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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B7DF0CE it is the complementary color #84820FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B7DF0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B7DF0CE shade: #807DEBCE, #918FFECE, #A2A1FFCE, #B3B3FFCE and #C4C5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B7DF0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B7DF0CE shade: #7B7DF0CE, #6A6BDDCE, #5959CACE, #4847B7CE and #3735A4CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B7DF0CE shade: #7A7CF0, #987AF0, #B87AF0, #D87AF0 and #F07AE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B7DF0CE shade: #7A7CF0 and #7A7AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B7DF0CE shade matches the following richer shades: #7A7CF0 and #6E70FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B7DF0CE shade: #7A7CF0, #8687E4, #9293D8, #9E9FCC and #AAAAC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B7DF0CE shade: #7ABDF0, #7A9DF0, #7A7EF0, #957AF0 and #B57AF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B7DF0CE shade: #3033E8, #5557EC, #7A7CF0, #9FA0F4 and #C4C5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B7DF0CE shade: #7B7DF0, #F07ADC and #ADF07A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B7DF0CE shade: #7B7DF0, #F07A7E and #7EF07A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B7DF0CE shade: #7B7DF0, #F07ADC, #F0EC7A and #7AF08E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B7DF0CE shade: #7B7DF0, #F07AB9, #F0EC7A and #7AF0B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 39 / 0 / 5

HEX #7B7DF0CE

RGBA 123 125 240 0.81

HSLA 238.97, 0.8%, 0.71%, 0.81

LABA 57.24, 29.33, -58.35, 0.81

 

Complementary color

CMYK 0 / 1 / 72 / 39

HEX #84820FCE

RGBA 132 130 15 0.81

HSLA 58.97, 0.8%, 0.29%, 0.81

LABA 52.85, -11.84, 54.75, 0.81

 

CMYK 37 / 38 / 0 / 6

HEX #807DEBCE

RGBA 128 125 235 0.81

HSLA 241.64, 0.73%, 0.71%, 0.81

LABA 57.32, 28.98, -55.41, 0.81

 

CMYK 35 / 35 / 0 / 0

HEX #918FFECE

RGBA 145 143 254 0.81

HSLA 241.08, 0.98%, 0.78%, 0.81

LABA 64.02, 27.88, -55.16, 0.81

 

CMYK 30 / 30 / 0 / 0

HEX #A2A1FFCE

RGBA 162 161 255 0.81

HSLA 240.64, 1%, 0.82%, 0.81

LABA 69.75, 22.09, -46.56, 0.81

 

CMYK 24 / 24 / 0 / 0

HEX #B3B3FFCE

RGBA 179 179 255 0.81

HSLA 240, 1%, 0.85%, 0.81

LABA 75.48, 16.62, -37.52, 0.81

 

CMYK 19 / 18 / 0 / 0

HEX #C4C5FFCE

RGBA 196 197 255 0.81

HSLA 238.98, 1%, 0.88%, 0.81

LABA 81.23, 11.68, -28.55, 0.81

 

CMYK 39 / 39 / 0 / 5

HEX #7B7DF0CE

RGBA 123 125 240 0.81

HSLA 238.97, 0.8%, 0.71%, 0.81

LABA 57.24, 29.33, -58.35, 0.81

 

CMYK 42 / 42 / 0 / 11

HEX #6A6BDDCE

RGBA 106 107 221 0.81

HSLA 239.48, 0.63%, 0.64%, 0.81

LABA 50.45, 30.7, -58.66, 0.81

 

CMYK 45 / 45 / 0 / 17

HEX #5959CACE

RGBA 89 89 202 0.81

HSLA 240, 0.52%, 0.57%, 0.81

LABA 43.56, 32.29, -59, 0.81

 

CMYK 49 / 50 / 0 / 23

HEX #4847B7CE

RGBA 72 71 183 0.81

HSLA 240.54, 0.44%, 0.5%, 0.81

LABA 36.56, 34.14, -59.32, 0.81

 

