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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BEF1C it is the complementary color #8410E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BEF1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BEF1C shade: #80EF17, #91FF2A, #A2FF3D, #B3FF50 and #C4FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BEF1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BEF1C shade: #7BEF1C, #6ADD09, #59CB00, #48B900 and #37A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BEF1C shade: #7AEF1A, #B3EF1A, #EDEF1A, #EFB81A and #EF7E1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BEF1C shade: #7AEF1A, #41EF1A, #1AEF2D, #1AEF67 and #1AEFA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BEF1C shade matches the following richer shades: #7AEF1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BEF1C shade: #7AEF1A, #7CDB2E, #7EC742, #80B456 and #82A069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BEF1C shade: #EFEF1A, #B6EF1A, #7EEF1A, #45EF1A and #1AEF28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BEF1C shade: #53AB0C, #66D10F, #7AEF1A, #90F241 and #A7F467

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BEF1C shade: #7BEF1C, #1AEFB6 and #EF1AD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BEF1C shade: #7BEF1C, #1A7EEF and #EF1A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BEF1C shade: #7BEF1C, #1AEFB6, #8C1AEF and #EF1A53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BEF1C shade: #7BEF1C, #1AE8EF, #8C1AEF and #EF211A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 88 / 6

HEX #7BEF1C

RGB 123 239 28

HSL 92.99, 0.87%, 0.52%

LAB 85.01, -63.07, 78.87

 

Complementary color

CMYK 42 / 93 / 0 / 11

HEX #8410E3

RGB 132 16 227

HSL 272.99, 0.87%, 0.48%

LAB 39.28, 75.84, -80.15

 

CMYK 46 / 0 / 90 / 6

HEX #80EF17

RGB 128 239 23

HSL 90.83, 0.87%, 0.51%

LAB 85.19, -61.72, 79.88

 

CMYK 43 / 0 / 84 / 0

HEX #91FF2A

RGB 145 255 42

HSL 90.99, 1%, 0.58%

LAB 90.65, -61.91, 81.35

 

CMYK 36 / 0 / 76 / 0

HEX #A2FF3D

RGB 162 255 61

HSL 88.76, 1%, 0.62%

LAB 91.48, -55.63, 77.5

 

CMYK 30 / 0 / 69 / 0

HEX #B3FF50

RGB 179 255 80

HSL 86.06, 1%, 0.66%

LAB 92.43, -48.73, 72.49

 

CMYK 23 / 0 / 61 / 0

HEX #C4FF63

RGB 196 255 99

HSL 82.69, 1%, 0.69%

LAB 93.52, -41.3, 66.61

 

CMYK 49 / 0 / 88 / 6

HEX #7BEF1C

RGB 123 239 28

HSL 92.99, 0.87%, 0.52%

LAB 85.01, -63.07, 78.87

 

CMYK 52 / 0 / 96 / 13

HEX #6ADD09

RGB 106 221 9

HSL 92.55, 0.92%, 0.45%

LAB 78.92, -61.87, 76.04

 

CMYK 56 / 0 / 100 / 20

HEX #59CB00

RGB 89 203 0

HSL 93.69, 1%, 0.4%

LAB 72.78, -60.31, 71.78

 

CMYK 61 / 0 / 100 / 27

HEX #48B900

RGB 72 185 0

HSL 96.65, 1%, 0.36%

LAB 66.58, -58.44, 66.66

 

CMYK 67 / 0 / 100 / 35

HEX #37A700

RGB 55 167 0

HSL 100.24, 1%, 0.33%

LAB 60.29, -56.3, 61.48

 

CMYK 49 / 0 / 89 / 6

HEX #7AEF1A

RGB 122 239 26

HSL 92.96, 0.87%, 0.52%

LAB 84.97, -63.41, 79.15

 

CMYK 25 / 0 / 89 / 6

HEX #B3EF1A

RGB 179 239 26

HSL 76.9, 0.87%, 0.52%

LAB 87.67, -44.21, 82.49

 

