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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B9C0F it is the complementary color #8463F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B9C0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B9C0F shade: #809C0A, #91AE1D, #A2C030, #B3D243 and #C4E456

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B9C0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B9C0F shade: #7B9C0F, #6A8A00, #597800, #486600 and #375400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B9C0F shade: #7D9E10, #9E9910, #9E7210, #9E4C10 and #9E2610

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B9C0F shade: #7D9E10, #569E10, #309E10, #109E16 and #109E3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B9C0F shade matches the following richer shades: #7D9E10 and #84AC02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B9C0F shade: #7D9E10, #75901E, #6E822C, #66743A and #5F6648

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B9C0F shade: #9E7310, #9E9910, #7D9E10, #579E10 and #319E10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B9C0F shade: #415308, #5F780C, #7D9E10, #9AC313 and #B7E818

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B9C0F shade: #7B9C0F, #109E4D and #86109E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B9C0F shade: #7B9C0F, #107D9E and #9E107D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B9C0F shade: #7B9C0F, #109E4D, #31109E and #9E1060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B9C0F shade: #7B9C0F, #109E78, #31109E and #9E1036

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 90 / 39

HEX #7B9C0F

RGB 123 156 15

HSL 74.04, 0.82%, 0.34%

LAB 59.91, -29.09, 60.23

 

Complementary color

CMYK 45 / 59 / 0 / 6

HEX #8463F0

RGB 132 99 240

HSL 254.04, 0.82%, 0.66%

LAB 51.97, 46.33, -66.78

 

CMYK 18 / 0 / 94 / 39

HEX #809C0A

RGB 128 156 10

HSL 71.51, 0.88%, 0.33%

LAB 60.24, -27.08, 61.45

 

CMYK 17 / 0 / 83 / 32

HEX #91AE1D

RGB 145 174 29

HSL 72, 0.71%, 0.4%

LAB 66.81, -28.11, 63.58

 

CMYK 16 / 0 / 75 / 25

HEX #A2C030

RGB 162 192 48

HSL 72.5, 0.6%, 0.47%

LAB 73.28, -28.91, 64.33

 

CMYK 15 / 0 / 68 / 18

HEX #B3D243

RGB 179 210 67

HSL 73.01, 0.61%, 0.54%

LAB 79.66, -29.54, 64.26

 

CMYK 14 / 0 / 62 / 11

HEX #C4E456

RGB 196 228 86

HSL 73.52, 0.72%, 0.62%

LAB 85.95, -30.02, 63.71

 

CMYK 21 / 0 / 90 / 39

HEX #7B9C0F

RGB 123 156 15

HSL 74.04, 0.82%, 0.34%

LAB 59.91, -29.09, 60.23

 

CMYK 23 / 0 / 100 / 46

HEX #6A8A00

RGB 106 138 0

HSL 73.91, 1%, 0.27%

LAB 53.21, -27.93, 56.93

 

CMYK 26 / 0 / 100 / 53

HEX #597800

RGB 89 120 0

HSL 75.5, 1%, 0.24%

LAB 46.39, -26.46, 51.24

 

CMYK 29 / 0 / 100 / 60

HEX #486600

RGB 72 102 0

HSL 77.65, 1%, 0.2%

LAB 39.38, -24.97, 45.41

 

CMYK 35 / 0 / 100 / 67

HEX #375400

RGB 55 84 0

HSL 80.71, 1%, 0.16%

LAB 32.15, -23.44, 39.39

 

CMYK 21 / 0 / 90 / 38

HEX #7D9E10

RGB 125 158 16

HSL 73.94, 0.82%, 0.34%

LAB 60.65, -29.19, 60.71

 

CMYK 0 / 3 / 90 / 38

HEX #9E9910

RGB 158 153 16

HSL 57.89, 0.82%, 0.34%

LAB 61.73, -12.21, 62.64

 

