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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BF7EF it is the complementary color #840810. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BF7EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BF7EF shade: #80F7EA, #91FFFD, #A2FFFF, #B3FFFF and #C4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BF7EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BF7EF shade: #7BF7EF, #6AE5DC, #59D3C9, #48C1B6 and #37AFA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BF7EF shade: #7DF7F0, #7DF7CE, #7DF7AD, #7DF78C and #8EF77D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BF7EF shade: #7DF7F0, #7DDEF7, #7DBDF7, #7D9CF7 and #7D7DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BF7EF shade matches the following richer shades: #7DF7F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BF7EF shade: #7DF7F0, #88ECE6, #93E1DC, #9ED6D2 and #A9CBC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BF7EF shade: #7DF7AE, #7DF7CF, #7DF7EF, #7DDFF7 and #7DBEF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BF7EF shade: #2FF3E6, #56F5EB, #7DF7F0, #A4FAF4 and #CBFCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BF7EF shade: #7BF7EF, #8D7DF7 and #F7BE7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BF7EF shade: #7BF7EF, #EF7DF7 and #F7EF7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BF7EF shade: #7BF7EF, #8D7DF7, #F77D85 and #E7F77D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BF7EF shade: #7BF7EF, #B27DF7, #F77D85 and #C2F77D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 3 / 3

HEX #7BF7EF

RGB 123 247 239

HSL 176.13, 0.89%, 0.73%

LAB 90.31, -36.54, -6.82

 

Complementary color

CMYK 0 / 94 / 88 / 48

HEX #840810

RGB 132 8 16

HSL 356.13, 0.89%, 0.27%

LAB 27.06, 48, 32.83

 

CMYK 48 / 0 / 5 / 3

HEX #80F7EA

RGB 128 247 234

HSL 173.45, 0.88%, 0.74%

LAB 90.35, -36.7, -4.14

 

CMYK 43 / 0 / 1 / 0

HEX #91FFFD

RGB 145 255 253

HSL 178.91, 1%, 0.78%

LAB 93.72, -32.06, -8.93

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 50 / 0 / 3 / 3

HEX #7BF7EF

RGB 123 247 239

HSL 176.13, 0.89%, 0.73%

LAB 90.31, -36.54, -6.82

 

CMYK 54 / 0 / 4 / 10

HEX #6AE5DC

RGB 106 229 220

HSL 175.61, 0.7%, 0.66%

LAB 84.11, -36.44, -6.08

 

CMYK 58 / 0 / 5 / 17

HEX #59D3C9

RGB 89 211 201

HSL 175.08, 0.58%, 0.59%

LAB 77.83, -36.25, -5.29

 

CMYK 63 / 0 / 6 / 24

HEX #48C1B6

RGB 72 193 182

HSL 174.55, 0.49%, 0.52%

LAB 71.48, -35.95, -4.43

 

CMYK 69 / 0 / 7 / 31

HEX #37AFA3

RGB 55 175 163

HSL 174, 0.52%, 0.45%

LAB 65.05, -35.48, -3.49

 

CMYK 49 / 0 / 3 / 3

HEX #7DF7F0

RGB 125 247 240

HSL 176.56, 0.88%, 0.73%

LAB 90.4, -35.88, -7.19

 

CMYK 49 / 0 / 17 / 3

HEX #7DF7CE

RGB 125 247 206

HSL 159.84, 0.88%, 0.73%

LAB 89.55, -43.78, 9.25

 

CMYK 49 / 0 / 30 / 3

HEX #7DF7AD

RGB 125 247 173

HSL 143.61, 0.88%, 0.73%

LAB 88.87, -50.42, 25.29

 

CMYK 49 / 0 / 43 / 3

HEX #7DF78C

RGB 125 247 140

HSL 127.38, 0.88%, 0.73%

LAB 88.34, -55.9, 41.08

 

CMYK 43 / 0 / 49 / 3

HEX #8EF77D

RGB 142 247 125

HSL 111.64, 0.88%, 0.73%

LAB 88.81, -53.25, 48.98

 

CMYK 49 / 0 / 3 / 3

HEX #7DF7F0

RGB 125 247 240

HSL 176.56, 0.88%, 0.73%

LAB 90.4, -35.88, -7.19

 

CMYK 49 / 10 / 0 / 3

HEX #7DDEF7

RGB 125 222 247

HSL 192.3, 0.88%, 0.73%

LAB 83.61, -22.08, -21.04

 

CMYK 49 / 23 / 0 / 3

HEX #7DBDF7

RGB 125 189 247

HSL 208.52, 0.88%, 0.73%

LAB 74.49, -4.89, -35.01

 

CMYK 49 / 37 / 0 / 3

HEX #7D9CF7

RGB 125 156 247

HSL 224.75, 0.88%, 0.73%

LAB 65.63, 13.66, -48.85

 

CMYK 49 / 49 / 0 / 3

HEX #7D7DF7

RGB 125 125 247

HSL 240, 0.88%, 0.73%

LAB 57.79, 31.85, -61.33

 

CMYK 49 / 0 / 3 / 3

HEX #7DF7F0

RGB 125 247 240

HSL 176.56, 0.88%, 0.73%

LAB 90.4, -35.88, -7.19

 

CMYK 49 / 0 / 3 / 3

HEX #7DF7F0

RGB 125 247 240

HSL 176.56, 0.88%, 0.73%

LAB 90.4, -35.88, -7.19

 

CMYK 42 / 0 / 3 / 7

HEX #88ECE6

RGB 136 236 230

HSL 176.4, 0.72%, 0.73%

LAB 87.46, -30.71, -6.28

 

