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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BECAC it is the complementary color #841353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BECAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BECAC shade: #80ECA7, #91FEBA, #A2FFCD, #B3FFE0 and #C4FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BECAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BECAC shade: #7BECAC, #6ADA99, #59C886, #48B673 and #37A460

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BECAC shade: #79ECAB, #79EC8C, #85EC79, #A4EC79 and #C3EC79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BECAC shade: #79ECAB, #79ECCA, #79ECE9, #79D0EC and #79B1EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BECAC shade matches the following richer shades: #79ECAB and #6DF8A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BECAC shade: #79ECAB, #86DFAD, #92D3AE, #9EC7B0 and #ABBAB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BECAC shade: #85EC79, #79EC8C, #79ECAB, #79ECC9 and #79ECE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BECAC shade: #31E27E, #55E794, #79ECAB, #9DF1C2 and #C1F6D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BECAC shade: #7BECAC, #79A3EC and #EC7D79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BECAC shade: #7BECAC, #AB79EC and #ECAB79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BECAC shade: #7BECAC, #79A3EC, #EC79BA and #ECC279

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BECAC shade: #7BECAC, #7981EC, #EC79BA and #ECE479

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 27 / 7

HEX #7BECAC

RGB 123 236 172

HSL 146.02, 0.75%, 0.7%

LAB 85.59, -46.46, 21.28

 

Complementary color

CMYK 0 / 86 / 37 / 48

HEX #841353

RGB 132 19 83

HSL 326.02, 0.75%, 0.3%

LAB 29.4, 50.23, -8.01

 

CMYK 46 / 0 / 29 / 7

HEX #80ECA7

RGB 128 236 167

HSL 141.67, 0.74%, 0.71%

LAB 85.69, -46.12, 24.02

 

CMYK 43 / 0 / 27 / 0

HEX #91FEBA

RGB 145 254 186

HSL 142.57, 0.98%, 0.78%

LAB 91.89, -45.9, 22.93

 

CMYK 36 / 0 / 20 / 0

HEX #A2FFCD

RGB 162 255 205

HSL 147.74, 1%, 0.82%

LAB 93.28, -38.15, 15.27

 

CMYK 30 / 0 / 12 / 0

HEX #B3FFE0

RGB 179 255 224

HSL 155.53, 1%, 0.85%

LAB 94.52, -29.61, 7.38

 

CMYK 23 / 0 / 5 / 0

HEX #C4FFF3

RGB 196 255 243

HSL 167.8, 1%, 0.88%

LAB 95.88, -20.83, -0.31

 

CMYK 48 / 0 / 27 / 7

HEX #7BECAC

RGB 123 236 172

HSL 146.02, 0.75%, 0.7%

LAB 85.59, -46.46, 21.28

 

CMYK 51 / 0 / 30 / 15

HEX #6ADA99

RGB 106 218 153

HSL 145.18, 0.6%, 0.64%

LAB 79.33, -46.61, 22.44

 

CMYK 56 / 0 / 33 / 22

HEX #59C886

RGB 89 200 134

HSL 144.32, 0.5%, 0.57%

LAB 72.99, -46.68, 23.68

 

CMYK 60 / 0 / 37 / 29

HEX #48B673

RGB 72 182 115

HSL 143.45, 0.43%, 0.5%

LAB 66.57, -46.64, 25.02

 

CMYK 66 / 0 / 41 / 36

HEX #37A460

RGB 55 164 96

HSL 142.57, 0.5%, 0.43%

LAB 60.08, -46.41, 26.47

 

CMYK 49 / 0 / 28 / 7

HEX #79ECAB

RGB 121 236 171

HSL 146.09, 0.75%, 0.7%

LAB 85.5, -47.14, 21.66

 

CMYK 49 / 0 / 41 / 7

HEX #79EC8C

RGB 121 236 140

HSL 129.91, 0.75%, 0.7%

LAB 84.97, -52.53, 36.7

 

