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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BAEFF3F it is the complementary color #8451003F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BAEFF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BAEFF3F shade: #80AEFA3F, #91C0FF3F, #A2D2FF3F, #B3E4FF3F and #C4F6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BAEFF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BAEFF3F shade: #7BAEFF3F, #6A9CEC3F, #598AD93F, #4878C63F and #3766B33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BAEFF3F shade: #7AAEFF, #7A8AFF, #8F7AFF, #B27AFF and #D67AFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BAEFF3F shade: #7AAEFF, #7A8AFF and #7A7AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BAEFF3F shade matches the following richer shades: #7AAEFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BAEFF3F shade: #7AAEFF, #85B0F4, #90B3EA, #9BB5DF and #A5B7D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BAEFF3F shade: #7AF6FF, #7AD3FF, #7AAFFF, #7A8CFF and #8C7AFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BAEFF3F shade: #287BFF, #5194FF, #7AAEFF, #A4C7FF and #CDE0FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BAEFF3F shade: #7BAEFF, #E47AFF and #E4FF7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BAEFF3F shade: #7BAEFF, #FF7AAF and #AFFF7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BAEFF3F shade: #7BAEFF, #E47AFF, #FFCA7A and #95FF7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BAEFF3F shade: #7BAEFF, #FF7AF2, #FFCA7A and #7AFF88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 0

HEX #7BAEFF3F

RGBA 123 174 255 0.25

HSLA 216.82, 1%, 0.74%, 0.25

LABA 70.67, 5.32, -45.29, 0.25

 

Complementary color

CMYK 0 / 10 / 25 / 12

HEX #8451003F

RGBA 132 81 0 0.25

HSLA 36.82, 1%, 0.26%, 0.25

LABA 39.23, 15.95, 48.07, 0.25

 

CMYK 12 / 8 / 0 / 0

HEX #80AEFA3F

RGBA 128 174 250 0.25

HSLA 217.38, 0.92%, 0.74%, 0.25

LABA 70.71, 4.95, -42.5, 0.25

 

CMYK 11 / 6 / 0 / 0

HEX #91C0FF3F

RGBA 145 192 255 0.25

HSLA 214.36, 1%, 0.78%, 0.25

LABA 76.64, 0.44, -35.89, 0.25

 

CMYK 9 / 4 / 0 / 0

HEX #A2D2FF3F

RGBA 162 210 255 0.25

HSLA 209.03, 1%, 0.82%, 0.25

LABA 82.38, -4.88, -26.99, 0.25

 

CMYK 7 / 3 / 0 / 0

HEX #B3E4FF3F

RGBA 179 228 255 0.25

HSLA 201.32, 1%, 0.85%, 0.25

LABA 88.11, -9.62, -18.2, 0.25

 

CMYK 6 / 1 / 0 / 0

HEX #C4F6FF3F

RGBA 196 246 255 0.25

HSLA 189.15, 1%, 0.88%, 0.25

LABA 93.83, -13.89, -9.55, 0.25

 

CMYK 13 / 8 / 0 / 0

HEX #7BAEFF3F

RGBA 123 174 255 0.25

HSLA 216.82, 1%, 0.74%, 0.25

LABA 70.67, 5.32, -45.29, 0.25

 

CMYK 14 / 8 / 0 / 2

HEX #6A9CEC3F

RGBA 106 156 236 0.25

HSLA 216.92, 0.77%, 0.67%, 0.25

LABA 64.08, 6.16, -45.34, 0.25

 

CMYK 15 / 9 / 0 / 4

HEX #598AD93F

RGBA 89 138 217 0.25

HSLA 217.03, 0.63%, 0.6%, 0.25

LABA 57.38, 7.18, -45.42, 0.25

 

CMYK 16 / 10 / 0 / 6

HEX #4878C63F

RGBA 72 120 198 0.25

HSLA 217.14, 0.53%, 0.53%, 0.25

LABA 50.56, 8.43, -45.53, 0.25

 