CMYK 35 / 0 / 2 / 12

HEX #93E1DC

RGB 147 225 220

HSL 176.15, 0.57%, 0.73%

LAB 84.6, -25, -5.18

 

CMYK 26 / 0 / 2 / 16

HEX #9ED6D2

RGB 158 214 210

HSL 175.71, 0.41%, 0.73%

LAB 81.85, -18.72, -3.86

 

CMYK 17 / 0 / 1 / 20

HEX #A9CBC9

RGB 169 203 201

HSL 176.47, 0.25%, 0.73%

LAB 79.25, -11.67, -2.78

 

CMYK 49 / 0 / 30 / 3

HEX #7DF7AE

RGB 125 247 174

HSL 144.1, 0.88%, 0.73%

LAB 88.89, -50.23, 24.81

 

CMYK 49 / 0 / 16 / 3

HEX #7DF7CF

RGB 125 247 207

HSL 160.33, 0.88%, 0.73%

LAB 89.57, -43.57, 8.76

 

CMYK 49 / 0 / 3 / 3

HEX #7DF7EF

RGB 125 247 239

HSL 176.07, 0.88%, 0.73%

LAB 90.37, -36.13, -6.71

 

CMYK 49 / 10 / 0 / 3

HEX #7DDFF7

RGB 125 223 247

HSL 191.8, 0.88%, 0.73%

LAB 83.89, -22.58, -20.62

 

CMYK 49 / 23 / 0 / 3

HEX #7DBEF7

RGB 125 190 247

HSL 208.03, 0.88%, 0.73%

LAB 74.76, -5.43, -34.58

 

CMYK 81 / 0 / 5 / 5

HEX #2FF3E6

RGB 47 243 230

HSL 176.02, 0.89%, 0.57%

LAB 87.2, -48.03, -6.91

 

CMYK 65 / 0 / 4 / 4

HEX #56F5EB

RGB 86 245 235

HSL 176.23, 0.89%, 0.65%

LAB 88.58, -43.2, -7.4

 

CMYK 49 / 0 / 3 / 3

HEX #7DF7F0

RGB 125 247 240

HSL 176.56, 0.88%, 0.73%

LAB 90.4, -35.88, -7.19

 

CMYK 34 / 0 / 2 / 2

HEX #A4FAF4

RGB 164 250 244

HSL 175.81, 0.9%, 0.81%

LAB 92.92, -27.13, -5.37

 

CMYK 19 / 0 / 1 / 1

HEX #CBFCF9

RGB 203 252 249

HSL 176.33, 0.89%, 0.89%

LAB 95.65, -16.06, -3.71

 

CMYK 50 / 0 / 3 / 3

HEX #7BF7EF

RGB 123 247 239

HSL 176.13, 0.89%, 0.73%

LAB 90.31, -36.54, -6.82

 

CMYK 43 / 49 / 0 / 3

HEX #8D7DF7

RGB 141 125 247

HSL 247.87, 0.88%, 0.73%

LAB 59.02, 35.4, -59.3

 

CMYK 0 / 23 / 49 / 3

HEX #F7BE7D

RGB 247 190 125

HSL 31.97, 0.88%, 0.73%

LAB 80.78, 12.87, 40.56

 

CMYK 50 / 0 / 3 / 3

HEX #7BF7EF

RGB 123 247 239

HSL 176.13, 0.89%, 0.73%

LAB 90.31, -36.54, -6.82

 

CMYK 3 / 49 / 0 / 3

HEX #EF7DF7

RGB 239 125 247

HSL 296.07, 0.88%, 0.73%

LAB 69.28, 60.66, -42.4

 

CMYK 0 / 3 / 49 / 3

HEX #F7EF7D

RGB 247 239 125

HSL 56.07, 0.88%, 0.73%

LAB 93.01, -12.13, 55.56

 

CMYK 50 / 0 / 3 / 3

HEX #7BF7EF

RGB 123 247 239

HSL 176.13, 0.89%, 0.73%

LAB 90.31, -36.54, -6.82

 

CMYK 43 / 49 / 0 / 3

HEX #8D7DF7

RGB 141 125 247

HSL 247.87, 0.88%, 0.73%

LAB 59.02, 35.4, -59.3

 

CMYK 0 / 49 / 46 / 3

HEX #F77D85

RGB 247 125 133

HSL 356.07, 0.88%, 0.73%

LAB 66.62, 47.29, 17.53

 

CMYK 6 / 0 / 49 / 3

HEX #E7F77D

RGB 231 247 125

HSL 67.87, 0.88%, 0.73%

LAB 93.88, -22.26, 56.31

 

CMYK 50 / 0 / 3 / 3

HEX #7BF7EF

RGB 123 247 239

HSL 176.13, 0.89%, 0.73%

LAB 90.31, -36.54, -6.82

 

CMYK 28 / 49 / 0 / 3

HEX #B27DF7

RGB 178 125 247

HSL 266.07, 0.88%, 0.73%

LAB 62.38, 44.45, -53.74

 

CMYK 0 / 49 / 46 / 3

HEX #F77D85

RGB 247 125 133

HSL 356.07, 0.88%, 0.73%

LAB 66.62, 47.29, 17.53

 

CMYK 21 / 0 / 49 / 3

HEX #C2F77D

RGB 194 247 125

HSL 86.07, 0.88%, 0.73%

LAB 91.45, -36.11, 52.81

 

Description

Color code: HEX #7BF7EF | qconv.com Color code: HEX #7BF7EF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 247 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 247 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 3 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 3% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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