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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B8F26 it is the complementary color #8470D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B8F26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B8F26 shade: #808F21, #91A134, #A2B347, #B3C55A and #C4D76D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B8F26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B8F26 shade: #7B8F26, #6A7D13, #596B00, #485900 and #374700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B8F26 shade: #798D25, #8D8525, #8D6925, #8D4D25 and #8D3125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B8F26 shade: #798D25, #5D8D25, #418D25, #268D25 and #258D41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B8F26 shade matches the following richer shades: #798D25, #829B17 and #8BAA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B8F26 shade: #798D25, #707F34, #677042, #5E6251 and #56535F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B8F26 shade: #8D6925, #8D8425, #7A8D25, #5E8D25 and #438D25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B8F26 shade: #414C14, #5D6C1D, #798D25, #95AE2E and #AFCB3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B8F26 shade: #7B8F26, #258D4D and #77258D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B8F26 shade: #7B8F26, #257A8D and #8D257A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B8F26 shade: #7B8F26, #258D4D, #38258D and #8D2565

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B8F26 shade: #7B8F26, #258D6C, #38258D and #8D2546

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 73 / 44

HEX #7B8F26

RGB 123 143 38

HSL 71.43, 0.58%, 0.35%

LAB 56.08, -21.77, 50.36

 

Complementary color

CMYK 39 / 48 / 0 / 15

HEX #8470D9

RGB 132 112 217

HSL 251.43, 0.58%, 0.65%

LAB 53.5, 32.48, -51.41

 

CMYK 10 / 0 / 77 / 44

HEX #808F21

RGB 128 143 33

HSL 68.18, 0.63%, 0.35%

LAB 56.43, -19.85, 52.62

 

CMYK 10 / 0 / 68 / 37

HEX #91A134

RGB 145 161 52

HSL 68.81, 0.51%, 0.42%

LAB 63.14, -20.59, 52.48

 

CMYK 9 / 0 / 60 / 30

HEX #A2B347

RGB 162 179 71

HSL 69.44, 0.43%, 0.49%

LAB 69.74, -21.15, 51.77

 

CMYK 9 / 0 / 54 / 23

HEX #B3C55A

RGB 179 197 90

HSL 70.09, 0.48%, 0.56%

LAB 76.23, -21.58, 50.8

 

CMYK 9 / 0 / 49 / 16

HEX #C4D76D

RGB 196 215 109

HSL 70.75, 0.57%, 0.64%

LAB 82.62, -21.91, 49.72

 

CMYK 14 / 0 / 73 / 44

HEX #7B8F26

RGB 123 143 38

HSL 71.43, 0.58%, 0.35%

LAB 56.08, -21.77, 50.36

 

CMYK 15 / 0 / 85 / 51

HEX #6A7D13

RGB 106 125 19

HSL 70.75, 0.74%, 0.28%

LAB 49.23, -20.95, 49.84

 

CMYK 17 / 0 / 100 / 58

HEX #596B00

RGB 89 107 0

HSL 70.09, 1%, 0.21%

LAB 42.21, -19.89, 48.08

 

CMYK 19 / 0 / 100 / 65

HEX #485900

RGB 72 89 0

HSL 71.46, 1%, 0.17%

LAB 35.05, -18.28, 42.12

 

CMYK 23 / 0 / 100 / 72

HEX #374700

RGB 55 71 0

HSL 73.52, 1%, 0.14%

LAB 27.62, -16.63, 35.83

 

CMYK 14 / 0 / 74 / 45

HEX #798D25

RGB 121 141 37

HSL 71.54, 0.58%, 0.35%

LAB 55.33, -21.68, 49.94

 

CMYK 0 / 6 / 74 / 45

HEX #8D8525

RGB 141 133 37

HSL 55.38, 0.58%, 0.35%

LAB 54.63, -8.5, 49.83

 

CMYK 0 / 26 / 74 / 45

HEX #8D6925

RGB 141 105 37

HSL 39.23, 0.58%, 0.35%

LAB 46.84, 7.32, 42.11

 

