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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BF2BC it is the complementary color #840D43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BF2BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BF2BC shade: #80F2B7, #91FFCA, #A2FFDD, #B3FFF0 and #C4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BF2BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BF2BC shade: #7BF2BC, #6AE0A9, #59CE96, #48BC83 and #37AA70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BF2BC shade: #7DF2BD, #7DF29D, #7DF27E, #9CF27D and #BBF27D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BF2BC shade: #7DF2BD, #7DF2DD, #7DE8F2, #7DC9F2 and #7DA9F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BF2BC shade matches the following richer shades: #7DF2BD and #71FEBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BF2BC shade: #7DF2BD, #89E7BC, #94DBBB, #A0CFBA and #ABC4B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BF2BC shade: #7DF27D, #7DF29C, #7DF2BC, #7DF2DB and #7DEAF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BF2BC shade: #32EB97, #58EEAA, #7DF2BD, #A3F6D0 and #C8FAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BF2BC shade: #7BF2BC, #7D9CF2 and #F28D7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BF2BC shade: #7BF2BC, #BC7DF2 and #F2BC7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BF2BC shade: #7BF2BC, #7D9CF2, #F27DB4 and #F2D37D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BF2BC shade: #7BF2BC, #817DF2, #F27DB4 and #EEF27D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 22 / 5

HEX #7BF2BC

RGB 123 242 188

HSL 152.77, 0.82%, 0.72%

LAB 87.65, -45.87, 15.88

 

Complementary color

CMYK 0 / 90 / 49 / 48

HEX #840D43

RGB 132 13 67

HSL 332.77, 0.82%, 0.28%

LAB 28.38, 49.94, 1.14

 

CMYK 47 / 0 / 24 / 5

HEX #80F2B7

RGB 128 242 183

HSL 148.95, 0.81%, 0.73%

LAB 87.73, -45.66, 18.6

 

CMYK 43 / 0 / 21 / 0

HEX #91FFCA

RGB 145 255 202

HSL 151.09, 1%, 0.78%

LAB 92.49, -43.29, 15.59

 

CMYK 36 / 0 / 13 / 0

HEX #A2FFDD

RGB 162 255 221

HSL 158.06, 1%, 0.82%

LAB 93.63, -34.97, 7.55

 

CMYK 30 / 0 / 6 / 0

HEX #B3FFF0

RGB 179 255 240

HSL 168.16, 1%, 0.85%

LAB 94.91, -26.34, -0.3

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 49 / 0 / 22 / 5

HEX #7BF2BC

RGB 123 242 188

HSL 152.77, 0.82%, 0.72%

LAB 87.65, -45.87, 15.88

 

CMYK 53 / 0 / 25 / 12

HEX #6AE0A9

RGB 106 224 169

HSL 152.03, 0.66%, 0.65%

LAB 81.42, -45.98, 16.96

 

CMYK 57 / 0 / 27 / 19

HEX #59CE96

RGB 89 206 150

HSL 151.28, 0.54%, 0.58%

LAB 75.12, -46.03, 18.12

 

CMYK 62 / 0 / 30 / 26

HEX #48BC83

RGB 72 188 131

HSL 150.52, 0.46%, 0.51%

LAB 68.74, -45.96, 19.39

 

CMYK 68 / 0 / 34 / 33

HEX #37AA70

RGB 55 170 112

HSL 149.74, 0.51%, 0.44%

LAB 62.28, -45.7, 20.77

 

CMYK 48 / 0 / 22 / 5

HEX #7DF2BD

RGB 125 242 189

HSL 152.82, 0.82%, 0.72%

LAB 87.75, -45.19, 15.5

 

CMYK 48 / 0 / 35 / 5

HEX #7DF29D

RGB 125 242 157

HSL 136.41, 0.82%, 0.72%

LAB 87.14, -51.18, 31.07

 

