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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BE035 it is the complementary color #841FCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BE035. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BE035 shade: #80E030, #91F243, #A2FF56, #B3FF69 and #C4FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BE035. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BE035 shade: #7BE035, #6ACE22, #59BC0F, #48AA00 and #379800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BE035 shade: #7ADF34, #A8DF34, #D7DF34, #DFBA34 and #DF8C34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BE035 shade: #7ADF34, #4CDF34, #34DF4A, #34DF79 and #34DFA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BE035 shade matches the following richer shades: #7ADF34 and #77F221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BE035 shade: #7ADF34, #7ECC47, #81B95A, #84A66D and #889380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BE035 shade: #D7DF34, #A9DF34, #7BDF34, #4EDF34 and #34DF48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BE035 shade: #54A71A, #66CB20, #7ADF34, #92E558 and #A9EA7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BE035 shade: #7BE035, #34DFBA and #DF34C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BE035 shade: #7BE035, #347BDF and #DF347B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BE035 shade: #7BE035, #34DFBA, #9834DF and #DF3459

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BE035 shade: #7BE035, #34D1DF, #9834DF and #DF4234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 76 / 12

HEX #7BE035

RGB 123 224 53

HSL 95.44, 0.73%, 0.54%

LAB 80.62, -56.48, 68.99

 

Complementary color

CMYK 35 / 85 / 0 / 21

HEX #841FCA

RGB 132 31 202

HSL 275.44, 0.73%, 0.46%

LAB 38.11, 67.43, -67.66

 

CMYK 43 / 0 / 79 / 12

HEX #80E030

RGB 128 224 48

HSL 92.73, 0.74%, 0.53%

LAB 80.8, -55.18, 70.72

 

CMYK 40 / 0 / 72 / 5

HEX #91F243

RGB 145 242 67

HSL 93.26, 0.87%, 0.61%

LAB 86.96, -55.72, 70.97

 

CMYK 36 / 0 / 66 / 0

HEX #A2FF56

RGB 162 255 86

HSL 93.02, 1%, 0.67%

LAB 91.63, -54.09, 69.17

 

CMYK 30 / 0 / 59 / 0

HEX #B3FF69

RGB 179 255 105

HSL 90.4, 1%, 0.71%

LAB 92.63, -46.83, 62.87

 

CMYK 23 / 0 / 51 / 0

HEX #C4FF7C

RGB 196 255 124

HSL 87.02, 1%, 0.74%

LAB 93.76, -39.09, 56.07

 

CMYK 45 / 0 / 76 / 12

HEX #7BE035

RGB 123 224 53

HSL 95.44, 0.73%, 0.54%

LAB 80.62, -56.48, 68.99

 

CMYK 49 / 0 / 83 / 19

HEX #6ACE22

RGB 106 206 34

HSL 94.88, 0.72%, 0.47%

LAB 74.4, -55.74, 68.23

 

CMYK 53 / 0 / 92 / 26

HEX #59BC0F

RGB 89 188 15

HSL 94.34, 0.85%, 0.4%

LAB 68.11, -54.68, 66.29

 

CMYK 58 / 0 / 100 / 33

HEX #48AA00

RGB 72 170 0

HSL 94.59, 1%, 0.33%

LAB 61.76, -53.22, 62.86

 

CMYK 64 / 0 / 100 / 40

HEX #379800

RGB 55 152 0

HSL 98.29, 1%, 0.3%

LAB 55.35, -51.22, 57.56

 

CMYK 45 / 0 / 77 / 13

HEX #7ADF34

RGB 122 223 52

HSL 95.44, 0.73%, 0.54%

LAB 80.27, -56.46, 68.95

 

CMYK 25 / 0 / 77 / 13

HEX #A8DF34

RGB 168 223 52

HSL 79.3, 0.73%, 0.54%

LAB 82.57, -40.55, 71.93

 