CMYK 17 / 11 / 0 / 7

HEX #3766B33F

RGBA 55 102 179 0.25

HSLA 217.26, 0.53%, 0.46%, 0.25

LABA 43.61, 10, -45.65, 0.25

 

CMYK 52 / 32 / 0 / 0

HEX #7AAEFF

RGB 122 174 255

HSL 216.54, 1%, 0.74%

LAB 70.61, 5.1, -45.37

 

CMYK 52 / 46 / 0 / 0

HEX #7A8AFF

RGB 122 138 255

HSL 232.78, 1%, 0.74%

LAB 61.25, 25.97, -60.21

 

CMYK 44 / 52 / 0 / 0

HEX #8F7AFF

RGB 143 122 255

HSL 249.47, 1%, 0.74%

LAB 58.95, 39.81, -63.8

 

CMYK 30 / 52 / 0 / 0

HEX #B27AFF

RGB 178 122 255

HSL 265.26, 1%, 0.74%

LAB 62.17, 47.99, -58.47

 

CMYK 16 / 52 / 0 / 0

HEX #D67AFF

RGB 214 122 255

HSL 281.5, 1%, 0.74%

LAB 66.09, 57.05, -52.01

 

CMYK 52 / 32 / 0 / 0

HEX #7AAEFF

RGB 122 174 255

HSL 216.54, 1%, 0.74%

LAB 70.61, 5.1, -45.37

 

CMYK 52 / 46 / 0 / 0

HEX #7A8AFF

RGB 122 138 255

HSL 232.78, 1%, 0.74%

LAB 61.25, 25.97, -60.21

 

CMYK 52 / 52 / 0 / 0

HEX #7A7AFF

RGB 122 122 255

HSL 240, 1%, 0.74%

LAB 57.34, 35.41, -66.48

 

CMYK 52 / 32 / 0 / 0

HEX #7AAEFF

RGB 122 174 255

HSL 216.54, 1%, 0.74%

LAB 70.61, 5.1, -45.37

 

CMYK 52 / 32 / 0 / 0

HEX #7AAEFF

RGB 122 174 255

HSL 216.54, 1%, 0.74%

LAB 70.61, 5.1, -45.37

 

CMYK 45 / 28 / 0 / 4

HEX #85B0F4

RGB 133 176 244

HSL 216.76, 0.83%, 0.74%

LAB 71.26, 3.28, -38.36

 

CMYK 38 / 24 / 0 / 8

HEX #90B3EA

RGB 144 179 234

HSL 216.67, 0.68%, 0.74%

LAB 72.3, 1.65, -31.27

 

CMYK 30 / 19 / 0 / 13

HEX #9BB5DF

RGB 155 181 223

HSL 217.06, 0.52%, 0.74%

LAB 73.12, 0.78, -23.98

 

CMYK 22 / 14 / 0 / 17

HEX #A5B7D4

RGB 165 183 212

HSL 217.02, 0.35%, 0.74%

LAB 73.95, 0.07, -16.67

 

CMYK 52 / 4 / 0 / 0

HEX #7AF6FF

RGB 122 246 255

HSL 184.06, 1%, 0.74%

LAB 90.45, -32.22, -14.95

 

CMYK 52 / 17 / 0 / 0

HEX #7AD3FF

RGB 122 211 255

HSL 199.85, 1%, 0.74%

LAB 80.71, -14.92, -29.71

 

CMYK 52 / 31 / 0 / 0

HEX #7AAFFF

RGB 122 175 255

HSL 216.09, 1%, 0.74%

LAB 70.88, 4.54, -44.95

 

CMYK 52 / 45 / 0 / 0

HEX #7A8CFF

RGB 122 140 255

HSL 231.88, 1%, 0.74%

LAB 61.75, 24.79, -59.41

 

CMYK 45 / 52 / 0 / 0

HEX #8C7AFF

RGB 140 122 255

HSL 248.12, 1%, 0.74%

LAB 58.71, 39.15, -64.21

 