CMYK 48 / 0 / 48 / 5

HEX #7DF27E

RGB 125 242 126

HSL 120.51, 0.82%, 0.72%

LAB 86.69, -55.9, 45.74

 

CMYK 36 / 0 / 48 / 5

HEX #9CF27D

RGB 156 242 125

HSL 104.1, 0.82%, 0.72%

LAB 87.99, -46.88, 48.13

 

CMYK 23 / 0 / 48 / 5

HEX #BBF27D

RGB 187 242 125

HSL 88.21, 0.82%, 0.72%

LAB 89.65, -36.35, 50.53

 

CMYK 48 / 0 / 22 / 5

HEX #7DF2BD

RGB 125 242 189

HSL 152.82, 0.82%, 0.72%

LAB 87.75, -45.19, 15.5

 

CMYK 48 / 0 / 9 / 5

HEX #7DF2DD

RGB 125 242 221

HSL 169.23, 0.82%, 0.72%

LAB 88.49, -38.16, -0.1

 

CMYK 48 / 4 / 0 / 5

HEX #7DE8F2

RGB 125 232 242

HSL 185.13, 0.82%, 0.72%

LAB 86.25, -28.3, -14.43

 

CMYK 48 / 17 / 0 / 5

HEX #7DC9F2

RGB 125 201 242

HSL 201.03, 0.82%, 0.72%

LAB 77.61, -12.7, -27.52

 

CMYK 48 / 30 / 0 / 5

HEX #7DA9F2

RGB 125 169 242

HSL 217.44, 0.82%, 0.72%

LAB 68.86, 4.74, -41.06

 

CMYK 48 / 0 / 22 / 5

HEX #7DF2BD

RGB 125 242 189

HSL 152.82, 0.82%, 0.72%

LAB 87.75, -45.19, 15.5

 

CMYK 56 / 0 / 25 / 0

HEX #71FEBE

RGB 113 254 190

HSL 152.77, 0.99%, 0.72%

LAB 90.83, -52.73, 19.25

 

CMYK 48 / 0 / 22 / 5

HEX #7DF2BD

RGB 125 242 189

HSL 152.82, 0.82%, 0.72%

LAB 87.75, -45.19, 15.5

 

CMYK 41 / 0 / 19 / 9

HEX #89E7BC

RGB 137 231 188

HSL 152.55, 0.66%, 0.72%

LAB 85.05, -37.46, 12.27

 

CMYK 32 / 0 / 15 / 14

HEX #94DBBB

RGB 148 219 187

HSL 152.96, 0.5%, 0.72%

LAB 82.13, -28.97, 8.72

 

CMYK 23 / 0 / 10 / 19

HEX #A0CFBA

RGB 160 207 186

HSL 153.19, 0.33%, 0.72%

LAB 79.41, -19.62, 5.43

 

CMYK 13 / 0 / 6 / 23

HEX #ABC4B9

RGB 171 196 185

HSL 153.6, 0.17%, 0.72%

LAB 77.07, -10.61, 2.66

 

CMYK 48 / 0 / 48 / 5

HEX #7DF27D

RGB 125 242 125

HSL 120, 0.82%, 0.72%

LAB 86.67, -56.03, 46.2

 

CMYK 48 / 0 / 36 / 5

HEX #7DF29C

RGB 125 242 156

HSL 135.9, 0.82%, 0.72%

LAB 87.13, -51.35, 31.55

 

CMYK 48 / 0 / 22 / 5

HEX #7DF2BC

RGB 125 242 188

HSL 152.31, 0.82%, 0.72%

LAB 87.72, -45.39, 15.99

 

CMYK 48 / 0 / 10 / 5

HEX #7DF2DB

RGB 125 242 219

HSL 168.21, 0.82%, 0.72%

LAB 88.44, -38.63, 0.87

 

CMYK 48 / 3 / 0 / 5

HEX #7DEAF2

RGB 125 234 242

HSL 184.1, 0.82%, 0.72%

LAB 86.81, -29.26, -13.59

 

