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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BE88C it is the complementary color #841773. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BE88C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BE88C shade: #80E887, #91FA9A, #A2FFAD, #B3FFC0 and #C4FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BE88C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BE88C shade: #7BE88C, #6AD679, #59C466, #48B253 and #37A040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BE88C shade: #7DE88E, #89E87D, #A6E87D, #C3E87D and #E0E87D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BE88C shade: #7DE88E, #7DE8AB, #7DE8C7, #7DE8E4 and #7DCFE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BE88C shade matches the following richer shades: #7DE88E and #71F485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BE88C shade: #7DE88E, #89DC96, #96CF9F, #A2C3A7 and #AEB7B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BE88C shade: #A6E87D, #89E87D, #7DE88D, #7DE8AA and #7DE8C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BE88C shade: #37DC51, #5AE26F, #7DE88E, #A0EEAC and #C3F4CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BE88C shade: #7BE88C, #7DC3E8 and #E87D98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BE88C shade: #7BE88C, #8D7DE8 and #E88D7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BE88C shade: #7BE88C, #7DC3E8, #E87DD8 and #E8A27D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BE88C shade: #7BE88C, #7DA2E8, #E87DD8 and #E8C37D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 40 / 9

HEX #7BE88C

RGB 123 232 140

HSL 129.36, 0.7%, 0.7%

LAB 83.87, -50.37, 35.28

 

Complementary color

CMYK 0 / 83 / 13 / 48

HEX #841773

RGB 132 23 115

HSL 309.36, 0.7%, 0.3%

LAB 31.25, 53.42, -25.9

 

CMYK 45 / 0 / 42 / 9

HEX #80E887

RGB 128 232 135

HSL 124.04, 0.69%, 0.71%

LAB 83.99, -49.77, 37.97

 

CMYK 42 / 0 / 38 / 2

HEX #91FA9A

RGB 145 250 154

HSL 125.14, 0.91%, 0.77%

LAB 90.19, -49.6, 36.75

 

CMYK 36 / 0 / 32 / 0

HEX #A2FFAD

RGB 162 255 173

HSL 127.1, 1%, 0.82%

LAB 92.67, -43.82, 30.7

 

CMYK 30 / 0 / 25 / 0

HEX #B3FFC0

RGB 179 255 192

HSL 130.26, 1%, 0.85%

LAB 93.84, -35.53, 22.82

 

CMYK 23 / 0 / 17 / 0

HEX #C4FFD3

RGB 196 255 211

HSL 135.25, 1%, 0.88%

LAB 95.14, -26.93, 15.07

 

CMYK 47 / 0 / 40 / 9

HEX #7BE88C

RGB 123 232 140

HSL 129.36, 0.7%, 0.7%

LAB 83.87, -50.37, 35.28

 

CMYK 50 / 0 / 43 / 16

HEX #6AD679

RGB 106 214 121

HSL 128.33, 0.57%, 0.63%

LAB 77.6, -50.47, 36.56

 

CMYK 55 / 0 / 48 / 23

HEX #59C466

RGB 89 196 102

HSL 127.29, 0.48%, 0.56%

LAB 71.26, -50.46, 37.9

 

CMYK 60 / 0 / 53 / 30

HEX #48B253

RGB 72 178 83

HSL 126.23, 0.42%, 0.49%

LAB 64.84, -50.28, 39.27

 

CMYK 66 / 0 / 60 / 37

HEX #37A040

RGB 55 160 64

HSL 125.14, 0.49%, 0.42%

LAB 58.34, -49.81, 40.62

 

CMYK 46 / 0 / 39 / 9

HEX #7DE88E

RGB 125 232 142

HSL 129.53, 0.7%, 0.7%

LAB 83.98, -49.51, 34.43

 

CMYK 41 / 0 / 46 / 9

HEX #89E87D

RGB 137 232 125

HSL 113.27, 0.7%, 0.7%

LAB 84.23, -48.57, 43.26

 

