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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B82FB it is the complementary color #847D04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B82FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B82FB shade: #8082F6, #9194FF, #A2A6FF, #B3B8FF and #C4CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B82FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B82FB shade: #7B82FB, #6A70E8, #595ED5, #484CC2 and #373AAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B82FB shade: #7981FB, #9579FB, #B879FB, #DB79FB and #FB79F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B82FB shade: #7981FB and #7979FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B82FB shade matches the following richer shades: #7981FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B82FB shade: #7981FB, #858AF0, #9094E5, #9B9ED9 and #A6A8CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B82FB shade: #79C7FB, #79A5FB, #7982FB, #9379FB and #B679FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B82FB shade: #2935F8, #515BFA, #7981FB, #A1A6FC and #C9CCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B82FB shade: #7B82FB, #FB79EA and #B6FB79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B82FB shade: #7B82FB, #FB7982 and #82FB79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B82FB shade: #7B82FB, #FB79EA, #FBF279 and #79FB8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B82FB shade: #7B82FB, #FB79C3, #FBF279 and #79FBB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 48 / 0 / 2

HEX #7B82FB

RGB 123 130 251

HSL 236.72, 0.94%, 0.73%

LAB 59.1, 29.68, -61.44

 

Complementary color

CMYK 0 / 5 / 97 / 48

HEX #847D04

RGB 132 125 4

HSL 56.72, 0.94%, 0.27%

LAB 51.36, -9.35, 55.7

 

CMYK 48 / 47 / 0 / 4

HEX #8082F6

RGB 128 130 246

HSL 238.98, 0.87%, 0.73%

LAB 59.17, 29.26, -58.57

 

CMYK 43 / 42 / 0 / 0

HEX #9194FF

RGB 145 148 255

HSL 238.36, 1%, 0.78%

LAB 65.29, 25.28, -53.68

 

CMYK 36 / 35 / 0 / 0

HEX #A2A6FF

RGB 162 166 255

HSL 237.42, 1%, 0.82%

LAB 70.99, 19.27, -44.61

 

CMYK 30 / 28 / 0 / 0

HEX #B3B8FF

RGB 179 184 255

HSL 236.05, 1%, 0.85%

LAB 76.73, 13.86, -35.58

 

CMYK 23 / 21 / 0 / 0

HEX #C4CAFF

RGB 196 202 255

HSL 233.9, 1%, 0.88%

LAB 82.48, 8.98, -26.63

 

CMYK 51 / 48 / 0 / 2

HEX #7B82FB

RGB 123 130 251

HSL 236.72, 0.94%, 0.73%

LAB 59.1, 29.68, -61.44

 

CMYK 54 / 52 / 0 / 9

HEX #6A70E8

RGB 106 112 232

HSL 237.14, 0.73%, 0.66%

LAB 52.37, 31.12, -61.76

 

CMYK 58 / 56 / 0 / 16

HEX #595ED5

RGB 89 94 213

HSL 237.58, 0.6%, 0.59%

LAB 45.54, 32.78, -62.1

 

CMYK 63 / 61 / 0 / 24

HEX #484CC2

RGB 72 76 194

HSL 238.03, 0.5%, 0.52%

LAB 38.62, 34.72, -62.42

 

CMYK 69 / 67 / 0 / 31

HEX #373AAF

RGB 55 58 175

HSL 238.5, 0.52%, 0.45%

LAB 31.65, 36.96, -62.64

 

CMYK 52 / 49 / 0 / 2

HEX #7981FB

RGB 121 129 251

HSL 236.31, 0.94%, 0.73%

LAB 58.72, 29.86, -62.06

 

CMYK 41 / 52 / 0 / 2

HEX #9579FB

RGB 149 121 251

HSL 252.92, 0.94%, 0.73%

LAB 59, 40.63, -61.5

 

CMYK 27 / 52 / 0 / 2

HEX #B879FB

RGB 184 121 251

HSL 269.08, 0.94%, 0.73%

LAB 62.36, 49.06, -55.93

 

CMYK 13 / 52 / 0 / 2

HEX #DB79FB

RGB 219 121 251

HSL 285.23, 0.94%, 0.73%

LAB 66.29, 58.04, -49.46

 

CMYK 0 / 52 / 1 / 2

HEX #FB79F8

RGB 251 121 248

HSL 301.38, 0.94%, 0.73%

LAB 70.15, 65.92, -41.47

 

CMYK 52 / 49 / 0 / 2

HEX #7981FB

RGB 121 129 251

HSL 236.31, 0.94%, 0.73%

LAB 58.72, 29.86, -62.06

 

CMYK 52 / 52 / 0 / 2

HEX #7979FB

RGB 121 121 251

HSL 240, 0.94%, 0.73%

LAB 56.79, 34.59, -65.17

 

CMYK 52 / 49 / 0 / 2

HEX #7981FB

RGB 121 129 251

HSL 236.31, 0.94%, 0.73%

LAB 58.72, 29.86, -62.06

 

CMYK 52 / 49 / 0 / 2

HEX #7981FB

RGB 121 129 251

HSL 236.31, 0.94%, 0.73%

LAB 58.72, 29.86, -62.06

 

CMYK 45 / 43 / 0 / 6

HEX #858AF0

RGB 133 138 240

HSL 237.2, 0.78%, 0.73%

LAB 61.18, 23.96, -52.02

 

