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Color name
HEX #7BFB72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BFB72 it is the complementary color #84048D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BFB72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BFB72 shade: #80FB6D, #91FF80, #A2FF93, #B3FFA6 and #C4FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BFB72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BFB72 shade: #7BFB72, #6AE95F, #59D74C, #48C539 and #37B326

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BFB72 shade: #7DFB74, #A1FB74, #C6FB74, #EAFB74 and #FBE774

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BFB72 shade: #7DFB74, #74FB90, #74FBB4, #74FBD8 and #74F9FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BFB72 shade matches the following richer shades: #7DFB74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BFB72 shade: #7DFB74, #87EF80, #91E48C, #9BD897 and #A5CDA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BFB72 shade: #C5FB74, #A1FB74, #7DFB74, #74FB8F and #74FBB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BFB72 shade: #32F824, #58F94C, #7DFB74, #A3FC9D and #C8FDC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BFB72 shade: #7BFB72, #74E9FB and #FB74B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BFB72 shade: #7BFB72, #747DFB and #FB747D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BFB72 shade: #7BFB72, #74E9FB, #F274FB and #FB8674

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BFB72 shade: #7BFB72, #74C1FB, #F274FB and #FBAF74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 55 / 2

HEX #7BFB72

RGB 123 251 114

HSL 116.06, 0.94%, 0.72%

LAB 89.12, -61.39, 54.25

 

Complementary color

CMYK 6 / 97 / 0 / 45

HEX #84048D

RGB 132 4 141

HSL 296.06, 0.94%, 0.28%

LAB 31.61, 61.11, -41.63

 

CMYK 49 / 0 / 57 / 2

HEX #80FB6D

RGB 128 251 109

HSL 111.97, 0.95%, 0.71%

LAB 89.25, -60.63, 56.67

 

CMYK 43 / 0 / 50 / 0

HEX #91FF80

RGB 145 255 128

HSL 111.97, 1%, 0.75%

LAB 91.28, -55.22, 50.64

 

CMYK 36 / 0 / 42 / 0

HEX #A2FF93

RGB 162 255 147

HSL 111.67, 1%, 0.79%

LAB 92.27, -47.69, 43.01

 

CMYK 30 / 0 / 35 / 0

HEX #B3FFA6

RGB 179 255 166

HSL 111.24, 1%, 0.83%

LAB 93.39, -39.66, 35.3

 

CMYK 23 / 0 / 27 / 0

HEX #C4FFB9

RGB 196 255 185

HSL 110.57, 1%, 0.86%

LAB 94.64, -31.27, 27.61

 

CMYK 51 / 0 / 55 / 2

HEX #7BFB72

RGB 123 251 114

HSL 116.06, 0.94%, 0.72%

LAB 89.12, -61.39, 54.25

 

CMYK 55 / 0 / 59 / 9

HEX #6AE95F

RGB 106 233 95

HSL 115.22, 0.76%, 0.64%

LAB 83, -61.17, 55.38

 

CMYK 59 / 0 / 65 / 16

HEX #59D74C

RGB 89 215 76

HSL 114.39, 0.63%, 0.57%

LAB 76.83, -60.73, 56.38

 

CMYK 63 / 0 / 71 / 23

HEX #48C539

RGB 72 197 57

HSL 113.57, 0.55%, 0.5%

LAB 70.6, -60, 57.1

 

CMYK 69 / 0 / 79 / 30

HEX #37B326

RGB 55 179 38

HSL 112.77, 0.65%, 0.43%

LAB 64.32, -58.82, 57.27

 

CMYK 50 / 0 / 54 / 2

HEX #7DFB74

RGB 125 251 116

HSL 116, 0.94%, 0.72%

LAB 89.21, -60.63, 53.47

 

CMYK 36 / 0 / 54 / 2

HEX #A1FB74

RGB 161 251 116

HSL 100, 0.94%, 0.72%

LAB 90.7, -50.08, 55.61

 

CMYK 21 / 0 / 54 / 2

HEX #C6FB74

RGB 198 251 116

HSL 83.56, 0.94%, 0.72%

LAB 92.69, -37.35, 58.44

 

CMYK 7 / 0 / 54 / 2

HEX #EAFB74

RGB 234 251 116

HSL 67.56, 0.94%, 0.72%

LAB 95.05, -23.78, 61.79

 

CMYK 0 / 8 / 54 / 2

HEX #FBE774

RGB 251 231 116

HSL 51.11, 0.94%, 0.72%

LAB 91.2, -7.3, 57.66

 

CMYK 50 / 0 / 54 / 2

HEX #7DFB74

RGB 125 251 116

HSL 116, 0.94%, 0.72%

LAB 89.21, -60.63, 53.47

 

CMYK 54 / 0 / 43 / 2

HEX #74FB90

RGB 116 251 144

HSL 132.44, 0.94%, 0.72%

LAB 89.26, -59.08, 40.25

 

CMYK 54 / 0 / 28 / 2

HEX #74FBB4

RGB 116 251 180

HSL 148.44, 0.94%, 0.72%

LAB 89.86, -52.84, 23.03

 

CMYK 54 / 0 / 14 / 2

HEX #74FBD8

RGB 116 251 216

HSL 164.44, 0.94%, 0.72%

LAB 90.63, -45.24, 5.57

 

CMYK 54 / 1 / 0 / 2

HEX #74F9FB

RGB 116 249 251

HSL 180.89, 0.94%, 0.72%

LAB 90.98, -35.81, -12.1

 

CMYK 50 / 0 / 54 / 2

HEX #7DFB74

RGB 125 251 116

HSL 116, 0.94%, 0.72%

LAB 89.21, -60.63, 53.47

 