CMYK 4 / 0 / 77 / 13

HEX #D7DF34

RGB 215 223 52

HSL 62.81, 0.73%, 0.54%

LAB 85.74, -21.8, 76

 

CMYK 0 / 17 / 77 / 13

HEX #DFBA34

RGB 223 186 52

HSL 47.02, 0.73%, 0.54%

LAB 76.71, 0.23, 68.01

 

CMYK 0 / 37 / 77 / 13

HEX #DF8C34

RGB 223 140 52

HSL 30.88, 0.73%, 0.54%

LAB 65.51, 24.7, 57.42

 

CMYK 45 / 0 / 77 / 13

HEX #7ADF34

RGB 122 223 52

HSL 95.44, 0.73%, 0.54%

LAB 80.27, -56.46, 68.95

 

CMYK 66 / 0 / 77 / 13

HEX #4CDF34

RGB 76 223 52

HSL 111.58, 0.73%, 0.54%

LAB 78.79, -68.18, 67.01

 

CMYK 77 / 0 / 67 / 13

HEX #34DF4A

RGB 52 223 74

HSL 127.72, 0.73%, 0.54%

LAB 78.46, -70.4, 58.73

 

CMYK 77 / 0 / 46 / 13

HEX #34DF79

RGB 52 223 121

HSL 144.21, 0.73%, 0.54%

LAB 78.98, -64.26, 38.04

 

CMYK 77 / 0 / 25 / 13

HEX #34DFA7

RGB 52 223 167

HSL 160.35, 0.73%, 0.54%

LAB 79.78, -55.23, 15.51

 

CMYK 45 / 0 / 77 / 13

HEX #7ADF34

RGB 122 223 52

HSL 95.44, 0.73%, 0.54%

LAB 80.27, -56.46, 68.95

 

CMYK 51 / 0 / 86 / 5

HEX #77F221

RGB 119 242 33

HSL 95.31, 0.89%, 0.54%

LAB 85.77, -65.13, 78.57

 

CMYK 45 / 0 / 77 / 13

HEX #7ADF34

RGB 122 223 52

HSL 95.44, 0.73%, 0.54%

LAB 80.27, -56.46, 68.95

 

CMYK 38 / 0 / 65 / 20

HEX #7ECC47

RGB 126 204 71

HSL 95.19, 0.57%, 0.54%

LAB 74.87, -46.29, 56.73

 

CMYK 30 / 0 / 51 / 27

HEX #81B95A

RGB 129 185 90

HSL 95.37, 0.4%, 0.54%

LAB 69.54, -35.05, 42.11

 

CMYK 20 / 0 / 34 / 35

HEX #84A66D

RGB 132 166 109

HSL 95.79, 0.24%, 0.54%

LAB 64.39, -22.29, 25.82

 

CMYK 7 / 0 / 13 / 42

HEX #889380

RGB 136 147 128

HSL 94.74, 0.08%, 0.54%

LAB 59.58, -7.64, 8.71

 

CMYK 4 / 0 / 77 / 13

HEX #D7DF34

RGB 215 223 52

HSL 62.81, 0.73%, 0.54%

LAB 85.74, -21.8, 76

 

CMYK 24 / 0 / 77 / 13

HEX #A9DF34

RGB 169 223 52

HSL 78.95, 0.73%, 0.54%

LAB 82.62, -40.17, 72

 

CMYK 45 / 0 / 77 / 13

HEX #7BDF34

RGB 123 223 52

HSL 95.09, 0.73%, 0.54%

LAB 80.31, -56.15, 69

 

CMYK 65 / 0 / 77 / 13

HEX #4EDF34

RGB 78 223 52

HSL 110.88, 0.73%, 0.54%

LAB 78.84, -67.78, 67.07

 

CMYK 77 / 0 / 68 / 13

HEX #34DF48

RGB 52 223 72

HSL 127.02, 0.73%, 0.54%

LAB 78.45, -70.59, 59.49

 