CMYK 28 / 0 / 46 / 9

HEX #A6E87D

RGB 166 232 125

HSL 97.01, 0.7%, 0.7%

LAB 85.66, -39.21, 45.35

 

CMYK 16 / 0 / 46 / 9

HEX #C3E87D

RGB 195 232 125

HSL 80.75, 0.7%, 0.7%

LAB 87.39, -28.81, 47.87

 

CMYK 3 / 0 / 46 / 9

HEX #E0E87D

RGB 224 232 125

HSL 64.49, 0.7%, 0.7%

LAB 89.41, -17.72, 50.81

 

CMYK 46 / 0 / 39 / 9

HEX #7DE88E

RGB 125 232 142

HSL 129.53, 0.7%, 0.7%

LAB 83.98, -49.51, 34.43

 

CMYK 46 / 0 / 26 / 9

HEX #7DE8AB

RGB 125 232 171

HSL 145.79, 0.7%, 0.7%

LAB 84.49, -44.42, 20.28

 

CMYK 46 / 0 / 14 / 9

HEX #7DE8C7

RGB 125 232 199

HSL 161.5, 0.7%, 0.7%

LAB 85.1, -38.63, 6.51

 

CMYK 46 / 0 / 2 / 9

HEX #7DE8E4

RGB 125 232 228

HSL 177.76, 0.7%, 0.7%

LAB 85.84, -31.84, -7.66

 

CMYK 46 / 11 / 0 / 9

HEX #7DCFE8

RGB 125 207 232

HSL 194.02, 0.7%, 0.7%

LAB 78.93, -18.53, -20.14

 

CMYK 46 / 0 / 39 / 9

HEX #7DE88E

RGB 125 232 142

HSL 129.53, 0.7%, 0.7%

LAB 83.98, -49.51, 34.43

 

CMYK 54 / 0 / 45 / 4

HEX #71F485

RGB 113 244 133

HSL 129.16, 0.86%, 0.7%

LAB 86.95, -58.75, 42.62

 

CMYK 46 / 0 / 39 / 9

HEX #7DE88E

RGB 125 232 142

HSL 129.53, 0.7%, 0.7%

LAB 83.98, -49.51, 34.43

 

CMYK 38 / 0 / 32 / 14

HEX #89DC96

RGB 137 220 150

HSL 129.4, 0.54%, 0.7%

LAB 81.13, -39.6, 26.65

 

CMYK 28 / 0 / 23 / 19

HEX #96CF9F

RGB 150 207 159

HSL 129.47, 0.37%, 0.7%

LAB 78.24, -27.94, 18.07

 

CMYK 17 / 0 / 14 / 24

HEX #A2C3A7

RGB 162 195 167

HSL 129.09, 0.22%, 0.7%

LAB 75.76, -16.54, 10.42

 

CMYK 5 / 0 / 4 / 28

HEX #AEB7B0

RGB 174 183 176

HSL 133.33, 0.06%, 0.7%

LAB 73.55, -4.45, 2.46

 

CMYK 28 / 0 / 46 / 9

HEX #A6E87D

RGB 166 232 125

HSL 97.01, 0.7%, 0.7%

LAB 85.66, -39.21, 45.35

 

CMYK 41 / 0 / 46 / 9

HEX #89E87D

RGB 137 232 125

HSL 113.27, 0.7%, 0.7%

LAB 84.23, -48.57, 43.26

 

CMYK 46 / 0 / 39 / 9

HEX #7DE88D

RGB 125 232 141

HSL 128.97, 0.7%, 0.7%

LAB 83.96, -49.67, 34.92

 

CMYK 46 / 0 / 27 / 9

HEX #7DE8AA

RGB 125 232 170

HSL 145.23, 0.7%, 0.7%

LAB 84.47, -44.61, 20.78

 

CMYK 46 / 0 / 15 / 9

HEX #7DE8C6

RGB 125 232 198

HSL 160.93, 0.7%, 0.7%

LAB 85.07, -38.86, 7

 