CMYK 79 / 0 / 36 / 8

HEX #32EB97

RGB 50 235 151

HSL 152.76, 0.82%, 0.56%

LAB 83.09, -63.31, 28.35

 

CMYK 63 / 0 / 29 / 7

HEX #58EEAA

RGB 88 238 170

HSL 152.8, 0.82%, 0.64%

LAB 85.06, -55.21, 21.41

 

CMYK 48 / 0 / 22 / 5

HEX #7DF2BD

RGB 125 242 189

HSL 152.82, 0.82%, 0.72%

LAB 87.75, -45.19, 15.5

 

CMYK 34 / 0 / 15 / 4

HEX #A3F6D0

RGB 163 246 208

HSL 152.53, 0.82%, 0.8%

LAB 90.89, -33.16, 10.35

 

CMYK 20 / 0 / 9 / 2

HEX #C8FAE3

RGB 200 250 227

HSL 152.4, 0.83%, 0.88%

LAB 94.4, -20.33, 5.81

 

CMYK 49 / 0 / 22 / 5

HEX #7BF2BC

RGB 123 242 188

HSL 152.77, 0.82%, 0.72%

LAB 87.65, -45.87, 15.88

 

CMYK 48 / 36 / 0 / 5

HEX #7D9CF2

RGB 125 156 242

HSL 224.1, 0.82%, 0.72%

LAB 65.4, 12.17, -46.49

 

CMYK 0 / 42 / 48 / 5

HEX #F28D7D

RGB 242 141 125

HSL 8.21, 0.82%, 0.72%

LAB 69.05, 36.63, 25.18

 

CMYK 49 / 0 / 22 / 5

HEX #7BF2BC

RGB 123 242 188

HSL 152.77, 0.82%, 0.72%

LAB 87.65, -45.87, 15.88

 

CMYK 22 / 48 / 0 / 5

HEX #BC7DF2

RGB 188 125 242

HSL 272.31, 0.82%, 0.72%

LAB 63.15, 45.91, -49.69

 

CMYK 0 / 22 / 48 / 5

HEX #F2BC7D

RGB 242 188 125

HSL 32.31, 0.82%, 0.72%

LAB 79.8, 11.91, 39.21

 

CMYK 49 / 0 / 22 / 5

HEX #7BF2BC

RGB 123 242 188

HSL 152.77, 0.82%, 0.72%

LAB 87.65, -45.87, 15.88

 

CMYK 48 / 36 / 0 / 5

HEX #7D9CF2

RGB 125 156 242

HSL 224.1, 0.82%, 0.72%

LAB 65.4, 12.17, -46.49

 

CMYK 0 / 48 / 26 / 5

HEX #F27DB4

RGB 242 125 180

HSL 331.79, 0.82%, 0.72%

LAB 67.16, 51, -8.35

 

CMYK 0 / 13 / 48 / 5

HEX #F2D37D

RGB 242 211 125

HSL 44.1, 0.82%, 0.72%

LAB 85.48, -0.04, 46.32

 

CMYK 49 / 0 / 22 / 5

HEX #7BF2BC

RGB 123 242 188

HSL 152.77, 0.82%, 0.72%

LAB 87.65, -45.87, 15.88

 

CMYK 47 / 48 / 0 / 5

HEX #817DF2

RGB 129 125 242

HSL 242.05, 0.82%, 0.72%

LAB 57.79, 31.25, -58.54

 

CMYK 0 / 48 / 26 / 5

HEX #F27DB4

RGB 242 125 180

HSL 331.79, 0.82%, 0.72%

LAB 67.16, 51, -8.35

 

CMYK 2 / 0 / 48 / 5

HEX #EEF27D

RGB 238 242 125

HSL 62.05, 0.82%, 0.72%

LAB 93.09, -17.13, 55.49

 

Description

Color code: HEX #7BF2BC | qconv.com Color code: HEX #7BF2BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 242 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 242 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 22 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 22% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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