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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BC809 it is the complementary color #8437F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BC809. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BC809 shade: #80C804, #91DA17, #A2EC2A, #B3FE3D and #C4FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BC809. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BC809 shade: #7BC809, #6AB600, #59A400, #489200 and #378000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BC809 shade: #7BC809, #AEC809, #C8AE09, #C87A09 and #C84709

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BC809 shade: #7BC809, #48C809, #14C809, #09C832 and #09C865

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BC809 shade matches the following richer shades: #7BC809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BC809 shade: #7BC809, #78B71A, #74A62B, #71953C and #6E844D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BC809 shade: #C8AE09, #AEC809, #7CC809, #49C809 and #16C809

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BC809 shade: #4A7906, #63A008, #7BC809, #93EF0B and #A5F52E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BC809 shade: #7BC809, #09C87C and #C809C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BC809 shade: #7BC809, #097CC8 and #C8097C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BC809 shade: #7BC809, #09C87C, #5609C8 and #C80956

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BC809 shade: #7BC809, #09C8B5, #5609C8 and #C8091C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

Complementary color

CMYK 46 / 78 / 0 / 4

HEX #8437F6

RGB 132 55 246

HSL 264.19, 0.91%, 0.59%

LAB 44.65, 69.35, -82.08

 

CMYK 36 / 0 / 98 / 22

HEX #80C804

RGB 128 200 4

HSL 82.04, 0.96%, 0.4%

LAB 73.48, -46.88, 72.6

 

CMYK 33 / 0 / 89 / 15

HEX #91DA17

RGB 145 218 23

HSL 82.46, 0.81%, 0.47%

LAB 79.74, -47.91, 75.69

 

CMYK 31 / 0 / 82 / 7

HEX #A2EC2A

RGB 162 236 42

HSL 82.89, 0.84%, 0.55%

LAB 85.93, -48.74, 77.51

 

CMYK 30 / 0 / 76 / 0

HEX #B3FE3D

RGB 179 254 61

HSL 83.32, 0.99%, 0.62%

LAB 92.04, -49.37, 78.34

 

CMYK 23 / 0 / 69 / 0

HEX #C4FF50

RGB 196 255 80

HSL 80.23, 1%, 0.66%

LAB 93.38, -42.61, 73.75

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 42 / 0 / 100 / 29

HEX #6AB600

RGB 106 182 0

HSL 85.05, 1%, 0.36%

LAB 66.92, -47.31, 67.47

 

CMYK 46 / 0 / 100 / 36

HEX #59A400

RGB 89 164 0

HSL 87.44, 1%, 0.32%

LAB 60.49, -45.83, 62.14

 

CMYK 51 / 0 / 100 / 43

HEX #489200

RGB 72 146 0

HSL 90.41, 1%, 0.29%

LAB 53.96, -44.25, 56.72

 

CMYK 57 / 0 / 100 / 50

HEX #378000

RGB 55 128 0

HSL 94.22, 1%, 0.25%

LAB 47.3, -42.49, 51.2

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 13 / 0 / 96 / 22

HEX #AEC809

RGB 174 200 9

HSL 68.17, 0.91%, 0.41%

LAB 76.27, -28.86, 75.45

 

CMYK 0 / 13 / 96 / 22

HEX #C8AE09

RGB 200 174 9

HSL 51.83, 0.91%, 0.41%

LAB 71.26, -4.57, 72.61

 

CMYK 0 / 39 / 96 / 22

HEX #C87A09

RGB 200 122 9

HSL 35.5, 0.91%, 0.41%

LAB 58.24, 23.52, 63.26

 

CMYK 0 / 65 / 96 / 22

HEX #C84709

RGB 200 71 9

HSL 19.48, 0.91%, 0.41%

LAB 48.01, 49.16, 56.52

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 64 / 0 / 96 / 22

HEX #48C809

RGB 72 200 9

HSL 100.21, 0.91%, 0.41%

LAB 71.35, -63.26, 69.48

 

CMYK 90 / 0 / 96 / 22

HEX #14C809

RGB 20 200 9

HSL 116.54, 0.91%, 0.41%

LAB 70.51, -70.65, 68.43

 

CMYK 96 / 0 / 75 / 22

HEX #09C832

RGB 9 200 50

HSL 132.88, 0.91%, 0.41%

LAB 70.59, -69.34, 59.3

 

CMYK 96 / 0 / 50 / 22

HEX #09C865

RGB 9 200 101

HSL 148.9, 0.91%, 0.41%

LAB 71.08, -63.25, 37.87

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 34 / 0 / 86 / 28

HEX #78B71A

RGB 120 183 26

HSL 84.08, 0.75%, 0.41%

LAB 67.97, -42.17, 64.7

 

