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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BE15D it is the complementary color #841EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BE15D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BE15D shade: #80E158, #91F36B, #A2FF7E, #B3FF91 and #C4FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BE15D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BE15D shade: #7BE15D, #6ACF4A, #59BD37, #48AB24 and #379911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BE15D shade: #7AE15B, #9EE15B, #C2E15B, #E1DC5B and #E1B85B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BE15D shade: #7AE15B, #5BE161, #5BE185, #5BE1A9 and #5BE1CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BE15D shade matches the following richer shades: #7AE15B and #71F14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BE15D shade: #7AE15B, #82D16B, #8BC27B, #93B28A and #9CA29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BE15D shade: #C2E15B, #9EE15B, #7AE15B, #5BE160 and #5BE183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BE15D shade: #49C524, #5DDB38, #7AE15B, #96E77E and #B2EEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BE15D shade: #7BE15D, #5BE1DD and #E15BB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BE15D shade: #7BE15D, #5B7AE1 and #E15B7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BE15D shade: #7BE15D, #5BE1DD, #C25BE1 and #E15B60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BE15D shade: #7BE15D, #5BBDE1, #C25BE1 and #E17F5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 59 / 12

HEX #7BE15D

RGB 123 225 93

HSL 106.36, 0.69%, 0.62%

LAB 81.21, -53.7, 54.37

 

Complementary color

CMYK 19 / 81 / 0 / 36

HEX #841EA2

RGB 132 30 162

HSL 286.36, 0.69%, 0.38%

LAB 34.89, 59.59, -49.19

 

CMYK 43 / 0 / 61 / 12

HEX #80E158

RGB 128 225 88

HSL 102.48, 0.7%, 0.61%

LAB 81.37, -52.69, 56.77

 

CMYK 40 / 0 / 56 / 5

HEX #91F36B

RGB 145 243 107

HSL 103.24, 0.85%, 0.69%

LAB 87.57, -52.79, 55.77

 

CMYK 36 / 0 / 51 / 0

HEX #A2FF7E

RGB 162 255 126

HSL 103.26, 1%, 0.75%

LAB 92, -50.32, 52.62

 

CMYK 30 / 0 / 43 / 0

HEX #B3FF91

RGB 179 255 145

HSL 101.45, 1%, 0.78%

LAB 93.08, -42.54, 45.18

 

CMYK 23 / 0 / 36 / 0

HEX #C4FFA4

RGB 196 255 164

HSL 98.9, 1%, 0.82%

LAB 94.29, -34.34, 37.65

 

CMYK 45 / 0 / 59 / 12

HEX #7BE15D

RGB 123 225 93

HSL 106.36, 0.69%, 0.62%

LAB 81.21, -53.7, 54.37

 

CMYK 49 / 0 / 64 / 19

HEX #6ACF4A

RGB 106 207 74

HSL 105.56, 0.58%, 0.55%

LAB 74.94, -53.48, 55.31

 

CMYK 53 / 0 / 71 / 26

HEX #59BD37

RGB 89 189 55

HSL 104.78, 0.55%, 0.48%

LAB 68.6, -53.06, 55.96

 

CMYK 58 / 0 / 79 / 33

HEX #48AB24

RGB 72 171 36

HSL 104, 0.65%, 0.41%

LAB 62.19, -52.31, 56.03

 

CMYK 64 / 0 / 89 / 40

HEX #379911

RGB 55 153 17

HSL 103.24, 0.8%, 0.33%

LAB 55.72, -51.08, 55.01

 

CMYK 46 / 0 / 60 / 12

HEX #7AE15B

RGB 122 225 91

HSL 106.12, 0.69%, 0.62%

LAB 81.15, -54.2, 55.16

 

CMYK 30 / 0 / 60 / 12

HEX #9EE15B

RGB 158 225 91

HSL 90, 0.69%, 0.62%

LAB 82.85, -42.48, 57.54

 