CMYK 84 / 52 / 0 / 0

HEX #287BFF

RGB 40 123 255

HSL 216.84, 1%, 0.58%

LAB 53.85, 23.51, -72.3

 

CMYK 68 / 42 / 0 / 0

HEX #5194FF

RGB 81 148 255

HSL 216.9, 1%, 0.66%

LAB 61.78, 12.69, -59.48

 

CMYK 52 / 32 / 0 / 0

HEX #7AAEFF

RGB 122 174 255

HSL 216.54, 1%, 0.74%

LAB 70.61, 5.1, -45.37

 

CMYK 36 / 22 / 0 / 0

HEX #A4C7FF

RGB 164 199 255

HSL 216.92, 1%, 0.82%

LAB 79.59, 1.53, -31.25

 

CMYK 20 / 12 / 0 / 0

HEX #CDE0FF

RGB 205 224 255

HSL 217.2, 1%, 0.9%

LAB 88.69, 0.03, -17.16

 

CMYK 52 / 32 / 0 / 0

HEX #7BAEFF

RGB 123 174 255

HSL 216.82, 1%, 0.74%

LAB 70.67, 5.32, -45.29

 

CMYK 11 / 52 / 0 / 0

HEX #E47AFF

RGB 228 122 255

HSL 287.82, 1%, 0.74%

LAB 67.75, 60.67, -49.27

 

CMYK 11 / 0 / 52 / 0

HEX #E4FF7A

RGB 228 255 122

HSL 72.18, 1%, 0.74%

LAB 95.76, -27.46, 59.83

 

CMYK 52 / 32 / 0 / 0

HEX #7BAEFF

RGB 123 174 255

HSL 216.82, 1%, 0.74%

LAB 70.67, 5.32, -45.29

 

CMYK 0 / 52 / 31 / 0

HEX #FF7AAF

RGB 255 122 175

HSL 336.09, 1%, 0.74%

LAB 68.22, 55.98, -3.76

 

CMYK 31 / 0 / 52 / 0

HEX #AFFF7A

RGB 175 255 122

HSL 96.09, 1%, 0.74%

LAB 92.59, -46.54, 55.31

 

CMYK 52 / 32 / 0 / 0

HEX #7BAEFF

RGB 123 174 255

HSL 216.82, 1%, 0.74%

LAB 70.67, 5.32, -45.29

 

CMYK 11 / 52 / 0 / 0

HEX #E47AFF

RGB 228 122 255

HSL 287.82, 1%, 0.74%

LAB 67.75, 60.67, -49.27

 

CMYK 0 / 21 / 52 / 0

HEX #FFCA7A

RGB 255 202 122

HSL 36.09, 1%, 0.74%

LAB 84.44, 9.57, 46.79

 

CMYK 42 / 0 / 52 / 0

HEX #95FF7A

RGB 149 255 122

HSL 107.82, 1%, 0.74%

LAB 91.38, -54.76, 53.56

 

CMYK 52 / 32 / 0 / 0

HEX #7BAEFF

RGB 123 174 255

HSL 216.82, 1%, 0.74%

LAB 70.67, 5.32, -45.29

 

CMYK 0 / 52 / 5 / 0

HEX #FF7AF2

RGB 255 122 242

HSL 305.86, 1%, 0.74%

LAB 70.59, 65.54, -37.46

 

CMYK 0 / 21 / 52 / 0

HEX #FFCA7A

RGB 255 202 122

HSL 36.09, 1%, 0.74%

LAB 84.44, 9.57, 46.79

 

CMYK 52 / 0 / 47 / 0

HEX #7AFF88

RGB 122 255 136

HSL 126.32, 1%, 0.74%

LAB 90.52, -60.34, 45.75

 

Description

Color code: HEX #7BAEFF3F | qconv.com Color code: HEX #7BAEFF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 174 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 174 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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