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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B7952 it is the complementary color #8486AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B7952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B7952 shade: #80794D, #918B60, #A29D73, #B3AF86 and #C4C199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B7952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B7952 shade: #7B7952, #6A673F, #59552C, #484319 and #373106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B7952 shade: #7A7852, #7A6D52, #7A6252, #7A5752 and #7A5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B7952 shade: #7A7852, #717A52, #667A52, #5B7A52 and #527A53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B7952 shade matches the following richer shades: #7A7852, #8B8741, #9B9631, #ACA520 and #BCB410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B7952 shade: #7A7852, #6A6A62, #595B73, #494C83 and #383D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B7952 shade: #7A6352, #7A6D52, #7A7852, #727A52 and #677A52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B7952 shade: #494831, #626041, #7A7852, #939162 and #A6A379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B7952 shade: #7B7952, #527A58 and #68527A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B7952 shade: #7B7952, #527A78 and #78527A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B7952 shade: #7B7952, #527A58, #52547A and #7A5274

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B7952 shade: #7B7952, #527A64, #52547A and #7A5268

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 33 / 52

HEX #7B7952

RGB 123 121 82

HSL 57.07, 0.2%, 0.4%

LAB 50.09, -5.79, 21.71

 

Complementary color

CMYK 24 / 23 / 0 / 32

HEX #8486AD

RGB 132 134 173

HSL 237.07, 0.2%, 0.6%

LAB 57.05, 7.97, -20.8

 

CMYK 0 / 5 / 40 / 50

HEX #80794D

RGB 128 121 77

HSL 51.76, 0.25%, 0.4%

LAB 50.45, -4.28, 25.1

 

CMYK 0 / 4 / 34 / 43

HEX #918B60

RGB 145 139 96

HSL 52.65, 0.2%, 0.47%

LAB 57.4, -4.69, 23.85

 

CMYK 0 / 3 / 29 / 36

HEX #A29D73

RGB 162 157 115

HSL 53.62, 0.2%, 0.54%

LAB 64.19, -5.01, 22.68

 

CMYK 0 / 2 / 25 / 30

HEX #B3AF86

RGB 179 175 134

HSL 54.67, 0.23%, 0.61%

LAB 70.85, -5.28, 21.59

 

CMYK 0 / 2 / 22 / 23

HEX #C4C199

RGB 196 193 153

HSL 55.81, 0.27%, 0.68%

LAB 77.39, -5.5, 20.57

 

CMYK 0 / 2 / 33 / 52

HEX #7B7952

RGB 123 121 82

HSL 57.07, 0.2%, 0.4%

LAB 50.09, -5.79, 21.71

 

CMYK 0 / 3 / 41 / 58

HEX #6A673F

RGB 106 103 63

HSL 55.81, 0.25%, 0.33%

LAB 42.95, -5.43, 22.99

 

CMYK 0 / 4 / 51 / 65

HEX #59552C

RGB 89 85 44

HSL 54.67, 0.34%, 0.26%

LAB 35.6, -4.93, 24.37

 

CMYK 0 / 7 / 65 / 72

HEX #484319

RGB 72 67 25

HSL 53.62, 0.48%, 0.19%

LAB 28.01, -4.19, 25.72

 

CMYK 0 / 11 / 89 / 78

HEX #373106

RGB 55 49 6

HSL 52.65, 0.8%, 0.12%

LAB 20.13, -3.05, 25.94

 

CMYK 0 / 2 / 33 / 52

HEX #7A7852

RGB 122 120 82

HSL 57, 0.2%, 0.4%

LAB 49.71, -5.65, 21.19

 

CMYK 0 / 11 / 33 / 52

HEX #7A6D52

RGB 122 109 82

HSL 40.5, 0.2%, 0.4%

LAB 46.56, 0.66, 16.97

 

CMYK 0 / 20 / 33 / 52

HEX #7A6252

RGB 122 98 82

HSL 24, 0.2%, 0.4%

LAB 43.48, 7.15, 12.77

 