CMYK 14 / 0 / 60 / 12

HEX #C2E15B

RGB 194 225 91

HSL 73.88, 0.69%, 0.62%

LAB 85.03, -29.03, 60.58

 

CMYK 0 / 2 / 60 / 12

HEX #E1DC5B

RGB 225 220 91

HSL 57.76, 0.69%, 0.62%

LAB 85.98, -14.18, 62.28

 

CMYK 0 / 18 / 60 / 12

HEX #E1B85B

RGB 225 184 91

HSL 41.64, 0.69%, 0.62%

LAB 76.71, 4.25, 51.91

 

CMYK 46 / 0 / 60 / 12

HEX #7AE15B

RGB 122 225 91

HSL 106.12, 0.69%, 0.62%

LAB 81.15, -54.2, 55.16

 

CMYK 60 / 0 / 57 / 12

HEX #5BE161

RGB 91 225 97

HSL 122.69, 0.69%, 0.62%

LAB 80.14, -61.59, 51.06

 

CMYK 60 / 0 / 41 / 12

HEX #5BE185

RGB 91 225 133

HSL 138.81, 0.69%, 0.62%

LAB 80.61, -56.43, 34.33

 

CMYK 60 / 0 / 25 / 12

HEX #5BE1A9

RGB 91 225 169

HSL 154.93, 0.69%, 0.62%

LAB 81.26, -49.58, 16.66

 

CMYK 60 / 0 / 9 / 12

HEX #5BE1CD

RGB 91 225 205

HSL 171.04, 0.69%, 0.62%

LAB 82.1, -41.22, -1.15

 

CMYK 46 / 0 / 60 / 12

HEX #7AE15B

RGB 122 225 91

HSL 106.12, 0.69%, 0.62%

LAB 81.15, -54.2, 55.16

 

CMYK 53 / 0 / 68 / 5

HEX #71F14C

RGB 113 241 76

HSL 106.55, 0.85%, 0.62%

LAB 85.48, -64.05, 65.86

 

CMYK 46 / 0 / 60 / 12

HEX #7AE15B

RGB 122 225 91

HSL 106.12, 0.69%, 0.62%

LAB 81.15, -54.2, 55.16

 

CMYK 38 / 0 / 49 / 18

HEX #82D16B

RGB 130 209 107

HSL 106.47, 0.53%, 0.62%

LAB 76.93, -43.32, 42.85

 

CMYK 28 / 0 / 37 / 24

HEX #8BC27B

RGB 139 194 123

HSL 106.48, 0.37%, 0.62%

LAB 73.22, -31.34, 30.14

 

CMYK 17 / 0 / 22 / 30

HEX #93B28A

RGB 147 178 138

HSL 106.5, 0.21%, 0.62%

LAB 69.38, -18.25, 17.03

 

CMYK 4 / 0 / 5 / 36

HEX #9CA29A

RGB 156 162 154

HSL 105, 0.04%, 0.62%

LAB 65.94, -3.67, 3.41

 

CMYK 14 / 0 / 60 / 12

HEX #C2E15B

RGB 194 225 91

HSL 73.88, 0.69%, 0.62%

LAB 85.03, -29.03, 60.58

 

CMYK 30 / 0 / 60 / 12

HEX #9EE15B

RGB 158 225 91

HSL 90, 0.69%, 0.62%

LAB 82.85, -42.48, 57.54

 

CMYK 46 / 0 / 60 / 12

HEX #7AE15B

RGB 122 225 91

HSL 106.12, 0.69%, 0.62%

LAB 81.15, -54.2, 55.16

 

CMYK 60 / 0 / 57 / 12

HEX #5BE160

RGB 91 225 96

HSL 122.24, 0.69%, 0.62%

LAB 80.13, -61.71, 51.5

 

CMYK 60 / 0 / 42 / 12

HEX #5BE183

RGB 91 225 131

HSL 137.91, 0.69%, 0.62%

LAB 80.58, -56.76, 35.3

 

