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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BC916 it is the complementary color #8436E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BC916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BC916 shade: #80C911, #91DB24, #A2ED37, #B3FF4A and #C4FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BC916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BC916 shade: #7BC916, #6AB703, #59A500, #489300 and #378100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BC916 shade: #7CCA16, #ACCA16, #CAB716, #CA8716 and #CA5716

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BC916 shade: #7CCA16, #4BCA16, #1BCA16, #16CA42 and #16CA73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BC916 shade matches the following richer shades: #7CCA16 and #7EDC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BC916 shade: #7CCA16, #79B829, #77A63B, #75934D and #72815F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BC916 shade: #CAB816, #ACCA16, #7CCA16, #4CCA16 and #1CCA16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BC916 shade: #4E800E, #65A512, #7CCA16, #91E723 and #A4EB48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BC916 shade: #7BC916, #16CA88 and #CA16C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BC916 shade: #7BC916, #167CCA and #CA167C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BC916 shade: #7BC916, #16CA88, #6416CA and #CA1658

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BC916 shade: #7BC916, #16CABE, #6416CA and #CA1622

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 89 / 21

HEX #7BC916

RGB 123 201 22

HSL 86.15, 0.8%, 0.44%

LAB 73.57, -48.71, 70.3

 

Complementary color

CMYK 43 / 77 / 0 / 9

HEX #8436E9

RGB 132 54 233

HSL 266.15, 0.8%, 0.56%

LAB 43.4, 66.63, -76.8

 

CMYK 36 / 0 / 92 / 21

HEX #80C911

RGB 128 201 17

HSL 83.8, 0.84%, 0.43%

LAB 73.81, -47.08, 71.38

 

CMYK 34 / 0 / 84 / 14

HEX #91DB24

RGB 145 219 36

HSL 84.26, 0.72%, 0.5%

LAB 80.07, -47.95, 73.44

 

CMYK 32 / 0 / 77 / 7

HEX #A2ED37

RGB 162 237 55

HSL 84.73, 0.83%, 0.57%

LAB 86.27, -48.61, 74.37

 

CMYK 30 / 0 / 71 / 0

HEX #B3FF4A

RGB 179 255 74

HSL 85.19, 1%, 0.65%

LAB 92.4, -49.1, 74.55

 

CMYK 23 / 0 / 64 / 0

HEX #C4FF5D

RGB 196 255 93

HSL 81.85, 1%, 0.68%

LAB 93.47, -41.75, 68.96

 

CMYK 39 / 0 / 89 / 21

HEX #7BC916

RGB 123 201 22

HSL 86.15, 0.8%, 0.44%

LAB 73.57, -48.71, 70.3

 

CMYK 42 / 0 / 98 / 28

HEX #6AB703

RGB 106 183 3

HSL 85.67, 0.97%, 0.36%

LAB 67.23, -47.65, 67.35

 

CMYK 46 / 0 / 100 / 35

HEX #59A500

RGB 89 165 0

HSL 87.64, 1%, 0.32%

LAB 60.81, -46.23, 62.39

 

CMYK 51 / 0 / 100 / 42

HEX #489300

RGB 72 147 0

HSL 90.61, 1%, 0.29%

LAB 54.29, -44.64, 56.97

 

CMYK 57 / 0 / 100 / 49

HEX #378100

RGB 55 129 0

HSL 94.42, 1%, 0.25%

LAB 47.64, -42.88, 51.47

 

CMYK 39 / 0 / 89 / 21

HEX #7CCA16

RGB 124 202 22

HSL 86, 0.8%, 0.44%

LAB 73.92, -48.77, 70.61

 

CMYK 15 / 0 / 89 / 21

HEX #ACCA16

RGB 172 202 22

HSL 70, 0.8%, 0.44%

LAB 76.72, -30.42, 74.06

 

CMYK 0 / 9 / 89 / 21

HEX #CAB716

RGB 202 183 22

HSL 53.67, 0.8%, 0.44%

LAB 73.86, -8.19, 72.77

 

CMYK 0 / 33 / 89 / 21

HEX #CA8716

RGB 202 135 22

HSL 37.67, 0.8%, 0.44%

LAB 61.6, 17.51, 63.2

 

CMYK 0 / 57 / 89 / 21

HEX #CA5716

RGB 202 87 22

HSL 21.67, 0.8%, 0.44%

LAB 51.19, 42.73, 55.18

 

CMYK 39 / 0 / 89 / 21

HEX #7CCA16

RGB 124 202 22

HSL 86, 0.8%, 0.44%

LAB 73.92, -48.77, 70.61

 

CMYK 63 / 0 / 89 / 21

HEX #4BCA16

RGB 75 202 22

HSL 102.33, 0.8%, 0.44%

LAB 72.09, -62.94, 68.33

 

CMYK 87 / 0 / 89 / 21

HEX #1BCA16

RGB 27 202 22

HSL 118.33, 0.8%, 0.44%

LAB 71.24, -70.34, 67.26

 

CMYK 89 / 0 / 67 / 21

HEX #16CA42

RGB 22 202 66

HSL 134.67, 0.8%, 0.44%

LAB 71.42, -67.82, 54.22

 

CMYK 89 / 0 / 43 / 21

HEX #16CA73

RGB 22 202 115

HSL 151, 0.8%, 0.44%

LAB 71.99, -60.87, 32

 

CMYK 39 / 0 / 89 / 21

HEX #7CCA16

RGB 124 202 22

HSL 86, 0.8%, 0.44%

LAB 73.92, -48.77, 70.61

 

CMYK 43 / 0 / 98 / 14

HEX #7EDC04

RGB 126 220 4

HSL 86.11, 0.96%, 0.44%

LAB 79.4, -55.52, 77.21

 

