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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BBCDC it is the complementary color #844323. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BBCDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BBCDC shade: #80BCD7, #91CEEA, #A2E0FD, #B3F2FF and #C4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BBCDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BBCDC shade: #7BBCDC, #6AAAC9, #5998B6, #4886A3 and #377490

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BBCDC shade: #7ABBDC, #7AA1DC, #7A87DC, #887ADC and #A27ADC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BBCDC shade: #7ABBDC, #7AA1DC, #7A87DC and #7A7ADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BBCDC shade matches the following richer shades: #7ABBDC, #6CC0E9 and #5FC5F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BBCDC shade: #7ABBDC, #88B7CE, #95B2C0, #A3AEB3 and #B1A9A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BBCDC shade: #7ADCC7, #7AD7DC, #7ABDDC, #7AA3DC and #7A89DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BBCDC shade: #399ACA, #59ABD3, #7ABBDC, #9BCCE4 and #BBDDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BBCDC shade: #7BBCDC, #AC7ADC and #DCD47A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BBCDC shade: #7BBCDC, #DC7ABD and #BDDC7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BBCDC shade: #7BBCDC, #AC7ADC, #DC997A and #A9DC7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BBCDC shade: #7BBCDC, #CA7ADC, #DC997A and #8CDC7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 15 / 0 / 14

HEX #7BBCDC

RGB 123 188 220

HSL 199.79, 0.58%, 0.67%

LAB 73.12, -12.36, -22.51

 

Complementary color

CMYK 0 / 49 / 73 / 48

HEX #844323

RGB 132 67 35

HSL 19.79, 0.58%, 0.33%

LAB 36.06, 25.2, 31.36

 

CMYK 40 / 13 / 0 / 16

HEX #80BCD7

RGB 128 188 215

HSL 198.62, 0.52%, 0.67%

LAB 73.2, -12.44, -19.65

 

CMYK 38 / 12 / 0 / 8

HEX #91CEEA

RGB 145 206 234

HSL 198.88, 0.68%, 0.74%

LAB 79.67, -12.56, -20

 

CMYK 36 / 11 / 0 / 1

HEX #A2E0FD

RGB 162 224 253

HSL 199.12, 0.96%, 0.81%

LAB 86.05, -12.66, -20.35

 

CMYK 30 / 5 / 0 / 0

HEX #B3F2FF

RGB 179 242 255

HSL 190.26, 1%, 0.85%

LAB 91.82, -16.7, -12.63

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 44 / 15 / 0 / 14

HEX #7BBCDC

RGB 123 188 220

HSL 199.79, 0.58%, 0.67%

LAB 73.12, -12.36, -22.51

 

CMYK 47 / 15 / 0 / 21

HEX #6AAAC9

RGB 106 170 201

HSL 199.58, 0.47%, 0.6%

LAB 66.54, -12.13, -22.18

 

CMYK 51 / 16 / 0 / 29

HEX #5998B6

RGB 89 152 182

HSL 199.35, 0.39%, 0.53%

LAB 59.85, -11.83, -21.86

 

CMYK 56 / 18 / 0 / 36

HEX #4886A3

RGB 72 134 163

HSL 199.12, 0.39%, 0.46%

LAB 53.03, -11.43, -21.52

 

CMYK 62 / 19 / 0 / 44

HEX #377490

RGB 55 116 144

HSL 198.88, 0.45%, 0.39%

LAB 46.06, -10.87, -21.17

 

CMYK 45 / 15 / 0 / 14

HEX #7ABBDC

RGB 122 187 220

HSL 200.2, 0.58%, 0.67%

LAB 72.79, -12.08, -23.01

 

CMYK 45 / 27 / 0 / 14

HEX #7AA1DC

RGB 122 161 220

HSL 216.12, 0.58%, 0.67%

LAB 65.59, 2.18, -34.1

 

