EF

RGB 124 6 239

HSL 270.39, 0.95%, 0.48%

LAB 38.98, 78.86, -87.5

 

CMYK 39 / 78 / 0 / 22

HEX #7B2DC8

RGB 123 45 200

HSL 270.19, 0.63%, 0.48%

LAB 38.3, 61, -66.23

 

CMYK 32 / 64 / 0 / 29

HEX #7B41B4

RGB 123 65 180

HSL 270.26, 0.47%, 0.48%

LAB 40.06, 47.07, -51.65

 

CMYK 23 / 47 / 0 / 37

HEX #7B55A0

RGB 123 85 160

HSL 270.4, 0.31%, 0.48%

LAB 43.13, 30.98, -34.89

 

CMYK 12 / 25 / 0 / 45

HEX #7B698C

RGB 123 105 140

HSL 270.86, 0.14%, 0.48%

LAB 47.25, 14.27, -16.6

 

CMYK 2 / 0 / 4 / 51

HEX #7A7D78

RGB 122 125 120

HSL 96, 0.02%, 0.48%

LAB 52.02, -2.12, 2.32

HEX #7A7D78

CMYK 78 / 75 / 0 / 22

HEX #2D32C8

RGB 45 50 200

HSL 238.06, 0.63%, 0.48%

LAB 31.83, 49.11, -77.14

 

CMYK 60 / 78 / 0 / 22

HEX #512DC8

RGB 81 45 200

HSL 253.94, 0.63%, 0.48%

LAB 33.55, 55.14, -74.2

 

CMYK 39 / 78 / 0 / 22

HEX #7A2DC8

RGB 122 45 200

HSL 269.81, 0.63%, 0.48%

LAB 38.17, 60.84, -66.45

 

CMYK 18 / 78 / 0 / 22

HEX #A42DC8

RGB 164 45 200

HSL 286.06, 0.63%, 0.48%

LAB 44.15, 68.1, -56.47

 

CMYK 0 / 78 / 3 / 22

HEX #C82DC2

RGB 200 45 194

HSL 302.32, 0.63%, 0.48%

LAB 49.56, 74.07, -44

 

CMYK 38 / 77 / 0 / 48

HEX #521E84

RGB 82 30 132

HSL 270.59, 0.63%, 0.32%

LAB 24.92, 43.75, -47.26

 

CMYK 38 / 77 / 0 / 35

HEX #6726A6

RGB 103 38 166

HSL 270.47, 0.63%, 0.4%

LAB 31.86, 52.44, -56.72

 

CMYK 39 / 78 / 0 / 22

HEX #7B2DC8

RGB 123 45 200

HSL 270.19, 0.63%, 0.48%

LAB 38.3, 61, -66.23

 

CMYK 33 / 66 / 0 / 16

HEX #9048D6

RGB 144 72 214

HSL 270.42, 0.63%, 0.56%

LAB 46.2, 56.28, -61.35

 

CMYK 26 / 52 / 0 / 13

HEX #A46ADD

RGB 164 106 221

HSL 270.26, 0.63%, 0.64%

LAB 55.5, 45.04, -50.28

 

CMYK 38 / 77 / 0 / 22

HEX #7C2EC8

RGB 124 46 200

HSL 270.39, 0.63%, 0.48%

LAB 38.57, 60.77, -65.79

 

CMYK 0 / 78 / 54 / 22

HEX #C82D5C

RGB 200 45 92

HSL 341.81, 0.63%, 0.48%

LAB 45.54, 62.18, 11.29

 

CMYK 78 / 0 / 70 / 22

HEX #2DC83D

RGB 45 200 61

HSL 126.19, 0.63%, 0.48%

LAB 71.01, -65.38, 55.84

 

CMYK 38 / 77 / 0 / 22

HEX #7C2EC8

RGB 124 46 200

HSL 270.39, 0.63%, 0.48%

LAB 38.57, 60.77, -65.79

 

CMYK 0 / 39 / 78 / 22

HEX #C87A2D

RGB 200 122 45

HSL 29.81, 0.63%, 0.48%

LAB 58.4, 24.4, 52.48

 

CMYK 78 / 0 / 39 / 22

HEX #2DC87A

RGB 45 200 122

HSL 149.81, 0.63%, 0.48%

LAB 71.74, -56.76, 28.1

 

CMYK 38 / 77 / 0 / 22

HEX #7C2EC8

RGB 124 46 200

HSL 270.39, 0.63%, 0.48%

LAB 38.57, 60.77, -65.79

 

CMYK 0 / 78 / 54 / 22

HEX #C82D5C

RGB 200 45 92

HSL 341.81, 0.63%, 0.48%

LAB 45.54, 62.18, 11.29

 

CMYK 39 / 0 / 78 / 22

HEX #7AC82D

RGB 122 200 45

HSL 90.19, 0.63%, 0.48%

LAB 73.31, -47.75, 64.49

 

CMYK 78 / 0 / 24 / 22

HEX #2DC899

RGB 45 200 153

HSL 161.81, 0.63%, 0.48%

LAB 72.34, -50.13, 12.48

 

CMYK 38 / 77 / 0 / 22

HEX #7C2EC8

RGB 124 46 200

HSL 270.39, 0.63%, 0.48%

LAB 38.57, 60.77, -65.79

 

CMYK 0 / 78 / 78 / 22

HEX #C82D2D

RGB 200 45 45

HSL 0, 0.63%, 0.48%

LAB 44.72, 59.6, 38.65

 

CMYK 39 / 0 / 78 / 22

HEX #7AC82D

RGB 122 200 45

HSL 90.19, 0.63%, 0.48%

LAB 73.31, -47.75, 64.49

 

CMYK 78 / 0 / 0 / 22

HEX #2DC8C8

RGB 45 200 200

HSL 180, 0.63%, 0.48%

LAB 73.57, -37.65, -11.19

 

Description

Color code: HEX #7C2EC8 | qconv.com Color code: HEX #7C2EC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 46 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 46 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 77 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 77% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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