CMYK 1 / 0 / 89 / 6

HEX #EDEF1A

RGB 237 239 26

HSL 60.56, 0.87%, 0.52%

LAB 91.6, -21.08, 87.28

 

CMYK 0 / 23 / 89 / 6

HEX #EFB81A

RGB 239 184 26

HSL 44.51, 0.87%, 0.52%

LAB 77.7, 7.46, 76.54

 

CMYK 0 / 47 / 89 / 6

HEX #EF7E1A

RGB 239 126 26

HSL 28.17, 0.87%, 0.52%

LAB 64.44, 37.83, 66.43

 

CMYK 49 / 0 / 89 / 6

HEX #7AEF1A

RGB 122 239 26

HSL 92.96, 0.87%, 0.52%

LAB 84.97, -63.41, 79.15

 

CMYK 73 / 0 / 89 / 6

HEX #41EF1A

RGB 65 239 26

HSL 109.01, 0.87%, 0.52%

LAB 83.41, -76.23, 77.2

 

CMYK 89 / 0 / 81 / 6

HEX #1AEF2D

RGB 26 239 45

HSL 125.35, 0.87%, 0.52%

LAB 82.99, -79.69, 72.69

 

CMYK 89 / 0 / 57 / 6

HEX #1AEF67

RGB 26 239 103

HSL 141.69, 0.87%, 0.52%

LAB 83.41, -74.44, 51.93

 

CMYK 89 / 0 / 33 / 6

HEX #1AEFA0

RGB 26 239 160

HSL 157.75, 0.87%, 0.52%

LAB 84.22, -64.82, 25.24

 

CMYK 49 / 0 / 89 / 6

HEX #7AEF1A

RGB 122 239 26

HSL 92.96, 0.87%, 0.52%

LAB 84.97, -63.41, 79.15

 

CMYK 49 / 0 / 89 / 6

HEX #7AEF1A

RGB 122 239 26

HSL 92.96, 0.87%, 0.52%

LAB 84.97, -63.41, 79.15

 

CMYK 43 / 0 / 79 / 14

HEX #7CDB2E

RGB 124 219 46

HSL 92.95, 0.71%, 0.52%

LAB 79.12, -54.61, 69.66

 

CMYK 37 / 0 / 67 / 22

HEX #7EC742

RGB 126 199 66

HSL 92.93, 0.54%, 0.52%

LAB 73.33, -44.59, 57.11

 

CMYK 29 / 0 / 52 / 29

HEX #80B456

RGB 128 180 86

HSL 93.19, 0.39%, 0.52%

LAB 67.95, -33.56, 42.13

 

CMYK 19 / 0 / 34 / 37

HEX #82A069

RGB 130 160 105

HSL 92.73, 0.22%, 0.52%

LAB 62.43, -20.6, 25.36

 

CMYK 0 / 0 / 89 / 6

HEX #EFEF1A

RGB 239 239 26

HSL 60, 0.87%, 0.52%

LAB 91.76, -20.25, 87.46

 

CMYK 24 / 0 / 89 / 6

HEX #B6EF1A

RGB 182 239 26

HSL 76.06, 0.87%, 0.52%

LAB 87.85, -43.07, 82.7

 

CMYK 47 / 0 / 89 / 6

HEX #7EEF1A

RGB 126 239 26

HSL 91.83, 0.87%, 0.52%

LAB 85.12, -62.24, 79.33

 

CMYK 71 / 0 / 89 / 6

HEX #45EF1A

RGB 69 239 26

HSL 107.89, 0.87%, 0.52%

LAB 83.48, -75.58, 77.29

 

CMYK 89 / 0 / 83 / 6

HEX #1AEF28

RGB 26 239 40

HSL 123.94, 0.87%, 0.52%

LAB 82.97, -79.94, 73.89

 