CMYK 44 / 0 / 49 / 7

HEX #85EC79

RGB 133 236 121

HSL 113.74, 0.75%, 0.7%

LAB 85.18, -51.92, 46.32

 

CMYK 31 / 0 / 49 / 7

HEX #A4EC79

RGB 164 236 121

HSL 97.57, 0.75%, 0.7%

LAB 86.63, -42.14, 48.44

 

CMYK 17 / 0 / 49 / 7

HEX #C3EC79

RGB 195 236 121

HSL 81.39, 0.75%, 0.7%

LAB 88.44, -31.1, 51.05

 

CMYK 49 / 0 / 28 / 7

HEX #79ECAB

RGB 121 236 171

HSL 146.09, 0.75%, 0.7%

LAB 85.5, -47.14, 21.66

 

CMYK 49 / 0 / 14 / 7

HEX #79ECCA

RGB 121 236 202

HSL 162.26, 0.75%, 0.7%

LAB 86.17, -40.71, 6.46

 

CMYK 49 / 0 / 1 / 7

HEX #79ECE9

RGB 121 236 233

HSL 178.43, 0.75%, 0.7%

LAB 86.97, -33.35, -8.64

 

CMYK 49 / 12 / 0 / 7

HEX #79D0EC

RGB 121 208 236

HSL 194.61, 0.75%, 0.7%

LAB 79.18, -18.87, -21.93

 

CMYK 49 / 25 / 0 / 7

HEX #79B1EC

RGB 121 177 236

HSL 210.78, 0.75%, 0.7%

LAB 70.57, -2.41, -35.14

 

CMYK 49 / 0 / 28 / 7

HEX #79ECAB

RGB 121 236 171

HSL 146.09, 0.75%, 0.7%

LAB 85.5, -47.14, 21.66

 

CMYK 56 / 0 / 32 / 3

HEX #6DF8A9

RGB 109 248 169

HSL 145.9, 0.91%, 0.7%

LAB 88.57, -55.23, 26.82

 

CMYK 49 / 0 / 28 / 7

HEX #79ECAB

RGB 121 236 171

HSL 146.09, 0.75%, 0.7%

LAB 85.5, -47.14, 21.66

 

CMYK 40 / 0 / 22 / 13

HEX #86DFAD

RGB 134 223 173

HSL 146.29, 0.58%, 0.7%

LAB 82.3, -37.63, 16.25

 

CMYK 31 / 0 / 18 / 17

HEX #92D3AE

RGB 146 211 174

HSL 145.85, 0.42%, 0.7%

LAB 79.47, -28.32, 11.82

 

CMYK 21 / 0 / 12 / 22

HEX #9EC7B0

RGB 158 199 176

HSL 146.34, 0.27%, 0.7%

LAB 76.83, -18.21, 7.07

 

CMYK 8 / 0 / 5 / 27

HEX #ABBAB1

RGB 171 186 177

HSL 144, 0.1%, 0.7%

LAB 74.16, -6.9, 2.78

 

CMYK 44 / 0 / 49 / 7

HEX #85EC79

RGB 133 236 121

HSL 113.74, 0.75%, 0.7%

LAB 85.18, -51.92, 46.32

 

CMYK 49 / 0 / 41 / 7

HEX #79EC8C

RGB 121 236 140

HSL 129.91, 0.75%, 0.7%

LAB 84.97, -52.53, 36.7

 

CMYK 49 / 0 / 28 / 7

HEX #79ECAB

RGB 121 236 171

HSL 146.09, 0.75%, 0.7%

LAB 85.5, -47.14, 21.66

 

CMYK 49 / 0 / 15 / 7

HEX #79ECC9

RGB 121 236 201

HSL 161.74, 0.75%, 0.7%

LAB 86.14, -40.93, 6.95

 

CMYK 49 / 0 / 2 / 7

HEX #79ECE8

RGB 121 236 232

HSL 177.91, 0.75%, 0.7%

LAB 86.94, -33.6, -8.16

 

