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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B71AA it is the complementary color #848E55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B71AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B71AA shade: #8071A5, #9183B8, #A295CB, #B3A7DE and #C4B9F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B71AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B71AA shade: #7B71AA, #6A5F97, #594D84, #483B71 and #37295E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B71AA shade: #7A70A9, #8970A9, #9970A9, #A870A9 and #A9709A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B71AA shade: #7A70A9 and #7070A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B71AA shade matches the following richer shades: #7A70A9, #6E5DBC, #624ACE, #5538E1 and #4925F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B71AA shade: #7A70A9, #868296, #929584, #9EA771 and #AABA5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B71AA shade: #7085A9, #7075A9, #7970A9, #8870A9 and #9870A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B71AA shade: #534A7C, #645A96, #7A70A9, #9289B8 and #AAA3C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B71AA shade: #7B71AA, #A97094 and #7DA970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B71AA shade: #7B71AA, #A97970 and #70A979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B71AA shade: #7B71AA, #A97094, #9FA970 and #70A985

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B71AA shade: #7B71AA, #A97083, #9FA970 and #70A996

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 34 / 0 / 33

HEX #7B71AA

RGB 123 113 170

HSL 250.53, 0.25%, 0.55%

LAB 50.6, 16.78, -29.08

 

Complementary color

CMYK 7 / 0 / 40 / 44

HEX #848E55

RGB 132 142 85

HSL 70.53, 0.25%, 0.45%

LAB 56.99, -13.15, 29.14

 

CMYK 22 / 32 / 0 / 35

HEX #8071A5

RGB 128 113 165

HSL 257.31, 0.22%, 0.55%

LAB 50.82, 17.09, -25.78

 

CMYK 21 / 29 / 0 / 28

HEX #9183B8

RGB 145 131 184

HSL 255.85, 0.27%, 0.62%

LAB 57.76, 16.5, -25.89

 

CMYK 20 / 27 / 0 / 20

HEX #A295CB

RGB 162 149 203

HSL 254.44, 0.34%, 0.69%

LAB 64.55, 15.97, -26.03

 

CMYK 19 / 25 / 0 / 13

HEX #B3A7DE

RGB 179 167 222

HSL 253.09, 0.45%, 0.76%

LAB 71.21, 15.5, -26.19

 

CMYK 19 / 23 / 0 / 5

HEX #C4B9F1

RGB 196 185 241

HSL 251.79, 0.67%, 0.84%

LAB 77.75, 15.06, -26.38

 

CMYK 28 / 34 / 0 / 33

HEX #7B71AA

RGB 123 113 170

HSL 250.53, 0.25%, 0.55%

LAB 50.6, 16.78, -29.08

 

CMYK 30 / 37 / 0 / 41

HEX #6A5F97

RGB 106 95 151

HSL 251.79, 0.23%, 0.48%

LAB 43.48, 17.5, -29.1

 

CMYK 33 / 42 / 0 / 48

HEX #594D84

RGB 89 77 132

HSL 253.09, 0.26%, 0.41%

LAB 36.17, 18.33, -29.18

 

CMYK 36 / 48 / 0 / 56

HEX #483B71

RGB 72 59 113

HSL 254.44, 0.31%, 0.34%

LAB 28.64, 19.33, -29.33

 

CMYK 41 / 56 / 0 / 63

HEX #37295E

RGB 55 41 94

HSL 255.85, 0.39%, 0.26%

LAB 20.85, 20.54, -29.55

 

CMYK 28 / 34 / 0 / 34

HEX #7A70A9

RGB 122 112 169

HSL 250.53, 0.25%, 0.55%

LAB 50.2, 16.82, -29.12

 

CMYK 19 / 34 / 0 / 34

HEX #8970A9

RGB 137 112 169

HSL 266.32, 0.25%, 0.55%

LAB 51.58, 21.52, -26.88

 