CMYK 0 / 29 / 33 / 52

HEX #7A5752

RGB 122 87 82

HSL 7.5, 0.2%, 0.4%

LAB 40.51, 13.74, 8.63

 

CMYK 0 / 33 / 33 / 52

HEX #7A5252

RGB 122 82 82

HSL 0, 0.2%, 0.4%

LAB 39.21, 16.75, 6.79

 

CMYK 0 / 2 / 33 / 52

HEX #7A7852

RGB 122 120 82

HSL 57, 0.2%, 0.4%

LAB 49.71, -5.65, 21.19

 

CMYK 7 / 0 / 33 / 52

HEX #717A52

RGB 113 122 82

HSL 73.5, 0.2%, 0.4%

LAB 49.54, -10.57, 20.83

 

CMYK 16 / 0 / 33 / 52

HEX #667A52

RGB 102 122 82

HSL 90, 0.2%, 0.4%

LAB 48.7, -15.07, 19.56

 

CMYK 25 / 0 / 33 / 52

HEX #5B7A52

RGB 91 122 82

HSL 106.5, 0.2%, 0.4%

LAB 47.95, -19.36, 18.42

 

CMYK 33 / 0 / 32 / 52

HEX #527A53

RGB 82 122 83

HSL 121.5, 0.2%, 0.4%

LAB 47.41, -22.5, 17.03

 

CMYK 0 / 2 / 33 / 52

HEX #7A7852

RGB 122 120 82

HSL 57, 0.2%, 0.4%

LAB 49.71, -5.65, 21.19

 

CMYK 0 / 3 / 53 / 45

HEX #8B8741

RGB 139 135 65

HSL 56.76, 0.36%, 0.4%

LAB 55.28, -8.52, 37.71

 

CMYK 0 / 3 / 68 / 39

HEX #9B9631

RGB 155 150 49

HSL 57.17, 0.52%, 0.4%

LAB 60.78, -10.7, 51.56

 

CMYK 0 / 4 / 81 / 33

HEX #ACA520

RGB 172 165 32

HSL 57, 0.69%, 0.4%

LAB 66.36, -11.81, 63.21

 

CMYK 0 / 4 / 91 / 26

HEX #BCB410

RGB 188 180 16

HSL 57.21, 0.84%, 0.4%

LAB 71.81, -12.89, 71.64

 

CMYK 0 / 2 / 33 / 52

HEX #7A7852

RGB 122 120 82

HSL 57, 0.2%, 0.4%

LAB 49.71, -5.65, 21.19

 

CMYK 0 / 0 / 8 / 58

HEX #6A6A62

RGB 106 106 98

HSL 60, 0.04%, 0.4%

LAB 44.6, -1.59, 4.49

 

CMYK 23 / 21 / 0 / 55

HEX #595B73

RGB 89 91 115

HSL 235.38, 0.13%, 0.4%

LAB 39.32, 4.9, -13.85

 

CMYK 44 / 42 / 0 / 49

HEX #494C83

RGB 73 76 131

HSL 236.9, 0.28%, 0.4%

LAB 34.45, 14.02, -31.38

 

CMYK 62 / 59 / 0 / 42

HEX #383D94

RGB 56 61 148

HSL 236.74, 0.45%, 0.4%

LAB 30.2, 25.73, -48.7

 

CMYK 0 / 19 / 33 / 52

HEX #7A6352

RGB 122 99 82

HSL 25.5, 0.2%, 0.4%

LAB 43.76, 6.56, 13.15

 

CMYK 0 / 11 / 33 / 52

HEX #7A6D52

RGB 122 109 82

HSL 40.5, 0.2%, 0.4%

LAB 46.56, 0.66, 16.97

 

CMYK 0 / 2 / 33 / 52

HEX #7A7852

RGB 122 120 82

HSL 57, 0.2%, 0.4%

LAB 49.71, -5.65, 21.19

 

CMYK 7 / 0 / 33 / 52

HEX #727A52

RGB 114 122 82

HSL 72, 0.2%, 0.4%

LAB 49.62, -10.15, 20.95

 

