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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BF076 it is the complementary color #840F89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BF076. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BF076 shade: #80F071, #91FF84, #A2FF97, #B3FFAA and #C4FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BF076. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BF076 shade: #7BF076, #6ADE63, #59CC50, #48BA3D and #37A82A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BF076 shade: #7AF075, #9BF075, #BCF075, #DDF075 and #F0E175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BF076 shade: #7AF075, #75F091, #75F0B2, #75F0D3 and #75EBF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BF076 shade matches the following richer shades: #7AF075 and #6FFC69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BF076 shade: #7AF075, #86E382, #91D78E, #9CCB9A and #A8BEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BF076 shade: #BDF075, #9CF075, #7BF075, #75F090 and #75F0B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BF076 shade: #33E72B, #57EC50, #7AF075, #9EF49A and #C2F8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BF076 shade: #7BF076, #75DDF0 and #F075AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BF076 shade: #7BF076, #757BF0 and #F0757B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BF076 shade: #7BF076, #75DDF0, #EA75F0 and #F08875

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BF076 shade: #7BF076, #75B9F0, #EA75F0 and #F0AC75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 51 / 6

HEX #7BF076

RGB 123 240 118

HSL 117.54, 0.8%, 0.7%

LAB 85.93, -56.7, 48.57

 

Complementary color

CMYK 4 / 89 / 0 / 46

HEX #840F89

RGB 132 15 137

HSL 297.54, 0.8%, 0.3%

LAB 31.93, 58.74, -38.65

 

CMYK 47 / 0 / 53 / 6

HEX #80F071

RGB 128 240 113

HSL 112.91, 0.81%, 0.69%

LAB 86.06, -55.94, 51.09

 

CMYK 43 / 0 / 48 / 0

HEX #91FF84

RGB 145 255 132

HSL 113.66, 1%, 0.76%

LAB 91.33, -54.72, 48.83

 

CMYK 36 / 0 / 41 / 0

HEX #A2FF97

RGB 162 255 151

HSL 113.65, 1%, 0.8%

LAB 92.33, -47.14, 41.14

 

CMYK 30 / 0 / 33 / 0

HEX #B3FFAA

RGB 179 255 170

HSL 113.65, 1%, 0.83%

LAB 93.45, -39.07, 33.39

 

CMYK 23 / 0 / 26 / 0

HEX #C4FFBD

RGB 196 255 189

HSL 113.64, 1%, 0.87%

LAB 94.71, -30.64, 25.68

 

CMYK 49 / 0 / 51 / 6

HEX #7BF076

RGB 123 240 118

HSL 117.54, 0.8%, 0.7%

LAB 85.93, -56.7, 48.57

 

CMYK 52 / 0 / 55 / 13

HEX #6ADE63

RGB 106 222 99

HSL 116.59, 0.65%, 0.63%

LAB 79.73, -56.6, 49.79

 

CMYK 56 / 0 / 61 / 20

HEX #59CC50

RGB 89 204 80

HSL 115.65, 0.55%, 0.56%

LAB 73.47, -56.33, 50.94

 

CMYK 61 / 0 / 67 / 27

HEX #48BA3D

RGB 72 186 61

HSL 114.72, 0.51%, 0.48%

LAB 67.15, -55.79, 51.9

 

CMYK 67 / 0 / 75 / 34

HEX #37A82A

RGB 55 168 42

HSL 113.81, 0.6%, 0.41%

LAB 60.77, -54.84, 52.46

 

CMYK 49 / 0 / 51 / 6

HEX #7AF075

RGB 122 240 117

HSL 117.56, 0.8%, 0.7%

LAB 85.88, -57.09, 48.97

 

CMYK 35 / 0 / 51 / 6

HEX #9BF075

RGB 155 240 117

HSL 101.46, 0.8%, 0.7%

LAB 87.28, -47.3, 50.99

 