CMYK 45 / 39 / 0 / 14

HEX #7A87DC

RGB 122 135 220

HSL 232.04, 0.58%, 0.67%

LAB 58.63, 17.25, -44.99

 

CMYK 38 / 45 / 0 / 14

HEX #887ADC

RGB 136 122 220

HSL 248.57, 0.58%, 0.67%

LAB 56.41, 28.45, -48.45

 

CMYK 26 / 45 / 0 / 14

HEX #A27ADC

RGB 162 122 220

HSL 264.49, 0.58%, 0.67%

LAB 58.76, 35.39, -44.57

 

CMYK 45 / 15 / 0 / 14

HEX #7ABBDC

RGB 122 187 220

HSL 200.2, 0.58%, 0.67%

LAB 72.79, -12.08, -23.01

 

CMYK 45 / 27 / 0 / 14

HEX #7AA1DC

RGB 122 161 220

HSL 216.12, 0.58%, 0.67%

LAB 65.59, 2.18, -34.1

 

CMYK 45 / 39 / 0 / 14

HEX #7A87DC

RGB 122 135 220

HSL 232.04, 0.58%, 0.67%

LAB 58.63, 17.25, -44.99

 

CMYK 45 / 45 / 0 / 14

HEX #7A7ADC

RGB 122 122 220

HSL 240, 0.58%, 0.67%

LAB 55.3, 24.97, -50.27

 

CMYK 45 / 15 / 0 / 14

HEX #7ABBDC

RGB 122 187 220

HSL 200.2, 0.58%, 0.67%

LAB 72.79, -12.08, -23.01

 

CMYK 54 / 18 / 0 / 9

HEX #6CC0E9

RGB 108 192 233

HSL 199.68, 0.74%, 0.67%

LAB 74.04, -14.23, -28.2

 

CMYK 62 / 20 / 0 / 3

HEX #5FC5F7

RGB 95 197 247

HSL 199.74, 0.9%, 0.67%

LAB 75.5, -15.16, -33.54

 

CMYK 45 / 15 / 0 / 14

HEX #7ABBDC

RGB 122 187 220

HSL 200.2, 0.58%, 0.67%

LAB 72.79, -12.08, -23.01

 

CMYK 34 / 11 / 0 / 19

HEX #88B7CE

RGB 136 183 206

HSL 199.71, 0.42%, 0.67%

LAB 71.93, -9.94, -16.61

 

CMYK 22 / 7 / 0 / 25

HEX #95B2C0

RGB 149 178 192

HSL 199.53, 0.25%, 0.67%

LAB 70.9, -6.76, -10.41

 

CMYK 9 / 3 / 0 / 30

HEX #A3AEB3

RGB 163 174 179

HSL 198.75, 0.1%, 0.67%

LAB 70.39, -2.84, -3.89

 

CMYK 0 / 5 / 7 / 31

HEX #B1A9A5

RGB 177 169 165

HSL 20, 0.07%, 0.67%

LAB 69.78, 2.15, 3.08

 

CMYK 45 / 0 / 10 / 14

HEX #7ADCC7

RGB 122 220 199

HSL 167.14, 0.58%, 0.67%

LAB 81.54, -33.84, 1.34

 

CMYK 45 / 2 / 0 / 14

HEX #7AD7DC

RGB 122 215 220

HSL 183.06, 0.58%, 0.67%

LAB 80.69, -26.35, -11.1

 

CMYK 45 / 14 / 0 / 14

HEX #7ABDDC

RGB 122 189 220

HSL 198.98, 0.58%, 0.67%

LAB 73.35, -13.14, -22.16

 

CMYK 45 / 26 / 0 / 14

HEX #7AA3DC

RGB 122 163 220

HSL 214.9, 0.58%, 0.67%

LAB 66.14, 1.05, -33.25

 

CMYK 45 / 38 / 0 / 14

HEX #7A89DC

RGB 122 137 220

HSL 230.82, 0.58%, 0.67%

LAB 59.16, 16.07, -44.17

 