CMYK 50 / 0 / 54 / 2

HEX #7DFB74

RGB 125 251 116

HSL 116, 0.94%, 0.72%

LAB 89.21, -60.63, 53.47

 

CMYK 44 / 0 / 46 / 6

HEX #87EF80

RGB 135 239 128

HSL 116.22, 0.78%, 0.72%

LAB 86.23, -51.65, 44.3

 

CMYK 36 / 0 / 39 / 11

HEX #91E48C

RGB 145 228 140

HSL 116.59, 0.62%, 0.72%

LAB 83.65, -42.3, 35.18

 

CMYK 28 / 0 / 30 / 15

HEX #9BD897

RGB 155 216 151

HSL 116.31, 0.45%, 0.72%

LAB 80.91, -31.94, 25.99

 

CMYK 20 / 0 / 20 / 20

HEX #A5CDA3

RGB 165 205 163

HSL 117.14, 0.3%, 0.72%

LAB 78.64, -21.26, 16.65

 

CMYK 22 / 0 / 54 / 2

HEX #C5FB74

RGB 197 251 116

HSL 84, 0.94%, 0.72%

LAB 92.63, -37.71, 58.35

 

CMYK 36 / 0 / 54 / 2

HEX #A1FB74

RGB 161 251 116

HSL 100, 0.94%, 0.72%

LAB 90.7, -50.08, 55.61

 

CMYK 50 / 0 / 54 / 2

HEX #7DFB74

RGB 125 251 116

HSL 116, 0.94%, 0.72%

LAB 89.21, -60.63, 53.47

 

CMYK 54 / 0 / 43 / 2

HEX #74FB8F

RGB 116 251 143

HSL 132, 0.94%, 0.72%

LAB 89.25, -59.23, 40.72

 

CMYK 54 / 0 / 29 / 2

HEX #74FBB3

RGB 116 251 179

HSL 148, 0.94%, 0.72%

LAB 89.84, -53.03, 23.51

 

CMYK 80 / 0 / 85 / 3

HEX #32F824

RGB 50 248 36

HSL 116.04, 0.94%, 0.56%

LAB 85.98, -80.49, 77.52

 

CMYK 65 / 0 / 69 / 2

HEX #58F94C

RGB 88 249 76

HSL 115.84, 0.94%, 0.64%

LAB 87.17, -72.49, 67.4

 

CMYK 50 / 0 / 54 / 2

HEX #7DFB74

RGB 125 251 116

HSL 116, 0.94%, 0.72%

LAB 89.21, -60.63, 53.47

 

CMYK 35 / 0 / 38 / 1

HEX #A3FC9D

RGB 163 252 157

HSL 116.21, 0.94%, 0.8%

LAB 91.61, -44.68, 37.28

 

CMYK 21 / 0 / 22 / 1

HEX #C8FDC5

RGB 200 253 197

HSL 116.79, 0.93%, 0.88%

LAB 94.55, -27.09, 21.44

 

CMYK 51 / 0 / 55 / 2

HEX #7BFB72

RGB 123 251 114

HSL 116.06, 0.94%, 0.72%

LAB 89.12, -61.39, 54.25

 

CMYK 54 / 7 / 0 / 2

HEX #74E9FB

RGB 116 233 251

HSL 188, 0.94%, 0.72%

LAB 86.48, -28.25, -18.84

 

CMYK 0 / 54 / 29 / 2

HEX #FB74B3

RGB 251 116 179

HSL 332, 0.94%, 0.72%

LAB 66.71, 58.01, -8.32

 

CMYK 51 / 0 / 55 / 2

HEX #7BFB72

RGB 123 251 114

HSL 116.06, 0.94%, 0.72%

LAB 89.12, -61.39, 54.25

 

CMYK 54 / 50 / 0 / 2

HEX #747DFB

RGB 116 125 251

HSL 236, 0.94%, 0.72%

LAB 57.41, 31.23, -64.19

 

CMYK 0 / 54 / 50 / 2

HEX #FB747D

RGB 251 116 125

HSL 356, 0.94%, 0.72%

LAB 65.34, 52.29, 20.39

 

CMYK 51 / 0 / 55 / 2

HEX #7BFB72

RGB 123 251 114

HSL 116.06, 0.94%, 0.72%

LAB 89.12, -61.39, 54.25

 

CMYK 54 / 7 / 0 / 2

HEX #74E9FB

RGB 116 233 251

HSL 188, 0.94%, 0.72%

LAB 86.48, -28.25, -18.84

 

CMYK 4 / 54 / 0 / 2

HEX #F274FB

RGB 242 116 251

HSL 296, 0.94%, 0.72%

LAB 68.27, 66.36, -46.15

 

CMYK 0 / 47 / 54 / 2

HEX #FB8674

RGB 251 134 116

HSL 8, 0.94%, 0.72%

LAB 68.62, 42.78, 29.79

 

CMYK 51 / 0 / 55 / 2

HEX #7BFB72

RGB 123 251 114

HSL 116.06, 0.94%, 0.72%

LAB 89.12, -61.39, 54.25

 

CMYK 54 / 23 / 0 / 2

HEX #74C1FB

RGB 116 193 251

HSL 205.78, 0.94%, 0.72%

LAB 75.34, -7.83, -35.88

 

CMYK 4 / 54 / 0 / 2

HEX #F274FB

RGB 242 116 251

HSL 296, 0.94%, 0.72%

LAB 68.27, 66.36, -46.15

 

CMYK 0 / 30 / 54 / 2

HEX #FBAF74

RGB 251 175 116

HSL 26.22, 0.94%, 0.72%

LAB 77.54, 21.57, 41.18

 

Description

Color code: HEX #7BFB72 | qconv.com Color code: HEX #7BFB72 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 251 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 251 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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