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Color name
HEX #7BD549

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BD549 it is the complementary color #842AB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BD549. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BD549 shade: #80D544, #91E757, #A2F96A, #B3FF7D and #C4FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BD549. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BD549 shade: #7BD549, #6AC336, #59B123, #489F10 and #378D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BD549 shade: #7BD548, #A1D548, #C7D548, #D5BE48 and #D59848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BD549 shade: #7BD548, #54D548, #48D562, #48D588 and #48D5AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BD549 shade matches the following richer shades: #7BD548, #75E836 and #70FA24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BD549 shade: #7BD548, #80C35A, #85B16C, #8A9F7F and #8F8D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BD549 shade: #C7D548, #A2D548, #7CD548, #56D548 and #48D560

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BD549 shade: #53A626, #64C72D, #7BD548, #93DD6A and #ABE58B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BD549 shade: #7BD549, #48D5BE and #D548B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BD549 shade: #7BD549, #487CD5 and #D5487C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BD549 shade: #7BD549, #48D5BE, #A248D5 and #D54860

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BD549 shade: #7BD549, #48C3D5, #A248D5 and #D55B48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 66 / 16

HEX #7BD549

RGB 123 213 73

HSL 98.57, 0.63%, 0.56%

LAB 77.45, -50.79, 58.64

 

Complementary color

CMYK 27 / 77 / 0 / 29

HEX #842AB6

RGB 132 42 182

HSL 278.57, 0.63%, 0.44%

LAB 37.73, 59.65, -56.54

 

CMYK 40 / 0 / 68 / 16

HEX #80D544

RGB 128 213 68

HSL 95.17, 0.63%, 0.55%

LAB 77.64, -49.57, 60.88

 

CMYK 37 / 0 / 62 / 9

HEX #91E757

RGB 145 231 87

HSL 95.83, 0.75%, 0.62%

LAB 83.89, -49.81, 60.21

 

CMYK 35 / 0 / 57 / 2

HEX #A2F96A

RGB 162 249 106

HSL 96.5, 0.92%, 0.7%

LAB 90.08, -49.94, 59.31

 

CMYK 30 / 0 / 51 / 0

HEX #B3FF7D

RGB 179 255 125

HSL 95.08, 1%, 0.75%

LAB 92.83, -44.88, 54.28

 

CMYK 23 / 0 / 44 / 0

HEX #C4FF90

RGB 196 255 144

HSL 91.89, 1%, 0.78%

LAB 94, -36.9, 47.02

 

CMYK 42 / 0 / 66 / 16

HEX #7BD549

RGB 123 213 73

HSL 98.57, 0.63%, 0.56%

LAB 77.45, -50.79, 58.64

 

CMYK 46 / 0 / 72 / 24

HEX #6AC336

RGB 106 195 54

HSL 97.87, 0.57%, 0.49%

LAB 71.12, -50.42, 59.11

 

CMYK 50 / 0 / 80 / 31

HEX #59B123

RGB 89 177 35

HSL 97.18, 0.67%, 0.42%

LAB 64.72, -49.8, 58.93

 

CMYK 55 / 0 / 90 / 38

HEX #489F10

RGB 72 159 16

HSL 96.5, 0.82%, 0.34%

LAB 58.24, -48.8, 57.59

 

CMYK 61 / 0 / 100 / 45

HEX #378D00

RGB 55 141 0

HSL 96.6, 1%, 0.28%

LAB 51.68, -47.33, 54.66

 

CMYK 42 / 0 / 66 / 16

HEX #7BD548

RGB 123 213 72

HSL 98.3, 0.63%, 0.56%

LAB 77.44, -50.87, 59.03

 

CMYK 24 / 0 / 66 / 16

HEX #A1D548

RGB 161 213 72

HSL 82.13, 0.63%, 0.56%

LAB 79.4, -37.59, 61.71

 

