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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BFF0E it is the complementary color #8400F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BFF0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BFF0E shade: #80FF09, #91FF1C, #A2FF2F, #B3FF42 and #C4FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BFF0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BFF0E shade: #7BFF0E, #6AED00, #59DB00, #48C900 and #37B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BFF0E shade: #7BFF0F, #BCFF0F, #FDFF0F, #FFC00F and #FF7F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BFF0E shade: #7BFF0F, #3BFF0F, #0FFF24, #0FFF64 and #0FFFA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BFF0E shade matches the following richer shades: #7BFF0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BFF0E shade: #7BFF0F, #7DEB22, #7FD836, #81C449 and #83B15C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BFF0E shade: #FFFF0F, #BFFF0F, #7FFF0F, #3FFF0F and #0FFF1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BFF0E shade: #54BB00, #67E500, #7BFF0F, #92FF38 and #A8FF61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BFF0E shade: #7BFF0E, #0FFFBF and #FF0FDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BFF0E shade: #7BFF0E, #0F7FFF and #FF0F7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BFF0E shade: #7BFF0E, #0FFFBF, #8F0FFF and #FF0F4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BFF0E shade: #7BFF0E, #0FF7FF, #8F0FFF and #FF170F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 95 / 0

HEX #7BFF0E

RGB 123 255 14

HSL 92.86, 1%, 0.53%

LAB 89.75, -69, 84.56

 

Complementary color

CMYK 45 / 100 / 0 / 5

HEX #8400F1

RGB 132 0 241

HSL 272.86, 1%, 0.47%

LAB 40.01, 80.61, -86.9

 

CMYK 50 / 0 / 96 / 0

HEX #80FF09

RGB 128 255 9

HSL 90.98, 1%, 0.52%

LAB 89.92, -67.69, 85.17

 

CMYK 43 / 0 / 89 / 0

HEX #91FF1C

RGB 145 255 28

HSL 89.07, 1%, 0.55%

LAB 90.61, -62.32, 83.91

 

CMYK 36 / 0 / 82 / 0

HEX #A2FF2F

RGB 162 255 47

HSL 86.83, 1%, 0.59%

LAB 91.42, -56.25, 81.18

 

CMYK 30 / 0 / 74 / 0

HEX #B3FF42

RGB 179 255 66

HSL 84.13, 1%, 0.63%

LAB 92.35, -49.54, 77.11

 

CMYK 23 / 0 / 67 / 0

HEX #C4FF55

RGB 196 255 85

HSL 80.82, 1%, 0.67%

LAB 93.41, -42.29, 71.96

 

CMYK 52 / 0 / 95 / 0

HEX #7BFF0E

RGB 123 255 14

HSL 92.86, 1%, 0.53%

LAB 89.75, -69, 84.56

 

CMYK 55 / 0 / 100 / 7

HEX #6AED00

RGB 106 237 0

HSL 93.16, 1%, 0.46%

LAB 83.77, -67.53, 80.68

 

CMYK 59 / 0 / 100 / 14

HEX #59DB00

RGB 89 219 0

HSL 95.62, 1%, 0.43%

LAB 77.75, -65.75, 75.7

 

CMYK 64 / 0 / 100 / 21

HEX #48C900

RGB 72 201 0

HSL 98.51, 1%, 0.39%

LAB 71.66, -63.75, 70.68

 

CMYK 70 / 0 / 100 / 28

HEX #37B700

RGB 55 183 0

HSL 101.97, 1%, 0.36%

LAB 65.5, -61.47, 65.62

 

CMYK 52 / 0 / 94 / 0

HEX #7BFF0F

RGB 123 255 15

HSL 93, 1%, 0.53%

LAB 89.75, -68.99, 84.47

 

CMYK 26 / 0 / 94 / 0

HEX #BCFF0F

RGB 188 255 15

HSL 76.75, 1%, 0.53%

LAB 92.68, -47.84, 88.04

 

CMYK 1 / 0 / 94 / 0

HEX #FDFF0F

RGB 253 255 15

HSL 60.5, 1%, 0.53%

LAB 97, -22.26, 93.24

 

CMYK 0 / 25 / 94 / 0

HEX #FFC00F

RGB 255 192 15

HSL 44.25, 1%, 0.53%

LAB 81.29, 9.99, 81.7

 

CMYK 0 / 50 / 94 / 0

HEX #FF7F0F

RGB 255 127 15

HSL 28, 1%, 0.53%

LAB 66.88, 43.45, 71.69

 

CMYK 52 / 0 / 94 / 0

HEX #7BFF0F

RGB 123 255 15

HSL 93, 1%, 0.53%

LAB 89.75, -68.99, 84.47

 

CMYK 77 / 0 / 94 / 0

HEX #3BFF0F

RGB 59 255 15

HSL 109, 1%, 0.53%

LAB 88.2, -81.94, 82.56

 

CMYK 94 / 0 / 86 / 0

HEX #0FFF24

RGB 15 255 36

HSL 125.25, 1%, 0.53%

LAB 87.85, -84.94, 79.06

 

CMYK 94 / 0 / 61 / 0

HEX #0FFF64

RGB 15 255 100

HSL 141.25, 1%, 0.53%

LAB 88.23, -80.09, 58.82

 

CMYK 94 / 0 / 35 / 0

HEX #0FFFA5

RGB 15 255 165

HSL 157.5, 1%, 0.53%

LAB 89.08, -69.85, 29.29

 

CMYK 52 / 0 / 94 / 0

HEX #7BFF0F

RGB 123 255 15

HSL 93, 1%, 0.53%

LAB 89.75, -68.99, 84.47

 