CMYK 30 / 0 / 74 / 35

HEX #74A62B

RGB 116 166 43

HSL 84.39, 0.59%, 0.41%

LAB 62.64, -35.39, 54.79

 

CMYK 24 / 0 / 60 / 42

HEX #71953C

RGB 113 149 60

HSL 84.27, 0.43%, 0.41%

LAB 57.4, -27.27, 42.1

 

CMYK 17 / 0 / 42 / 48

HEX #6E844D

RGB 110 132 77

HSL 84, 0.26%, 0.41%

LAB 52.23, -17.91, 27.09

 

CMYK 0 / 13 / 96 / 22

HEX #C8AE09

RGB 200 174 9

HSL 51.83, 0.91%, 0.41%

LAB 71.26, -4.57, 72.61

 

CMYK 13 / 0 / 96 / 22

HEX #AEC809

RGB 174 200 9

HSL 68.17, 0.91%, 0.41%

LAB 76.27, -28.86, 75.45

 

CMYK 38 / 0 / 96 / 22

HEX #7CC809

RGB 124 200 9

HSL 83.87, 0.91%, 0.41%

LAB 73.29, -48.22, 71.85

 

CMYK 64 / 0 / 96 / 22

HEX #49C809

RGB 73 200 9

HSL 99.9, 0.91%, 0.41%

LAB 71.38, -63.04, 69.51

 

CMYK 89 / 0 / 96 / 22

HEX #16C809

RGB 22 200 9

HSL 115.92, 0.91%, 0.41%

LAB 70.52, -70.51, 68.45

 

CMYK 39 / 0 / 95 / 53

HEX #4A7906

RGB 74 121 6

HSL 84.52, 0.91%, 0.25%

LAB 45.83, -32.9, 49.13

 

CMYK 38 / 0 / 95 / 37

HEX #63A008

RGB 99 160 8

HSL 84.08, 0.9%, 0.33%

LAB 59.72, -40.52, 60.58

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 38 / 0 / 95 / 6

HEX #93EF0B

RGB 147 239 11

HSL 84.21, 0.91%, 0.49%

LAB 85.99, -55.88, 82.21

 

CMYK 33 / 0 / 81 / 4

HEX #A5F52E

RGB 165 245 46

HSL 84.12, 0.91%, 0.57%

LAB 88.69, -51.24, 79.05

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 96 / 0 / 38 / 22

HEX #09C87C

RGB 9 200 124

HSL 156.13, 0.91%, 0.41%

LAB 71.43, -59.07, 26.59

 

CMYK 0 / 96 / 0 / 22

HEX #C809C8

RGB 200 9 200

HSL 300, 0.91%, 0.41%

LAB 47.81, 81.08, -50.27

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 96 / 38 / 0 / 22

HEX #097CC8

RGB 9 124 200

HSL 203.87, 0.91%, 0.41%

LAB 50.27, 0.14, -47.22

 

CMYK 0 / 96 / 38 / 22

HEX #C8097C

RGB 200 9 124

HSL 323.87, 0.91%, 0.41%

LAB 44.13, 71.73, -10.59

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 96 / 0 / 38 / 22

HEX #09C87C

RGB 9 200 124

HSL 156.13, 0.91%, 0.41%

LAB 71.43, -59.07, 26.59

 

CMYK 57 / 96 / 0 / 22

HEX #5609C8

RGB 86 9 200

HSL 264.19, 0.91%, 0.41%

LAB 30.26, 66.89, -79.62

 

CMYK 0 / 96 / 57 / 22

HEX #C80956

RGB 200 9 86

HSL 335.81, 0.91%, 0.41%

LAB 42.98, 68.65, 11.48

 

CMYK 39 / 0 / 96 / 22

HEX #7BC809

RGB 123 200 9

HSL 84.19, 0.91%, 0.41%

LAB 73.25, -48.57, 71.79

 

CMYK 96 / 0 / 10 / 22

HEX #09C8B5

RGB 9 200 181

HSL 174.03, 0.91%, 0.41%

LAB 72.7, -45.29, -2.21

 

CMYK 57 / 96 / 0 / 22

HEX #5609C8

RGB 86 9 200

HSL 264.19, 0.91%, 0.41%

LAB 30.26, 66.89, -79.62

 

CMYK 0 / 96 / 86 / 22

HEX #C8091C

RGB 200 9 28

HSL 354.03, 0.91%, 0.41%

LAB 42.09, 66.19, 45.26

 

Description

Color code: HEX #7BC809 | qconv.com Color code: HEX #7BC809 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 200 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 200 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 96 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 96% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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