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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BF1DC it is the complementary color #840E23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BF1DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BF1DC shade: #80F1D7, #91FFEA, #A2FFFD, #B3FFFF and #C4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BF1DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BF1DC shade: #7BF1DC, #6ADFC9, #59CDB6, #48BBA3 and #37A990

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BF1DC shade: #79F1DC, #79F1BB, #79F19B, #79F17B and #98F179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BF1DC shade: #79F1DC, #79E6F1, #79C6F1, #79A5F1 and #7985F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BF1DC shade matches the following richer shades: #79F1DC and #6DFDE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BF1DC shade: #79F1DC, #85E5D4, #91D9CC, #9DCDC5 and #A9C1BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BF1DC shade: #79F19B, #79F1BB, #79F1DB, #79E7F1 and #79C7F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BF1DC shade: #2EE9C8, #54EDD2, #79F1DC, #9EF5E5 and #C4F9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BF1DC shade: #7BF1DC, #7B79F1 and #F1AB79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BF1DC shade: #7BF1DC, #DB79F1 and #F1DB79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BF1DC shade: #7BF1DC, #7B79F1, #F1798F and #EFF179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BF1DC shade: #7BF1DC, #9F79F1, #F1798F and #CBF179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 9 / 5

HEX #7BF1DC

RGB 123 241 220

HSL 169.32, 0.81%, 0.71%

LAB 88.11, -38.38, -0.14

 

Complementary color

CMYK 0 / 89 / 73 / 48

HEX #840E23

RGB 132 14 35

HSL 349.32, 0.81%, 0.29%

LAB 27.68, 47.56, 21.72

 

CMYK 47 / 0 / 11 / 5

HEX #80F1D7

RGB 128 241 215

HSL 166.19, 0.8%, 0.72%

LAB 88.16, -38.42, 2.58

 

CMYK 43 / 0 / 8 / 0

HEX #91FFEA

RGB 145 255 234

HSL 168.55, 1%, 0.78%

LAB 93.22, -36.49, 0.15

 

CMYK 36 / 0 / 1 / 0

HEX #A2FFFD

RGB 162 255 253

HSL 178.71, 1%, 0.82%

LAB 94.44, -27.98, -7.8

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 49 / 0 / 9 / 5

HEX #7BF1DC

RGB 123 241 220

HSL 169.32, 0.81%, 0.71%

LAB 88.11, -38.38, -0.14

 

CMYK 52 / 0 / 10 / 13

HEX #6ADFC9

RGB 106 223 201

HSL 168.72, 0.65%, 0.65%

LAB 81.87, -38.39, 0.69

 

CMYK 57 / 0 / 11 / 20

HEX #59CDB6

RGB 89 205 182

HSL 168.1, 0.54%, 0.58%

LAB 75.55, -38.32, 1.59

 

CMYK 61 / 0 / 13 / 27

HEX #48BBA3

RGB 72 187 163

HSL 167.48, 0.46%, 0.51%

LAB 69.16, -38.15, 2.56

 

CMYK 67 / 0 / 15 / 34

HEX #37A990

RGB 55 169 144

HSL 166.84, 0.51%, 0.44%

LAB 62.68, -37.83, 3.64

 

CMYK 50 / 0 / 9 / 5

HEX #79F1DC

RGB 121 241 220

HSL 169.5, 0.81%, 0.71%

LAB 88.04, -38.82, -0.25

 

CMYK 50 / 0 / 22 / 5

HEX #79F1BB

RGB 121 241 187

HSL 153, 0.81%, 0.71%

LAB 87.27, -46.11, 15.85

 

CMYK 50 / 0 / 36 / 5

HEX #79F19B

RGB 121 241 155

HSL 137, 0.81%, 0.71%

LAB 86.67, -52.12, 31.42

 

CMYK 50 / 0 / 49 / 5

HEX #79F17B

RGB 121 241 123

HSL 121, 0.81%, 0.71%

LAB 86.21, -56.97, 46.54

 

CMYK 37 / 0 / 50 / 5

HEX #98F179

RGB 152 241 121

HSL 104.5, 0.81%, 0.71%

LAB 87.47, -48.21, 49.32

 

CMYK 50 / 0 / 9 / 5

HEX #79F1DC

RGB 121 241 220

HSL 169.5, 0.81%, 0.71%

LAB 88.04, -38.82, -0.25

 

CMYK 50 / 5 / 0 / 5

HEX #79E6F1

RGB 121 230 241

HSL 185.5, 0.81%, 0.71%

LAB 85.51, -28.44, -15.02

 

CMYK 50 / 18 / 0 / 5

HEX #79C6F1

RGB 121 198 241

HSL 201.5, 0.81%, 0.71%

LAB 76.56, -12.3, -28.6

 

CMYK 50 / 32 / 0 / 5

HEX #79A5F1

RGB 121 165 241

HSL 218, 0.81%, 0.71%

LAB 67.52, 5.79, -42.62

 

CMYK 50 / 45 / 0 / 5

HEX #7985F1

RGB 121 133 241

HSL 234, 0.81%, 0.71%

LAB 59.15, 24.45, -55.86

 

CMYK 50 / 0 / 9 / 5

HEX #79F1DC

RGB 121 241 220

HSL 169.5, 0.81%, 0.71%

LAB 88.04, -38.82, -0.25

 

CMYK 57 / 0 / 10 / 1

HEX #6DFDE3

RGB 109 253 227

HSL 169.17, 0.97%, 0.71%

LAB 91.26, -44.9, 0.76

 

CMYK 50 / 0 / 9 / 5

HEX #79F1DC

RGB 121 241 220

HSL 169.5, 0.81%, 0.71%

LAB 88.04, -38.82, -0.25

 