CMYK 50 / 0 / 84 / 35

HEX #54A71A

RGB 84 167 26

HSL 95.32, 0.73%, 0.38%

LAB 61.3, -47.89, 58.21

 

CMYK 50 / 0 / 84 / 20

HEX #66CB20

RGB 102 203 32

HSL 95.44, 0.73%, 0.46%

LAB 73.31, -55.89, 67.69

 

CMYK 45 / 0 / 77 / 13

HEX #7ADF34

RGB 122 223 52

HSL 95.44, 0.73%, 0.54%

LAB 80.27, -56.46, 68.95

 

CMYK 36 / 0 / 62 / 10

HEX #92E558

RGB 146 229 88

HSL 95.32, 0.73%, 0.62%

LAB 83.37, -48.57, 59.23

 

CMYK 28 / 0 / 47 / 8

HEX #A9EA7B

RGB 169 234 123

HSL 95.14, 0.73%, 0.7%

LAB 86.36, -39.31, 47.22

 

CMYK 45 / 0 / 76 / 12

HEX #7BE035

RGB 123 224 53

HSL 95.44, 0.73%, 0.54%

LAB 80.62, -56.48, 68.99

 

CMYK 77 / 0 / 17 / 13

HEX #34DFBA

RGB 52 223 186

HSL 167.02, 0.73%, 0.54%

LAB 80.21, -50.71, 6.08

 

CMYK 0 / 77 / 14 / 13

HEX #DF34C0

RGB 223 52 192

HSL 310.88, 0.73%, 0.54%

LAB 53.97, 76.71, -35.62

 

CMYK 45 / 0 / 76 / 12

HEX #7BE035

RGB 123 224 53

HSL 95.44, 0.73%, 0.54%

LAB 80.62, -56.48, 68.99

 

CMYK 77 / 45 / 0 / 13

HEX #347BDF

RGB 52 123 223

HSL 215.09, 0.73%, 0.54%

LAB 52.09, 12.66, -57.3

 

CMYK 0 / 77 / 45 / 13

HEX #DF347B

RGB 223 52 123

HSL 335.09, 0.73%, 0.54%

LAB 51.35, 68.87, 1.2

 

CMYK 45 / 0 / 76 / 12

HEX #7BE035

RGB 123 224 53

HSL 95.44, 0.73%, 0.54%

LAB 80.62, -56.48, 68.99

 

CMYK 77 / 0 / 17 / 13

HEX #34DFBA

RGB 52 223 186

HSL 167.02, 0.73%, 0.54%

LAB 80.21, -50.71, 6.08

 

CMYK 32 / 77 / 0 / 13

HEX #9834DF

RGB 152 52 223

HSL 275.09, 0.73%, 0.54%

LAB 44.88, 68.25, -68.58

 

CMYK 0 / 77 / 60 / 13

HEX #DF3459

RGB 223 52 89

HSL 347.02, 0.73%, 0.54%

LAB 50.53, 66.29, 20.64

 

CMYK 45 / 0 / 76 / 12

HEX #7BE035

RGB 123 224 53

HSL 95.44, 0.73%, 0.54%

LAB 80.62, -56.48, 68.99

 

CMYK 77 / 6 / 0 / 13

HEX #34D1DF

RGB 52 209 223

HSL 184.91, 0.73%, 0.54%

LAB 77.08, -34.35, -18.33

 

CMYK 32 / 77 / 0 / 13

HEX #9834DF

RGB 152 52 223

HSL 275.09, 0.73%, 0.54%

LAB 44.88, 68.25, -68.58

 

CMYK 0 / 70 / 77 / 13

HEX #DF4234

RGB 223 66 52

HSL 4.91, 0.73%, 0.54%

LAB 51.65, 59.84, 43.44

 

Description

Color code: HEX #7BE035 | qconv.com Color code: HEX #7BE035 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 224 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 224 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 76 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 76% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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