CMYK 7 / 0 / 66 / 16

HEX #C7D548

RGB 199 213 72

HSL 65.96, 0.63%, 0.56%

LAB 81.95, -22.58, 65.14

 

CMYK 0 / 11 / 66 / 16

HEX #D5BE48

RGB 213 190 72

HSL 50.21, 0.63%, 0.56%

LAB 76.95, -5.17, 60.32

 

CMYK 0 / 29 / 66 / 16

HEX #D59848

RGB 213 152 72

HSL 34.04, 0.63%, 0.56%

LAB 67.33, 15.01, 50

 

CMYK 42 / 0 / 66 / 16

HEX #7BD548

RGB 123 213 72

HSL 98.3, 0.63%, 0.56%

LAB 77.44, -50.87, 59.03

 

CMYK 61 / 0 / 66 / 16

HEX #54D548

RGB 84 213 72

HSL 114.89, 0.63%, 0.56%

LAB 76.03, -61.56, 57.11

 

CMYK 66 / 0 / 54 / 16

HEX #48D562

RGB 72 213 98

HSL 131.06, 0.63%, 0.56%

LAB 75.98, -61.12, 45.53

 

CMYK 66 / 0 / 36 / 16

HEX #48D588

RGB 72 213 136

HSL 147.23, 0.63%, 0.56%

LAB 76.52, -54.97, 27.31

 

CMYK 66 / 0 / 18 / 16

HEX #48D5AE

RGB 72 213 174

HSL 163.4, 0.63%, 0.56%

LAB 77.29, -46.82, 8.33

 

CMYK 42 / 0 / 66 / 16

HEX #7BD548

RGB 123 213 72

HSL 98.3, 0.63%, 0.56%

LAB 77.44, -50.87, 59.03

 

CMYK 50 / 0 / 77 / 9

HEX #75E836

RGB 117 232 54

HSL 98.76, 0.79%, 0.56%

LAB 82.79, -61.19, 70.67

 

CMYK 55 / 0 / 86 / 2

HEX #70FA24

RGB 112 250 36

HSL 98.69, 0.96%, 0.56%

LAB 87.94, -69.66, 79.76

 

CMYK 42 / 0 / 66 / 16

HEX #7BD548

RGB 123 213 72

HSL 98.3, 0.63%, 0.56%

LAB 77.44, -50.87, 59.03

 

CMYK 34 / 0 / 54 / 24

HEX #80C35A

RGB 128 195 90

HSL 98.29, 0.47%, 0.56%

LAB 72.47, -39.9, 45.6

 

CMYK 25 / 0 / 39 / 31

HEX #85B16C

RGB 133 177 108

HSL 98.26, 0.31%, 0.56%

LAB 67.66, -27.51, 30.65

 

CMYK 13 / 0 / 20 / 38

HEX #8A9F7F

RGB 138 159 127

HSL 99.38, 0.14%, 0.56%

LAB 63.12, -13.53, 14.28

 

CMYK 1 / 3 / 0 / 43

HEX #8F8D91

RGB 143 141 145

HSL 270, 0.02%, 0.56%

LAB 58.91, 1.52, -1.87

 

CMYK 7 / 0 / 66 / 16

HEX #C7D548

RGB 199 213 72

HSL 65.96, 0.63%, 0.56%

LAB 81.95, -22.58, 65.14

 

CMYK 24 / 0 / 66 / 16

HEX #A2D548

RGB 162 213 72

HSL 81.7, 0.63%, 0.56%

LAB 79.46, -37.21, 61.79

 

CMYK 42 / 0 / 66 / 16

HEX #7CD548

RGB 124 213 72

HSL 97.87, 0.63%, 0.56%

LAB 77.48, -50.55, 59.09

 

CMYK 60 / 0 / 66 / 16

HEX #56D548

RGB 86 213 72

HSL 114.04, 0.63%, 0.56%

LAB 76.09, -61.1, 57.19

 

CMYK 66 / 0 / 55 / 16

HEX #48D560

RGB 72 213 96

HSL 130.21, 0.63%, 0.56%

LAB 75.95, -61.38, 46.44

 