CMYK 16 / 0 / 33 / 52

HEX #677A52

RGB 103 122 82

HSL 88.5, 0.2%, 0.4%

LAB 48.77, -14.67, 19.67

 

CMYK 0 / 1 / 33 / 71

HEX #494831

RGB 73 72 49

HSL 57.5, 0.2%, 0.24%

LAB 30.09, -3.88, 13.99

 

CMYK 0 / 2 / 34 / 62

HEX #626041

RGB 98 96 65

HSL 56.36, 0.2%, 0.32%

LAB 40.15, -4.64, 18.04

 

CMYK 0 / 2 / 33 / 52

HEX #7A7852

RGB 122 120 82

HSL 57, 0.2%, 0.4%

LAB 49.71, -5.65, 21.19

 

CMYK 0 / 1 / 33 / 42

HEX #939162

RGB 147 145 98

HSL 57.55, 0.2%, 0.48%

LAB 59.28, -6.89, 25.26

 

CMYK 0 / 2 / 27 / 35

HEX #A6A379

RGB 166 163 121

HSL 56, 0.2%, 0.56%

LAB 66.28, -5.81, 22.27

 

CMYK 0 / 2 / 33 / 52

HEX #7B7952

RGB 123 121 82

HSL 57.07, 0.2%, 0.4%

LAB 50.09, -5.79, 21.71

 

CMYK 33 / 0 / 28 / 52

HEX #527A58

RGB 82 122 88

HSL 129, 0.2%, 0.4%

LAB 47.52, -21.56, 14.27

 

CMYK 15 / 33 / 0 / 52

HEX #68527A

RGB 104 82 122

HSL 273, 0.2%, 0.4%

LAB 38.52, 17.48, -19.25

 

CMYK 0 / 2 / 33 / 52

HEX #7B7952

RGB 123 121 82

HSL 57.07, 0.2%, 0.4%

LAB 50.09, -5.79, 21.71

 

CMYK 33 / 0 / 2 / 52

HEX #527A78

RGB 82 122 120

HSL 177, 0.2%, 0.4%

LAB 48.35, -14.38, -3.38

 

CMYK 2 / 33 / 0 / 52

HEX #78527A

RGB 120 82 122

HSL 297, 0.2%, 0.4%

LAB 40.3, 23.11, -16.37

 

CMYK 0 / 2 / 33 / 52

HEX #7B7952

RGB 123 121 82

HSL 57.07, 0.2%, 0.4%

LAB 50.09, -5.79, 21.71

 

CMYK 33 / 0 / 28 / 52

HEX #527A58

RGB 82 122 88

HSL 129, 0.2%, 0.4%

LAB 47.52, -21.56, 14.27

 

CMYK 33 / 31 / 0 / 52

HEX #52547A

RGB 82 84 122

HSL 237, 0.2%, 0.4%

LAB 37, 8.86, -21.77

 

CMYK 0 / 33 / 5 / 52

HEX #7A5274

RGB 122 82 116

HSL 309, 0.2%, 0.4%

LAB 40.3, 22.61, -12.66

 

CMYK 0 / 2 / 33 / 52

HEX #7B7952

RGB 123 121 82

HSL 57.07, 0.2%, 0.4%

LAB 50.09, -5.79, 21.71

 

CMYK 33 / 0 / 18 / 52

HEX #527A64

RGB 82 122 100

HSL 147, 0.2%, 0.4%

LAB 47.79, -19.09, 7.63

 

CMYK 33 / 31 / 0 / 52

HEX #52547A

RGB 82 84 122

HSL 237, 0.2%, 0.4%

LAB 37, 8.86, -21.77

 

CMYK 0 / 33 / 15 / 52

HEX #7A5268

RGB 122 82 104

HSL 327, 0.2%, 0.4%

LAB 39.87, 20.34, -5.9

 

Description

Color code: HEX #7B7952 | qconv.com Color code: HEX #7B7952 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 121 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 121 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 33 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 33% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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