CMYK 51 / 0 / 93 / 33

HEX #53AB0C

RGB 83 171 12

HSL 93.21, 0.87%, 0.36%

LAB 62.5, -50.19, 62

 

CMYK 51 / 0 / 93 / 18

HEX #66D10F

RGB 102 209 15

HSL 93.09, 0.87%, 0.44%

LAB 75.11, -58.6, 72.26

 

CMYK 49 / 0 / 89 / 6

HEX #7AEF1A

RGB 122 239 26

HSL 92.96, 0.87%, 0.52%

LAB 84.97, -63.41, 79.15

 

CMYK 40 / 0 / 73 / 5

HEX #90F241

RGB 144 242 65

HSL 93.22, 0.87%, 0.6%

LAB 86.91, -56.16, 71.56

 

CMYK 32 / 0 / 58 / 4

HEX #A7F467

RGB 167 244 103

HSL 92.77, 0.87%, 0.68%

LAB 88.87, -46.44, 59.3

 

CMYK 49 / 0 / 88 / 6

HEX #7BEF1C

RGB 123 239 28

HSL 92.99, 0.87%, 0.52%

LAB 85.01, -63.07, 78.87

 

CMYK 89 / 0 / 24 / 6

HEX #1AEFB6

RGB 26 239 182

HSL 163.94, 0.87%, 0.52%

LAB 84.65, -59.98, 14.48

 

CMYK 0 / 89 / 12 / 6

HEX #EF1AD3

RGB 239 26 211

HSL 307.89, 0.87%, 0.52%

LAB 55.88, 87.58, -43.35

 

CMYK 49 / 0 / 88 / 6

HEX #7BEF1C

RGB 123 239 28

HSL 92.99, 0.87%, 0.52%

LAB 85.01, -63.07, 78.87

 

CMYK 89 / 47 / 0 / 6

HEX #1A7EEF

RGB 26 126 239

HSL 211.83, 0.87%, 0.52%

LAB 53.36, 14.72, -64.25

 

CMYK 0 / 89 / 47 / 6

HEX #EF1A7E

RGB 239 26 126

HSL 331.83, 0.87%, 0.52%

LAB 52.5, 78.58, 1.43

 

CMYK 49 / 0 / 88 / 6

HEX #7BEF1C

RGB 123 239 28

HSL 92.99, 0.87%, 0.52%

LAB 85.01, -63.07, 78.87

 

CMYK 89 / 0 / 24 / 6

HEX #1AEFB6

RGB 26 239 182

HSL 163.94, 0.87%, 0.52%

LAB 84.65, -59.98, 14.48

 

CMYK 41 / 89 / 0 / 6

HEX #8C1AEF

RGB 140 26 239

HSL 272.11, 0.87%, 0.52%

LAB 42.07, 77.42, -82.34

 

CMYK 0 / 89 / 65 / 6

HEX #EF1A53

RGB 239 26 83

HSL 343.94, 0.87%, 0.52%

LAB 51.51, 75.81, 26.13

 

CMYK 49 / 0 / 88 / 6

HEX #7BEF1C

RGB 123 239 28

HSL 92.99, 0.87%, 0.52%

LAB 85.01, -63.07, 78.87

 

CMYK 89 / 3 / 0 / 6

HEX #1AE8EF

RGB 26 232 239

HSL 181.97, 0.87%, 0.52%

LAB 84.05, -41.96, -16.36

 

CMYK 41 / 89 / 0 / 6

HEX #8C1AEF

RGB 140 26 239

HSL 272.11, 0.87%, 0.52%

LAB 42.07, 77.42, -82.34

 

CMYK 0 / 86 / 89 / 6

HEX #EF211A

RGB 239 33 26

HSL 1.97, 0.87%, 0.52%

LAB 51.28, 72.85, 56.77

 

Description

Color code: HEX #7BEF1C | qconv.com Color code: HEX #7BEF1C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 239 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 239 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 88 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 88% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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