CMYK 0 / 45 / 74 / 45

HEX #8D4D25

RGB 141 77 37

HSL 23.08, 0.58%, 0.35%

LAB 39.76, 23.56, 34.69

 

CMYK 0 / 65 / 74 / 45

HEX #8D3125

RGB 141 49 37

HSL 6.92, 0.58%, 0.35%

LAB 33.97, 38.32, 28.28

 

CMYK 14 / 0 / 74 / 45

HEX #798D25

RGB 121 141 37

HSL 71.54, 0.58%, 0.35%

LAB 55.33, -21.68, 49.94

 

CMYK 34 / 0 / 74 / 45

HEX #5D8D25

RGB 93 141 37

HSL 87.69, 0.58%, 0.35%

LAB 53.5, -33.2, 47.53

 

CMYK 54 / 0 / 74 / 45

HEX #418D25

RGB 65 141 37

HSL 103.85, 0.58%, 0.35%

LAB 52.18, -42.79, 45.77

 

CMYK 73 / 0 / 74 / 45

HEX #268D25

RGB 38 141 37

HSL 119.42, 0.58%, 0.35%

LAB 51.38, -49.31, 44.69

 

CMYK 74 / 0 / 54 / 45

HEX #258D41

RGB 37 141 65

HSL 136.15, 0.58%, 0.35%

LAB 51.64, -46.11, 32.04

 

CMYK 14 / 0 / 74 / 45

HEX #798D25

RGB 121 141 37

HSL 71.54, 0.58%, 0.35%

LAB 55.33, -21.68, 49.94

 

CMYK 16 / 0 / 85 / 39

HEX #829B17

RGB 130 155 23

HSL 71.36, 0.74%, 0.35%

LAB 60.11, -25.41, 58.89

 

CMYK 18 / 0 / 95 / 33

HEX #8BAA09

RGB 139 170 9

HSL 71.55, 0.9%, 0.35%

LAB 65.17, -29.19, 65.79

 

CMYK 14 / 0 / 74 / 45

HEX #798D25

RGB 121 141 37

HSL 71.54, 0.58%, 0.35%

LAB 55.33, -21.68, 49.94

 

CMYK 12 / 0 / 59 / 50

HEX #707F34

RGB 112 127 52

HSL 72, 0.42%, 0.35%

LAB 50.54, -17.25, 38.16

 

CMYK 8 / 0 / 41 / 56

HEX #677042

RGB 103 112 66

HSL 71.74, 0.26%, 0.35%

LAB 45.45, -11.47, 24.43

 

CMYK 4 / 0 / 17 / 62

HEX #5E6251

RGB 94 98 81

HSL 74.12, 0.09%, 0.35%

LAB 40.75, -4.94, 9.16

 

CMYK 9 / 13 / 0 / 63

HEX #56535F

RGB 86 83 95

HSL 255, 0.07%, 0.35%

LAB 35.97, 3.87, -6.52

 

CMYK 0 / 26 / 74 / 45

HEX #8D6925

RGB 141 105 37

HSL 39.23, 0.58%, 0.35%

LAB 46.84, 7.32, 42.11

 

CMYK 0 / 6 / 74 / 45

HEX #8D8425

RGB 141 132 37

HSL 54.81, 0.58%, 0.35%

LAB 54.34, -7.95, 49.55

 

CMYK 13 / 0 / 74 / 45

HEX #7A8D25

RGB 122 141 37

HSL 70.96, 0.58%, 0.35%

LAB 55.4, -21.25, 50.04

 

CMYK 33 / 0 / 74 / 45

HEX #5E8D25

RGB 94 141 37

HSL 87.12, 0.58%, 0.35%

LAB 53.56, -32.82, 47.61

 

CMYK 52 / 0 / 74 / 45

HEX #438D25

RGB 67 141 37

HSL 102.69, 0.58%, 0.35%

LAB 52.26, -42.19, 45.87

 