CMYK 52 / 0 / 94 / 0

HEX #7BFF0F

RGB 123 255 15

HSL 93, 1%, 0.53%

LAB 89.75, -68.99, 84.47

 

CMYK 47 / 0 / 86 / 8

HEX #7DEB22

RGB 125 235 34

HSL 92.84, 0.83%, 0.53%

LAB 83.91, -60.84, 76.85

 

CMYK 41 / 0 / 75 / 15

HEX #7FD836

RGB 127 216 54

HSL 92.96, 0.68%, 0.53%

LAB 78.4, -52.04, 66.6

 

CMYK 34 / 0 / 63 / 23

HEX #81C449

RGB 129 196 73

HSL 92.68, 0.51%, 0.53%

LAB 72.65, -41.68, 53.51

 

CMYK 26 / 0 / 48 / 31

HEX #83B15C

RGB 131 177 92

HSL 92.47, 0.35%, 0.53%

LAB 67.31, -30.35, 38.42

 

CMYK 0 / 0 / 94 / 0

HEX #FFFF0F

RGB 255 255 15

HSL 60, 1%, 0.53%

LAB 97.15, -21.44, 93.42

 

CMYK 25 / 0 / 94 / 0

HEX #BFFF0F

RGB 191 255 15

HSL 76, 1%, 0.53%

LAB 92.85, -46.73, 88.25

 

CMYK 50 / 0 / 94 / 0

HEX #7FFF0F

RGB 127 255 15

HSL 92, 1%, 0.53%

LAB 89.89, -67.89, 84.64

 

CMYK 75 / 0 / 94 / 0

HEX #3FFF0F

RGB 63 255 15

HSL 108, 1%, 0.53%

LAB 88.26, -81.4, 82.64

 

CMYK 94 / 0 / 88 / 0

HEX #0FFF1F

RGB 15 255 31

HSL 124, 1%, 0.53%

LAB 87.83, -85.11, 79.96

 

CMYK 55 / 0 / 100 / 27

HEX #54BB00

RGB 84 187 0

HSL 93.05, 1%, 0.37%

LAB 67.6, -56.02, 67.62

 

CMYK 55 / 0 / 100 / 10

HEX #67E500

RGB 103 229 0

HSL 93.01, 1%, 0.45%

LAB 81.25, -65.59, 78.65

 

CMYK 52 / 0 / 94 / 0

HEX #7BFF0F

RGB 123 255 15

HSL 93, 1%, 0.53%

LAB 89.75, -68.99, 84.47

 

CMYK 43 / 0 / 78 / 0

HEX #92FF38

RGB 146 255 56

HSL 92.86, 1%, 0.61%

LAB 90.74, -61.02, 77.99

 

CMYK 34 / 0 / 62 / 0

HEX #A8FF61

RGB 168 255 97

HSL 93.04, 1%, 0.69%

LAB 92, -51.24, 65.33

 

CMYK 52 / 0 / 95 / 0

HEX #7BFF0E

RGB 123 255 14

HSL 92.86, 1%, 0.53%

LAB 89.75, -69, 84.56

 

CMYK 94 / 0 / 25 / 0

HEX #0FFFBF

RGB 15 255 191

HSL 164, 1%, 0.53%

LAB 89.57, -64.32, 16.74

 

CMYK 0 / 94 / 13 / 0

HEX #FF0FDF

RGB 255 15 223

HSL 308, 1%, 0.53%

LAB 58.91, 93.09, -45.19

 

CMYK 52 / 0 / 95 / 0

HEX #7BFF0E

RGB 123 255 14

HSL 92.86, 1%, 0.53%

LAB 89.75, -69, 84.56

 

CMYK 94 / 50 / 0 / 0

HEX #0F7FFF

RGB 15 127 255

HSL 212, 1%, 0.53%

LAB 54.55, 19.78, -71.19

 

CMYK 0 / 94 / 50 / 0

HEX #FF0F7F

RGB 255 15 127

HSL 332, 1%, 0.53%

LAB 55.21, 83.45, 5.13

 

CMYK 52 / 0 / 95 / 0

HEX #7BFF0E

RGB 123 255 14

HSL 92.86, 1%, 0.53%

LAB 89.75, -69, 84.56

 

CMYK 94 / 0 / 25 / 0

HEX #0FFFBF

RGB 15 255 191

HSL 164, 1%, 0.53%

LAB 89.57, -64.32, 16.74

 

CMYK 44 / 94 / 0 / 0

HEX #8F0FFF

RGB 143 15 255

HSL 272, 1%, 0.53%

LAB 43.36, 82.85, -89.19

 

CMYK 0 / 94 / 69 / 0

HEX #FF0F4F

RGB 255 15 79

HSL 344, 1%, 0.53%

LAB 54.2, 80.71, 32.59

 

CMYK 52 / 0 / 95 / 0

HEX #7BFF0E

RGB 123 255 14

HSL 92.86, 1%, 0.53%

LAB 89.75, -69, 84.56

 

CMYK 94 / 3 / 0 / 0

HEX #0FF7FF

RGB 15 247 255

HSL 182, 1%, 0.53%

LAB 88.85, -44.29, -17.54

 

CMYK 44 / 94 / 0 / 0

HEX #8F0FFF

RGB 143 15 255

HSL 272, 1%, 0.53%

LAB 43.36, 82.85, -89.19

 

CMYK 0 / 91 / 94 / 0

HEX #FF170F

RGB 255 23 15

HSL 2, 1%, 0.53%

LAB 53.93, 78.31, 63.83

 

Description

Color code: HEX #7BFF0E | qconv.com Color code: HEX #7BFF0E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 255 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 255 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 95 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 95% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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