CMYK 0 / 28 / 90 / 38

HEX #9E7210

RGB 158 114 16

HSL 41.41, 0.82%, 0.34%

LAB 51.08, 9.28, 54.21

 

CMYK 0 / 52 / 90 / 38

HEX #9E4C10

RGB 158 76 16

HSL 25.35, 0.82%, 0.34%

LAB 41.96, 30.65, 47.04

 

CMYK 0 / 76 / 90 / 38

HEX #9E2610

RGB 158 38 16

HSL 9.3, 0.82%, 0.34%

LAB 35.39, 48.03, 41.93

 

CMYK 21 / 0 / 90 / 38

HEX #7D9E10

RGB 125 158 16

HSL 73.94, 0.82%, 0.34%

LAB 60.65, -29.19, 60.71

 

CMYK 46 / 0 / 90 / 38

HEX #569E10

RGB 86 158 16

HSL 90.42, 0.82%, 0.34%

LAB 58.48, -44.05, 58.02

 

CMYK 70 / 0 / 90 / 38

HEX #309E10

RGB 48 158 16

HSL 106.48, 0.82%, 0.34%

LAB 57.19, -54.35, 56.41

 

CMYK 90 / 0 / 86 / 38

HEX #109E16

RGB 16 158 22

HSL 122.54, 0.82%, 0.34%

LAB 56.71, -58.54, 54.47

 

CMYK 90 / 0 / 62 / 38

HEX #109E3C

RGB 16 158 60

HSL 138.59, 0.82%, 0.34%

LAB 56.97, -55.22, 40.73

 

CMYK 21 / 0 / 90 / 38

HEX #7D9E10

RGB 125 158 16

HSL 73.94, 0.82%, 0.34%

LAB 60.65, -29.19, 60.71

 

CMYK 23 / 0 / 99 / 33

HEX #84AC02

RGB 132 172 2

HSL 74.12, 0.98%, 0.34%

LAB 65.29, -33.14, 66.58

 

CMYK 21 / 0 / 90 / 38

HEX #7D9E10

RGB 125 158 16

HSL 73.94, 0.82%, 0.34%

LAB 60.65, -29.19, 60.71

 

CMYK 19 / 0 / 79 / 44

HEX #75901E

RGB 117 144 30

HSL 74.21, 0.66%, 0.34%

LAB 55.91, -25.27, 52.83

 

CMYK 15 / 0 / 66 / 49

HEX #6E822C

RGB 110 130 44

HSL 73.95, 0.49%, 0.34%

LAB 51.22, -20.35, 42.62

 

CMYK 12 / 0 / 50 / 55

HEX #66743A

RGB 102 116 58

HSL 74.48, 0.33%, 0.34%

LAB 46.47, -15.09, 30.11

 

CMYK 7 / 0 / 29 / 60

HEX #5F6648

RGB 95 102 72

HSL 74, 0.17%, 0.34%

LAB 41.85, -8.38, 16.1

 

CMYK 0 / 27 / 90 / 38

HEX #9E7310

RGB 158 115 16

HSL 41.83, 0.82%, 0.34%

LAB 51.35, 8.72, 54.42

 

CMYK 0 / 3 / 90 / 38

HEX #9E9910

RGB 158 153 16

HSL 57.89, 0.82%, 0.34%

LAB 61.73, -12.21, 62.64

 

CMYK 21 / 0 / 90 / 38

HEX #7D9E10

RGB 125 158 16

HSL 73.94, 0.82%, 0.34%

LAB 60.65, -29.19, 60.71

 

CMYK 45 / 0 / 90 / 38

HEX #579E10

RGB 87 158 16

HSL 90, 0.82%, 0.34%

LAB 58.52, -43.72, 58.08

 

CMYK 69 / 0 / 90 / 38

HEX #319E10

RGB 49 158 16

HSL 106.06, 0.82%, 0.34%

LAB 57.22, -54.15, 56.44

 