CMYK 22 / 0 / 51 / 6

HEX #BCF075

RGB 188 240 117

HSL 85.37, 0.8%, 0.7%

LAB 89.06, -35.92, 53.56

 

CMYK 8 / 0 / 51 / 6

HEX #DDF075

RGB 221 240 117

HSL 69.27, 0.8%, 0.7%

LAB 91.22, -23.49, 56.65

 

CMYK 0 / 6 / 51 / 6

HEX #F0E175

RGB 240 225 117

HSL 52.68, 0.8%, 0.7%

LAB 88.76, -8.64, 54.1

 

CMYK 49 / 0 / 51 / 6

HEX #7AF075

RGB 122 240 117

HSL 117.56, 0.8%, 0.7%

LAB 85.88, -57.09, 48.97

 

CMYK 51 / 0 / 40 / 6

HEX #75F091

RGB 117 240 145

HSL 133.66, 0.8%, 0.7%

LAB 86.08, -54.36, 35.63

 

CMYK 51 / 0 / 26 / 6

HEX #75F0B2

RGB 117 240 178

HSL 149.76, 0.8%, 0.7%

LAB 86.66, -48.43, 19.63

 

CMYK 51 / 0 / 12 / 6

HEX #75F0D3

RGB 117 240 211

HSL 165.85, 0.8%, 0.7%

LAB 87.39, -41.34, 3.5

 

CMYK 51 / 2 / 0 / 6

HEX #75EBF0

RGB 117 235 240

HSL 182.44, 0.8%, 0.7%

LAB 86.75, -31.92, -12.66

 

CMYK 49 / 0 / 51 / 6

HEX #7AF075

RGB 122 240 117

HSL 117.56, 0.8%, 0.7%

LAB 85.88, -57.09, 48.97

 

CMYK 56 / 0 / 58 / 1

HEX #6FFC69

RGB 111 252 105

HSL 117.55, 0.96%, 0.7%

LAB 88.93, -65.75, 57.9

 

CMYK 49 / 0 / 51 / 6

HEX #7AF075

RGB 122 240 117

HSL 117.56, 0.8%, 0.7%

LAB 85.88, -57.09, 48.97

 

CMYK 41 / 0 / 43 / 11

HEX #86E382

RGB 134 227 130

HSL 117.53, 0.63%, 0.7%

LAB 82.71, -46.67, 38.85

 

CMYK 33 / 0 / 34 / 16

HEX #91D78E

RGB 145 215 142

HSL 117.53, 0.48%, 0.7%

LAB 79.94, -36.17, 29.25

 

CMYK 23 / 0 / 24 / 20

HEX #9CCB9A

RGB 156 203 154

HSL 117.55, 0.32%, 0.7%

LAB 77.35, -24.88, 19.55

 

CMYK 12 / 0 / 12 / 25

HEX #A8BEA7

RGB 168 190 167

HSL 117.39, 0.15%, 0.7%

LAB 74.79, -11.9, 9.09

 

CMYK 21 / 0 / 51 / 6

HEX #BDF075

RGB 189 240 117

HSL 84.88, 0.8%, 0.7%

LAB 89.12, -35.56, 53.64

 

CMYK 35 / 0 / 51 / 6

HEX #9CF075

RGB 156 240 117

HSL 100.98, 0.8%, 0.7%

LAB 87.33, -46.97, 51.06

 

CMYK 49 / 0 / 51 / 6

HEX #7BF075

RGB 123 240 117

HSL 117.07, 0.8%, 0.7%

LAB 85.91, -56.82, 49.02

 

CMYK 51 / 0 / 40 / 6

HEX #75F090

RGB 117 240 144

HSL 133.17, 0.8%, 0.7%

LAB 86.06, -54.52, 36.11

 

CMYK 51 / 0 / 27 / 6

HEX #75F0B0

RGB 117 240 176

HSL 148.78, 0.8%, 0.7%

LAB 86.62, -48.82, 20.61

 