CMYK 14 / 0 / 74 / 70

HEX #414C14

RGB 65 76 20

HSL 71.79, 0.58%, 0.19%

LAB 30.26, -13.43, 30.49

 

CMYK 14 / 0 / 73 / 58

HEX #5D6C1D

RGB 93 108 29

HSL 71.39, 0.58%, 0.27%

LAB 42.97, -17.39, 40.18

 

CMYK 14 / 0 / 74 / 45

HEX #798D25

RGB 121 141 37

HSL 71.54, 0.58%, 0.35%

LAB 55.33, -21.68, 49.94

 

CMYK 14 / 0 / 74 / 32

HEX #95AE2E

RGB 149 174 46

HSL 71.72, 0.58%, 0.43%

LAB 67.17, -25.71, 58.86

 

CMYK 14 / 0 / 71 / 20

HEX #AFCB3A

RGB 175 203 58

HSL 71.59, 0.58%, 0.51%

LAB 77.36, -28.35, 65.16

 

CMYK 14 / 0 / 73 / 44

HEX #7B8F26

RGB 123 143 38

HSL 71.43, 0.58%, 0.35%

LAB 56.08, -21.77, 50.36

 

CMYK 74 / 0 / 45 / 45

HEX #258D4D

RGB 37 141 77

HSL 143.08, 0.58%, 0.35%

LAB 51.81, -44.09, 25.9

 

CMYK 16 / 74 / 0 / 45

HEX #77258D

RGB 119 37 141

HSL 287.31, 0.58%, 0.35%

LAB 32.19, 50.42, -40.83

 

CMYK 14 / 0 / 73 / 44

HEX #7B8F26

RGB 123 143 38

HSL 71.43, 0.58%, 0.35%

LAB 56.08, -21.77, 50.36

 

CMYK 74 / 13 / 0 / 45

HEX #257A8D

RGB 37 122 141

HSL 190.96, 0.58%, 0.35%

LAB 47.28, -18.29, -17.58

 

CMYK 0 / 74 / 13 / 45

HEX #8D257A

RGB 141 37 122

HSL 310.96, 0.58%, 0.35%

LAB 34.78, 52.25, -24.66

 

CMYK 14 / 0 / 73 / 44

HEX #7B8F26

RGB 123 143 38

HSL 71.43, 0.58%, 0.35%

LAB 56.08, -21.77, 50.36

 

CMYK 74 / 0 / 45 / 45

HEX #258D4D

RGB 37 141 77

HSL 143.08, 0.58%, 0.35%

LAB 51.81, -44.09, 25.9

 

CMYK 60 / 74 / 0 / 45

HEX #38258D

RGB 56 37 141

HSL 250.96, 0.58%, 0.35%

LAB 23.96, 38.35, -54.57

 

CMYK 0 / 74 / 28 / 45

HEX #8D2565

RGB 141 37 101

HSL 323.08, 0.58%, 0.35%

LAB 33.83, 49.26, -12.84

 

CMYK 14 / 0 / 73 / 44

HEX #7B8F26

RGB 123 143 38

HSL 71.43, 0.58%, 0.35%

LAB 56.08, -21.77, 50.36

 

CMYK 74 / 0 / 23 / 45

HEX #258D6C

RGB 37 141 108

HSL 160.96, 0.58%, 0.35%

LAB 52.43, -37.36, 9.31

 

CMYK 60 / 74 / 0 / 45

HEX #38258D

RGB 56 37 141

HSL 250.96, 0.58%, 0.35%

LAB 23.96, 38.35, -54.57

 

CMYK 0 / 74 / 50 / 45

HEX #8D2546

RGB 141 37 70

HSL 340.96, 0.58%, 0.35%

LAB 32.76, 45.78, 5.68

 

Description

Color code: HEX #7B8F26 | qconv.com Color code: HEX #7B8F26 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 143 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 143 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 73 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 73% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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