CMYK 37 / 35 / 0 / 10

HEX #9094E5

RGB 144 148 229

HSL 237.18, 0.62%, 0.73%

LAB 63.97, 17.84, -41.49

 

CMYK 29 / 27 / 0 / 15

HEX #9B9ED9

RGB 155 158 217

HSL 237.1, 0.45%, 0.73%

LAB 66.85, 12.1, -30.31

 

CMYK 19 / 18 / 0 / 19

HEX #A6A8CE

RGB 166 168 206

HSL 237, 0.29%, 0.73%

LAB 69.87, 7.25, -19.54

 

CMYK 52 / 21 / 0 / 2

HEX #79C7FB

RGB 121 199 251

HSL 204, 0.94%, 0.73%

LAB 77.21, -9.99, -32.97

 

CMYK 52 / 34 / 0 / 2

HEX #79A5FB

RGB 121 165 251

HSL 219.69, 0.94%, 0.73%

LAB 67.98, 8.79, -47.36

 

CMYK 52 / 48 / 0 / 2

HEX #7982FB

RGB 121 130 251

HSL 235.85, 0.94%, 0.73%

LAB 58.97, 29.27, -61.67

 

CMYK 41 / 52 / 0 / 2

HEX #9379FB

RGB 147 121 251

HSL 252, 0.94%, 0.73%

LAB 58.83, 40.17, -61.78

 

CMYK 27 / 52 / 0 / 2

HEX #B679FB

RGB 182 121 251

HSL 268.15, 0.94%, 0.73%

LAB 62.16, 48.56, -56.28

 

CMYK 83 / 79 / 0 / 3

HEX #2935F8

RGB 41 53 248

HSL 236.52, 0.94%, 0.57%

LAB 37.47, 62.54, -95.29

 

CMYK 68 / 64 / 0 / 2

HEX #515BFA

RGB 81 91 250

HSL 236.45, 0.94%, 0.65%

LAB 47.15, 45.54, -80.38

 

CMYK 52 / 49 / 0 / 2

HEX #7981FB

RGB 121 129 251

HSL 236.31, 0.94%, 0.73%

LAB 58.72, 29.86, -62.06

 

CMYK 36 / 34 / 0 / 1

HEX #A1A6FC

RGB 161 166 252

HSL 236.7, 0.94%, 0.81%

LAB 70.79, 18.21, -43.31

 

CMYK 21 / 19 / 0 / 1

HEX #C9CCFD

RGB 201 204 253

HSL 236.54, 0.93%, 0.89%

LAB 83.28, 8.96, -24.32

 

CMYK 51 / 48 / 0 / 2

HEX #7B82FB

RGB 123 130 251

HSL 236.72, 0.94%, 0.73%

LAB 59.1, 29.68, -61.44

 

CMYK 0 / 52 / 7 / 2

HEX #FB79EA

RGB 251 121 234

HSL 307.85, 0.94%, 0.73%

LAB 69.56, 63.61, -34.7

 

CMYK 27 / 0 / 52 / 2

HEX #B6FB79

RGB 182 251 121

HSL 91.85, 0.94%, 0.73%

LAB 91.83, -42.54, 54.94

 

CMYK 51 / 48 / 0 / 2

HEX #7B82FB

RGB 123 130 251

HSL 236.72, 0.94%, 0.73%

LAB 59.1, 29.68, -61.44

 

CMYK 0 / 52 / 48 / 2

HEX #FB7982

RGB 251 121 130

HSL 355.85, 0.94%, 0.73%

LAB 66.36, 50.35, 18.95

 

CMYK 48 / 0 / 52 / 2

HEX #82FB79

RGB 130 251 121

HSL 115.85, 0.94%, 0.73%

LAB 89.45, -58.7, 51.52

 

CMYK 51 / 48 / 0 / 2

HEX #7B82FB

RGB 123 130 251

HSL 236.72, 0.94%, 0.73%

LAB 59.1, 29.68, -61.44

 

CMYK 0 / 52 / 7 / 2

HEX #FB79EA

RGB 251 121 234

HSL 307.85, 0.94%, 0.73%

LAB 69.56, 63.61, -34.7

 

CMYK 0 / 4 / 52 / 2

HEX #FBF279

RGB 251 242 121

HSL 55.85, 0.94%, 0.73%

LAB 94.05, -12.35, 58.71

 

CMYK 52 / 0 / 45 / 2

HEX #79FB8B

RGB 121 251 139

HSL 128.31, 0.94%, 0.73%

LAB 89.36, -58.62, 42.83

 

CMYK 51 / 48 / 0 / 2

HEX #7B82FB

RGB 123 130 251

HSL 236.72, 0.94%, 0.73%

LAB 59.1, 29.68, -61.44

 

CMYK 0 / 52 / 22 / 2

HEX #FB79C3

RGB 251 121 195

HSL 325.85, 0.94%, 0.73%

LAB 68.11, 57.79, -15.23

 

CMYK 0 / 4 / 52 / 2

HEX #FBF279

RGB 251 242 121

HSL 55.85, 0.94%, 0.73%

LAB 94.05, -12.35, 58.71

 

CMYK 52 / 0 / 29 / 2

HEX #79FBB2

RGB 121 251 178

HSL 146.31, 0.94%, 0.73%

LAB 89.99, -52.09, 24.25

 

Description

Color code: HEX #7B82FB | qconv.com Color code: HEX #7B82FB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 130 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 130 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 48 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 48% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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