CMYK 9 / 34 / 0 / 34

HEX #9970A9

RGB 153 112 169

HSL 283.16, 0.25%, 0.55%

LAB 53.2, 26.7, -24.24

 

CMYK 1 / 34 / 0 / 34

HEX #A870A9

RGB 168 112 169

HSL 298.95, 0.25%, 0.55%

LAB 54.84, 31.65, -21.57

 

CMYK 0 / 34 / 9 / 34

HEX #A9709A

RGB 169 112 154

HSL 315.79, 0.25%, 0.55%

LAB 54.4, 29.19, -13.51

 

CMYK 28 / 34 / 0 / 34

HEX #7A70A9

RGB 122 112 169

HSL 250.53, 0.25%, 0.55%

LAB 50.2, 16.82, -29.12

 

CMYK 34 / 34 / 0 / 34

HEX #7070A9

RGB 112 112 169

HSL 240, 0.25%, 0.55%

LAB 49.37, 13.81, -30.48

 

CMYK 28 / 34 / 0 / 34

HEX #7A70A9

RGB 122 112 169

HSL 250.53, 0.25%, 0.55%

LAB 50.2, 16.82, -29.12

 

CMYK 41 / 51 / 0 / 26

HEX #6E5DBC

RGB 110 93 188

HSL 250.74, 0.41%, 0.55%

LAB 45.32, 30.17, -47.96

 

CMYK 52 / 64 / 0 / 19

HEX #624ACE

RGB 98 74 206

HSL 250.91, 0.57%, 0.55%

LAB 41.14, 44.14, -65.2

 

CMYK 62 / 75 / 0 / 12

HEX #5538E1

RGB 85 56 225

HSL 250.3, 0.74%, 0.55%

LAB 38.19, 57.49, -80.98

 

CMYK 70 / 85 / 0 / 5

HEX #4925F3

RGB 73 37 243

HSL 250.49, 0.9%, 0.55%

LAB 36.39, 69.53, -94.22

 

CMYK 28 / 34 / 0 / 34

HEX #7A70A9

RGB 122 112 169

HSL 250.53, 0.25%, 0.55%

LAB 50.2, 16.82, -29.12

 

CMYK 11 / 13 / 0 / 41

HEX #868296

RGB 134 130 150

HSL 252, 0.09%, 0.55%

LAB 55.31, 5.62, -10.17

 

CMYK 2 / 0 / 11 / 42

HEX #929584

RGB 146 149 132

HSL 70.59, 0.07%, 0.55%

LAB 61.02, -4.25, 8.6

 

CMYK 5 / 0 / 32 / 35

HEX #9EA771

RGB 158 167 113

HSL 70, 0.23%, 0.55%

LAB 66.6, -12.21, 26.92

 

CMYK 9 / 0 / 49 / 27

HEX #AABA5F

RGB 170 186 95

HSL 70.55, 0.4%, 0.55%

LAB 72.55, -19.26, 43.93

 

CMYK 34 / 21 / 0 / 34

HEX #7085A9

RGB 112 133 169

HSL 217.89, 0.25%, 0.55%

LAB 55.16, 1.35, -21.52

 

CMYK 34 / 31 / 0 / 34

HEX #7075A9

RGB 112 117 169

HSL 234.74, 0.25%, 0.55%

LAB 50.72, 10.8, -28.37

 

CMYK 28 / 34 / 0 / 34

HEX #7970A9

RGB 121 112 169

HSL 249.47, 0.25%, 0.55%

LAB 50.12, 16.51, -29.26

 

CMYK 20 / 34 / 0 / 34

HEX #8870A9

RGB 136 112 169

HSL 265.26, 0.25%, 0.55%

LAB 51.48, 21.2, -27.03

 

CMYK 10 / 34 / 0 / 34

HEX #9870A9

RGB 152 112 169

HSL 282.11, 0.25%, 0.55%

LAB 53.09, 26.38, -24.42

 

