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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BF0AB it is the complementary color #840F54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BF0AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BF0AB shade: #80F0A6, #91FFB9, #A2FFCC, #B3FFDF and #C4FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BF0AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BF0AB shade: #7BF0AB, #6ADE98, #59CC85, #48BA72 and #37A85F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BF0AB shade: #7AF0AA, #7AF08B, #89F07A, #A9F07A and #C9F07A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BF0AB shade: #7AF0AA, #7AF0CA, #7AF0EA, #7AD6F0 and #7AB6F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BF0AB shade matches the following richer shades: #7AF0AA and #6EFCA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BF0AB shade: #7AF0AA, #86E4AD, #92D8AF, #9ECCB1 and #AAC0B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BF0AB shade: #8AF07A, #7AF08A, #7AF0A9, #7AF0C9 and #7AF0E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BF0AB shade: #30E87B, #55EC93, #7AF0AA, #9FF4C2 and #C4F8DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BF0AB shade: #7BF0AB, #7AA9F0 and #F07A7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BF0AB shade: #7BF0AB, #A97AF0 and #F0A97A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BF0AB shade: #7BF0AB, #7AA9F0, #F07AC1 and #F0C17A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BF0AB shade: #7BF0AB, #7A86F0, #F07AC1 and #F0E47A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 29 / 6

HEX #7BF0AB

RGB 123 240 171

HSL 144.62, 0.8%, 0.71%

LAB 86.74, -48.35, 23.37

 

Complementary color

CMYK 0 / 89 / 36 / 48

HEX #840F54

RGB 132 15 84

HSL 324.62, 0.8%, 0.29%

LAB 29.13, 51.25, -9.09

 

CMYK 47 / 0 / 31 / 6

HEX #80F0A6

RGB 128 240 166

HSL 140.36, 0.79%, 0.72%

LAB 86.83, -48, 26.09

 

CMYK 43 / 0 / 27 / 0

HEX #91FFB9

RGB 145 255 185

HSL 141.82, 1%, 0.78%

LAB 92.15, -46.52, 23.8

 

CMYK 36 / 0 / 20 / 0

HEX #A2FFCC

RGB 162 255 204

HSL 147.1, 1%, 0.82%

LAB 93.26, -38.34, 15.76

 

CMYK 30 / 0 / 13 / 0

HEX #B3FFDF

RGB 179 255 223

HSL 154.74, 1%, 0.85%

LAB 94.5, -29.81, 7.86

 

CMYK 23 / 0 / 5 / 0

HEX #C4FFF2

RGB 196 255 242

HSL 166.78, 1%, 0.88%

LAB 95.86, -21.03, 0.16

 

CMYK 49 / 0 / 29 / 6

HEX #7BF0AB

RGB 123 240 171

HSL 144.62, 0.8%, 0.71%

LAB 86.74, -48.35, 23.37

 

CMYK 52 / 0 / 32 / 13

HEX #6ADE98

RGB 106 222 152

HSL 143.79, 0.64%, 0.64%

LAB 80.5, -48.48, 24.55

 

CMYK 56 / 0 / 35 / 20

HEX #59CC85

RGB 89 204 133

HSL 142.96, 0.53%, 0.57%

LAB 74.19, -48.53, 25.82

 

CMYK 61 / 0 / 39 / 27

HEX #48BA72

RGB 72 186 114

HSL 142.11, 0.45%, 0.51%

LAB 67.81, -48.45, 27.18

 

CMYK 67 / 0 / 43 / 34

HEX #37A85F

RGB 55 168 95

HSL 141.24, 0.51%, 0.44%

LAB 61.35, -48.16, 28.66

 

CMYK 49 / 0 / 29 / 6

HEX #7AF0AA

RGB 122 240 170

HSL 144.41, 0.8%, 0.71%

LAB 86.68, -48.78, 23.8

 

CMYK 49 / 0 / 42 / 6

HEX #7AF08B

RGB 122 240 139

HSL 128.64, 0.8%, 0.71%

LAB 86.17, -54.04, 38.75

 