CMYK 78 / 0 / 81 / 9

HEX #33E72B

RGB 51 231 43

HSL 117.45, 0.8%, 0.54%

LAB 80.76, -75.2, 71.24

 

CMYK 63 / 0 / 66 / 7

HEX #57EC50

RGB 87 236 80

HSL 117.31, 0.8%, 0.62%

LAB 83.23, -68.06, 61.71

 

CMYK 49 / 0 / 51 / 6

HEX #7AF075

RGB 122 240 117

HSL 117.56, 0.8%, 0.7%

LAB 85.88, -57.09, 48.97

 

CMYK 35 / 0 / 37 / 4

HEX #9EF49A

RGB 158 244 154

HSL 117.33, 0.8%, 0.78%

LAB 89.07, -43.19, 35.38

 

CMYK 22 / 0 / 23 / 3

HEX #C2F8C0

RGB 194 248 192

HSL 117.86, 0.8%, 0.86%

LAB 92.76, -27.51, 21.44

 

CMYK 49 / 0 / 51 / 6

HEX #7BF076

RGB 123 240 118

HSL 117.54, 0.8%, 0.7%

LAB 85.93, -56.7, 48.57

 

CMYK 51 / 8 / 0 / 6

HEX #75DDF0

RGB 117 221 240

HSL 189.27, 0.8%, 0.7%

LAB 82.8, -25.16, -18.59

 

CMYK 0 / 51 / 28 / 6

HEX #F075AC

RGB 240 117 172

HSL 333.17, 0.8%, 0.7%

LAB 65.14, 53.18, -6.85

 

CMYK 49 / 0 / 51 / 6

HEX #7BF076

RGB 123 240 118

HSL 117.54, 0.8%, 0.7%

LAB 85.93, -56.7, 48.57

 

CMYK 51 / 49 / 0 / 6

HEX #757BF0

RGB 117 123 240

HSL 237.07, 0.8%, 0.7%

LAB 56.33, 29.24, -59.83

 

CMYK 0 / 51 / 49 / 6

HEX #F0757B

RGB 240 117 123

HSL 357.07, 0.8%, 0.7%

LAB 63.9, 47.8, 19.29

 

CMYK 49 / 0 / 51 / 6

HEX #7BF076

RGB 123 240 118

HSL 117.54, 0.8%, 0.7%

LAB 85.93, -56.7, 48.57

 

CMYK 51 / 8 / 0 / 6

HEX #75DDF0

RGB 117 221 240

HSL 189.27, 0.8%, 0.7%

LAB 82.8, -25.16, -18.59

 

CMYK 3 / 51 / 0 / 6

HEX #EA75F0

RGB 234 117 240

HSL 297.07, 0.8%, 0.7%

LAB 66.9, 61.87, -42.31

 

CMYK 0 / 43 / 51 / 6

HEX #F08875

RGB 240 136 117

HSL 9.27, 0.8%, 0.7%

LAB 67.59, 37.74, 27.61

 

CMYK 49 / 0 / 51 / 6

HEX #7BF076

RGB 123 240 118

HSL 117.54, 0.8%, 0.7%

LAB 85.93, -56.7, 48.57

 

CMYK 51 / 23 / 0 / 6

HEX #75B9F0

RGB 117 185 240

HSL 206.83, 0.8%, 0.7%

LAB 72.74, -6.52, -33.96

 

CMYK 3 / 51 / 0 / 6

HEX #EA75F0

RGB 234 117 240

HSL 297.07, 0.8%, 0.7%

LAB 66.9, 61.87, -42.31

 

CMYK 0 / 28 / 51 / 6

HEX #F0AC75

RGB 240 172 117

HSL 26.83, 0.8%, 0.7%

LAB 75.65, 18.83, 38.03

 

Description

Color code: HEX #7BF076 | qconv.com Color code: HEX #7BF076 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 240 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 240 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 51 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 51% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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