CMYK 33 / 40 / 0 / 51

HEX #534A7C

RGB 83 74 124

HSL 250.8, 0.25%, 0.39%

LAB 34.38, 16.14, -27.1

 

CMYK 33 / 40 / 0 / 41

HEX #645A96

RGB 100 90 150

HSL 250, 0.25%, 0.47%

LAB 41.57, 18.51, -31.54

 

CMYK 28 / 34 / 0 / 34

HEX #7A70A9

RGB 122 112 169

HSL 250.53, 0.25%, 0.55%

LAB 50.2, 16.82, -29.12

 

CMYK 21 / 26 / 0 / 28

HEX #9289B8

RGB 146 137 184

HSL 251.49, 0.25%, 0.63%

LAB 59.4, 13.34, -23.36

 

CMYK 15 / 19 / 0 / 22

HEX #AAA3C8

RGB 170 163 200

HSL 251.35, 0.25%, 0.71%

LAB 68.69, 9.98, -17.99

 

CMYK 28 / 34 / 0 / 33

HEX #7B71AA

RGB 123 113 170

HSL 250.53, 0.25%, 0.55%

LAB 50.6, 16.78, -29.08

 

CMYK 0 / 34 / 12 / 34

HEX #A97094

RGB 169 112 148

HSL 322.11, 0.25%, 0.55%

LAB 54.2, 28.13, -10.32

 

CMYK 26 / 0 / 34 / 34

HEX #7DA970

RGB 125 169 112

HSL 106.32, 0.25%, 0.55%

LAB 64.89, -25.88, 24.78

 

CMYK 28 / 34 / 0 / 33

HEX #7B71AA

RGB 123 113 170

HSL 250.53, 0.25%, 0.55%

LAB 50.6, 16.78, -29.08

 

CMYK 0 / 28 / 34 / 34

HEX #A97970

RGB 169 121 112

HSL 9.47, 0.25%, 0.55%

LAB 55.36, 17.51, 12.37

 

CMYK 34 / 0 / 28 / 34

HEX #70A979

RGB 112 169 121

HSL 129.47, 0.25%, 0.55%

LAB 64.32, -28.79, 19.01

 

CMYK 28 / 34 / 0 / 33

HEX #7B71AA

RGB 123 113 170

HSL 250.53, 0.25%, 0.55%

LAB 50.6, 16.78, -29.08

 

CMYK 0 / 34 / 12 / 34

HEX #A97094

RGB 169 112 148

HSL 322.11, 0.25%, 0.55%

LAB 54.2, 28.13, -10.32

 

CMYK 6 / 0 / 34 / 34

HEX #9FA970

RGB 159 169 112

HSL 70.53, 0.25%, 0.55%

LAB 67.21, -13, 28.29

 

CMYK 34 / 0 / 21 / 34

HEX #70A985

RGB 112 169 133

HSL 142.11, 0.25%, 0.55%

LAB 64.58, -26.5, 12.75

 

CMYK 28 / 34 / 0 / 33

HEX #7B71AA

RGB 123 113 170

HSL 250.53, 0.25%, 0.55%

LAB 50.6, 16.78, -29.08

 

CMYK 0 / 34 / 22 / 34

HEX #A97083

RGB 169 112 131

HSL 340, 0.25%, 0.55%

LAB 53.67, 25.34, -1.15

 

CMYK 6 / 0 / 34 / 34

HEX #9FA970

RGB 159 169 112

HSL 70.53, 0.25%, 0.55%

LAB 67.21, -13, 28.29

 

CMYK 34 / 0 / 11 / 34

HEX #70A996

RGB 112 169 150

HSL 160, 0.25%, 0.55%

LAB 64.98, -22.93, 3.89

 

Description

Color code: HEX #7B71AA | qconv.com Color code: HEX #7B71AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 113 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 113 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 34 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 34% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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