CMYK 78 / 0 / 44 / 11

HEX #31E27E

RGB 49 226 126

HSL 146.1, 0.75%, 0.54%

LAB 79.93, -64.82, 36.78

 

CMYK 63 / 0 / 36 / 9

HEX #55E794

RGB 85 231 148

HSL 145.89, 0.75%, 0.62%

LAB 82.5, -57.29, 29.2

 

CMYK 49 / 0 / 28 / 7

HEX #79ECAB

RGB 121 236 171

HSL 146.09, 0.75%, 0.7%

LAB 85.5, -47.14, 21.66

 

CMYK 35 / 0 / 20 / 5

HEX #9DF1C2

RGB 157 241 194

HSL 146.43, 0.75%, 0.78%

LAB 88.91, -35.3, 14.74

 

CMYK 22 / 0 / 12 / 4

HEX #C1F6D8

RGB 193 246 216

HSL 146.04, 0.75%, 0.86%

LAB 92.67, -22.64, 8.95

 

CMYK 48 / 0 / 27 / 7

HEX #7BECAC

RGB 123 236 172

HSL 146.02, 0.75%, 0.7%

LAB 85.59, -46.46, 21.28

 

CMYK 49 / 31 / 0 / 7

HEX #79A3EC

RGB 121 163 236

HSL 218.09, 0.75%, 0.7%

LAB 66.76, 5.45, -41.08

 

CMYK 0 / 47 / 49 / 7

HEX #EC7D79

RGB 236 125 121

HSL 2.09, 0.75%, 0.7%

LAB 64.87, 42.22, 21.65

 

CMYK 48 / 0 / 27 / 7

HEX #7BECAC

RGB 123 236 172

HSL 146.02, 0.75%, 0.7%

LAB 85.59, -46.46, 21.28

 

CMYK 28 / 49 / 0 / 7

HEX #AB79EC

RGB 171 121 236

HSL 266.09, 0.75%, 0.7%

LAB 60.24, 42.21, -51.1

 

CMYK 0 / 28 / 49 / 7

HEX #ECAB79

RGB 236 171 121

HSL 26.09, 0.75%, 0.7%

LAB 75.04, 18.12, 35.07

 

CMYK 48 / 0 / 27 / 7

HEX #7BECAC

RGB 123 236 172

HSL 146.02, 0.75%, 0.7%

LAB 85.59, -46.46, 21.28

 

CMYK 49 / 31 / 0 / 7

HEX #79A3EC

RGB 121 163 236

HSL 218.09, 0.75%, 0.7%

LAB 66.76, 5.45, -41.08

 

CMYK 0 / 49 / 21 / 7

HEX #EC79BA

RGB 236 121 186

HSL 326.09, 0.75%, 0.7%

LAB 65.79, 51.87, -13.87

 

CMYK 0 / 18 / 49 / 7

HEX #ECC279

RGB 236 194 121

HSL 38.09, 0.75%, 0.7%

LAB 80.63, 5.98, 42.16

 

CMYK 48 / 0 / 27 / 7

HEX #7BECAC

RGB 123 236 172

HSL 146.02, 0.75%, 0.7%

LAB 85.59, -46.46, 21.28

 

CMYK 49 / 45 / 0 / 7

HEX #7981EC

RGB 121 129 236

HSL 235.83, 0.75%, 0.7%

LAB 57.87, 25.32, -55.13

 

CMYK 0 / 49 / 21 / 7

HEX #EC79BA

RGB 236 121 186

HSL 326.09, 0.75%, 0.7%

LAB 65.79, 51.87, -13.87

 

CMYK 0 / 3 / 49 / 7

HEX #ECE479

RGB 236 228 121

HSL 55.83, 0.75%, 0.7%

LAB 89.25, -11.39, 52.73

 

Description

Color code: HEX #7BECAC | qconv.com Color code: HEX #7BECAC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 236 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 236 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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