CMYK 54 / 55 / 0 / 29

HEX #3735A4CE

RGBA 55 53 164 0.81

HSLA 241.08, 0.51%, 0.43%, 0.81

LABA 29.51, 36.28, -59.55, 0.81

 

CMYK 49 / 48 / 0 / 6

HEX #7A7CF0

RGB 122 124 240

HSL 238.98, 0.8%, 0.71%

LAB 56.92, 29.71, -58.86

 

CMYK 37 / 49 / 0 / 6

HEX #987AF0

RGB 152 122 240

HSL 255.25, 0.8%, 0.71%

LAB 58.87, 37.83, -55.61

 

CMYK 23 / 49 / 0 / 6

HEX #B87AF0

RGB 184 122 240

HSL 271.53, 0.8%, 0.71%

LAB 62, 46.01, -50.44

 

CMYK 10 / 49 / 0 / 6

HEX #D87AF0

RGB 216 122 240

HSL 287.8, 0.8%, 0.71%

LAB 65.6, 54.59, -44.52

 

CMYK 0 / 49 / 3 / 6

HEX #F07AE9

RGB 240 122 233

HSL 303.56, 0.8%, 0.71%

LAB 68.26, 59.93, -36.28

 

CMYK 49 / 48 / 0 / 6

HEX #7A7CF0

RGB 122 124 240

HSL 238.98, 0.8%, 0.71%

LAB 56.92, 29.71, -58.86

 

CMYK 49 / 49 / 0 / 6

HEX #7A7AF0

RGB 122 122 240

HSL 240, 0.8%, 0.71%

LAB 56.43, 30.89, -59.64

 

CMYK 49 / 48 / 0 / 6

HEX #7A7CF0

RGB 122 124 240

HSL 238.98, 0.8%, 0.71%

LAB 56.92, 29.71, -58.86

 

CMYK 56 / 56 / 0 / 1

HEX #6E70FC

RGB 110 112 252

HSL 239.15, 0.96%, 0.71%

LAB 53.95, 38.13, -70.34

 

CMYK 49 / 48 / 0 / 6

HEX #7A7CF0

RGB 122 124 240

HSL 238.98, 0.8%, 0.71%

LAB 56.92, 29.71, -58.86

 

CMYK 41 / 41 / 0 / 11

HEX #8687E4

RGB 134 135 228

HSL 239.36, 0.64%, 0.71%

LAB 59.89, 22.54, -47.42

 

CMYK 32 / 32 / 0 / 15

HEX #9293D8

RGB 146 147 216

HSL 239.14, 0.47%, 0.71%

LAB 63.29, 15.53, -35.33

 

CMYK 23 / 22 / 0 / 20

HEX #9E9FCC

RGB 158 159 204

HSL 238.7, 0.31%, 0.71%

LAB 66.84, 9.3, -23.1

 

CMYK 11 / 11 / 0 / 25

HEX #AAAAC0

RGB 170 170 192

HSL 240, 0.15%, 0.71%

LAB 70.25, 4.39, -11.22

 

CMYK 49 / 21 / 0 / 6

HEX #7ABDF0

RGB 122 189 240

HSL 205.93, 0.8%, 0.71%

LAB 74.08, -7.57, -31.88

 

CMYK 49 / 35 / 0 / 6

HEX #7A9DF0

RGB 122 157 240

HSL 222.2, 0.8%, 0.71%

LAB 65.39, 10.31, -45.41

 

CMYK 49 / 48 / 0 / 6

HEX #7A7EF0

RGB 122 126 240

HSL 237.97, 0.8%, 0.71%

LAB 57.42, 28.52, -58.07

 

CMYK 38 / 49 / 0 / 6

HEX #957AF0

RGB 149 122 240

HSL 253.73, 0.8%, 0.71%

LAB 58.6, 37.1, -56.05

 

CMYK 25 / 49 / 0 / 6

HEX #B57AF0

RGB 181 122 240

HSL 270, 0.8%, 0.71%

LAB 61.68, 45.22, -50.96

 

