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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BF044 it is the complementary color #840FBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BF044. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BF044 shade: #80F03F, #91FF52, #A2FF65, #B3FF78 and #C4FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BF044. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BF044 shade: #7BF044, #6ADE31, #59CC1E, #48BA0B and #37A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BF044 shade: #7AF042, #A9F042, #D7F042, #F0D942 and #F0AB42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BF044 shade: #7AF042, #4BF042, #42F068, #42F097 and #42F0C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BF044 shade matches the following richer shades: #7AF042

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BF044 shade: #7AF042, #80DF53, #86CF63, #8CBE74 and #92AE84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BF044 shade: #D9F042, #AAF042, #7CF042, #4EF042 and #42F065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BF044 shade: #4ECF11, #5FED1C, #7AF042, #95F368 and #B0F68F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BF044 shade: #7BF044, #42F0D9 and #F042C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BF044 shade: #7BF044, #427CF0 and #F0427C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BF044 shade: #7BF044, #42F0D9, #B642F0 and #F04259

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BF044 shade: #7BF044, #42D3F0, #B642F0 and #F05F42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 72 / 6

HEX #7BF044

RGB 123 240 68

HSL 100.81, 0.85%, 0.6%

LAB 85.48, -61.55, 68.85

 

Complementary color

CMYK 29 / 92 / 0 / 27

HEX #840FBB

RGB 132 15 187

HSL 280.81, 0.85%, 0.4%

LAB 35.66, 67.89, -62.86

 

CMYK 47 / 0 / 74 / 6

HEX #80F03F

RGB 128 240 63

HSL 97.97, 0.86%, 0.59%

LAB 85.64, -60.43, 70.75

 

CMYK 43 / 0 / 68 / 0

HEX #91FF52

RGB 145 255 82

HSL 98.15, 1%, 0.66%

LAB 90.85, -59.74, 69.62

 

CMYK 36 / 0 / 60 / 0

HEX #A2FF65

RGB 162 255 101

HSL 96.23, 1%, 0.7%

LAB 91.75, -52.86, 63.33

 

CMYK 30 / 0 / 53 / 0

HEX #B3FF78

RGB 179 255 120

HSL 93.78, 1%, 0.74%

LAB 92.78, -45.4, 56.48

 

CMYK 23 / 0 / 45 / 0

HEX #C4FF8B

RGB 196 255 139

HSL 90.52, 1%, 0.77%

LAB 93.93, -37.48, 49.32

 

CMYK 49 / 0 / 72 / 6

HEX #7BF044

RGB 123 240 68

HSL 100.81, 0.85%, 0.6%

LAB 85.48, -61.55, 68.85

 

CMYK 52 / 0 / 78 / 13

HEX #6ADE31

RGB 106 222 49

HSL 100.23, 0.72%, 0.53%

LAB 79.34, -60.9, 68.75

 

CMYK 56 / 0 / 85 / 20

HEX #59CC1E

RGB 89 204 30

HSL 99.66, 0.74%, 0.46%

LAB 73.16, -59.94, 67.83

 

CMYK 61 / 0 / 94 / 27

HEX #48BA0B

RGB 72 186 11

HSL 99.09, 0.89%, 0.39%

LAB 66.92, -58.56, 65.62

 

CMYK 67 / 0 / 100 / 34

HEX #37A800

RGB 55 168 0

HSL 100.36, 1%, 0.33%

LAB 60.62, -56.63, 61.74

 

CMYK 49 / 0 / 73 / 6

HEX #7AF042

RGB 122 240 66

HSL 100.69, 0.85%, 0.6%

LAB 85.43, -61.97, 69.47

 

CMYK 30 / 0 / 73 / 6

HEX #A9F042

RGB 169 240 66

HSL 84.48, 0.85%, 0.6%

LAB 87.56, -46.8, 72.28

 

CMYK 10 / 0 / 73 / 6

HEX #D7F042

RGB 215 240 66

HSL 68.62, 0.85%, 0.6%

LAB 90.4, -29.28, 76.01

 

CMYK 0 / 10 / 73 / 6

HEX #F0D942

RGB 240 217 66

HSL 52.07, 0.85%, 0.6%

LAB 86.28, -7.85, 72.75

 

CMYK 0 / 29 / 73 / 6

HEX #F0AB42

RGB 240 171 66

HSL 36.21, 0.85%, 0.6%

LAB 74.85, 15.97, 61.52

 

CMYK 49 / 0 / 73 / 6

HEX #7AF042

RGB 122 240 66

HSL 100.69, 0.85%, 0.6%

LAB 85.43, -61.97, 69.47

 

CMYK 69 / 0 / 73 / 6

HEX #4BF042

RGB 75 240 66

HSL 116.9, 0.85%, 0.6%

LAB 84.07, -72.82, 67.66

 

CMYK 73 / 0 / 57 / 6

HEX #42F068

RGB 66 240 104

HSL 133.1, 0.85%, 0.6%

LAB 84.21, -70.51, 52.56

 

CMYK 73 / 0 / 37 / 6

HEX #42F097

RGB 66 240 151

HSL 149.31, 0.85%, 0.6%

LAB 84.85, -63.17, 30.75

 

CMYK 73 / 0 / 18 / 6

HEX #42F0C6

RGB 66 240 198

HSL 165.52, 0.85%, 0.6%

LAB 85.78, -53.11, 7.81

 

CMYK 49 / 0 / 73 / 6

HEX #7AF042

RGB 122 240 66

HSL 100.69, 0.85%, 0.6%

LAB 85.43, -61.97, 69.47

 

CMYK 49 / 0 / 73 / 6

HEX #7AF042

RGB 122 240 66

HSL 100.69, 0.85%, 0.6%

LAB 85.43, -61.97, 69.47

 