CMYK 42 / 0 / 7 / 10

HEX #85E5D4

RGB 133 229 212

HSL 169.38, 0.65%, 0.71%

LAB 84.88, -32.36, -0.6

 

CMYK 33 / 0 / 6 / 15

HEX #91D9CC

RGB 145 217 204

HSL 169.17, 0.49%, 0.71%

LAB 81.84, -25.25, -0.75

 

CMYK 23 / 0 / 4 / 20

HEX #9DCDC5

RGB 157 205 197

HSL 170, 0.32%, 0.71%

LAB 78.96, -17.28, -1.15

 

CMYK 12 / 0 / 2 / 24

HEX #A9C1BD

RGB 169 193 189

HSL 170, 0.16%, 0.71%

LAB 76.22, -8.92, -0.75

 

CMYK 50 / 0 / 36 / 5

HEX #79F19B

RGB 121 241 155

HSL 137, 0.81%, 0.71%

LAB 86.67, -52.12, 31.42

 

CMYK 50 / 0 / 22 / 5

HEX #79F1BB

RGB 121 241 187

HSL 153, 0.81%, 0.71%

LAB 87.27, -46.11, 15.85

 

CMYK 50 / 0 / 9 / 5

HEX #79F1DB

RGB 121 241 219

HSL 169, 0.81%, 0.71%

LAB 88.01, -39.06, 0.24

 

CMYK 50 / 4 / 0 / 5

HEX #79E7F1

RGB 121 231 241

HSL 185, 0.81%, 0.71%

LAB 85.79, -28.93, -14.6

 

CMYK 50 / 17 / 0 / 5

HEX #79C7F1

RGB 121 199 241

HSL 201, 0.81%, 0.71%

LAB 76.84, -12.83, -28.18

 

CMYK 80 / 0 / 14 / 9

HEX #2EE9C8

RGB 46 233 200

HSL 169.41, 0.81%, 0.55%

LAB 83.46, -51.86, 3.37

 

CMYK 65 / 0 / 11 / 7

HEX #54EDD2

RGB 84 237 210

HSL 169.41, 0.81%, 0.63%

LAB 85.56, -46.4, 1.24

 

CMYK 50 / 0 / 9 / 5

HEX #79F1DC

RGB 121 241 220

HSL 169.5, 0.81%, 0.71%

LAB 88.04, -38.82, -0.25

 

CMYK 36 / 0 / 7 / 4

HEX #9EF5E5

RGB 158 245 229

HSL 168.97, 0.81%, 0.79%

LAB 90.89, -29.67, -0.6

 

CMYK 21 / 0 / 4 / 2

HEX #C4F9EF

RGB 196 249 239

HSL 168.68, 0.82%, 0.87%

LAB 94.19, -18.71, -0.72

 

CMYK 49 / 0 / 9 / 5

HEX #7BF1DC

RGB 123 241 220

HSL 169.32, 0.81%, 0.71%

LAB 88.11, -38.38, -0.14

 

CMYK 49 / 50 / 0 / 5

HEX #7B79F1

RGB 123 121 241

HSL 241, 0.81%, 0.71%

LAB 56.32, 32, -60.37

 

CMYK 0 / 29 / 50 / 5

HEX #F1AB79

RGB 241 171 121

HSL 25, 0.81%, 0.71%

LAB 75.58, 20.11, 35.88

 

CMYK 49 / 0 / 9 / 5

HEX #7BF1DC

RGB 123 241 220

HSL 169.32, 0.81%, 0.71%

LAB 88.11, -38.38, -0.14

 

CMYK 9 / 50 / 0 / 5

HEX #DB79F1

RGB 219 121 241

HSL 289, 0.81%, 0.71%

LAB 65.82, 56.1, -44.71

 

CMYK 0 / 9 / 50 / 5

HEX #F1DB79

RGB 241 219 121

HSL 49, 0.81%, 0.71%

LAB 87.36, -4.87, 50.55

 

CMYK 49 / 0 / 9 / 5

HEX #7BF1DC

RGB 123 241 220

HSL 169.32, 0.81%, 0.71%

LAB 88.11, -38.38, -0.14

 

CMYK 49 / 50 / 0 / 5

HEX #7B79F1

RGB 123 121 241

HSL 241, 0.81%, 0.71%

LAB 56.32, 32, -60.37

 

CMYK 0 / 50 / 41 / 5

HEX #F1798F

RGB 241 121 143

HSL 349, 0.81%, 0.71%

LAB 65.25, 48.17, 9.82

 

CMYK 1 / 0 / 50 / 5

HEX #EFF179

RGB 239 241 121

HSL 61, 0.81%, 0.71%

LAB 92.86, -16.6, 57.08

 

CMYK 49 / 0 / 9 / 5

HEX #7BF1DC

RGB 123 241 220

HSL 169.32, 0.81%, 0.71%

LAB 88.11, -38.38, -0.14

 

CMYK 34 / 50 / 0 / 5

HEX #9F79F1

RGB 159 121 241

HSL 259, 0.81%, 0.71%

LAB 59.34, 40.38, -55.38

 

CMYK 0 / 50 / 41 / 5

HEX #F1798F

RGB 241 121 143

HSL 349, 0.81%, 0.71%

LAB 65.25, 48.17, 9.82

 

CMYK 16 / 0 / 50 / 5

HEX #CBF179

RGB 203 241 121

HSL 79, 0.81%, 0.71%

LAB 90.32, -30.45, 53.43

 

Description

Color code: HEX #7BF1DC | qconv.com Color code: HEX #7BF1DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 241 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 241 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 9 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 9% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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