CMYK 79 / 78 / 0 / 9

HEX #3033E8

RGB 48 51 232

HSL 239.02, 0.8%, 0.55%

LAB 35.64, 58.95, -89.27

 

CMYK 64 / 63 / 0 / 7

HEX #5557EC

RGB 85 87 236

HSL 239.21, 0.8%, 0.63%

LAB 45.36, 43.86, -75.45

 

CMYK 49 / 48 / 0 / 6

HEX #7A7CF0

RGB 122 124 240

HSL 238.98, 0.8%, 0.71%

LAB 56.92, 29.71, -58.86

 

CMYK 35 / 34 / 0 / 4

HEX #9FA0F4

RGB 159 160 244

HSL 239.29, 0.79%, 0.79%

LAB 68.78, 18.98, -42.11

 

CMYK 21 / 21 / 0 / 3

HEX #C4C5F8

RGB 196 197 248

HSL 238.85, 0.79%, 0.87%

LAB 80.99, 10.1, -25.19

 

CMYK 49 / 48 / 0 / 6

HEX #7B7DF0

RGB 123 125 240

HSL 238.97, 0.8%, 0.71%

LAB 57.24, 29.33, -58.35

 

CMYK 0 / 49 / 8 / 6

HEX #F07ADC

RGB 240 122 220

HSL 310.17, 0.8%, 0.71%

LAB 67.73, 57.78, -29.9

 

CMYK 28 / 0 / 49 / 6

HEX #ADF07A

RGB 173 240 122

HSL 94.07, 0.8%, 0.71%

LAB 88.26, -40.71, 50.07

 

CMYK 49 / 48 / 0 / 6

HEX #7B7DF0

RGB 123 125 240

HSL 238.97, 0.8%, 0.71%

LAB 57.24, 29.33, -58.35

 

CMYK 0 / 49 / 48 / 6

HEX #F07A7E

RGB 240 122 126

HSL 357.97, 0.8%, 0.71%

LAB 64.92, 45.63, 18.99

 

CMYK 48 / 0 / 49 / 6

HEX #7EF07A

RGB 126 240 122

HSL 117.97, 0.8%, 0.71%

LAB 86.09, -55.37, 46.91

 

CMYK 49 / 48 / 0 / 6

HEX #7B7DF0

RGB 123 125 240

HSL 238.97, 0.8%, 0.71%

LAB 57.24, 29.33, -58.35

 

CMYK 0 / 49 / 8 / 6

HEX #F07ADC

RGB 240 122 220

HSL 310.17, 0.8%, 0.71%

LAB 67.73, 57.78, -29.9

 

CMYK 0 / 2 / 49 / 6

HEX #F0EC7A

RGB 240 236 122

HSL 57.97, 0.8%, 0.71%

LAB 91.65, -13.67, 55.2

 

CMYK 49 / 0 / 41 / 6

HEX #7AF08E

RGB 122 240 142

HSL 130.17, 0.8%, 0.71%

LAB 86.21, -53.58, 37.33

 

CMYK 49 / 48 / 0 / 6

HEX #7B7DF0

RGB 123 125 240

HSL 238.97, 0.8%, 0.71%

LAB 57.24, 29.33, -58.35

 

CMYK 0 / 49 / 23 / 6

HEX #F07AB9

RGB 240 122 185

HSL 327.97, 0.8%, 0.71%

LAB 66.48, 52.51, -12.21

 

CMYK 0 / 2 / 49 / 6

HEX #F0EC7A

RGB 240 236 122

HSL 57.97, 0.8%, 0.71%

LAB 91.65, -13.67, 55.2

 

CMYK 49 / 0 / 26 / 6

HEX #7AF0B1

RGB 122 240 177

HSL 147.97, 0.8%, 0.71%

LAB 86.82, -47.44, 20.39

 

Description

Color code: HEX #7B7DF0CE | qconv.com Color code: HEX #7B7DF0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 125 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 125 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 39 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 39% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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