CMYK 43 / 0 / 63 / 13

HEX #80DF53

RGB 128 223 83

HSL 100.71, 0.69%, 0.6%

LAB 80.73, -52.36, 58.18

 

CMYK 35 / 0 / 52 / 19

HEX #86CF63

RGB 134 207 99

HSL 100.56, 0.53%, 0.6%

LAB 76.43, -42.11, 46.14

 

CMYK 26 / 0 / 39 / 25

HEX #8CBE74

RGB 140 190 116

HSL 100.54, 0.36%, 0.6%

LAB 72, -30.11, 32.2

 

CMYK 16 / 0 / 24 / 32

HEX #92AE84

RGB 146 174 132

HSL 100, 0.21%, 0.6%

LAB 68.06, -17.57, 18.45

 

CMYK 10 / 0 / 73 / 6

HEX #D9F042

RGB 217 240 66

HSL 67.93, 0.85%, 0.6%

LAB 90.54, -28.49, 76.19

 

CMYK 29 / 0 / 73 / 6

HEX #AAF042

RGB 170 240 66

HSL 84.14, 0.85%, 0.6%

LAB 87.61, -46.44, 72.36

 

CMYK 48 / 0 / 73 / 6

HEX #7CF042

RGB 124 240 66

HSL 100, 0.85%, 0.6%

LAB 85.5, -61.4, 69.57

 

CMYK 68 / 0 / 73 / 6

HEX #4EF042

RGB 78 240 66

HSL 115.86, 0.85%, 0.6%

LAB 84.14, -72.28, 67.75

 

CMYK 73 / 0 / 58 / 6

HEX #42F065

RGB 66 240 101

HSL 132.07, 0.85%, 0.6%

LAB 84.18, -70.88, 53.86

 

CMYK 62 / 0 / 92 / 19

HEX #4ECF11

RGB 78 207 17

HSL 100.74, 0.85%, 0.44%

LAB 73.73, -64.05, 70.53

 

CMYK 60 / 0 / 88 / 7

HEX #5FED1C

RGB 95 237 28

HSL 100.77, 0.85%, 0.52%

LAB 83.49, -69.72, 77.21

 

CMYK 49 / 0 / 73 / 6

HEX #7AF042

RGB 122 240 66

HSL 100.69, 0.85%, 0.6%

LAB 85.43, -61.97, 69.47

 

CMYK 39 / 0 / 57 / 5

HEX #95F368

RGB 149 243 104

HSL 100.58, 0.85%, 0.68%

LAB 87.72, -51.85, 57.32

 

CMYK 28 / 0 / 42 / 4

HEX #B0F68F

RGB 176 246 143

HSL 100.78, 0.85%, 0.76%

LAB 90.38, -39.82, 42.69

 

CMYK 49 / 0 / 72 / 6

HEX #7BF044

RGB 123 240 68

HSL 100.81, 0.85%, 0.6%

LAB 85.48, -61.55, 68.85

 

CMYK 73 / 0 / 10 / 6

HEX #42F0D9

RGB 66 240 217

HSL 172.07, 0.85%, 0.6%

LAB 86.25, -48.36, -1.46

 

CMYK 0 / 73 / 20 / 6

HEX #F042C1

RGB 240 66 193

HSL 316.21, 0.85%, 0.6%

LAB 58.29, 76.58, -29.25

 

CMYK 49 / 0 / 72 / 6

HEX #7BF044

RGB 123 240 68

HSL 100.81, 0.85%, 0.6%

LAB 85.48, -61.55, 68.85

 

CMYK 73 / 48 / 0 / 6

HEX #427CF0

RGB 66 124 240

HSL 220, 0.85%, 0.6%

LAB 53.88, 19.92, -63.91

 

CMYK 0 / 73 / 48 / 6

HEX #F0427C

RGB 240 66 124

HSL 340, 0.85%, 0.6%

LAB 55.96, 69.19, 7.63

 

CMYK 49 / 0 / 72 / 6

HEX #7BF044

RGB 123 240 68

HSL 100.81, 0.85%, 0.6%

LAB 85.48, -61.55, 68.85

 

CMYK 73 / 0 / 10 / 6

HEX #42F0D9

RGB 66 240 217

HSL 172.07, 0.85%, 0.6%

LAB 86.25, -48.36, -1.46

 

CMYK 24 / 73 / 0 / 6

HEX #B642F0

RGB 182 66 240

HSL 280, 0.85%, 0.6%

LAB 51.99, 71.93, -66.48

 

CMYK 0 / 73 / 63 / 6

HEX #F04259

RGB 240 66 89

HSL 352.07, 0.85%, 0.6%

LAB 55.22, 66.73, 27.37

 

CMYK 49 / 0 / 72 / 6

HEX #7BF044

RGB 123 240 68

HSL 100.81, 0.85%, 0.6%

LAB 85.48, -61.55, 68.85

 

CMYK 73 / 12 / 0 / 6

HEX #42D3F0

RGB 66 211 240

HSL 190, 0.85%, 0.6%

LAB 78.48, -28.64, -25.27

 

CMYK 24 / 73 / 0 / 6

HEX #B642F0

RGB 182 66 240

HSL 280, 0.85%, 0.6%

LAB 51.99, 71.93, -66.48

 

CMYK 0 / 60 / 73 / 6

HEX #F05F42

RGB 240 95 66

HSL 10, 0.85%, 0.6%

LAB 59.07, 54.25, 44.89

 

Description

Color code: HEX #7BF044 | qconv.com Color code: HEX #7BF044 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 240 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 240 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 72 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 72% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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