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Color name
HEX #7B810D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B810D it is the complementary color #847EF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B810D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B810D shade: #808108, #91931B, #A2A52E, #B3B741 and #C4C954

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B810D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B810D shade: #7B810D, #6A6F00, #595D00, #484B00 and #373900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B810D shade: #7C820D, #82680D, #82490D, #82290D and #820D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B810D shade: #7C820D, #5C820D, #3D820D, #1D820D and #0D821C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B810D shade matches the following richer shades: #7C820D and #868E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B810D shade: #7C820D, #727618, #676B24, #5D5F30 and #52543B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B810D shade: #82490D, #82690D, #7C820D, #5D820D and #3E820D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B810D shade: #343705, #585C09, #7C820D, #A0A711 and #C3CD14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B810D shade: #7B810D, #0D822A and #590D82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B810D shade: #7B810D, #0D7C82 and #820D7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B810D shade: #7B810D, #0D822A, #130D82 and #820D65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B810D shade: #7B810D, #0D824D, #130D82 and #820D42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 90 / 49

HEX #7B810D

RGB 123 129 13

HSL 63.1, 0.82%, 0.28%

LAB 51.77, -15.51, 53.98

 

Complementary color

CMYK 45 / 48 / 0 / 5

HEX #847EF2

RGB 132 126 242

HSL 243.1, 0.82%, 0.72%

LAB 58.26, 31.34, -57.78

 

CMYK 1 / 0 / 94 / 49

HEX #808108

RGB 128 129 8

HSL 60.5, 0.88%, 0.27%

LAB 52.18, -13.31, 55.43

 

CMYK 1 / 0 / 82 / 42

HEX #91931B

RGB 145 147 27

HSL 61, 0.69%, 0.34%

LAB 58.94, -14.61, 57.28

 

CMYK 2 / 0 / 72 / 35

HEX #A2A52E

RGB 162 165 46

HSL 61.51, 0.56%, 0.41%

LAB 65.58, -15.63, 57.67

 

CMYK 2 / 0 / 64 / 28

HEX #B3B741

RGB 179 183 65

HSL 62.03, 0.48%, 0.49%

LAB 72.12, -16.45, 57.28

 

CMYK 2 / 0 / 58 / 21

HEX #C4C954

RGB 196 201 84

HSL 62.56, 0.52%, 0.56%

LAB 78.55, -17.11, 56.49

 

CMYK 5 / 0 / 90 / 49

HEX #7B810D

RGB 123 129 13

HSL 63.1, 0.82%, 0.28%

LAB 51.77, -15.51, 53.98

 

CMYK 5 / 0 / 100 / 56

HEX #6A6F00

RGB 106 111 0

HSL 62.7, 1%, 0.22%

LAB 44.85, -14.06, 50.66

 

CMYK 4 / 0 / 100 / 64

HEX #595D00

RGB 89 93 0

HSL 62.58, 1%, 0.18%

LAB 37.76, -12.28, 44.77

 

CMYK 4 / 0 / 100 / 71

HEX #484B00

RGB 72 75 0

HSL 62.4, 1%, 0.15%

LAB 30.42, -10.43, 38.67

 

CMYK 4 / 0 / 100 / 78

HEX #373900

RGB 55 57 0

HSL 62.11, 1%, 0.11%

LAB 22.79, -8.5, 31.26

 

CMYK 5 / 0 / 90 / 49

HEX #7C820D

RGB 124 130 13

HSL 63.08, 0.82%, 0.28%

LAB 52.15, -15.58, 54.32

 

CMYK 0 / 20 / 90 / 49

HEX #82680D

RGB 130 104 13

HSL 46.67, 0.82%, 0.28%

LAB 45.19, 1.75, 48.93

 

CMYK 0 / 44 / 90 / 49

HEX #82490D

RGB 130 73 13

HSL 30.77, 0.82%, 0.28%

LAB 37, 19.98, 42.32

 

CMYK 0 / 68 / 90 / 49

HEX #82290D

RGB 130 41 13

HSL 14.36, 0.82%, 0.28%

LAB 30.3, 37.01, 36.89

 

CMYK 0 / 90 / 90 / 49

HEX #820D0D

RGB 130 13 13

HSL 0, 0.82%, 0.28%

LAB 26.91, 46.44, 34.08

 

CMYK 5 / 0 / 90 / 49

HEX #7C820D

RGB 124 130 13

HSL 63.08, 0.82%, 0.28%

LAB 52.15, -15.58, 54.32

 

CMYK 29 / 0 / 90 / 49

HEX #5C820D

RGB 92 130 13

HSL 79.49, 0.82%, 0.28%

LAB 49.82, -29.66, 51.45

 

CMYK 53 / 0 / 90 / 49

HEX #3D820D

RGB 61 130 13

HSL 95.38, 0.82%, 0.28%

LAB 48.24, -41.03, 49.47

 

CMYK 78 / 0 / 90 / 49

HEX #1D820D

RGB 29 130 13

HSL 111.79, 0.82%, 0.28%

LAB 47.31, -48.74, 48.3

 

CMYK 90 / 0 / 78 / 49

HEX #0D821C

RGB 13 130 28

HSL 127.69, 0.82%, 0.28%

LAB 47.15, -49.86, 43.68

 

CMYK 5 / 0 / 90 / 49

HEX #7C820D

RGB 124 130 13

HSL 63.08, 0.82%, 0.28%

LAB 52.15, -15.58, 54.32

 

CMYK 6 / 0 / 99 / 44

HEX #868E01

RGB 134 142 1

HSL 63.4, 0.99%, 0.28%

LAB 56.5, -17.56, 60.15

 