CMYK 50 / 0 / 77 / 35

HEX #53A626

RGB 83 166 38

HSL 98.91, 0.63%, 0.4%

LAB 61, -47.17, 54.38

 

CMYK 50 / 0 / 77 / 22

HEX #64C72D

RGB 100 199 45

HSL 98.57, 0.63%, 0.48%

LAB 72.06, -54.35, 62.97

 

CMYK 42 / 0 / 66 / 16

HEX #7BD548

RGB 123 213 72

HSL 98.3, 0.63%, 0.56%

LAB 77.44, -50.87, 59.03

 

CMYK 33 / 0 / 52 / 13

HEX #93DD6A

RGB 147 221 106

HSL 98.61, 0.63%, 0.64%

LAB 81.27, -43.04, 48.8

 

CMYK 25 / 0 / 39 / 10

HEX #ABE58B

RGB 171 229 139

HSL 98.67, 0.63%, 0.72%

LAB 85.28, -34.35, 38.06

 

CMYK 42 / 0 / 66 / 16

HEX #7BD549

RGB 123 213 73

HSL 98.57, 0.63%, 0.56%

LAB 77.45, -50.79, 58.64

 

CMYK 66 / 0 / 11 / 16

HEX #48D5BE

RGB 72 213 190

HSL 170.21, 0.63%, 0.56%

LAB 77.69, -42.87, 0.34

 

CMYK 0 / 66 / 15 / 16

HEX #D548B4

RGB 213 72 180

HSL 314.04, 0.63%, 0.56%

LAB 54.11, 66.14, -28.58

 

CMYK 42 / 0 / 66 / 16

HEX #7BD549

RGB 123 213 73

HSL 98.57, 0.63%, 0.56%

LAB 77.45, -50.79, 58.64

 

CMYK 66 / 42 / 0 / 16

HEX #487CD5

RGB 72 124 213

HSL 217.87, 0.63%, 0.56%

LAB 52.51, 11.2, -50.95

 

CMYK 0 / 66 / 42 / 16

HEX #D5487C

RGB 213 72 124

HSL 337.87, 0.63%, 0.56%

LAB 52.1, 59.27, 1.47

 

CMYK 42 / 0 / 66 / 16

HEX #7BD549

RGB 123 213 73

HSL 98.57, 0.63%, 0.56%

LAB 77.45, -50.79, 58.64

 

CMYK 66 / 0 / 11 / 16

HEX #48D5BE

RGB 72 213 190

HSL 170.21, 0.63%, 0.56%

LAB 77.69, -42.87, 0.34

 

CMYK 24 / 66 / 0 / 16

HEX #A248D5

RGB 162 72 213

HSL 278.3, 0.63%, 0.56%

LAB 48.41, 59.85, -57.1

 

CMYK 0 / 66 / 55 / 16

HEX #D54860

RGB 213 72 96

HSL 349.79, 0.63%, 0.56%

LAB 51.41, 56.8, 17.3

 

CMYK 42 / 0 / 66 / 16

HEX #7BD549

RGB 123 213 73

HSL 98.57, 0.63%, 0.56%

LAB 77.45, -50.79, 58.64

 

CMYK 66 / 8 / 0 / 16

HEX #48C3D5

RGB 72 195 213

HSL 187.66, 0.63%, 0.56%

LAB 73.03, -28.13, -19.01

 

CMYK 24 / 66 / 0 / 16

HEX #A248D5

RGB 162 72 213

HSL 278.3, 0.63%, 0.56%

LAB 48.41, 59.85, -57.1

 

CMYK 0 / 57 / 66 / 16

HEX #D55B48

RGB 213 91 72

HSL 8.09, 0.63%, 0.56%

LAB 54.13, 46.82, 34.8

 

Description

Color code: HEX #7BD549 | qconv.com Color code: HEX #7BD549 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 213 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 213 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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