CMYK 43 / 0 / 49 / 6

HEX #89F07A

RGB 137 240 122

HSL 112.37, 0.8%, 0.71%

LAB 86.53, -52.25, 47.55

 

CMYK 30 / 0 / 49 / 6

HEX #A9F07A

RGB 169 240 122

HSL 96.1, 0.8%, 0.71%

LAB 88.05, -42.08, 49.75

 

CMYK 16 / 0 / 49 / 6

HEX #C9F07A

RGB 201 240 122

HSL 79.83, 0.8%, 0.71%

LAB 89.93, -30.63, 52.47

 

CMYK 49 / 0 / 29 / 6

HEX #7AF0AA

RGB 122 240 170

HSL 144.41, 0.8%, 0.71%

LAB 86.68, -48.78, 23.8

 

CMYK 49 / 0 / 16 / 6

HEX #7AF0CA

RGB 122 240 202

HSL 160.68, 0.8%, 0.71%

LAB 87.35, -42.26, 8.16

 

CMYK 49 / 0 / 3 / 6

HEX #7AF0EA

RGB 122 240 234

HSL 176.95, 0.8%, 0.71%

LAB 88.16, -34.75, -7.39

 

CMYK 49 / 11 / 0 / 6

HEX #7AD6F0

RGB 122 214 240

HSL 193.22, 0.8%, 0.71%

LAB 81.03, -20.6, -21.25

 

CMYK 49 / 24 / 0 / 6

HEX #7AB6F0

RGB 122 182 240

HSL 209.49, 0.8%, 0.71%

LAB 72.15, -3.77, -34.86

 

CMYK 49 / 0 / 29 / 6

HEX #7AF0AA

RGB 122 240 170

HSL 144.41, 0.8%, 0.71%

LAB 86.68, -48.78, 23.8

 

CMYK 56 / 0 / 33 / 1

HEX #6EFCA8

RGB 110 252 168

HSL 144.51, 0.96%, 0.71%

LAB 89.75, -56.79, 28.93

 

CMYK 49 / 0 / 29 / 6

HEX #7AF0AA

RGB 122 240 170

HSL 144.41, 0.8%, 0.71%

LAB 86.68, -48.78, 23.8

 

CMYK 41 / 0 / 24 / 11

HEX #86E4AD

RGB 134 228 173

HSL 144.89, 0.64%, 0.71%

LAB 83.74, -39.89, 18.26

 

CMYK 32 / 0 / 19 / 15

HEX #92D8AF

RGB 146 216 175

HSL 144.86, 0.47%, 0.71%

LAB 80.92, -30.52, 13.32

 

CMYK 23 / 0 / 13 / 20

HEX #9ECCB1

RGB 158 204 177

HSL 144.78, 0.31%, 0.71%

LAB 78.24, -20.53, 8.56

 

CMYK 11 / 0 / 7 / 25

HEX #AAC0B3

RGB 170 192 179

HSL 144.55, 0.15%, 0.71%

LAB 75.76, -10.02, 4.01

 

CMYK 43 / 0 / 49 / 6

HEX #8AF07A

RGB 138 240 122

HSL 111.86, 0.8%, 0.71%

LAB 86.57, -51.96, 47.61

 

CMYK 49 / 0 / 43 / 6

HEX #7AF08A

RGB 122 240 138

HSL 128.14, 0.8%, 0.71%

LAB 86.15, -54.19, 39.23

 

CMYK 49 / 0 / 30 / 6

HEX #7AF0A9

RGB 122 240 169

HSL 143.9, 0.8%, 0.71%

LAB 86.66, -48.97, 24.29

 

CMYK 49 / 0 / 16 / 6

HEX #7AF0C9

RGB 122 240 201

HSL 160.17, 0.8%, 0.71%

LAB 87.33, -42.48, 8.65

 

CMYK 49 / 0 / 3 / 6

HEX #7AF0E8

RGB 122 240 232

HSL 175.93, 0.8%, 0.71%

LAB 88.11, -35.25, -6.43

 