CMYK 39 / 0 / 89 / 21

HEX #7CCA16

RGB 124 202 22

HSL 86, 0.8%, 0.44%

LAB 73.92, -48.77, 70.61

 

CMYK 34 / 0 / 78 / 28

HEX #79B829

RGB 121 184 41

HSL 86.43, 0.64%, 0.44%

LAB 68.39, -41.59, 61.08

 

CMYK 28 / 0 / 64 / 35

HEX #77A63B

RGB 119 166 59

HSL 86.36, 0.48%, 0.44%

LAB 62.94, -33.09, 48.79

 

CMYK 20 / 0 / 48 / 42

HEX #75934D

RGB 117 147 77

HSL 85.71, 0.31%, 0.44%

LAB 57.26, -22.84, 33.51

 

CMYK 12 / 0 / 26 / 49

HEX #72815F

RGB 114 129 95

HSL 86.47, 0.15%, 0.44%

LAB 51.95, -12, 16.66

 

CMYK 0 / 9 / 89 / 21

HEX #CAB816

RGB 202 184 22

HSL 54, 0.8%, 0.44%

LAB 74.12, -8.71, 72.98

 

CMYK 15 / 0 / 89 / 21

HEX #ACCA16

RGB 172 202 22

HSL 70, 0.8%, 0.44%

LAB 76.72, -30.42, 74.06

 

CMYK 39 / 0 / 89 / 21

HEX #7CCA16

RGB 124 202 22

HSL 86, 0.8%, 0.44%

LAB 73.92, -48.77, 70.61

 

CMYK 62 / 0 / 89 / 21

HEX #4CCA16

RGB 76 202 22

HSL 102, 0.8%, 0.44%

LAB 72.12, -62.72, 68.36

 

CMYK 86 / 0 / 89 / 21

HEX #1CCA16

RGB 28 202 22

HSL 118, 0.8%, 0.44%

LAB 71.25, -70.26, 67.27

 

CMYK 39 / 0 / 89 / 50

HEX #4E800E

RGB 78 128 14

HSL 86.32, 0.8%, 0.28%

LAB 48.37, -34.25, 49.67

 

CMYK 39 / 0 / 89 / 35

HEX #65A512

RGB 101 165 18

HSL 86.12, 0.8%, 0.36%

LAB 61.41, -41.67, 60.39

 

CMYK 39 / 0 / 89 / 21

HEX #7CCA16

RGB 124 202 22

HSL 86, 0.8%, 0.44%

LAB 73.92, -48.77, 70.61

 

CMYK 37 / 0 / 85 / 9

HEX #91E723

RGB 145 231 35

HSL 86.33, 0.8%, 0.52%

LAB 83.6, -52.87, 76.72

 

CMYK 30 / 0 / 69 / 8

HEX #A4EB48

RGB 164 235 72

HSL 86.13, 0.8%, 0.6%

LAB 85.89, -46.1, 68.46

 

CMYK 39 / 0 / 89 / 21

HEX #7BC916

RGB 123 201 22

HSL 86.15, 0.8%, 0.44%

LAB 73.57, -48.71, 70.3

 

CMYK 89 / 0 / 33 / 21

HEX #16CA88

RGB 22 202 136

HSL 158, 0.8%, 0.44%

LAB 72.35, -56.7, 21.54

 

CMYK 0 / 89 / 3 / 21

HEX #CA16C4

RGB 202 22 196

HSL 302, 0.8%, 0.44%

LAB 48.41, 79.43, -46.98

 

CMYK 39 / 0 / 89 / 21

HEX #7BC916

RGB 123 201 22

HSL 86.15, 0.8%, 0.44%

LAB 73.57, -48.71, 70.3

 

CMYK 89 / 39 / 0 / 21

HEX #167CCA

RGB 22 124 202

HSL 206, 0.8%, 0.44%

LAB 50.51, 1.5, -47.97

 

CMYK 0 / 89 / 39 / 21

HEX #CA167C

RGB 202 22 124

HSL 326, 0.8%, 0.44%

LAB 45.06, 70.61, -9.15

 

CMYK 39 / 0 / 89 / 21

HEX #7BC916

RGB 123 201 22

HSL 86.15, 0.8%, 0.44%

LAB 73.57, -48.71, 70.3

 

CMYK 89 / 0 / 33 / 21

HEX #16CA88

RGB 22 202 136

HSL 158, 0.8%, 0.44%

LAB 72.35, -56.7, 21.54

 

CMYK 50 / 89 / 0 / 21

HEX #6416CA

RGB 100 22 202

HSL 266, 0.8%, 0.44%

LAB 33.02, 65.94, -76.18

 

CMYK 0 / 89 / 56 / 21

HEX #CA1658

RGB 202 22 88

HSL 338, 0.8%, 0.44%

LAB 44, 67.65, 11.69

 

CMYK 39 / 0 / 89 / 21

HEX #7BC916

RGB 123 201 22

HSL 86.15, 0.8%, 0.44%

LAB 73.57, -48.71, 70.3

 

CMYK 89 / 0 / 6 / 21

HEX #16CABE

RGB 22 202 190

HSL 176, 0.8%, 0.44%

LAB 73.63, -43.1, -5.71

 

CMYK 50 / 89 / 0 / 21

HEX #6416CA

RGB 100 22 202

HSL 266, 0.8%, 0.44%

LAB 33.02, 65.94, -76.18

 

CMYK 0 / 89 / 83 / 21

HEX #CA1622

RGB 202 22 34

HSL 356, 0.8%, 0.44%

LAB 43.13, 65.2, 43.23

 

Description

Color code: HEX #7BC916 | qconv.com Color code: HEX #7BC916 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 201 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 201 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 89 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 89% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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