CMYK 72 / 24 / 0 / 21

HEX #399ACA

RGB 57 154 202

HSL 199.86, 0.58%, 0.51%

LAB 60.11, -12.45, -32.81

 

CMYK 58 / 19 / 0 / 17

HEX #59ABD3

RGB 89 171 211

HSL 199.67, 0.58%, 0.59%

LAB 66.48, -13.44, -27.87

 

CMYK 45 / 15 / 0 / 14

HEX #7ABBDC

RGB 122 187 220

HSL 200.2, 0.58%, 0.67%

LAB 72.79, -12.08, -23.01

 

CMYK 32 / 11 / 0 / 11

HEX #9BCCE4

RGB 155 204 228

HSL 199.73, 0.57%, 0.75%

LAB 79.47, -10.3, -17.03

 

CMYK 21 / 7 / 0 / 7

HEX #BBDDED

RGB 187 221 237

HSL 199.2, 0.58%, 0.83%

LAB 86.2, -7.74, -11.54

 

CMYK 44 / 15 / 0 / 14

HEX #7BBCDC

RGB 123 188 220

HSL 199.79, 0.58%, 0.67%

LAB 73.12, -12.36, -22.51

 

CMYK 22 / 45 / 0 / 14

HEX #AC7ADC

RGB 172 122 220

HSL 270.61, 0.58%, 0.67%

LAB 59.76, 38.17, -42.93

 

CMYK 0 / 4 / 45 / 14

HEX #DCD47A

RGB 220 212 122

HSL 55.1, 0.58%, 0.67%

LAB 83.81, -9.64, 45.32

 

CMYK 44 / 15 / 0 / 14

HEX #7BBCDC

RGB 123 188 220

HSL 199.79, 0.58%, 0.67%

LAB 73.12, -12.36, -22.51

 

CMYK 0 / 45 / 14 / 14

HEX #DC7ABD

RGB 220 122 189

HSL 318.98, 0.58%, 0.67%

LAB 64.01, 46.74, -18.46

 

CMYK 14 / 0 / 45 / 14

HEX #BDDC7A

RGB 189 220 122

HSL 78.98, 0.58%, 0.67%

LAB 83.66, -25.68, 44.62

 

CMYK 44 / 15 / 0 / 14

HEX #7BBCDC

RGB 123 188 220

HSL 199.79, 0.58%, 0.67%

LAB 73.12, -12.36, -22.51

 

CMYK 22 / 45 / 0 / 14

HEX #AC7ADC

RGB 172 122 220

HSL 270.61, 0.58%, 0.67%

LAB 59.76, 38.17, -42.93

 

CMYK 0 / 30 / 45 / 14

HEX #DC997A

RGB 220 153 122

HSL 18.98, 0.58%, 0.67%

LAB 69.04, 21.45, 26.36

 

CMYK 23 / 0 / 45 / 14

HEX #A9DC7A

RGB 169 220 122

HSL 91.22, 0.58%, 0.67%

LAB 82.39, -33.06, 42.77

 

CMYK 44 / 15 / 0 / 14

HEX #7BBCDC

RGB 123 188 220

HSL 199.79, 0.58%, 0.67%

LAB 73.12, -12.36, -22.51

 

CMYK 8 / 45 / 0 / 14

HEX #CA7ADC

RGB 202 122 220

HSL 288.98, 0.58%, 0.67%

LAB 63.05, 46.76, -37.54

 

CMYK 0 / 30 / 45 / 14

HEX #DC997A

RGB 220 153 122

HSL 18.98, 0.58%, 0.67%

LAB 69.04, 21.45, 26.36

 

CMYK 36 / 0 / 45 / 14

HEX #8CDC7A

RGB 140 220 122

HSL 108.98, 0.58%, 0.67%

LAB 80.83, -42.93, 40.47

 

Description

Color code: HEX #7BBCDC | qconv.com Color code: HEX #7BBCDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 188 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 188 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 15 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 15% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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