CMYK 79 / 0 / 47 / 9

HEX #30E87B

RGB 48 232 123

HSL 144.46, 0.8%, 0.55%

LAB 81.71, -67.46, 40.53

 

CMYK 64 / 0 / 38 / 7

HEX #55EC93

RGB 85 236 147

HSL 144.64, 0.8%, 0.63%

LAB 83.98, -59.38, 31.68

 

CMYK 49 / 0 / 29 / 6

HEX #7AF0AA

RGB 122 240 170

HSL 144.41, 0.8%, 0.71%

LAB 86.68, -48.78, 23.8

 

CMYK 35 / 0 / 20 / 4

HEX #9FF4C2

RGB 159 244 194

HSL 144.71, 0.79%, 0.79%

LAB 89.84, -36.1, 16.07

 

CMYK 21 / 0 / 12 / 3

HEX #C4F8DA

RGB 196 248 218

HSL 145.38, 0.79%, 0.87%

LAB 93.42, -22.3, 9.02

 

CMYK 49 / 0 / 29 / 6

HEX #7BF0AB

RGB 123 240 171

HSL 144.62, 0.8%, 0.71%

LAB 86.74, -48.35, 23.37

 

CMYK 49 / 30 / 0 / 6

HEX #7AA9F0

RGB 122 169 240

HSL 216.1, 0.8%, 0.71%

LAB 68.61, 3.46, -40.37

 

CMYK 0 / 49 / 49 / 6

HEX #F07A7A

RGB 240 122 122

HSL 0, 0.8%, 0.71%

LAB 64.84, 45.26, 21.14

 

CMYK 49 / 0 / 29 / 6

HEX #7BF0AB

RGB 123 240 171

HSL 144.62, 0.8%, 0.71%

LAB 86.74, -48.35, 23.37

 

CMYK 30 / 49 / 0 / 6

HEX #A97AF0

RGB 169 122 240

HSL 263.9, 0.8%, 0.71%

LAB 60.47, 42.1, -52.97

 

CMYK 0 / 30 / 49 / 6

HEX #F0A97A

RGB 240 169 122

HSL 23.9, 0.8%, 0.71%

LAB 75.02, 20.87, 34.61

 

CMYK 49 / 0 / 29 / 6

HEX #7BF0AB

RGB 123 240 171

HSL 144.62, 0.8%, 0.71%

LAB 86.74, -48.35, 23.37

 

CMYK 49 / 30 / 0 / 6

HEX #7AA9F0

RGB 122 169 240

HSL 216.1, 0.8%, 0.71%

LAB 68.61, 3.46, -40.37

 

CMYK 0 / 49 / 20 / 6

HEX #F07AC1

RGB 240 122 193

HSL 323.9, 0.8%, 0.71%

LAB 66.74, 53.64, -16.32

 

CMYK 0 / 20 / 49 / 6

HEX #F0C17A

RGB 240 193 122

HSL 36.1, 0.8%, 0.71%

LAB 80.78, 8.21, 41.93

 

CMYK 49 / 0 / 29 / 6

HEX #7BF0AB

RGB 123 240 171

HSL 144.62, 0.8%, 0.71%

LAB 86.74, -48.35, 23.37

 

CMYK 49 / 44 / 0 / 6

HEX #7A86F0

RGB 122 134 240

HSL 233.9, 0.8%, 0.71%

LAB 59.42, 23.78, -54.88

 

CMYK 0 / 49 / 20 / 6

HEX #F07AC1

RGB 240 122 193

HSL 323.9, 0.8%, 0.71%

LAB 66.74, 53.64, -16.32

 

CMYK 0 / 5 / 49 / 6

HEX #F0E47A

RGB 240 228 122

HSL 53.9, 0.8%, 0.71%

LAB 89.59, -9.71, 52.74

 

Description

Color code: HEX #7BF0AB | qconv.com Color code: HEX #7BF0AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 240 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 240 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 29 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 29% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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