CMYK 75 / 0 / 63 / 14

HEX #37DC51

RGB 55 220 81

HSL 129.45, 0.7%, 0.54%

LAB 77.63, -68.33, 54.97

 

CMYK 60 / 0 / 51 / 11

HEX #5AE26F

RGB 90 226 111

HSL 129.26, 0.7%, 0.62%

LAB 80.58, -60.38, 45.08

 

CMYK 46 / 0 / 39 / 9

HEX #7DE88E

RGB 125 232 142

HSL 129.53, 0.7%, 0.7%

LAB 83.98, -49.51, 34.43

 

CMYK 33 / 0 / 28 / 7

HEX #A0EEAC

RGB 160 238 172

HSL 129.23, 0.7%, 0.78%

LAB 87.78, -37.02, 24.54

 

CMYK 20 / 0 / 17 / 4

HEX #C3F4CB

RGB 195 244 203

HSL 129.8, 0.69%, 0.86%

LAB 91.96, -23.4, 14.68

 

CMYK 47 / 0 / 40 / 9

HEX #7BE88C

RGB 123 232 140

HSL 129.36, 0.7%, 0.7%

LAB 83.87, -50.37, 35.28

 

CMYK 46 / 16 / 0 / 9

HEX #7DC3E8

RGB 125 195 232

HSL 200.75, 0.7%, 0.7%

LAB 75.59, -12.31, -25.23

 

CMYK 0 / 46 / 34 / 9

HEX #E87D98

RGB 232 125 152

HSL 344.86, 0.7%, 0.7%

LAB 65.03, 44.07, 4.23

 

CMYK 47 / 0 / 40 / 9

HEX #7BE88C

RGB 123 232 140

HSL 129.36, 0.7%, 0.7%

LAB 83.87, -50.37, 35.28

 

CMYK 39 / 46 / 0 / 9

HEX #8D7DE8

RGB 141 125 232

HSL 248.97, 0.7%, 0.7%

LAB 58.18, 31.25, -52.31

 

CMYK 0 / 39 / 46 / 9

HEX #E88D7D

RGB 232 141 125

HSL 8.97, 0.7%, 0.7%

LAB 67.79, 32.84, 23.27

 

CMYK 47 / 0 / 40 / 9

HEX #7BE88C

RGB 123 232 140

HSL 129.36, 0.7%, 0.7%

LAB 83.87, -50.37, 35.28

 

CMYK 46 / 16 / 0 / 9

HEX #7DC3E8

RGB 125 195 232

HSL 200.75, 0.7%, 0.7%

LAB 75.59, -12.31, -25.23

 

CMYK 0 / 46 / 7 / 9

HEX #E87DD8

RGB 232 125 216

HSL 308.97, 0.7%, 0.7%

LAB 67.11, 53.32, -28.72

 

CMYK 0 / 30 / 46 / 9

HEX #E8A27D

RGB 232 162 125

HSL 20.75, 0.7%, 0.7%

LAB 72.55, 21.7, 29.62

 

CMYK 47 / 0 / 40 / 9

HEX #7BE88C

RGB 123 232 140

HSL 129.36, 0.7%, 0.7%

LAB 83.87, -50.37, 35.28

 

CMYK 46 / 30 / 0 / 9

HEX #7DA2E8

RGB 125 162 232

HSL 219.25, 0.7%, 0.7%

LAB 66.54, 5.8, -39.21

 

CMYK 0 / 46 / 7 / 9

HEX #E87DD8

RGB 232 125 216

HSL 308.97, 0.7%, 0.7%

LAB 67.11, 53.32, -28.72

 

CMYK 0 / 16 / 46 / 9

HEX #E8C37D

RGB 232 195 125

HSL 39.25, 0.7%, 0.7%

LAB 80.55, 4.22, 39.96

 

Description

Color code: HEX #7BE88C | qconv.com Color code: HEX #7BE88C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 232 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 232 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 40 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 40% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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