CMYK 22 / 0 / 90 / 67

HEX #415308

RGB 65 83 8

HSL 74.4, 0.82%, 0.18%

LAB 32.54, -18.01, 37.24

 

CMYK 21 / 0 / 90 / 53

HEX #5F780C

RGB 95 120 12

HSL 73.89, 0.82%, 0.26%

LAB 46.83, -23.52, 49.24

 

CMYK 21 / 0 / 90 / 38

HEX #7D9E10

RGB 125 158 16

HSL 73.94, 0.82%, 0.34%

LAB 60.65, -29.19, 60.71

 

CMYK 21 / 0 / 90 / 24

HEX #9AC313

RGB 154 195 19

HSL 73.98, 0.82%, 0.42%

LAB 73.51, -34.55, 71.45

 

CMYK 21 / 0 / 90 / 9

HEX #B7E818

RGB 183 232 24

HSL 74.13, 0.82%, 0.5%

LAB 85.93, -39.66, 81.47

 

CMYK 21 / 0 / 90 / 39

HEX #7B9C0F

RGB 123 156 15

HSL 74.04, 0.82%, 0.34%

LAB 59.91, -29.09, 60.23

 

CMYK 90 / 0 / 51 / 38

HEX #109E4D

RGB 16 158 77

HSL 145.77, 0.82%, 0.34%

LAB 57.17, -52.73, 32.62

 

CMYK 15 / 90 / 0 / 38

HEX #86109E

RGB 134 16 158

HSL 289.86, 0.82%, 0.34%

LAB 33.79, 62.55, -48.53

 

CMYK 21 / 0 / 90 / 39

HEX #7B9C0F

RGB 123 156 15

HSL 74.04, 0.82%, 0.34%

LAB 59.91, -29.09, 60.23

 

CMYK 90 / 21 / 0 / 38

HEX #107D9E

RGB 16 125 158

HSL 193.94, 0.82%, 0.34%

LAB 48.57, -16.03, -25.62

 

CMYK 0 / 90 / 21 / 38

HEX #9E107D

RGB 158 16 125

HSL 313.94, 0.82%, 0.34%

LAB 36.21, 62, -24.07

 

CMYK 21 / 0 / 90 / 39

HEX #7B9C0F

RGB 123 156 15

HSL 74.04, 0.82%, 0.34%

LAB 59.91, -29.09, 60.23

 

CMYK 90 / 0 / 51 / 38

HEX #109E4D

RGB 16 158 77

HSL 145.77, 0.82%, 0.34%

LAB 57.17, -52.73, 32.62

 

CMYK 69 / 90 / 0 / 38

HEX #31109E

RGB 49 16 158

HSL 253.94, 0.82%, 0.34%

LAB 21.92, 52.2, -68.45

 

CMYK 0 / 90 / 39 / 38

HEX #9E1060

RGB 158 16 96

HSL 326.2, 0.82%, 0.34%

LAB 34.97, 58.64, -7.58

 

CMYK 21 / 0 / 90 / 39

HEX #7B9C0F

RGB 123 156 15

HSL 74.04, 0.82%, 0.34%

LAB 59.91, -29.09, 60.23

 

CMYK 90 / 0 / 24 / 38

HEX #109E78

RGB 16 158 120

HSL 163.94, 0.82%, 0.34%

LAB 57.96, -43.7, 10.27

 

CMYK 69 / 90 / 0 / 38

HEX #31109E

RGB 49 16 158

HSL 253.94, 0.82%, 0.34%

LAB 21.92, 52.2, -68.45

 

CMYK 0 / 90 / 66 / 38

HEX #9E1036

RGB 158 16 54

HSL 343.94, 0.82%, 0.34%

LAB 33.79, 55.31, 18.11

 

Description

Color code: HEX #7B9C0F | qconv.com Color code: HEX #7B9C0F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 156 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 156 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 90 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 90% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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