CMYK 63 / 0 / 82 / 23

HEX #49C524

RGB 73 197 36

HSL 106.21, 0.69%, 0.46%

LAB 70.51, -61.16, 63.81

 

CMYK 58 / 0 / 74 / 14

HEX #5DDB38

RGB 93 219 56

HSL 106.38, 0.69%, 0.54%

LAB 78.04, -62.8, 65.15

 

CMYK 46 / 0 / 60 / 12

HEX #7AE15B

RGB 122 225 91

HSL 106.12, 0.69%, 0.62%

LAB 81.15, -54.2, 55.16

 

CMYK 35 / 0 / 45 / 9

HEX #96E77E

RGB 150 231 126

HSL 106.29, 0.69%, 0.7%

LAB 84.56, -43.97, 43.31

 

CMYK 25 / 0 / 32 / 7

HEX #B2EEA1

RGB 178 238 161

HSL 106.75, 0.69%, 0.78%

LAB 88.54, -33.01, 31.34

 

CMYK 45 / 0 / 59 / 12

HEX #7BE15D

RGB 123 225 93

HSL 106.36, 0.69%, 0.62%

LAB 81.21, -53.7, 54.37

 

CMYK 60 / 0 / 2 / 12

HEX #5BE1DD

RGB 91 225 221

HSL 178.21, 0.69%, 0.62%

LAB 82.54, -37.09, -8.99

 

CMYK 0 / 60 / 22 / 12

HEX #E15BB0

RGB 225 91 176

HSL 321.94, 0.69%, 0.62%

LAB 58.62, 61.07, -19.16

 

CMYK 45 / 0 / 59 / 12

HEX #7BE15D

RGB 123 225 93

HSL 106.36, 0.69%, 0.62%

LAB 81.21, -53.7, 54.37

 

CMYK 60 / 46 / 0 / 12

HEX #5B7AE1

RGB 91 122 225

HSL 226.12, 0.69%, 0.62%

LAB 53.58, 19.87, -55.95

 

CMYK 0 / 60 / 46 / 12

HEX #E15B7A

RGB 225 91 122

HSL 346.12, 0.69%, 0.62%

LAB 56.97, 54.79, 9.9

 

CMYK 45 / 0 / 59 / 12

HEX #7BE15D

RGB 123 225 93

HSL 106.36, 0.69%, 0.62%

LAB 81.21, -53.7, 54.37

 

CMYK 60 / 0 / 2 / 12

HEX #5BE1DD

RGB 91 225 221

HSL 178.21, 0.69%, 0.62%

LAB 82.54, -37.09, -8.99

 

CMYK 14 / 60 / 0 / 12

HEX #C25BE1

RGB 194 91 225

HSL 286.12, 0.69%, 0.62%

LAB 56.47, 60.99, -50.77

 

CMYK 0 / 60 / 57 / 12

HEX #E15B60

RGB 225 91 96

HSL 357.76, 0.69%, 0.62%

LAB 56.42, 52.61, 24.36

 

CMYK 45 / 0 / 59 / 12

HEX #7BE15D

RGB 123 225 93

HSL 106.36, 0.69%, 0.62%

LAB 81.21, -53.7, 54.37

 

CMYK 60 / 16 / 0 / 12

HEX #5BBDE1

RGB 91 189 225

HSL 196.12, 0.69%, 0.62%

LAB 72.27, -18.35, -26.65

 

CMYK 14 / 60 / 0 / 12

HEX #C25BE1

RGB 194 91 225

HSL 286.12, 0.69%, 0.62%

LAB 56.47, 60.99, -50.77

 

CMYK 0 / 44 / 60 / 12

HEX #E17F5B

RGB 225 127 91

HSL 16.12, 0.69%, 0.62%

LAB 63.29, 34.55, 35.95

 

Description

Color code: HEX #7BE15D | qconv.com Color code: HEX #7BE15D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 225 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 225 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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