CMYK 5 / 0 / 90 / 49

HEX #7C820D

RGB 124 130 13

HSL 63.08, 0.82%, 0.28%

LAB 52.15, -15.58, 54.32

 

CMYK 3 / 0 / 80 / 54

HEX #727618

RGB 114 118 24

HSL 62.55, 0.66%, 0.28%

LAB 47.75, -13.39, 47.23

 

CMYK 4 / 0 / 66 / 58

HEX #676B24

RGB 103 107 36

HSL 63.38, 0.5%, 0.28%

LAB 43.55, -11.75, 37.94

 

CMYK 2 / 0 / 49 / 63

HEX #5D5F30

RGB 93 95 48

HSL 62.55, 0.33%, 0.28%

LAB 39.11, -8.49, 26.47

 

CMYK 2 / 0 / 30 / 67

HEX #52543B

RGB 82 84 59

HSL 64.8, 0.17%, 0.28%

LAB 34.9, -5.53, 14.39

 

CMYK 0 / 44 / 90 / 49

HEX #82490D

RGB 130 73 13

HSL 30.77, 0.82%, 0.28%

LAB 37, 19.98, 42.32

 

CMYK 0 / 19 / 90 / 49

HEX #82690D

RGB 130 105 13

HSL 47.18, 0.82%, 0.28%

LAB 45.47, 1.18, 49.15

 

CMYK 5 / 0 / 90 / 49

HEX #7C820D

RGB 124 130 13

HSL 63.08, 0.82%, 0.28%

LAB 52.15, -15.58, 54.32

 

CMYK 28 / 0 / 90 / 49

HEX #5D820D

RGB 93 130 13

HSL 78.97, 0.82%, 0.28%

LAB 49.88, -29.24, 51.52

 

CMYK 52 / 0 / 90 / 49

HEX #3E820D

RGB 62 130 13

HSL 94.87, 0.82%, 0.28%

LAB 48.28, -40.71, 49.52

 

CMYK 5 / 0 / 91 / 78

HEX #343705

RGB 52 55 5

HSL 63.6, 0.83%, 0.12%

LAB 21.85, -8.54, 28.14

 

CMYK 4 / 0 / 90 / 64

HEX #585C09

RGB 88 92 9

HSL 62.89, 0.82%, 0.2%

LAB 37.39, -11.9, 41.83

 

CMYK 5 / 0 / 90 / 49

HEX #7C820D

RGB 124 130 13

HSL 63.08, 0.82%, 0.28%

LAB 52.15, -15.58, 54.32

 

CMYK 4 / 0 / 90 / 35

HEX #A0A711

RGB 160 167 17

HSL 62.8, 0.82%, 0.36%

LAB 65.87, -18.54, 65.82

 

CMYK 5 / 0 / 90 / 20

HEX #C3CD14

RGB 195 205 20

HSL 63.24, 0.82%, 0.44%

LAB 79.22, -22.3, 77.07

 

CMYK 5 / 0 / 90 / 49

HEX #7B810D

RGB 123 129 13

HSL 63.1, 0.82%, 0.28%

LAB 51.77, -15.51, 53.98

 

CMYK 90 / 0 / 68 / 49

HEX #0D822A

RGB 13 130 42

HSL 134.87, 0.82%, 0.28%

LAB 47.26, -48.49, 38.08

 

CMYK 32 / 90 / 0 / 49

HEX #590D82

RGB 89 13 130

HSL 278.97, 0.82%, 0.28%

LAB 23.75, 50.44, -47.86

 

CMYK 5 / 0 / 90 / 49

HEX #7B810D

RGB 123 129 13

HSL 63.1, 0.82%, 0.28%

LAB 51.77, -15.51, 53.98

 

CMYK 90 / 5 / 0 / 49

HEX #0D7C82

RGB 13 124 130

HSL 183.08, 0.82%, 0.28%

LAB 47.12, -25.48, -11.36

 

CMYK 0 / 90 / 5 / 49

HEX #820D7C

RGB 130 13 124

HSL 303.08, 0.82%, 0.28%

LAB 30.61, 56.61, -32.63

 

CMYK 5 / 0 / 90 / 49

HEX #7B810D

RGB 123 129 13

HSL 63.1, 0.82%, 0.28%

LAB 51.77, -15.51, 53.98

 

CMYK 90 / 0 / 68 / 49

HEX #0D822A

RGB 13 130 42

HSL 134.87, 0.82%, 0.28%

LAB 47.26, -48.49, 38.08

 

CMYK 85 / 90 / 0 / 49

HEX #130D82

RGB 19 13 130

HSL 243.08, 0.82%, 0.28%

LAB 15.69, 43.52, -61.43

 

CMYK 0 / 90 / 22 / 49

HEX #820D65

RGB 130 13 101

HSL 314.87, 0.82%, 0.28%

LAB 29.34, 53.26, -19.92

 

CMYK 5 / 0 / 90 / 49

HEX #7B810D

RGB 123 129 13

HSL 63.1, 0.82%, 0.28%

LAB 51.77, -15.51, 53.98

 

CMYK 90 / 0 / 41 / 49

HEX #0D824D

RGB 13 130 77

HSL 152.82, 0.82%, 0.28%

LAB 47.73, -42.77, 20.49

 

CMYK 85 / 90 / 0 / 49

HEX #130D82

RGB 19 13 130

HSL 243.08, 0.82%, 0.28%

LAB 15.69, 43.52, -61.43

 

CMYK 0 / 90 / 49 / 49

HEX #820D42

RGB 130 13 66

HSL 332.82, 0.82%, 0.28%

LAB 27.92, 49.33, 1.09

 

Description

Color code: HEX #7B810D | qconv.com Color code: HEX #7B810D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 129 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 129 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 90 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 90% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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